Latest and Greatest Duets

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1CD
#TitoloArtistaValutazioneDurata
1Heartbreaker
produttore:
will.i.am (American rapper and producer)
registrazione di:
Heartbreaker
paroliere e compositore:
William Adams (American rapper and producer)
will.i.am feat. Cheryl2.53:17
2If I Never See Your Face Again
tecnico di registrazione:
Mark Endert e Mark “Spike” Stent (producer, engineer)
produttore:
C. “Tricky” Stewart (producer, C. “Tricky” Stewart), Mike Elizondo, Mark Endert, Maroon 5 (American band) e Mark “Spike” Stent (producer, engineer)
tecnico di missaggio:
Mark Endert
voce:
Rihanna (Barbadian R&B/pop singer)
diritti fonografici (℗) detenuti da:
OctoScope Music LLC (holding company behind the "A&M/Octone" label) (nel 2008)
registrata presso:
Conway Studios in Hollywood, Los Angeles, California, Stati Uniti, Glenwood Place Studios in Burbank, California, Stati Uniti, Henson Studios (former A&M Studios) in Hollywood, Los Angeles, California, Stati Uniti, House of Blues Studios in Encino, California, Stati Uniti e Phantom Studio in Westlake Village, California, Stati Uniti
mixata presso:
Scream Studios in Miami, Florida, Stati Uniti
registrazione di:
If I Never See Your Face Again
autore:
Adam Levine (Maroon 5’s lead vocalist) e James Valentine (Maroon 5)
Maroon 5 feat. Rihanna2.753:19
3Broken Strings
tecnico di registrazione:
Joao Nazario, Alex Smith (English songwriter and producer), Ren Swan e Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
programmazione e produttore:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
assistente tecnico di missaggio:
Dan Parry (British mix/recording engineer)
tecnico di missaggio:
Tom Elmhirst (mixing engineer)
basso :
Alex Smith (English songwriter and producer)
batteria :
Ash Soan
chitarra :
Adam Phillips (British guitarist and singer) e Alex Smith (English songwriter and producer)
video musicali:
Broken Strings di James Morrison (UK singer) feat. Nelly Furtado
registrazione di:
Broken Strings
autore:
James Morrison (UK singer), Fraser T. Smith e Nina Woodford
editore:
BMG Blue
James Morrison feat. Nelly Furtado4.54:13
4Rise & Fall
registrazione di:
Rise & Fall
autore:
Craig David, Gordon Sumner (singer, songwriter & member of The Police) e Dominic Miller (guitarist)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Magnetic Publishing Ltd., P and P Songs Limited, Steerpike Ltd. (PRS-affiliated) e Windswept Music (London) Ltd.
cita i testi di:
Shape of My Heart
cita la musica di:
Shape of My Heart
Craig David feat. Sting4:01
5If You Ever
East 17 feat. Gabrielle3:57
6Shine a Light
registrazione di:
Shine a Light
autore:
Taio Cruz, Tom Fletcher (McFly) e Danny Jones (McFly)
McFly feat. Taio Cruz3:39
7Supernova
voce:
Kanye West (formerly Kanye West)
esecutore ospite:
Kanye West (formerly Kanye West)
registrazione di:
Supernova
autore:
Benjamin McIldowie e Kanye West (formerly Kanye West)
Mr Hudson feat. Kanye West2.753:15
8Dilemma
assistente tecnico di registrazione e assistente tecnico:
Nick Howard (engineer)
tecnico di registrazione e tecnico:
Brian Garten
produttore:
BAM e Ryan Bowser
assistente tecnico di missaggio:
Dan Milazzo e Jeff Robinette
tecnico di missaggio:
Rich Travali
tecnico di missaggio associato:
Jamie Duncan
voce:
Nelly (US rapper) e Kelly Rowland
diritti fonografici (℗) detenuti da:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 2002) e Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (nel 2002)
è stato produttore per:
Suga Shack Entertainment
registrata presso e lavorazione tecnica effettuata presso:
Right Track Recordings in Manhattan, New York, New York, Stati Uniti
mixata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti e The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti
registrazione di:
Dilemma
paroliere:
Kenneth Gamble (songwriter for Philadelphia International), Nelly (US rapper) e Bunny Sigler
compositore:
BAM e Ryan Bowser
