Latest and Greatest Duets

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Endless Love
recording engineer:
Reggie Dozier
Produzent(in):
Lionel Richie
Mix:
Guy Costa
zusätzliche(r) Gast-Interpret(in):
Diana Ross
arranger:
Gene Page
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1981)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 20)
recording of:
Endless Love
Texter und Komponist(in):
Lionel Richie
publisher:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing (Warner/Chappell Music, Inc.) und Warner/Chappell North America
Teil von:
The 54th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1981 nominee)
Lionel Richie & Diana Ross3.54:29
2Up Where We Belong
Produzent(in):
Stewart Levine (record producer and saxophonist)
Gitarre:
Louie Shelton
Keyboard:
Robbie Buchanan (Canadian producer) und Bobby Lyle
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Leon Ndugu Chancler
Sologesang:
Joe Cocker und Jennifer Warnes
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1982) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1982)
recording of:
Up Where We Belong (An Officer and a Gentleman)
Texter:
Will Jennings
Komponist(in):
Jack Nitzsche (American musician and score composer) und Buffy Sainte‐Marie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1982 winner)
Joe Cocker & Jennifer Warnes3.553:47
3Baby, Come to Me
Gast vocals:
Patti Austin
recording of:
Baby, Come to Me
Texter und Komponist(in):
Rod Temperton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rodsongs (publisher) und Rondor Music (London) Ltd.
Patti Austin with James Ingram3:35
4We’ve Got Tonight
Sologesang:
Sheena Easton und Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
Interpret(in):
Sheena Easton
cover recording of:
We’ve Got Tonite
Texter und Komponist(in):
Bob Seger
publisher:
Hideout Records & Distributors, Inc., 大洋音楽 (Taiyō Music) und Gear Publishing Co (in 1976)
recording of:
We’ve Got Tonite
Texter und Komponist(in):
Bob Seger
publisher:
Hideout Records & Distributors, Inc., 大洋音楽 (Taiyō Music) und Gear Publishing Co (in 1976)
Kenny Rogers & Sheena Easton33:52
5With You I’m Born Again
assistierende(r) Techniker(in):
James Warmack
Techniker(in) und Mix:
F. Byron Clark
Produzent(in):
James di Pasquale und David Shire (American score composer)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) und Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1979)
recording of:
With You I’m Born Again
Texter:
Carol Connors
Komponist(in):
David Shire (American score composer)
publisher:
Check Out Music, EMI Music Publishing (do not use as a release label!) und Jobete Music (UK) Ltd.
Billy Preston feat. Syreeta3:41
6Delicate
Techniker(in):
Craig Porteils (producer, engineer)
Gitarre:
Terence Trent D’Arby (now known as Sananda Maitreya) und Aaron McClain
Keyboard, Perkussion, Schlagzeug und Hintergrundgesang:
Terence Trent D’Arby (now known as Sananda Maitreya)
Gast Sologesang:
Des’ree
recording of:
Delicate (Terence Trent D’Arby)
Verfasser(in):
Terence Trent D’Arby (now known as Sananda Maitreya)
Terence Trent D’Arby & Des’ree4:18
7You Are Everything
Produzent(in):
Hal Davis
vocals:
Diana Ross
arranger:
Dave Blumberg
cover recording of:
You Are Everything
Verfasser(in):
Linda Creed und Thom Bell (keyboards, songwriter, producer)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Diana Ross & Marvin Gaye43:02
8You’re All I Need to Get By
Produzent(in):
Nickolas Ashford und Valerie Simpson
vocals:
Tammi Terrell
recording of:
You’re All I Need to Get By
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
Jobete Music (UK) Ltd., Jobete Music Co., Inc. und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye & Tammi Terrell4.52:50
9Tonight I Celebrate My Love (1993 remaster)
