Alfons V el Magnànim: El Cancionero de Montecassino

~ Release by La Capella Reial de Catalunya, Jordi Savall (see all versions of this release, 1 available)

Annotation

SubOptimal Credits:

Tracks 1 to 14 and 36 to 47 should have "Renaissance Harp" instead of "Harp"

SubOptimal Credits

Track 2 should have "Renaissance Harp" instead of "Harp"
Tracks 6 and 17 should have "Organo di Legno" instead of "Organo"

Annotation last modified on 2011-04-12 09:30 UTC.

Tracklist

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1▼CD: Musica Religiosa
#TitleArtistRatingLength
1Adoramus te, antífona para 4 voces, CM 4: I. Adoramus te Domine (introducción)
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
chamber organ:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
harp [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) and Jordi Savall (viol player, conductor and composer) (in 1996-11)
bass vocals:
Daniele Carnovich (operatic bass) (in 1996-11)
countertenor vocals:
Carlos Mena (counter-tenor) (in 1996-11)
tenor vocals:
Lambert Climent (tenor) (in 1996-11) and Francesc Garrigosa (in 1996-11)
partial recording of:
Adoramus te Domine (from Cancionero de Montecassino) (in 1996-11)
composer:
[anonymous] (special purpose artist)
part of:
Cancionero de Montecassino (number: CMM 4)
[anonymous]1:12
2Adoramus te, antífona para 4 voces, CM 4: II. Adoramus te Domine
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
chamber organ:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
harp [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) and Jordi Savall (viol player, conductor and composer) (in 1996-11)
bass vocals:
Daniele Carnovich (operatic bass) (in 1996-11)
countertenor vocals:
Carlos Mena (counter-tenor) (in 1996-11)
tenor vocals:
Lambert Climent (tenor) (in 1996-11) and Francesc Garrigosa (in 1996-11)
partial recording of:
Adoramus te Domine (from Cancionero de Montecassino) (in 1996-11)
composer:
[anonymous] (special purpose artist)
part of:
Cancionero de Montecassino (number: CMM 4)
[anonymous]1:10
3Adoramus te, antífona para 4 voces, CM 4: III. Crucem tuam adoramus
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
chamber organ:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
harp [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) and Jordi Savall (viol player, conductor and composer) (in 1996-11)
bass vocals:
Daniele Carnovich (operatic bass) (in 1996-11)
countertenor vocals:
Carlos Mena (counter-tenor) (in 1996-11)
tenor vocals:
Lambert Climent (tenor) (in 1996-11) and Francesc Garrigosa (in 1996-11)
partial recording of:
Adoramus te Domine (from Cancionero de Montecassino) (in 1996-11)
composer:
[anonymous] (special purpose artist)
part of:
Cancionero de Montecassino (number: CMM 4)
[anonymous]2:19
4Adoramus te, antífona para 4 voces, CM 4: IV. Ecce enim propter lignum
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
chamber organ:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
harp [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) and Jordi Savall (viol player, conductor and composer) (in 1996-11)
bass vocals:
Daniele Carnovich (operatic bass) (in 1996-11)
countertenor vocals:
Carlos Mena (counter-tenor) (in 1996-11)
tenor vocals:
Lambert Climent (tenor) (in 1996-11) and Francesc Garrigosa (in 1996-11)
partial recording of:
Adoramus te Domine (from Cancionero de Montecassino) (in 1996-11)
composer:
[anonymous] (special purpose artist)
part of:
Cancionero de Montecassino (number: CMM 4)
[anonymous]1:53
5Adoramus te, antífona para 4 voces, CM 4: V. Adoramus te Domine
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
chamber organ:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
harp [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) and Jordi Savall (viol player, conductor and composer) (in 1996-11)
bass vocals:
Daniele Carnovich (operatic bass) (in 1996-11)
countertenor vocals:
Carlos Mena (counter-tenor) (in 1996-11)
tenor vocals:
Lambert Climent (tenor) (in 1996-11) and Francesc Garrigosa (in 1996-11)
partial recording of:
Adoramus te Domine (from Cancionero de Montecassino) (in 1996-11)
composer:
[anonymous] (special purpose artist)
part of:
Cancionero de Montecassino (number: CMM 4)
[anonymous]1:22
6Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62: I. Ave maris stella
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
chamber organ:
Guido Morini (composer) (in 1996-11)
harp [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) and Jordi Savall (viol player, conductor and composer) (in 1996-11)
bass vocals:
Daniele Carnovich (operatic bass) (in 1996-11)
countertenor vocals:
Carlos Mena (counter-tenor) (in 1996-11)
tenor vocals:
Lambert Climent (tenor) (in 1996-11) and Francesc Garrigosa (in 1996-11)
recording of:
Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62: I. Ave maris stella
composer:
[anonymous] (special purpose artist)
part of:
Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62
[anonymous]1:56
7Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62: II. Sumens illud Ave
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
chamber organ:
Guido Morini (composer) (in 1996-11)
harp [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) and Jordi Savall (viol player, conductor and composer) (in 1996-11)
bass vocals:
Daniele Carnovich (operatic bass) (in 1996-11)
countertenor vocals:
Carlos Mena (counter-tenor) (in 1996-11)
tenor vocals:
Lambert Climent (tenor) (in 1996-11) and Francesc Garrigosa (in 1996-11)
recording of:
Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62: II. Sumens illud Ave
composer:
[anonymous] (special purpose artist)
part of:
Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62
[anonymous]0:38
8Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62: III. Solve vincla reis
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
chamber organ:
Guido Morini (composer) (in 1996-11)
harp [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) and Jordi Savall (viol player, conductor and composer) (in 1996-11)
bass vocals:
Daniele Carnovich (operatic bass) (in 1996-11)
countertenor vocals:
Carlos Mena (counter-tenor) (in 1996-11)
tenor vocals:
Lambert Climent (tenor) (in 1996-11) and Francesc Garrigosa (in 1996-11)
recording of:
Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62: III. Solve vincla reis
composer:
[anonymous] (special purpose artist)
part of:
Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62
[anonymous]1:31
9Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62: IV. Monstra te esse matrem
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
chamber organ:
Guido Morini (composer) (in 1996-11)
harp [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) and Jordi Savall (viol player, conductor and composer) (in 1996-11)
bass vocals:
Daniele Carnovich (operatic bass) (in 1996-11)
countertenor vocals:
Carlos Mena (counter-tenor) (in 1996-11)
tenor vocals:
Lambert Climent (tenor) (in 1996-11) and Francesc Garrigosa (in 1996-11)
recording of:
Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62: IV. Monstra te esse matrem
composer:
[anonymous] (special purpose artist)
part of:
Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62
[anonymous]0:44
10Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62: V. Virgo singularis
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
chamber organ:
Guido Morini (composer) (in 1996-11)
harp [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) and Jordi Savall (viol player, conductor and composer) (in 1996-11)
bass vocals:
Daniele Carnovich (operatic bass) (in 1996-11)
countertenor vocals:
Carlos Mena (counter-tenor) (in 1996-11)
tenor vocals:
Lambert Climent (tenor) (in 1996-11) and Francesc Garrigosa (in 1996-11)
recording of:
Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62: V. Virgo singularis
composer:
[anonymous] (special purpose artist)
part of:
Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62
[anonymous]1:22
11Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62: VI. Vitam praesta puram
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
chamber organ:
Guido Morini (composer) (in 1996-11)
harp [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) and Jordi Savall (viol player, conductor and composer) (in 1996-11)
bass vocals:
Daniele Carnovich (operatic bass) (in 1996-11)
countertenor vocals:
Carlos Mena (counter-tenor) (in 1996-11)
tenor vocals:
Lambert Climent (tenor) (in 1996-11) and Francesc Garrigosa (in 1996-11)
recording of:
Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62: VI. Vitam praesta puram
composer:
[anonymous] (special purpose artist)
part of:
Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62
[anonymous]0:41
12Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62: VII. Sit laus Deo Patri
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
chamber organ:
Guido Morini (composer) (in 1996-11)
harp [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) and Jordi Savall (viol player, conductor and composer) (in 1996-11)
bass vocals:
Daniele Carnovich (operatic bass) (in 1996-11)
countertenor vocals:
Carlos Mena (counter-tenor) (in 1996-11)
tenor vocals:
Lambert Climent (tenor) (in 1996-11) and Francesc Garrigosa (in 1996-11)
recording of:
Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62: VII. Sit laus Deo Patri
composer:
[anonymous] (special purpose artist)
part of:
Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62
[anonymous]1:14
13Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62: VIII. Amen
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
chamber organ:
Guido Morini (composer) (in 1996-11)
harp [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) and Jordi Savall (viol player, conductor and composer) (in 1996-11)
bass vocals:
Daniele Carnovich (operatic bass) (in 1996-11)
countertenor vocals:
Carlos Mena (counter-tenor) (in 1996-11)
tenor vocals:
Lambert Climent (tenor) (in 1996-11) and Francesc Garrigosa (in 1996-11)
recording of:
Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62: VIII. Amen
composer:
[anonymous] (special purpose artist)
part of:
Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62
[anonymous]0:22
14Ave Maris Stella, Damianus, para arpa, CM 76
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
harp [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
recording of:
Ave Maris Stella, para arpa, CM 76 (from Cancionero de Montecassino) (in 1996-11)
composer:
Damien Havericq (Netherlandish composer in Antwerp, fl. 1538-1556)
part of:
Cancionero de Montecassino (number: CMM 76)
[anonymous]3:48
15Veni sancte spiritus, Secuencia para 3 voces: I. Veni sancte spiritus
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
chamber organ:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
countertenor vocals:
Kai Wessel (countertenor) (in 1996-11)
mezzo-soprano vocals:
María Cristina Kiehr (soprano) (in 1996-11)
soprano vocals:
Montserrat Figueras (soprano) (in 1996-11)
partial recording of:
Veni Sancte Spiritus
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay0:37
16Veni sancte spiritus, Secuencia para 3 voces: II. Veni pater pauperum
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
chamber organ:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
countertenor vocals:
Kai Wessel (countertenor) (in 1996-11)
mezzo-soprano vocals:
María Cristina Kiehr (soprano) (in 1996-11)
soprano vocals:
Montserrat Figueras (soprano) (in 1996-11)
partial recording of:
Veni Sancte Spiritus
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay0:21
17Veni sancte spiritus, Secuencia para 3 voces: III. Consolator optime
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
chamber organ:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
countertenor vocals:
Kai Wessel (countertenor) (in 1996-11)
mezzo-soprano vocals:
María Cristina Kiehr (soprano) (in 1996-11)
soprano vocals:
Montserrat Figueras (soprano) (in 1996-11)
partial recording of:
Veni Sancte Spiritus
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay0:37
18Veni sancte spiritus, Secuencia para 3 voces: IV. In labore requies
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
chamber organ:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
countertenor vocals:
Kai Wessel (countertenor) (in 1996-11)
mezzo-soprano vocals:
María Cristina Kiehr (soprano) (in 1996-11)
soprano vocals:
Montserrat Figueras (soprano) (in 1996-11)
partial recording of:
Veni Sancte Spiritus
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay0:21
19Veni sancte spiritus, Secuencia para 3 voces: V. O lux beatissima
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
chamber organ:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
countertenor vocals:
Kai Wessel (countertenor) (in 1996-11)
mezzo-soprano vocals:
María Cristina Kiehr (soprano) (in 1996-11)
soprano vocals:
Montserrat Figueras (soprano) (in 1996-11)
partial recording of:
Veni Sancte Spiritus
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay0:37
20Veni sancte spiritus, Secuencia para 3 voces: VI. Sine tuo nomine
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
chamber organ:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
countertenor vocals:
Kai Wessel (countertenor) (in 1996-11)
mezzo-soprano vocals:
María Cristina Kiehr (soprano) (in 1996-11)
soprano vocals:
Montserrat Figueras (soprano) (in 1996-11)
partial recording of:
Veni Sancte Spiritus
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay0:20
21Veni sancte spiritus, Secuencia para 3 voces: VII. Lava quod est sordidum
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
chamber organ:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
countertenor vocals:
Kai Wessel (countertenor) (in 1996-11)
mezzo-soprano vocals:
María Cristina Kiehr (soprano) (in 1996-11)
soprano vocals:
Montserrat Figueras (soprano) (in 1996-11)
partial recording of:
Veni Sancte Spiritus
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay0:38
22Veni sancte spiritus, Secuencia para 3 voces: VIII. Flecte, quod est rigidum
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
chamber organ:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
countertenor vocals:
Kai Wessel (countertenor) (in 1996-11)
mezzo-soprano vocals:
María Cristina Kiehr (soprano) (in 1996-11)
soprano vocals:
Montserrat Figueras (soprano) (in 1996-11)
partial recording of:
Veni Sancte Spiritus
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay0:21
23Veni sancte spiritus, Secuencia para 3 voces: IX. Da tuis fidelibus
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
chamber organ:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
countertenor vocals:
Kai Wessel (countertenor) (in 1996-11)
mezzo-soprano vocals:
María Cristina Kiehr (soprano) (in 1996-11)
soprano vocals:
Montserrat Figueras (soprano) (in 1996-11)
partial recording of:
Veni Sancte Spiritus
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay0:37
24Veni sancte spiritus, Secuencia para 3 voces: X. Da virtuitis meritum
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
chamber organ:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
countertenor vocals:
Kai Wessel (countertenor) (in 1996-11)
mezzo-soprano vocals:
María Cristina Kiehr (soprano) (in 1996-11)
soprano vocals:
Montserrat Figueras (soprano) (in 1996-11)
partial recording of:
Veni Sancte Spiritus
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay0:19
25Veni sancte spiritus, Secuencia para 3 voces: XI. Amen
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
chamber organ:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
countertenor vocals:
Kai Wessel (countertenor) (in 1996-11)
mezzo-soprano vocals:
María Cristina Kiehr (soprano) (in 1996-11)
soprano vocals:
Montserrat Figueras (soprano) (in 1996-11)
partial recording of:
Veni Sancte Spiritus
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay0:28
26Miserere nostri, para 4 voces
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
chamber organ:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) and Jordi Savall (viol player, conductor and composer) (in 1996-11)
bass vocals:
Daniele Carnovich (operatic bass) (in 1996-11)
countertenor vocals:
Carlos Mena (counter-tenor) (in 1996-11)
tenor vocals:
Lambert Climent (tenor) (in 1996-11) and Francesc Garrigosa (in 1996-11)
[anonymous]2:02
27Vexilla regis prodeunt, Himno de vísperas para 3 voces, CM 106: I. Vexilla regis prodeunt
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
chamber organ:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) and Jordi Savall (viol player, conductor and composer) (in 1996-11)
bass vocals:
Daniele Carnovich (operatic bass) (in 1996-11)
countertenor vocals:
Carlos Mena (counter-tenor) (in 1996-11)
tenor vocals:
Lambert Climent (tenor) (in 1996-11) and Francesc Garrigosa (in 1996-11)
partial recording of:
Vexilla Regis Prodeunt
composer:
Guillaume Dufay (French 15th century composer)
part of:
Hymns
Guillaume Dufay0:37
28Vexilla regis prodeunt, Himno de vísperas para 3 voces, CM 106: II. Quo vulneratus insuper
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
chamber organ:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) and Jordi Savall (viol player, conductor and composer) (in 1996-11)
bass vocals:
Daniele Carnovich (operatic bass) (in 1996-11)
countertenor vocals:
Carlos Mena (counter-tenor) (in 1996-11)
tenor vocals:
Lambert Climent (tenor) (in 1996-11) and Francesc Garrigosa (in 1996-11)
partial recording of:
Vexilla Regis Prodeunt
composer:
Guillaume Dufay (French 15th century composer)
part of:
Hymns
Guillaume Dufay1:23
29Vexilla regis prodeunt, Himno de vísperas para 3 voces, CM 106: III. Impleta sunt quae concinit
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
chamber organ:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) and Jordi Savall (viol player, conductor and composer) (in 1996-11)
bass vocals:
Daniele Carnovich (operatic bass) (in 1996-11)
countertenor vocals:
Carlos Mena (counter-tenor) (in 1996-11)
tenor vocals:
Lambert Climent (tenor) (in 1996-11) and Francesc Garrigosa (in 1996-11)
partial recording of:
Vexilla Regis Prodeunt
composer:
Guillaume Dufay (French 15th century composer)
part of:
Hymns
Guillaume Dufay0:37
30Vexilla regis prodeunt, Himno de vísperas para 3 voces, CM 106: IV. Arbor decora et fulgida
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
chamber organ:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) and Jordi Savall (viol player, conductor and composer) (in 1996-11)
bass vocals:
Daniele Carnovich (operatic bass) (in 1996-11)
countertenor vocals:
Carlos Mena (counter-tenor) (in 1996-11)
tenor vocals:
Lambert Climent (tenor) (in 1996-11) and Francesc Garrigosa (in 1996-11)
partial recording of:
Vexilla Regis Prodeunt
composer:
Guillaume Dufay (French 15th century composer)
part of:
Hymns
Guillaume Dufay1:14
31Vexilla regis prodeunt, Himno de vísperas para 3 voces, CM 106: V. Beata cujus brachiis
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
chamber organ:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) and Jordi Savall (viol player, conductor and composer) (in 1996-11)
bass vocals:
Daniele Carnovich (operatic bass) (in 1996-11)
countertenor vocals:
Carlos Mena (counter-tenor) (in 1996-11)
tenor vocals:
Lambert Climent (tenor) (in 1996-11) and Francesc Garrigosa (in 1996-11)
partial recording of:
Vexilla Regis Prodeunt
composer:
Guillaume Dufay (French 15th century composer)
part of:
Hymns
Guillaume Dufay0:37
32Vexilla regis prodeunt, Himno de vísperas para 3 voces, CM 106: VI. O Crux ave, spes unica
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
chamber organ:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) and Jordi Savall (viol player, conductor and composer) (in 1996-11)
bass vocals:
Daniele Carnovich (operatic bass) (in 1996-11)
countertenor vocals:
Carlos Mena (counter-tenor) (in 1996-11)
tenor vocals:
Lambert Climent (tenor) (in 1996-11) and Francesc Garrigosa (in 1996-11)
partial recording of:
Vexilla Regis Prodeunt
composer:
Guillaume Dufay (French 15th century composer)
part of:
Hymns
Guillaume Dufay1:12
33Vexilla regis prodeunt, Himno de vísperas para 3 voces, CM 106: VII. Tesumma Deus Trinitas
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
chamber organ:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) and Jordi Savall (viol player, conductor and composer) (in 1996-11)
bass vocals:
Daniele Carnovich (operatic bass) (in 1996-11)
countertenor vocals:
Carlos Mena (counter-tenor) (in 1996-11)
tenor vocals:
Lambert Climent (tenor) (in 1996-11) and Francesc Garrigosa (in 1996-11)
partial recording of:
Vexilla Regis Prodeunt
composer:
Guillaume Dufay (French 15th century composer)
part of:
Hymns
Guillaume Dufay0:41
34Vexilla regis prodeunt, Himno de vísperas para 3 voces, CM 106: VIII. Miserere nostri. Amen
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
chamber organ:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) and Jordi Savall (viol player, conductor and composer) (in 1996-11)
bass vocals:
Daniele Carnovich (operatic bass) (in 1996-11)
countertenor vocals:
Carlos Mena (counter-tenor) (in 1996-11)
tenor vocals:
Lambert Climent (tenor) (in 1996-11) and Francesc Garrigosa (in 1996-11)
partial recording of:
Vexilla Regis Prodeunt
composer:
Guillaume Dufay (French 15th century composer)
part of:
Hymns
Guillaume Dufay1:34
35Fantasia, CM 91
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
bombarde:
Josep Borràs (bassoonist, dulcian player) (in 1996-11)
chalumeau:
Alfredo Bernardini (oboist) (in 1996-11)
chamber organ:
Guido Morini (composer) (in 1996-11)
cornett:
Jean-Pierre Canihac (in 1996-11)
percussion:
Pedro Estevan (in 1996-11)
sackbut:
Daniel Lassalle (baroque trombonist) (in 1996-11) and Stefan Légée (baroque trombonist) (in 1996-11)
recording of:
Fantasia, CM 91
composer:
[anonymous] (special purpose artist)
part of:
Cancionero de Montecassino (number: CMM 91)
[anonymous]1:54
36Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: I. Magnificat anima mea Dominum
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
bombarde:
Josep Borràs (bassoonist, dulcian player) (in 1996-11)
chalumeau:
Alfredo Bernardini (oboist) (in 1996-11)
chamber organ:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
cornett:
Jean-Pierre Canihac (in 1996-11)
harp [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
sackbut:
Daniel Lassalle (baroque trombonist) (in 1996-11) and Stefan Légée (baroque trombonist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) and Jordi Savall (viol player, conductor and composer) (in 1996-11)
bass vocals:
Daniele Carnovich (operatic bass) (in 1996-11) and Jordi Ricart (bass-baritone) (in 1996-11)
countertenor vocals:
Carlos Mena (counter-tenor) (in 1996-11)
tenor vocals:
Lambert Climent (tenor) (in 1996-11) and Francesc Garrigosa (in 1996-11)
recording of:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: I. Magnificat anima mea Dominum
composer:
Guillaume Dufay (French 15th century composer)
part of:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74
Guillaume Dufay0:43
37Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: II. Et exsultavit spiritus meus
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
bombarde:
Josep Borràs (bassoonist, dulcian player) (in 1996-11)
chalumeau:
Alfredo Bernardini (oboist) (in 1996-11)
chamber organ:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
cornett:
Jean-Pierre Canihac (in 1996-11)
harp [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
sackbut:
Daniel Lassalle (baroque trombonist) (in 1996-11) and Stefan Légée (baroque trombonist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) and Jordi Savall (viol player, conductor and composer) (in 1996-11)
bass vocals:
Daniele Carnovich (operatic bass) (in 1996-11) and Jordi Ricart (bass-baritone) (in 1996-11)
countertenor vocals:
Carlos Mena (counter-tenor) (in 1996-11)
tenor vocals:
Lambert Climent (tenor) (in 1996-11) and Francesc Garrigosa (in 1996-11)
recording of:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: II. Et exsultavit spiritus meus
composer:
Guillaume Dufay (French 15th century composer)
part of:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74
Guillaume Dufay1:02
38Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: III. Quia respexit humilitatem
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
bombarde:
Josep Borràs (bassoonist, dulcian player) (in 1996-11)
chalumeau:
Alfredo Bernardini (oboist) (in 1996-11)
chamber organ:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
cornett:
Jean-Pierre Canihac (in 1996-11)
harp [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
sackbut:
Daniel Lassalle (baroque trombonist) (in 1996-11) and Stefan Légée (baroque trombonist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) and Jordi Savall (viol player, conductor and composer) (in 1996-11)
bass vocals:
Daniele Carnovich (operatic bass) (in 1996-11) and Jordi Ricart (bass-baritone) (in 1996-11)
countertenor vocals:
Carlos Mena (counter-tenor) (in 1996-11)
tenor vocals:
Lambert Climent (tenor) (in 1996-11) and Francesc Garrigosa (in 1996-11)
recording of:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: III. Quia respexit humilitatem
composer:
Guillaume Dufay (French 15th century composer)
part of:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74
Guillaume Dufay1:04
39Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: IV. Quia fecit mihi magna
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
bombarde:
Josep Borràs (bassoonist, dulcian player) (in 1996-11)
chalumeau:
Alfredo Bernardini (oboist) (in 1996-11)
chamber organ:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
cornett:
Jean-Pierre Canihac (in 1996-11)
harp [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
sackbut:
Daniel Lassalle (baroque trombonist) (in 1996-11) and Stefan Légée (baroque trombonist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) and Jordi Savall (viol player, conductor and composer) (in 1996-11)
bass vocals:
Daniele Carnovich (operatic bass) (in 1996-11) and Jordi Ricart (bass-baritone) (in 1996-11)
countertenor vocals:
Carlos Mena (counter-tenor) (in 1996-11)
tenor vocals:
Lambert Climent (tenor) (in 1996-11) and Francesc Garrigosa (in 1996-11)
recording of:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: IV. Quia fecit mihi magna
composer:
Guillaume Dufay (French 15th century composer)
part of:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74
Guillaume Dufay1:06
40Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: V. Et misericordia ejus
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
bombarde:
Josep Borràs (bassoonist, dulcian player) (in 1996-11)
chalumeau:
Alfredo Bernardini (oboist) (in 1996-11)
chamber organ:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
cornett:
Jean-Pierre Canihac (in 1996-11)
harp [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
sackbut:
Daniel Lassalle (baroque trombonist) (in 1996-11) and Stefan Légée (baroque trombonist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) and Jordi Savall (viol player, conductor and composer) (in 1996-11)
bass vocals:
Daniele Carnovich (operatic bass) (in 1996-11) and Jordi Ricart (bass-baritone) (in 1996-11)
countertenor vocals:
Carlos Mena (counter-tenor) (in 1996-11)
tenor vocals:
Lambert Climent (tenor) (in 1996-11) and Francesc Garrigosa (in 1996-11)
recording of:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: V. Et misericordia ejus
composer:
Guillaume Dufay (French 15th century composer)
part of:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74
Guillaume Dufay1:15
41Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: VI. Fecit potentiam in brachio suo
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
bombarde:
Josep Borràs (bassoonist, dulcian player) (in 1996-11)
chalumeau:
Alfredo Bernardini (oboist) (in 1996-11)
chamber organ:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
cornett:
Jean-Pierre Canihac (in 1996-11)
harp [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
sackbut:
Daniel Lassalle (baroque trombonist) (in 1996-11) and Stefan Légée (baroque trombonist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) and Jordi Savall (viol player, conductor and composer) (in 1996-11)
bass vocals:
Daniele Carnovich (operatic bass) (in 1996-11) and Jordi Ricart (bass-baritone) (in 1996-11)
countertenor vocals:
Carlos Mena (counter-tenor) (in 1996-11)
tenor vocals:
Lambert Climent (tenor) (in 1996-11) and Francesc Garrigosa (in 1996-11)
recording of:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: VI. Fecit potentiam in brachio suo
composer:
Guillaume Dufay (French 15th century composer)
part of:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74
Guillaume Dufay1:02
42Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: VII. Deposuit potentes de sede
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
bombarde:
Josep Borràs (bassoonist, dulcian player) (in 1996-11)
chalumeau:
Alfredo Bernardini (oboist) (in 1996-11)
chamber organ:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
cornett:
Jean-Pierre Canihac (in 1996-11)
harp [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
sackbut:
Daniel Lassalle (baroque trombonist) (in 1996-11) and Stefan Légée (baroque trombonist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) and Jordi Savall (viol player, conductor and composer) (in 1996-11)
bass vocals:
Daniele Carnovich (operatic bass) (in 1996-11) and Jordi Ricart (bass-baritone) (in 1996-11)
countertenor vocals:
Carlos Mena (counter-tenor) (in 1996-11)
tenor vocals:
Lambert Climent (tenor) (in 1996-11) and Francesc Garrigosa (in 1996-11)
recording of:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: VII. Deposuit potentes de sede
composer:
Guillaume Dufay (French 15th century composer)
part of:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74
Guillaume Dufay1:23
43Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: VIII. Esurientes implevit bonis
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
bombarde:
Josep Borràs (bassoonist, dulcian player) (in 1996-11)
chalumeau:
Alfredo Bernardini (oboist) (in 1996-11)
chamber organ:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
cornett:
Jean-Pierre Canihac (in 1996-11)
harp [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
sackbut:
Daniel Lassalle (baroque trombonist) (in 1996-11) and Stefan Légée (baroque trombonist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) and Jordi Savall (viol player, conductor and composer) (in 1996-11)
bass vocals:
Daniele Carnovich (operatic bass) (in 1996-11) and Jordi Ricart (bass-baritone) (in 1996-11)
countertenor vocals:
Carlos Mena (counter-tenor) (in 1996-11)
tenor vocals:
Lambert Climent (tenor) (in 1996-11) and Francesc Garrigosa (in 1996-11)
recording of:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: VIII. Esurientes implevit bonis
composer:
Guillaume Dufay (French 15th century composer)
part of:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74
Guillaume Dufay1:11
44Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: IX. Suscepit Israel puerum suum
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
bombarde:
Josep Borràs (bassoonist, dulcian player) (in 1996-11)
chalumeau:
Alfredo Bernardini (oboist) (in 1996-11)
chamber organ:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