editore:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (conclusa), Jackie Frost Music (conclusa), Phat Nasty (conclusa), Suga Shack (conclusa), EMI April Music Inc., Hipgnosis SFH I Limited, Kobalt Songs Music Publishing (USA, ASCAP affiliated), Shack Suga Entertainment, Universal Music–MGB Songs e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
si basa su:
Love, Need and Want You
Nelly feat. Kelly Rowland4.74:50
9Promiscuous
registrazione di:
Promiscuous
paroliere:
Attitude (US rapper/producer Tim Clayton), Nelly Furtado e Timbaland
compositore:
Timothy Clayton, Nelly Furtado, Nate Hills (US producer Nate Hills) e Timothy Mosley
Nelly Furtado feat. Timbaland4:04
10She’s Like a Star
voce principale:
Taio Cruz
registrazione di:
She’s Like a Star (Original Taio Cruz version)
paroliere e compositore:
Taio Cruz
registrazione di:
She’s Like a Star (Later version (Taio Cruz / Sugababes))
versione di:
She’s Like a Star (Original Taio Cruz version)
Sugababes feat. Taio Cruz2:43
11How Deep Is Your Love
registrazione di:
How Deep Is Your Love (Dru Hill song)
compositore:
R. Cousins, Mark Andrews, Reggie Noble (Redman, US rapper), Terry Ruffin e W. Campbell
Dru Hill feat. Redman3:49
12Let Me Blow Ya Mind
assistente tecnico di registrazione:
John Tyree (engineer)
tecnico di registrazione:
Mauricio “Veto” Iragorri
supporto a vario titolo:
Larry Chatman
produttore:
Dr. Dre (Andre Young, rap producer) e Scott Storch (producer)
tecnico di missaggio:
Dr. Dre (Andre Young, rap producer)
chitarra :
Mike Elizondo
tastiera [keyboards] :
Scott Storch (producer)
voce di accompagnamento:
Eve (US rapper/singer) e Stevie J. (US hip-hop producer/songwriter Steven Jordan)
voce principale:
Gwen Stefani
esecutore:
Gwen Stefani
diritti fonografici (℗) detenuti da:
Interscope Records (part of UMG Recordings, Inc.) (nel 2001) e Ruff Ryders (nel 2001)
registrata presso:
Record One in Sherman Oaks, Los Angeles, California, Stati Uniti
parte di:
My VH1 Music Awards – There’s No “I” in Team (Best Collaboration) Nominees (2001) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 322)
registrazione di:
Let Me Blow Ya Mind
autore:
A. Young (Andre Young, rap producer), E. Jeffers (US rapper/singer), M. Elizondo, S. Jordan (US hip-hop producer/songwriter Steven Jordan) e S. Storch (producer)
editore:
Aint Nuthin’ Goin’On But F****’ Music, Blackjack Entertainment, Blondie Rockwell Publishing, Dead Game Publishing, Elvismambo Music, Fivecard, Music of Windswept, Scott Storch Music, TVT (copyright holder, no releases here please) e WB Music Corp. (1929–2019)
Eve feat. Gwen Stefani4.33:52
13Breathe
produttore:
Ivan Matias
voce ospite:
Sean Paul (Jamaican reggae/dancehall)
voce principale:
Blu Cantrell
esecutore:
Sean Paul (Jamaican reggae/dancehall)
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 2002)
campionamenti:
What’s the Difference (explicit) di Dr. Dre (Andre Young, rap producer) featuring Eminem (US rapper) & Xzibit
video musicali:
Breathe di Blu Cantrell feat. Sean Paul (Jamaican reggae/dancehall)
registrazione di:
Breathe (Blu Cantrell, rap version)
paroliere e compositore:
Alvin Joiner, Charles Aznavour, Richard Bembery, Marshall Mathers (Eminem, US rapper), Andrea Martin (singer/songwriter for various dance/soul artists), Ivan Matias, Melvin Charles Bradford (US west coast hip‐hop producer Melvin Bradford; Aftermath Entertainment) e Stephon Harris Cunningham
versione di:
Breathe
Blu Cantrell feat. Sean Paul3.93:49
14Could It Be I’m Falling in Love
registrazione cover di:
Could It Be I’m Falling in Love
autore:
Melvin Steals e Mervin Steals
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
David Grant feat. Jaki Graham3:50
15It’s Too Late
registrazione cover di:
It’s Too Late
paroliere:
Toni Stern
compositore:
Carole King
dedicata a:
James Taylor (singer-songwriter and guitarist)
editore:
Colgems-EMI Music Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Dina Carroll feat. Quartz4:02
16Father & Son
registrazione cover di:
Father and Son (Cat Stevens)