recording engineer:
Alan R. Hirshberg (in 1983)
Techniker(in):
Howard Wolin und Jeremy Smith (producer/engineer)
Produzent(in):
Michael Masser
Mix:
Dick Bogart (Recording and mixing engineer) und Russ Terrano
Bassgitarre [bass]:
Nathan East (in 1983)
Gitarre:
Paul Jackson (fusion/urban jazz composer, arranger, producer and guitarist) (in 1983)
Klavier:
Randy Kerber (in 1983)
Schlagzeug:
Carlos Vega (in 1983)
vocals:
Peabo Bryson (in 1983) und Roberta Flack (in 1983)
arranger:
Michael Masser und Gene Page
Orchestrator(in):
Gene Page
phonographisches Urheberrecht (℗) von:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983)
aufgenommen bei:
A&M Records Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1983) und Studio Sound in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1983)
mixed at:
Motown Hitsville in West Hollywood, California (Kalifornien), Vereinigte Staaten
recording of:
Tonight, I Celebrate My Love (in 1983)
Texter:
Gerry Goffin
Komponist(in):
Michael Masser
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Chelsea Music Publishing Co., Ltd., Lauren Wesley Music (BMI-affiliated), Prince Street Productions, Inc., Rondor Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Corp. (USA, affiliated with ASCAP) und Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
sub-publisher:
Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Peabo Bryson & Roberta Flack3.753:31
10Senza Una Donna (without a Woman)
Produzent(in):
Corrado Rustici
arranger:
Corrado Rustici
recording of:
Senza una donna (Spanish version)
übersetzte Version von:
Senza una donna (Without a Woman)
recording of:
Senza una donna (Without a Woman)
Verfasser(in):
Frank Musker und Zucchero
publisher:
Gruppo Intersong S.R.L. (publisher; do NOT use as release label) und Warner Chappell Music Italiana S.r.l.
Zucchero feat. Paul Young3.654:33
11Something’s Gotten Hold of My Heart
Produzent(in):
Bob Kraushaar
Interpret(in):
Gene Pitney
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
Musikvideos:
Something’s Gotten Hold of My Heart von Marc Almond (English pop singer and songwriter) feat. Gene Pitney
cover recording of:
Something’s Gotten Hold of My Heart
Texter und Komponist(in):
Roger Cook (US‐based British singer, songwriter and producer) und Roger Greenaway
publisher:
Cookaway Music Ltd. (PRS), Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) und PolyGram Music Publishing
Marc Almond & Gene Pitney2.54:40
12I’m Gonna Make You Love Me
Produzent(in):
Nickolas Ashford und Frank Wilson (Motown singer/songwriter)
Sologesang:
Eddie Kendricks und Diana Ross
Sprecher:
Otis Williams (US baritone singer, member of The Temptations & The Distants)
arranger:
Paul Riser
phonographisches Urheberrecht (℗) von:
Motown Record Company (company credits only; do NOT use as release label) (in 1968), Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1968), Motown Record Corporation (company credits only; do NOT use as release label) (in 1968) und PolyGram (in 1968)
aufgenommen bei:
Motown Studios - Hitsville West in West Hollywood, California (Kalifornien), Vereinigte Staaten
cover recording of:
I’m Gonna Make You Love Me (bis 1968-09-13)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Leon Huff (Philly soul producer, of Gamble & Huff) und Jerry Ross (Philadelphia soul composer/producer)
publisher:
Act Three Music, Down Stairs Music, MRC Music Corp., Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross & The Supremes with The Temptations3.53:07
13Left of Center
recording of:
Left of Center
Texter:
Suzanne Vega (American singer-songwriter)
Komponist(in):
Steve Addabbo und Suzanne Vega (American singer-songwriter)
publisher:
Agf Music Ltd, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) und Waifersongs Ltd.