cornett:
Jean-Pierre Canihac (in 1996-11)
harp [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
sackbut:
Daniel Lassalle (baroque trombonist) (in 1996-11) and Stefan Légée (baroque trombonist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) and Jordi Savall (viol player, conductor and composer) (in 1996-11)
bass vocals:
Daniele Carnovich (operatic bass) (in 1996-11) and Jordi Ricart (bass-baritone) (in 1996-11)
countertenor vocals:
Carlos Mena (counter-tenor) (in 1996-11)
tenor vocals:
Lambert Climent (tenor) (in 1996-11) and Francesc Garrigosa (in 1996-11)
recording of:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: IX. Suscepit Israel puerum suum
composer:
Guillaume Dufay (French 15th century composer)
part of:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74
Guillaume Dufay1:12
45Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: X. Sieut locutus est ad patres nostros
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
bombarde:
Josep Borràs (bassoonist, dulcian player) (in 1996-11)
chalumeau:
Alfredo Bernardini (oboist) (in 1996-11)
chamber organ:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
cornett:
Jean-Pierre Canihac (in 1996-11)
harp [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
sackbut:
Daniel Lassalle (baroque trombonist) (in 1996-11) and Stefan Légée (baroque trombonist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) and Jordi Savall (viol player, conductor and composer) (in 1996-11)
bass vocals:
Daniele Carnovich (operatic bass) (in 1996-11) and Jordi Ricart (bass-baritone) (in 1996-11)
countertenor vocals:
Carlos Mena (counter-tenor) (in 1996-11)
tenor vocals:
Lambert Climent (tenor) (in 1996-11) and Francesc Garrigosa (in 1996-11)
recording of:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: X. Sieut locutus est ad patres nostros
composer:
Guillaume Dufay (French 15th century composer)
part of:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74
Guillaume Dufay1:02
46Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: XI. Gloria Patri et Filio
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
bombarde:
Josep Borràs (bassoonist, dulcian player) (in 1996-11)
chalumeau:
Alfredo Bernardini (oboist) (in 1996-11)
chamber organ:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
cornett:
Jean-Pierre Canihac (in 1996-11)
harp [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
sackbut:
Daniel Lassalle (baroque trombonist) (in 1996-11) and Stefan Légée (baroque trombonist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) and Jordi Savall (viol player, conductor and composer) (in 1996-11)
bass vocals:
Daniele Carnovich (operatic bass) (in 1996-11) and Jordi Ricart (bass-baritone) (in 1996-11)
countertenor vocals:
Carlos Mena (counter-tenor) (in 1996-11)
tenor vocals:
Lambert Climent (tenor) (in 1996-11) and Francesc Garrigosa (in 1996-11)
recording of:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: XI. Gloria Patri et Filio
composer:
Guillaume Dufay (French 15th century composer)
part of:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74
Guillaume Dufay1:01
47Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: XII. Sieut erat in principio. Amen
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
bombarde:
Josep Borràs (bassoonist, dulcian player) (in 1996-11)
chalumeau:
Alfredo Bernardini (oboist) (in 1996-11)
chamber organ:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
cornett:
Jean-Pierre Canihac (in 1996-11)
harp [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
sackbut:
Daniel Lassalle (baroque trombonist) (in 1996-11) and Stefan Légée (baroque trombonist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) and Jordi Savall (viol player, conductor and composer) (in 1996-11)
bass vocals:
Daniele Carnovich (operatic bass) (in 1996-11) and Jordi Ricart (bass-baritone) (in 1996-11)
countertenor vocals:
Carlos Mena (counter-tenor) (in 1996-11)
tenor vocals:
Lambert Climent (tenor) (in 1996-11) and Francesc Garrigosa (in 1996-11)
recording of:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: XII. Sieut erat in principio. Amen
composer:
Guillaume Dufay (French 15th century composer)
part of:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74
Guillaume Dufay1:29
48Patres nostri peccaverunt, Coral para 4 voces, CM 2
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) and Jordi Savall (viol player, conductor and composer) (in 1996-11)
recording of:
Patres nostri peccaverunt (himno)
composer:
Johannes Cornago (Spanish renaissance composer, c. 1400-1475)
part of:
Cancionero de Montecassino (number: CMM 2)
Johannes Cornago4:02
49Cum autem venissem, Himno procesional para 4 voces, CM 120: I. Cum autem venissim ad locum
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
bombarde:
Josep Borràs (bassoonist, dulcian player) (in 1996-11)
chalumeau:
Alfredo Bernardini (oboist) (in 1996-11)
chamber organ:
Guido Morini (composer) (in 1996-11)
cornett:
Jean-Pierre Canihac (in 1996-11)
percussion:
Pedro Estevan (in 1996-11)
sackbut:
Daniel Lassalle (baroque trombonist) (in 1996-11) and Stefan Légée (baroque trombonist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) and Jordi Savall (viol player, conductor and composer) (in 1996-11)
bass vocals:
Daniele Carnovich (operatic bass) (in 1996-11), Jordi Ricart (bass-baritone) (in 1996-11) and Xavier Sans (Catalan singer, conductor and composer) (in 1996-11)
countertenor vocals:
Josep M. Gregori (in 1996-11), Jean-Yves Guerry (in 1996-11) and Carlos Mena (counter-tenor) (in 1996-11)
tenor vocals:
Lambert Climent (tenor) (in 1996-11), Francesc Garrigosa (in 1996-11) and Lluís Vilamajó (tenor) (in 1996-11)
recording of:
Cum autem venissem, Himno procesional para 4 voces, CM 120: I. Cum autem venissim ad locum
composer:
[anonymous] (special purpose artist)
part of:
Cum autem venissem, Himno procesional para 4 voces, CM 120
[anonymous]3:53
50Cum autem venissem, Himno procesional para 4 voces, CM 120: II. O dulsissime filie Sion
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
bombarde:
Josep Borràs (bassoonist, dulcian player) (in 1996-11)
chalumeau:
Alfredo Bernardini (oboist) (in 1996-11)
chamber organ:
Guido Morini (composer) (in 1996-11)
cornett:
Jean-Pierre Canihac (in 1996-11)
percussion:
Pedro Estevan (in 1996-11)
sackbut:
Daniel Lassalle (baroque trombonist) (in 1996-11) and Stefan Légée (baroque trombonist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) and Jordi Savall (viol player, conductor and composer) (in 1996-11)
bass vocals:
Daniele Carnovich (operatic bass) (in 1996-11), Jordi Ricart (bass-baritone) (in 1996-11) and Xavier Sans (Catalan singer, conductor and composer) (in 1996-11)
countertenor vocals:
Josep M. Gregori (in 1996-11), Jean-Yves Guerry (in 1996-11) and Carlos Mena (counter-tenor) (in 1996-11)
tenor vocals:
Lambert Climent (tenor) (in 1996-11), Francesc Garrigosa (in 1996-11) and Lluís Vilamajó (tenor) (in 1996-11)
recording of:
Cum autem venissem, Himno procesional para 4 voces, CM 120: II. O dulsissime filie Sion
composer:
[anonymous] (special purpose artist)
part of:
Cum autem venissem, Himno procesional para 4 voces, CM 120
[anonymous]1:53
51Cum autem venissem, Himno procesional para 4 voces, CM 120: III. O vos qui transitis per viam
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
bombarde:
Josep Borràs (bassoonist, dulcian player) (in 1996-11)
chalumeau:
Alfredo Bernardini (oboist) (in 1996-11)
chamber organ:
Guido Morini (composer) (in 1996-11)
cornett:
Jean-Pierre Canihac (in 1996-11)
percussion:
Pedro Estevan (in 1996-11)
sackbut:
Daniel Lassalle (baroque trombonist) (in 1996-11) and Stefan Légée (baroque trombonist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) and Jordi Savall (viol player, conductor and composer) (in 1996-11)
bass vocals:
Daniele Carnovich (operatic bass) (in 1996-11), Jordi Ricart (bass-baritone) (in 1996-11) and Xavier Sans (Catalan singer, conductor and composer) (in 1996-11)
countertenor vocals:
Josep M. Gregori (in 1996-11), Jean-Yves Guerry (in 1996-11) and Carlos Mena (counter-tenor) (in 1996-11)
tenor vocals:
Lambert Climent (tenor) (in 1996-11), Francesc Garrigosa (in 1996-11) and Lluís Vilamajó (tenor) (in 1996-11)
recording of:
Cum autem venissem, Himno procesional para 4 voces, CM 120: III. O vos qui transitis per viam
composer:
[anonymous] (special purpose artist)
part of:
Cum autem venissem, Himno procesional para 4 voces, CM 120
[anonymous]1:56
52Cum autem venissem, Himno procesional para 4 voces, CM 120: IV. O nimis triste spectaculum
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
bombarde:
Josep Borràs (bassoonist, dulcian player) (in 1996-11)
chalumeau:
Alfredo Bernardini (oboist) (in 1996-11)
chamber organ:
Guido Morini (composer) (in 1996-11)
cornett:
Jean-Pierre Canihac (in 1996-11)
percussion:
Pedro Estevan (in 1996-11)
sackbut:
Daniel Lassalle (baroque trombonist) (in 1996-11) and Stefan Légée (baroque trombonist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) and Jordi Savall (viol player, conductor and composer) (in 1996-11)
bass vocals:
Daniele Carnovich (operatic bass) (in 1996-11), Jordi Ricart (bass-baritone) (in 1996-11) and Xavier Sans (Catalan singer, conductor and composer) (in 1996-11)
countertenor vocals:
Josep M. Gregori (in 1996-11), Jean-Yves Guerry (in 1996-11) and Carlos Mena (counter-tenor) (in 1996-11)
tenor vocals:
Lambert Climent (tenor) (in 1996-11), Francesc Garrigosa (in 1996-11) and Lluís Vilamajó (tenor) (in 1996-11)
recording of:
Cum autem venissem, Himno procesional para 4 voces, CM 120: IV. O nimis triste spectaculum
composer:
[anonymous] (special purpose artist)
part of:
Cum autem venissem, Himno procesional para 4 voces, CM 120
[anonymous]4:21
53Cum autem venissem, Himno procesional para 4 voces, CM 120: V. Cum portaretur ad sepulcrum
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
bombarde:
Josep Borràs (bassoonist, dulcian player) (in 1996-11)
chalumeau:
Alfredo Bernardini (oboist) (in 1996-11)
chamber organ:
Guido Morini (composer) (in 1996-11)
cornett:
Jean-Pierre Canihac (in 1996-11)
percussion:
Pedro Estevan (in 1996-11)
sackbut:
Daniel Lassalle (baroque trombonist) (in 1996-11) and Stefan Légée (baroque trombonist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) and Jordi Savall (viol player, conductor and composer) (in 1996-11)
bass vocals:
Daniele Carnovich (operatic bass) (in 1996-11), Jordi Ricart (bass-baritone) (in 1996-11) and Xavier Sans (Catalan singer, conductor and composer) (in 1996-11)
countertenor vocals:
Josep M. Gregori (in 1996-11), Jean-Yves Guerry (in 1996-11) and Carlos Mena (counter-tenor) (in 1996-11)
tenor vocals:
Lambert Climent (tenor) (in 1996-11), Francesc Garrigosa (in 1996-11) and Lluís Vilamajó (tenor) (in 1996-11)
recording of:
Cum autem venissem, Himno procesional para 4 voces, CM 120: V. Cum portaretur ad sepulcrum
composer:
[anonymous] (special purpose artist)
part of:
Cum autem venissem, Himno procesional para 4 voces, CM 120
[anonymous]1:57
54Cum autem venissem, Himno procesional para 4 voces, CM 120: VI. Cum vero venissem ad locum
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
bombarde:
Josep Borràs (bassoonist, dulcian player) (in 1996-11)
chalumeau:
Alfredo Bernardini (oboist) (in 1996-11)
chamber organ:
Guido Morini (composer) (in 1996-11)
cornett:
Jean-Pierre Canihac (in 1996-11)
percussion:
Pedro Estevan (in 1996-11)
sackbut:
Daniel Lassalle (baroque trombonist) (in 1996-11) and Stefan Légée (baroque trombonist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) and Jordi Savall (viol player, conductor and composer) (in 1996-11)
bass vocals:
Daniele Carnovich (operatic bass) (in 1996-11), Jordi Ricart (bass-baritone) (in 1996-11) and Xavier Sans (Catalan singer, conductor and composer) (in 1996-11)
countertenor vocals:
Josep M. Gregori (in 1996-11), Jean-Yves Guerry (in 1996-11) and Carlos Mena (counter-tenor) (in 1996-11)
tenor vocals:
Lambert Climent (tenor) (in 1996-11), Francesc Garrigosa (in 1996-11) and Lluís Vilamajó (tenor) (in 1996-11)
recording of:
Cum autem venissem, Himno procesional para 4 voces, CM 120: VI. Cum vero venissem ad locum
composer:
[anonymous] (special purpose artist)
part of:
Cum autem venissem, Himno procesional para 4 voces, CM 120
[anonymous]1:58
55Cum autem venissem, Himno procesional para 4 voces, CM 120: VII. Amen
assistant recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
editor:
Charlotte Charbonnier
bombarde:
Josep Borràs (bassoonist, dulcian player) (in 1996-11)
chalumeau:
Alfredo Bernardini (oboist) (in 1996-11)
chamber organ:
Guido Morini (composer) (in 1996-11)
cornett:
Jean-Pierre Canihac (in 1996-11)
percussion:
Pedro Estevan (in 1996-11)
sackbut:
Daniel Lassalle (baroque trombonist) (in 1996-11) and Stefan Légée (baroque trombonist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) and Jordi Savall (viol player, conductor and composer) (in 1996-11)
bass vocals:
Daniele Carnovich (operatic bass) (in 1996-11), Jordi Ricart (bass-baritone) (in 1996-11) and Xavier Sans (Catalan singer, conductor and composer) (in 1996-11)
countertenor vocals:
Josep M. Gregori (in 1996-11), Jean-Yves Guerry (in 1996-11) and Carlos Mena (counter-tenor) (in 1996-11)
tenor vocals:
Lambert Climent (tenor) (in 1996-11), Francesc Garrigosa (in 1996-11) and Lluís Vilamajó (tenor) (in 1996-11)
recording of:
Cum autem venissem, Himno procesional para 4 voces, CM 120: VII. Amen
composer:
[anonymous] (special purpose artist)
part of:
Cum autem venissem, Himno procesional para 4 voces, CM 120
[anonymous]0:25
2▼CD: Musica Profana
#TitleArtistRatingLength
1“Chiave, chiave”, toccata instrumental, CM 131
assistant recording engineer:
Nicolas de Beco
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
editor:
Charlotte Charbonnier
bombarde:
Josep Borràs (bassoonist, dulcian player)
cornett:
Jean-Pierre Canihac
lute:
Xavier Díaz-Latorre (Spanish lute player)
percussion:
Pedro Estevan
sackbut:
Richard Cheetham and Daniel Lassalle (baroque trombonist)
recording of:
Chiave, chiave
composer:
[anonymous] (special purpose artist)
part of:
Cancionero de Montecassino (number: CMM 131)
[anonymous]1:29
2“Merce te chiamo”, ballata, CM 89
assistant recording engineer:
Nicolas de Beco
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
editor:
Charlotte Charbonnier
harp [Renaissance harp]:
Arianna Savall (harpist, soprano)
lute:
Xavier Díaz-Latorre (Spanish lute player)
percussion:
Pedro Estevan
viola da gamba:
Sergi Casademunt (classical viol and double bass player), Philippe Pierlot (Belgian violist and conductor) and Jordi Savall (viol player, conductor and composer)
soprano vocals:
Montserrat Figueras (soprano)
recording of:
Merce te chiamo, ballata, CM 89
composer:
[anonymous] (special purpose artist)
part of:
Cancionero de Montecassino (number: CMM 89)
[anonymous]7:06
3“La fille guillemin”, ballo, CM 6
assistant recording engineer:
Nicolas de Beco
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
editor:
Charlotte Charbonnier
bombarde:
Josep Borràs (bassoonist, dulcian player)
chalumeau:
Béatrice Delpierre
cornett:
Jean-Pierre Canihac
lute:
Xavier Díaz-Latorre (Spanish lute player)
percussion:
Pedro Estevan
sackbut:
Daniel Lassalle (baroque trombonist)
viola da gamba:
Sergi Casademunt (classical viol and double bass player), Jordi Savall (viol player, conductor and composer) and Sophie Watillon (viola da gamba player)
recording of:
La fille guillemin, ballo, CM 6
composer:
[anonymous] (special purpose artist)
part of:
Cancionero de Montecassino (number: CMM 6)
[anonymous]2:04
4“O tempo bono”, strambotto, CM 132
assistant recording engineer:
Nicolas de Beco
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