paroliere e compositore:
Cat Stevens (now known as Yusuf Islam)
editore:
Cat Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Freshwater Music Ltd. (dal 1970 a oggi) e Irving Music, Inc. (dal 1970 a oggi)
Ronan Keating feat. Yusuf Islam2:49
17I’ll Be Your Baby Tonight
produttore:
Robert Palmer (English singer‐songwriter)
tecnico di missaggio:
Eric "E.T." Thorngren
esecutore:
UB40
registrazione cover di:
I’ll Be Your Baby Tonight
paroliere e compositore:
Bob Dylan (dal 1967-10 al 1967-11)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946) e Dwarf Music (nel 1968)
Robert Palmer feat. UB404.653:26
18Mama Told Me Not to Come
tecnico:
Bob Kraushaar
produttore:
Marshall Bird e Steve Bush (engineer/mixer)
produttore aggiunto:
Stephen Hague
voce:
Tom Jones (Welsh pop singer)
esecutore:
Stereophonics
registrazione cover di:
Mama Told Me (Not to Come) (nel 1999)
paroliere e compositore:
Randy Newman (American singer‐songwriter and score composer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), January Music, January Music Corp., Supersongs Unlimited, Unichappell Music, Inc. e Warner/Chappell North America
registrazione di:
Mama Told Me (Not to Come)
paroliere e compositore:
Randy Newman (American singer‐songwriter and score composer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), January Music, January Music Corp., Supersongs Unlimited, Unichappell Music, Inc. e Warner/Chappell North America
Tom Jones with the Stereophonics2.353:00
19This Is Not America
registrazione cover di:
This Is Not America
paroliere e autore:
David Bowie (English singer‐songwriter)
compositore:
Lyle Mays e Pat Metheny
editore:
CBS Songs Ltd., Donna Dijon Music Publications, Jones Music (publishers associated with David Bowie), Jones Music America, OPC Music Publishing, Inc., Pat Meth Music Corp (Pat Meth Music Corporation), Pat‐Meth Music, RZO Music Ltd, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing France, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
Claudia Brücken feat. Paul Rutherford3:25
20What Becomes of the Broken Hearted
registrazione cover di:
What Becomes of the Brokenhearted
autore:
James Dean (US soul songwriter), Paul Riser e William Weatherspoon
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Jobete Music (UK)
Dave Stewart & Colin Blunstone3:50
2CD
#TitoloArtistaValutazioneDurata
1Endless Love
tecnico di registrazione:
Reggie Dozier
produttore:
Lionel Richie
tecnico di missaggio:
Guy Costa
esecutore ospite aggiunto:
Diana Ross
arrangiatore:
Gene Page
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1981)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 20)
registrazione di:
Endless Love
paroliere e compositore:
Lionel Richie
editore:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing (Warner/Chappell Music, Inc.) e Warner/Chappell North America
parte di:
The 54th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1981 nominee)
Lionel Richie & Diana Ross3.54:29
2Up Where We Belong
produttore:
Stewart Levine (record producer and saxophonist)
batteria :
Leon Ndugu Chancler
chitarra :
Louie Shelton
percussione :
Paulinho da Costa (Brazilian percussionist)
tastiera :
Robbie Buchanan (Canadian producer) e Bobby Lyle
voce principale:
Joe Cocker e Jennifer Warnes
diritti fonografici (℗) detenuti da:
Island Records, Inc. (US, Island holding) (nel 1982) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1982)
registrazione di:
Up Where We Belong (An Officer and a Gentleman)
paroliere:
Will Jennings
compositore:
Jack Nitzsche (American musician and score composer) e Buffy Sainte‐Marie
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 55th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1982 winner)
Joe Cocker & Jennifer Warnes3.553:47
3Baby, Come to Me
voce ospite:
Patti Austin
registrazione di:
Baby, Come to Me
paroliere e compositore:
Rod Temperton
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Rodsongs (publisher) e Rondor Music (London) Ltd.