Suzanne Vega feat. Joe Jackson53:31
14I Wanna Stay With You
recording of:
I Wanna Stay With You
Verfasser(in):
Benny Gallagher und Graham Lyle
publisher:
Concord Songs Ltd., Goodsingle Ltd. (publisher), Rondor Music (London) Ltd., フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Gallagher & Lyle2:58
15It’s My Party
Techniker(in):
Nick Bradford
Produzent(in):
Dave Stewart (Canterbury keyboardist, not the Eurythmics’ Dave Stewart)
elektronische Instrumente [claptrap], elektronisches Schlagzeug / E-Drums [SDS V], Keyboard [keyboards] und Vocoder:
Dave Stewart (Canterbury keyboardist, not the Eurythmics’ Dave Stewart)
Hintergrundgesang:
Amanda Parsons
Sologesang:
Barbara Gaskin
aufgenommen bei und mixed at:
Matrix Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1981-06 bis 1981-07)
cover recording of:
It’s My Party
Verfasser(in):
John Gluck, Jr., Wally Gold, Seymour Gottlieb und Herb Weiner
publisher:
A. Schroeder Music Ltd. und Chappell & Co., Inc. (USA)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Stewart & Barbara Gaskin3.53:48
16The Ballad of Tom Jones
assistierende(r) Techniker(in):
Dave Buchanan und Andrea Wright
Techniker(in) und Mix:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
Produzent(in):
Space (alternative dance/indie rock band) und Jeremy Wheatley (UK mix engineer, aka Jim Bob)
Gast Sologesang und zusätzlich Gast Sologesang:
Cerys Matthews (lead singer, Catatonia)
Interpret(in):
Space (alternative dance/indie rock band)
phonographisches Urheberrecht (℗) von:
Gut Records (vom 1997 bis heute) und Gut Records Ltd. (company credits only; do NOT use as release label) (in 1998)
aufgenommen bei und mixed at:
Parr Street Studio's in Liverpool, Merseyside, England, Vereinigtes Königreich
recording of:
The Ballad of Tom Jones
Verfasser(in):
Tommy Scott (Frontman of UK band Space) und Space (alternative dance/indie rock band)
publisher:
Gut Music und Hit & Run Publishing Ltd.
Space & Cerys Matthews2.354:11
17I’ll Find My Way Home
Produzent(in):
Vangelis (Greek composer of electronic, new age and classical)
Instrumente und Interpret(in):
Vangelis (Greek composer of electronic, new age and classical)
Sologesang:
Jon Anderson (Yes/Jon & Vangelis)
vocals:
Jon Anderson (Yes/Jon & Vangelis)
arranger:
Vangelis (Greek composer of electronic, new age and classical)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1981) und Spheric B.V. (in 1981)
recording of:
I’ll Find My Way Home
Texter:
Jon Anderson (Yes/Jon & Vangelis)
Komponist(in):
Jon Anderson (Yes/Jon & Vangelis) und Vangelis (Greek composer of electronic, new age and classical)
publisher:
EMI Music (do not use as release label! this is a music publisher), Spheric B.V., Toughknot Ltd., Warner Bros. Music Co., Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner Chappell North America
Jon and Vangelis44:30
18Blue Guitar
recording engineer:
Eric Stewart
Produzent(in):
10cc und Tony Clarke (UK producer/guitarist)
phonographisches Urheberrecht (℗) von:
Threshold Records (UK label founded by the Moody Blues) (in 1975)
aufgenommen bei:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Vereinigtes Königreich
recording of:
Blue Guitar
Texter und Komponist(in):
Justin Hayward (of the Moody Blues)
Justin Hayward & John Lodge3:38
19Haunted
Interpret(in):
Shane MacGowan
Shane MacGowan and the Popes feat. Sinéad O’Connor44:11
20Stop, Look, Listen (to Your Heart)
Produzent(in):
Hal Davis
arranger:
Gene Page
cover recording of:
Stop, Look, Listen (to Your Heart)
Verfasser(in):
Thom Bell (keyboards, songwriter, producer) und Linda Creed
publisher:
Assorted Music, Bellboy Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross & Marvin Gaye4.52:52
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