editor:
Charlotte Charbonnier
bombarde:
Josep Borràs (bassoonist, dulcian player)
cornett:
Jean-Pierre Canihac
lute:
Xavier Díaz-Latorre (Spanish lute player) and Rolf Lislevand (Baroque guitar, lute and theorbo player)
percussion:
Pedro Estevan
sackbut:
Richard Cheetham and Daniel Lassalle (baroque trombonist)
viola da gamba:
Sergi Casademunt (classical viol and double bass player), Lorenz Duftschmid (Austrian viol player and conductor), Jordi Savall (viol player, conductor and composer) and Sophie Watillon (viola da gamba player)
bass vocals:
Daniele Carnovich (operatic bass)
countertenor vocals:
Carlos Mena (counter-tenor)
tenor vocals:
Lambert Climent (tenor) and Francesc Garrigosa
recording of:
O tempo bono, strambotto, CM 132
composer:
[anonymous] (special purpose artist)
part of:
Cancionero de Montecassino (number: CMM 132)
[anonymous]4:30
5“Zappay”, strambotto instrumental, CM 20
assistant recording engineer:
Nicolas de Beco
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
editor:
Charlotte Charbonnier
bombarde:
Josep Borràs (bassoonist, dulcian player)
chalumeau:
Béatrice Delpierre
cornett:
Jean-Pierre Canihac
percussion:
Pedro Estevan and Jordi Savall (viol player, conductor and composer)
sackbut:
Daniel Lassalle (baroque trombonist)
recording of:
Zappay, strambotto instrumental, CM 20
part of:
Cancionero de Montecassino (number: CMM 20)
[anonymous]0:56
6“Paingendo chiamo”, disperata, CM 24
assistant recording engineer:
Nicolas de Beco
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
editor:
Charlotte Charbonnier
lute:
Xavier Díaz-Latorre (Spanish lute player)
organ [organo di legno]:
Michael Behringer (conductor, organist and harpsichordist)
viola da gamba:
Sergi Casademunt (classical viol and double bass player), Lorenz Duftschmid (Austrian viol player and conductor), Jordi Savall (viol player, conductor and composer) and Sophie Watillon (viola da gamba player)
bass vocals:
Daniele Carnovich (operatic bass)
countertenor vocals:
Carlos Mena (counter-tenor)
tenor vocals:
Lambert Climent (tenor) and Francesc Garrigosa
recording of:
Paingendo chiamo, disperata, CM 24
composer:
[anonymous] (special purpose artist)
part of:
Cancionero de Montecassino (number: CMM 24)
[anonymous]6:14
7“Puisque vos me lasses seulete” / “Je ne vous amare Marioneta”, double chanson, CM 86
assistant recording engineer:
Nicolas de Beco
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
editor:
Charlotte Charbonnier
lute:
Xavier Díaz-Latorre (Spanish lute player)
percussion:
Pedro Estevan
viola da gamba:
Sergi Casademunt (classical viol and double bass player), Jordi Savall (viol player, conductor and composer) and Sophie Watillon (viola da gamba player)
soprano vocals:
Montserrat Figueras (soprano)
tenor vocals:
Lambert Climent (tenor) and Francesc Garrigosa
recording of:
Puisque vos me lasses seulete / Je ne vous amare Marioneta, double chanson, CM 86
composer:
[anonymous] (special purpose artist)
part of:
Cancionero de Montecassino (number: CMM 86)
[anonymous]3:08
8“Alle stamenge”, canto carnascialesco, CM 133
assistant recording engineer:
Nicolas de Beco
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
editor:
Charlotte Charbonnier
lute:
Xavier Díaz-Latorre (Spanish lute player)
percussion:
Pedro Estevan
viola da gamba:
Sergi Casademunt (classical viol and double bass player), Lorenz Duftschmid (Austrian viol player and conductor), Jordi Savall (viol player, conductor and composer) and Sophie Watillon (viola da gamba player)
bass vocals:
Daniele Carnovich (operatic bass)
countertenor vocals:
Carlos Mena (counter-tenor)
tenor vocals:
Lambert Climent (tenor) and Francesc Garrigosa
recording of:
Alle stamenge, canto carnascialesco, CM 133
composer:
[anonymous] (special purpose artist)
part of:
Cancionero de Montecassino (number: CMM 133)
[anonymous]3:13
9“Collinetto”, ballo, CM 22
assistant recording engineer:
Nicolas de Beco
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
editor:
Charlotte Charbonnier
bombarde:
Josep Borràs (bassoonist, dulcian player)
cornett:
Jean-Pierre Canihac
lute:
Xavier Díaz-Latorre (Spanish lute player) and Rolf Lislevand (Baroque guitar, lute and theorbo player)
percussion:
Pedro Estevan
sackbut:
Richard Cheetham and Daniel Lassalle (baroque trombonist)
viola da gamba:
Sergi Casademunt (classical viol and double bass player), Lorenz Duftschmid (Austrian viol player and conductor), Jordi Savall (viol player, conductor and composer) and Sophie Watillon (viola da gamba player)
recording of:
Collinetto
composer:
[anonymous] (special purpose artist)
part of:
Cancionero de Montecassino (number: CMM 22)
[anonymous]2:58
10“Amor tu non me gabasti”, barzelletta, CM 23
assistant recording engineer:
Nicolas de Beco
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
editor:
Charlotte Charbonnier
lute:
Xavier Díaz-Latorre (Spanish lute player)
percussion:
Pedro Estevan
viola da gamba:
Sergi Casademunt (classical viol and double bass player), Lorenz Duftschmid (Austrian viol player and conductor), Jordi Savall (viol player, conductor and composer) and Sophie Watillon (viola da gamba player)
countertenor vocals:
Carlos Mena (counter-tenor)
tenor vocals:
Lambert Climent (tenor)
recording of:
Amor tu non me gabasti, barzelletta, CM 23
composer:
[anonymous] (special purpose artist)
part of:
Cancionero de Montecassino (number: CMM 23)
[anonymous]3:39
11“Je vos pri mon tres”, triple chanson, CM 109
assistant recording engineer:
Nicolas de Beco
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
editor:
Charlotte Charbonnier
lute:
Xavier Díaz-Latorre (Spanish lute player)
percussion:
Pedro Estevan
viola da gamba:
Sergi Casademunt (classical viol and double bass player), Lorenz Duftschmid (Austrian viol player and conductor), Jordi Savall (viol player, conductor and composer) and Sophie Watillon (viola da gamba player)
countertenor vocals:
Carlos Mena (counter-tenor)
soprano vocals:
Montserrat Figueras (soprano)
tenor vocals:
Lambert Climent (tenor) and Francesc Garrigosa
recording of:
Je vous pri / Ma tres douce amie / Tant que mon argent dura
composer:
Guillaume Dufay (French 15th century composer)
part of:
Cancionero de Montecassino (number: CMM 109)
Guillaume Dufay5:19
12“Correno multi cani”, strambotto-caccia, CM 140
assistant recording engineer:
Nicolas de Beco
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
editor:
Charlotte Charbonnier
bombarde:
Josep Borràs (bassoonist, dulcian player)
cornett:
Jean-Pierre Canihac
lute:
Xavier Díaz-Latorre (Spanish lute player)
percussion:
Pedro Estevan
sackbut:
Richard Cheetham and Daniel Lassalle (baroque trombonist)
viola da gamba:
Sergi Casademunt (classical viol and double bass player), Lorenz Duftschmid (Austrian viol player and conductor), Jordi Savall (viol player, conductor and composer) and Sophie Watillon (viola da gamba player)
bass vocals:
Daniele Carnovich (operatic bass)
countertenor vocals:
Carlos Mena (counter-tenor)
tenor vocals:
Lambert Climent (tenor) and Francesc Garrigosa
recording of:
Correno multi cani, strambotto-caccia, CM 140
composer:
[anonymous] (special purpose artist)
part of:
Cancionero de Montecassino (number: CMM 140)
[anonymous]2:35
13“Mort tu as navré” / “Miserere pie Jhesu”, Planctus pour la mort de Binchois, CM 107: I. Miserere pie Jesu
assistant recording engineer:
Nicolas de Beco
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
editor:
Charlotte Charbonnier
lute:
Xavier Díaz-Latorre (Spanish lute player)
viola da gamba:
Sergi Casademunt (classical viol and double bass player), Lorenz Duftschmid (Austrian viol player and conductor), Jordi Savall (viol player, conductor and composer) and Sophie Watillon (viola da gamba player)
baritone vocals:
Jordi Ricart (bass-baritone)
bass vocals:
Daniele Carnovich (operatic bass)
countertenor vocals:
Carlos Mena (counter-tenor)
tenor vocals:
Lambert Climent (tenor) and Francesc Garrigosa
partial recording of:
Mort tu as navré (ballade a 4)
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
dedicated to:
Gilles Binchois (Franco-Flemish early Renaissance composer, 1400-1460)
part of:
Cancionero de Montecassino (number: CMM 107)
J. Ockeghem3:41
14“Mort tu as navré” / “Miserere pie Jhesu”, Planctus pour la mort de Binchois, CM 107: II. Mort tu as navré de ton dart
assistant recording engineer:
Nicolas de Beco
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
editor:
Charlotte Charbonnier
lute:
Xavier Díaz-Latorre (Spanish lute player)
viola da gamba:
Sergi Casademunt (classical viol and double bass player), Lorenz Duftschmid (Austrian viol player and conductor), Jordi Savall (viol player, conductor and composer) and Sophie Watillon (viola da gamba player)
baritone vocals:
Jordi Ricart (bass-baritone)
bass vocals:
Daniele Carnovich (operatic bass)
countertenor vocals:
Carlos Mena (counter-tenor)
tenor vocals:
Lambert Climent (tenor) and Francesc Garrigosa
partial recording of:
Mort tu as navré (ballade a 4)
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
dedicated to:
Gilles Binchois (Franco-Flemish early Renaissance composer, 1400-1460)
part of:
Cancionero de Montecassino (number: CMM 107)
J. Ockeghem3:20
15“Mort tu as navré” / “Miserere pie Jhesu”, Planctus pour la mort de Binchois, CM 107: III. Retoricque, se Dieu me gard
assistant recording engineer:
Nicolas de Beco
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
editor:
Charlotte Charbonnier
lute:
Xavier Díaz-Latorre (Spanish lute player)
viola da gamba:
Sergi Casademunt (classical viol and double bass player), Lorenz Duftschmid (Austrian viol player and conductor), Jordi Savall (viol player, conductor and composer) and Sophie Watillon (viola da gamba player)
baritone vocals:
Jordi Ricart (bass-baritone)
bass vocals:
Daniele Carnovich (operatic bass)
countertenor vocals:
Carlos Mena (counter-tenor)
tenor vocals:
Lambert Climent (tenor) and Francesc Garrigosa
partial recording of:
Mort tu as navré (ballade a 4)
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
dedicated to:
Gilles Binchois (Franco-Flemish early Renaissance composer, 1400-1460)
part of:
Cancionero de Montecassino (number: CMM 107)
J. Ockeghem3:31
16“Mort tu as navré” / “Miserere pie Jhesu”, Planctus pour la mort de Binchois, CM 107: IV. En sa jonesse fut soudart
assistant recording engineer:
Nicolas de Beco
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
editor:
Charlotte Charbonnier
lute:
Xavier Díaz-Latorre (Spanish lute player)
viola da gamba:
Sergi Casademunt (classical viol and double bass player), Lorenz Duftschmid (Austrian viol player and conductor), Jordi Savall (viol player, conductor and composer) and Sophie Watillon (viola da gamba player)
baritone vocals:
Jordi Ricart (bass-baritone)
bass vocals:
Daniele Carnovich (operatic bass)
countertenor vocals:
Carlos Mena (counter-tenor)
tenor vocals:
Lambert Climent (tenor) and Francesc Garrigosa
partial recording of:
Mort tu as navré (ballade a 4)
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
dedicated to:
Gilles Binchois (Franco-Flemish early Renaissance composer, 1400-1460)
part of:
Cancionero de Montecassino (number: CMM 107)
J. Ockeghem3:46
17“La Spagna”, basse dance
assistant recording engineer:
Nicolas de Beco
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
editor:
Charlotte Charbonnier
bombarde:
Josep Borràs (bassoonist, dulcian player)
chalumeau:
Béatrice Delpierre
cornett:
Jean-Pierre Canihac
organ [organo di legno]:
Michael Behringer (conductor, organist and harpsichordist)
percussion:
Pedro Estevan
sackbut:
Daniel Lassalle (baroque trombonist)
recording of:
La Spagna (basse dance)
composer:
[anonymous] (special purpose artist)
[anonymous]1:44
18“Qu’es mi vida preguntais”, canción, CM 10
assistant recording engineer:
Nicolas de Beco
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
editor:
Charlotte Charbonnier
viola da gamba:
Sergi Casademunt (classical viol and double bass player), Philippe Pierlot (Belgian violist and conductor) and Jordi Savall (viol player, conductor and composer)
soprano vocals:
Montserrat Figueras (soprano)
recording of:
Qu’es mi vida preguntays (a 4)
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
part of:
Cancionero de Montecassino (number: CMM 10)
is based on:
Qué’s mi vida preguntáys (a 3)
J. Ockeghem5:23
19“Viva viva Rey Ferrando”, canción, CM 111
assistant recording engineer:
Nicolas de Beco
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
editor:
Charlotte Charbonnier
bombarde:
Josep Borràs (bassoonist, dulcian player)
cornett:
Jean-Pierre Canihac
lute:
Xavier Díaz-Latorre (Spanish lute player) and Rolf Lislevand (Baroque guitar, lute and theorbo player)
percussion:
Pedro Estevan
sackbut:
Richard Cheetham and Daniel Lassalle (baroque trombonist)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player), Sergi Casademunt (classical viol and double bass player), Lorenz Duftschmid (Austrian viol player and conductor) and Jordi Savall (viol player, conductor and composer)
bass vocals:
Daniele Carnovich (operatic bass)
countertenor vocals:
Carlos Mena (counter-tenor)
tenor vocals:
Lambert Climent (tenor) and Francesc Garrigosa
recording of:
“Viva viva Rey Ferrando”, canción, CM 111
composer:
[anonymous] (special purpose artist)
part of:
Cancionero de Montecassino (number: CMM 111)
[anonymous]3:36
20“De tous biens plaine”, chanson, CM 85
assistant recording engineer:
Nicolas de Beco
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
editor:
Charlotte Charbonnier
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player), Sergi Casademunt (classical viol and double bass player) and Jordi Savall (viol player, conductor and composer)
recording of:
De tous biens plaine (à 3)
composer:
Hayne van Ghizeghem (Franco-Flemish 15th century composer)
part of:
Cancionero de Montecassino (number: CMM 85), Leuven Chansonnier (number: 16) and Chansonnier Cordiforme (number: 19)
H. van Ghizeghem4:16
21“Dindirindin”, canzon alla villota, CM 127
assistant recording engineer:
Nicolas de Beco
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
editor:
Charlotte Charbonnier
bombarde:
Josep Borràs (bassoonist, dulcian player)
chalumeau:
Béatrice Delpierre
cornett:
Jean-Pierre Canihac
lute:
Xavier Díaz-Latorre (Spanish lute player) and Rolf Lislevand (Baroque guitar, lute and theorbo player)
percussion:
Pedro Estevan
sackbut:
Daniel Lassalle (baroque trombonist)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player), Sergi Casademunt (classical viol and double bass player), Lorenz Duftschmid (Austrian viol player and conductor) and Jordi Savall (viol player, conductor and composer)
bass vocals:
Daniele Carnovich (operatic bass)
countertenor vocals:
Carlos Mena (counter-tenor)
soprano vocals:
Montserrat Figueras (soprano)
tenor vocals:
Lambert Climent (tenor) and Francesc Garrigosa
recording of:
Dindirindin (from Cancionero Musical de Montecassino)
composer:
[anonymous] (special purpose artist)
part of:
Cancionero de Montecassino (number: CMM 127)
version of:
Dindirindin (catch-all work)
[anonymous]2:05

Credits

Release

manufactured in:Austria
photography:Servei fotogràfic Museu Nacional d'Art de Catalunya
additional liner notes:Traduit.com
liner notes:Luca Chiantore (pianist and musicologist; Italian liner notes translator for Alia Vox)
Traduit.com
liner notes translator:Irène Bloc (liner notes, French translation, for the label Alia Vox)
Jacqueline Minett (liner notes, English translator, mainly for Alia Vox)
Bernd Müller (liner notes, German translation)
Anne Steeb (liner notes, German translation)
illustration:Jaime Huguet (15th century Catalan painter)
manufactured by:Sony DADC Austria AG
copyrighted (©) by:Alia Vox
Discogs:https://www.discogs.com/release/7989928 [info]
ASIN:UK: B00005B84T [info]