Patti Austin with James Ingram3:35
4We’ve Got Tonight
voce principale:
Sheena Easton e Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
esecutore:
Sheena Easton
registrazione cover di:
We’ve Got Tonite
paroliere e compositore:
Bob Seger
editore:
Hideout Records & Distributors, Inc., 大洋音楽 (Taiyō Music) e Gear Publishing Co (nel 1976)
registrazione di:
We’ve Got Tonite
paroliere e compositore:
Bob Seger
editore:
Hideout Records & Distributors, Inc., 大洋音楽 (Taiyō Music) e Gear Publishing Co (nel 1976)
Kenny Rogers & Sheena Easton33:52
5With You I’m Born Again
assistente tecnico:
James Warmack
tecnico e tecnico di missaggio:
F. Byron Clark
produttore:
James di Pasquale e David Shire (American score composer)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) e Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1979)
registrazione di:
With You I’m Born Again
paroliere:
Carol Connors
compositore:
David Shire (American score composer)
editore:
Check Out Music, EMI Music Publishing (do not use as a release label!) e Jobete Music (UK) Ltd.
Billy Preston feat. Syreeta3:41
6Delicate
tecnico:
Craig Porteils (producer, engineer)
batteria , percussione , tastiera e voce di accompagnamento:
Terence Trent D’Arby (now known as Sananda Maitreya)
chitarra :
Terence Trent D’Arby (now known as Sananda Maitreya) e Aaron McClain
voce principale ospite:
Des’ree
registrazione di:
Delicate (Terence Trent D’Arby)
autore:
Terence Trent D’Arby (now known as Sananda Maitreya)
Terence Trent D’Arby & Des’ree4:18
7You Are Everything
produttore:
Hal Davis
voce:
Diana Ross
arrangiatore:
Dave Blumberg
registrazione cover di:
You Are Everything
autore:
Linda Creed e Thom Bell (keyboards, songwriter, producer)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Diana Ross & Marvin Gaye43:02
8You’re All I Need to Get ByMarvin Gaye & Tammi Terrell4.52:50
9Tonight I Celebrate My Love (1993 remaster)
tecnico di registrazione:
Alan R. Hirshberg (nel 1983)
tecnico:
Howard Wolin e Jeremy Smith (producer/engineer)
produttore:
Michael Masser
tecnico di missaggio:
Dick Bogart (Recording and mixing engineer) e Russ Terrano
batteria :
Carlos Vega (nel 1983)
chitarra :
Paul Jackson (fusion/urban jazz composer, arranger, producer and guitarist) (nel 1983)
chitarra basso [bass] :
Nathan East (nel 1983)
pianoforte :
Randy Kerber (nel 1983)
voce:
Peabo Bryson (nel 1983) e Roberta Flack (nel 1983)
arrangiatore:
Michael Masser e Gene Page
orchestratore:
Gene Page
diritti fonografici (℗) detenuti da:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1983)
registrata presso:
A&M Records Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1983) e Studio Sound in North Hollywood, Los Angeles, California, Stati Uniti (nel 1983)
mixata presso:
Motown Hitsville in West Hollywood, California, Stati Uniti
registrazione di:
Tonight, I Celebrate My Love (nel 1983)
paroliere:
Gerry Goffin
compositore:
Michael Masser
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Chelsea Music Publishing Co., Ltd., Lauren Wesley Music (BMI-affiliated), Prince Street Productions, Inc., Rondor Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Corp. (USA, affiliated with ASCAP) e Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
sub-editore:
Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Peabo Bryson & Roberta Flack3.753:31
10Senza Una Donna (without a Woman)
produttore:
Corrado Rustici
arrangiatore:
Corrado Rustici
registrazione di:
Senza una donna (Spanish version)
versione tradotta di:
Senza una donna (Without a Woman)
registrazione di:
Senza una donna (Without a Woman)
autore:
Frank Musker e Zucchero
editore:
Gruppo Intersong S.R.L. (publisher; do NOT use as release label) e Warner Chappell Music Italiana S.r.l.
Zucchero feat. Paul Young3.654:33
11Something’s Gotten Hold of My Heart
produttore:
Bob Kraushaar
esecutore:
Gene Pitney
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1988)
video musicali:
Something’s Gotten Hold of My Heart di Marc Almond (English pop singer and songwriter) feat. Gene Pitney
registrazione cover di:
Something’s Gotten Hold of My Heart
paroliere e compositore:
Roger Cook (US‐based British singer, songwriter and producer) e Roger Greenaway
editore:
Cookaway Music Ltd. (PRS), Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) e PolyGram Music Publishing
Marc Almond & Gene Pitney2.54:40
12I’m Gonna Make You Love Me
produttore:
Nickolas Ashford e Frank Wilson (Motown singer/songwriter)
voce parlata:
Otis Williams (US baritone singer, member of The Temptations & The Distants)
voce principale:
Eddie Kendricks e Diana Ross
arrangiatore:
Paul Riser
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1968), Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1968), Motown Record Corporation (company credits only; do NOT use as release label) (nel 1968) e PolyGram (nel 1968)
registrata presso:
Motown Studios - Hitsville West in West Hollywood, California, Stati Uniti
registrazione cover di:
I’m Gonna Make You Love Me (fino al 1968-09-13)
autore:
Kenneth Gamble (songwriter for Philadelphia International), Leon Huff (Philly soul producer, of Gamble & Huff) e Jerry Ross (Philadelphia soul composer/producer)
editore:
Act Three Music, Down Stairs Music, MRC Music Corp., Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross & The Supremes with The Temptations3.53:07
13Left of Center
registrazione di:
Left of Center
paroliere:
Suzanne Vega (American singer-songwriter)
compositore:
Steve Addabbo e Suzanne Vega (American singer-songwriter)
editore:
Agf Music Ltd, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) e Waifersongs Ltd.
Suzanne Vega feat. Joe Jackson53:31
14I Wanna Stay With YouGallagher & Lyle2:58
15It’s My Party
tecnico:
Nick Bradford
produttore:
Dave Stewart (Canterbury keyboardist, not the Eurythmics’ Dave Stewart)
batteria elettronica [SDS V] , strumenti elettronici [claptrap] , tastiera [keyboards] e vocoder :
Dave Stewart (Canterbury keyboardist, not the Eurythmics’ Dave Stewart)
voce di accompagnamento:
Amanda Parsons
voce principale:
Barbara Gaskin
registrata presso e mixata presso:
Matrix Studios in Soho, Westminster, London (Greater London), England, Regno Unito (dal 1981-06 al 1981-07)
registrazione cover di:
It’s My Party
autore:
John Gluck, Jr., Wally Gold, Seymour Gottlieb e Herb Weiner
editore:
A. Schroeder Music Ltd. e Chappell & Co., Inc. (USA)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Stewart & Barbara Gaskin3.53:48
16The Ballad of Tom Jones
assistente tecnico:
Dave Buchanan e Andrea Wright
tecnico e tecnico di missaggio:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
produttore:
Space (alternative dance/indie rock band) e Jeremy Wheatley (UK mix engineer, aka Jim Bob)
voce principale ospite e voce principale ospite aggiuntiva:
Cerys Matthews (lead singer, Catatonia)
esecutore:
Space (alternative dance/indie rock band)
diritti fonografici (℗) detenuti da:
Gut Records (dal 1997 a oggi) e Gut Records Ltd. (company credits only; do NOT use as release label) (nel 1998)
registrata presso e mixata presso:
Parr Street Studio's in Liverpool, Merseyside, England, Regno Unito
registrazione di:
The Ballad of Tom Jones
autore:
Tommy Scott (Frontman of UK band Space) e Space (alternative dance/indie rock band)
editore:
Gut Music e Hit & Run Publishing Ltd.
Space & Cerys Matthews2.354:11
17I’ll Find My Way Home
produttore:
Vangelis (Greek composer of electronic, new age and classical)
strumenti e esecutore:
Vangelis (Greek composer of electronic, new age and classical)
voce:
Jon Anderson (Yes/Jon & Vangelis)
voce principale:
Jon Anderson (Yes/Jon & Vangelis)
arrangiatore:
Vangelis (Greek composer of electronic, new age and classical)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1981) e Spheric B.V. (nel 1981)
registrazione di:
I’ll Find My Way Home
paroliere:
Jon Anderson (Yes/Jon & Vangelis)
compositore:
Jon Anderson (Yes/Jon & Vangelis) e Vangelis (Greek composer of electronic, new age and classical)
editore:
EMI Music (do not use as release label! this is a music publisher), Spheric B.V., Toughknot Ltd., Warner Bros. Music Co., Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner Chappell North America
Jon and Vangelis44:30
18Blue Guitar
tecnico di registrazione:
Eric Stewart
produttore:
10cc e Tony Clarke (UK producer/guitarist)
diritti fonografici (℗) detenuti da:
Threshold Records (UK label founded by the Moody Blues) (nel 1975)
registrata presso:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Regno Unito
registrazione di:
Blue Guitar
paroliere e compositore:
Justin Hayward (of the Moody Blues)
Justin Hayward & John Lodge3:38
19Haunted
esecutore:
Shane MacGowan
Shane MacGowan and the Popes feat. Sinéad O’Connor44:11
20Stop, Look, Listen (to Your Heart)
produttore:
Hal Davis
arrangiatore:
Gene Page
registrazione cover di:
Stop, Look, Listen (to Your Heart)
autore:
Thom Bell (keyboards, songwriter, producer) e Linda Creed
editore:
Assorted Music, Bellboy Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross & Marvin Gaye4.52:52
3CD
#TitoloArtistaValutazioneDurata
1It Takes Two
voce:
Kim Weston
registrazione di:
It Takes Two
autore:
Sylvia Moy e William Stevenson (Motown songwriter)
editore:
Jobete Music (UK) Ltd. e Stone Agate Music
Marvin Gaye & Kim Weston52:56
2Too Much, Too Little, Too Late
produttore:
Jack Gold
esecutore:
Johnny Mathis (US pop/soul singer) e Deniece Williams (US soul/funk vocalist/songwriter)
diritti fonografici (℗) detenuti da:
Jon Mat Records, Inc. (nel 1978)
registrazione di:
Too Much, Too Little, Too Late
autore:
Nat Kipner (Australian producer, songwriter, label owner & publisher) e John McIntyre Vallins
editore:
Homewood House Music e MCA Music Ltd.
Johnny Mathis & Deniece Williams42:53
3Ain’t Nothing Like the Real Thing
produttore:
Nickolas Ashford e Valerie Simpson
strumenti:
The Funk Brothers (il 1967-10-06)
voce di accompagnamento:
Valerie Simpson (nel 1967) e Nickolas Ashford (il 1967-10-06)
voce principale:
Marvin Gaye (il 1967-10-06) e Tammi Terrell (il 1967-10-06)
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1968)
registrata presso:
Hitsville (Motown Records) in Detroit, Michigan, Stati Uniti (il 1967-10-06)
registrazione di:
Ain’t Nothing Like the Real Thing (il 1967-10-06)
autore:
Nickolas Ashford e Valerie Simpson
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (UK) Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30), Jobete Music Co., Inc. (dal 1967 a oggi) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Marvin Gaye & Tammi Terrell42:14
4We Do It
produttore:
Phillip Swern
diritti fonografici (℗) detenuti da:
BR Music Copyrights BV (nel 1976)
registrazione di:
We Do It
paroliere e compositore:
Stefan Breuer (German drummer)
editore:
Imagem Songs Ltd.
R & J Stone3:16
5SolidAshford & Simpson35:08
6I Got You Babe
voce:
Sonny Bono (nel 1965) e Cher (nel 1965)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 331) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 444)
registrazione di:
I Got You Babe (nel 1965)
paroliere e compositore:
Sonny Bono
editore:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) e Warner/Chappell Music Ltd. (1996–2019)
Sonny & Cher43:06
7Reunited
produttore:
Freddie Perren
diritti fonografici (℗) detenuti da:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1978)
edit di:
Reunited di Peaches & Herb
registrazione di:
Reunited
autore:
Dino Fekaris e Freddie Perren
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Peaches & Herb53:48
8Teardrops
produttore:
Chris Blackwell (Island Records), Lee Hamblin e The Gypsy Wave Power Co.
diritti fonografici (℗) detenuti da:
The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1988)
registrazione di:
Teardrops
autore:
Cecil Womack e Linda Womack
editore:
Zomba Music Publishing Ltd. e Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (nel 1988)
Womack & Womack33:44
9Think It Over
Cissy Houston feat. Whitney Houston7:34
10The Girl From Ipanema
Astrud Gilberto & Stan Getz5:12
11The Times They Are A‐Changin’
registrazione cover di:
The Times They Are A‐Changin’
paroliere e compositore:
Bob Dylan (nel 1963)
editore:
M. Witmark & Sons, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner/Chappell (Warner/Chappell Music, Inc.) (dal 1963 al 1991) e Special Rider Music (dal 1991 a oggi)
Barbara Dickson with Gerry Rafferty4:46
12Early in the Morning
registrazione cover di:
Early in the Morning
John Mayall & Chris Rea4:08
13Hey Paula!
voce:
Ray Hildebrand e Jill Jackson
registrazione di:
Hey Paula (nel 1962)
paroliere e compositore:
Ray Hildebrand
editore:
Speckle Music
Paul & Paula2:30
14Dream a Little Dream of Me
voce:
Louis Armstrong (il 1950-08-25) e Ella Fitzgerald (American jazz singer) (il 1950-08-25)
voce principale:
Louis Armstrong
orchestra:
Sy Oliver and His Orchestra (il 1950-08-25)
direttore d'orchestra:
Sy Oliver (il 1950-08-25)
registrazione cover di:
Dream a Little Dream of Me (il 1950-08-25)
paroliere:
Gus Kahn (nel 1931)
compositore:
Fabian André (nel 1931) e Wilbur Schwandt (nel 1931)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. (US work publisher) e ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
parte di:
The Real Book (compilation of jazz standards, Volume I)
registrazione di:
Dream a Little Dream of Me
paroliere:
Gus Kahn (nel 1931)
compositore:
Fabian André (nel 1931) e Wilbur Schwandt (nel 1931)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. (US work publisher) e ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
parte di:
The Real Book (compilation of jazz standards, Volume I)
Louis Armstrong & Ella Fitzgerald53:06
15Sweet Insomnia
Gwyn & Will3:38
16Summer Nights
John Barrowman & Shona Lindsay3:14
17I Know Him So Well
tecnico e tecnico di missaggio:
Michael B. Tretow
voce:
Barbara Dickson e Elaine Paige
voce principale:
Barbara Dickson e Elaine Paige
orchestra:
London Symphony Orchestra
direttore d'orchestra:
Anders Eljas
orchestratore:
Anders Eljas
registrata presso e mixata presso:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Svezia
registrazione di:
I Know Him So Well (Chess)
paroliere:
Tim Rice e Björn Ulvaeus
compositore:
Benny Andersson (ABBA) e Björn Ulvaeus
editore:
Bocu Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), PolyGram Music Publishing Ltd. e Universal/MCA Music (music publisher; do not use as release label!)
parte di:
Chess (full musical)
Barbara Dickson & Elaine Paige54:15
18Amigos para siempre (Friends for Life)
produttore:
Andrew Lloyd Webber (English composer and impresario of musical theatre) e Nigel Wright (British producer, orchestrator and songwriter)
produttore esecutivo:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
voce di soprano:
Sarah Brightman (nel 1992-05)
voce di tenore:
José Carreras (Spanish tenor) (nel 1992-05)
direttore d'orchestra:
Harry Rabinowitz (nel 1992-05)
orchestratore:
David Cullen (composer, arranger, orchestrator) e Andrew Lloyd Webber (English composer and impresario of musical theatre)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (nel 1992-05), EMI Studios in London (Greater London), England, Regno Unito (nel 1992-05), Hit Factory (The Hit Factory) in Manhattan, New York, New York, Stati Uniti (nel 1992-05), Maison Rouge in London (Greater London), England, Regno Unito (nel 1992-05), Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito (nel 1992-05) e Skratch Studios in Surrey, England, Regno Unito (nel 1992-05)
video musicali:
Amigos Para Siempre (Friends for Life) di José Carreras (Spanish tenor) & Sarah Brightman
registrazione di:
Amigos para siempre (Friends for Life)
paroliere:
Don Black (English lyricist)
compositore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
editore:
PolyGram Music Publishing e The Really Useful Group Ltd. (not for release label use!)
parte di:
Official Songs of the Olympic Games (numero: 1992)
Sarah Brightman & José Carreras4:35
19The Phantom of the Opera
produttore:
Paul Bateman (conductor)
voce:
Lesley Garrett (soprano) e Dave Willetts
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
direttore d'orchestra:
Paul Bateman (conductor)
registrazione di:
The Phantom of the Opera (Christine, The Phantom)
paroliere:
Charles Hart (British lyricist) e Richard Stilgoe
paroliere aggiunto:
Mike Batt
compositore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
editore:
The Really Useful Group Ltd (not for release label use!)
parte di:
The Phantom of the Opera (Andrew Lloyd Webber musical)
parte di:
The Phantom of the Opera (2004 film soundtrack)
revisione di:
The Phantom of the Opera (lyrics without Charles Hart’s words)
Dave Willetts & Lesley Garrett3:32
20All I Ask of You
Michael Crawford & Barbara Bonney4:50