Alfons V el Magnànim: El Cancionero de Montecassino

~ Veröffentlichung von La Capella Reial de Catalunya, Jordi Savall (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

SubOptimal Credits:

Tracks 1 to 14 and 36 to 47 should have "Renaissance Harp" instead of "Harp"

SubOptimal Credits

Track 2 should have "Renaissance Harp" instead of "Harp"
Tracks 6 and 17 should have "Organo di Legno" instead of "Organo"

Anmerkung zuletzt geändert am 2011-04-12 09:30 UTC.

Titelliste

1▼CD: Musica Religiosa
Nr.TitelKünstlerBewertungLänge
1Adoramus te, antífona para 4 voces, CM 4: I. Adoramus te Domine (introducción)
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Harfe [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
Truhenorgel:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) und Jordi Savall (viol player, conductor and composer) (in 1996-11)
Bass-Gesang:
Daniele Carnovich (operatic bass) (in 1996-11)
Countertenorgesang:
Carlos Mena (counter-tenor) (in 1996-11)
Tenor-Gesang:
Lambert Climent (tenor) (in 1996-11) und Francesc Garrigosa (in 1996-11)
teilweise recording of:
Adoramus te Domine (from Cancionero de Montecassino) (in 1996-11)
Komponist(in):
[anonymous] (special purpose artist)
Teil von:
Cancionero de Montecassino (Nummer: CMM 4)
[anonymous]1:12
2Adoramus te, antífona para 4 voces, CM 4: II. Adoramus te Domine
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Harfe [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
Truhenorgel:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) und Jordi Savall (viol player, conductor and composer) (in 1996-11)
Bass-Gesang:
Daniele Carnovich (operatic bass) (in 1996-11)
Countertenorgesang:
Carlos Mena (counter-tenor) (in 1996-11)
Tenor-Gesang:
Lambert Climent (tenor) (in 1996-11) und Francesc Garrigosa (in 1996-11)
teilweise recording of:
Adoramus te Domine (from Cancionero de Montecassino) (in 1996-11)
Komponist(in):
[anonymous] (special purpose artist)
Teil von:
Cancionero de Montecassino (Nummer: CMM 4)
[anonymous]1:10
3Adoramus te, antífona para 4 voces, CM 4: III. Crucem tuam adoramus
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Harfe [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
Truhenorgel:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) und Jordi Savall (viol player, conductor and composer) (in 1996-11)
Bass-Gesang:
Daniele Carnovich (operatic bass) (in 1996-11)
Countertenorgesang:
Carlos Mena (counter-tenor) (in 1996-11)
Tenor-Gesang:
Lambert Climent (tenor) (in 1996-11) und Francesc Garrigosa (in 1996-11)
teilweise recording of:
Adoramus te Domine (from Cancionero de Montecassino) (in 1996-11)
Komponist(in):
[anonymous] (special purpose artist)
Teil von:
Cancionero de Montecassino (Nummer: CMM 4)
[anonymous]2:19
4Adoramus te, antífona para 4 voces, CM 4: IV. Ecce enim propter lignum
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Harfe [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
Truhenorgel:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) und Jordi Savall (viol player, conductor and composer) (in 1996-11)
Bass-Gesang:
Daniele Carnovich (operatic bass) (in 1996-11)
Countertenorgesang:
Carlos Mena (counter-tenor) (in 1996-11)
Tenor-Gesang:
Lambert Climent (tenor) (in 1996-11) und Francesc Garrigosa (in 1996-11)
teilweise recording of:
Adoramus te Domine (from Cancionero de Montecassino) (in 1996-11)
Komponist(in):
[anonymous] (special purpose artist)
Teil von:
Cancionero de Montecassino (Nummer: CMM 4)
[anonymous]1:53
5Adoramus te, antífona para 4 voces, CM 4: V. Adoramus te Domine
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Harfe [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
Truhenorgel:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) und Jordi Savall (viol player, conductor and composer) (in 1996-11)
Bass-Gesang:
Daniele Carnovich (operatic bass) (in 1996-11)
Countertenorgesang:
Carlos Mena (counter-tenor) (in 1996-11)
Tenor-Gesang:
Lambert Climent (tenor) (in 1996-11) und Francesc Garrigosa (in 1996-11)
teilweise recording of:
Adoramus te Domine (from Cancionero de Montecassino) (in 1996-11)
Komponist(in):
[anonymous] (special purpose artist)
Teil von:
Cancionero de Montecassino (Nummer: CMM 4)
[anonymous]1:22
6Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62: I. Ave maris stella
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Harfe [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
Truhenorgel:
Guido Morini (composer) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) und Jordi Savall (viol player, conductor and composer) (in 1996-11)
Bass-Gesang:
Daniele Carnovich (operatic bass) (in 1996-11)
Countertenorgesang:
Carlos Mena (counter-tenor) (in 1996-11)
Tenor-Gesang:
Lambert Climent (tenor) (in 1996-11) und Francesc Garrigosa (in 1996-11)
recording of:
Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62: I. Ave maris stella
Komponist(in):
[anonymous] (special purpose artist)
Teil von:
Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62
[anonymous]1:56
7Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62: II. Sumens illud Ave
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Harfe [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
Truhenorgel:
Guido Morini (composer) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) und Jordi Savall (viol player, conductor and composer) (in 1996-11)
Bass-Gesang:
Daniele Carnovich (operatic bass) (in 1996-11)
Countertenorgesang:
Carlos Mena (counter-tenor) (in 1996-11)
Tenor-Gesang:
Lambert Climent (tenor) (in 1996-11) und Francesc Garrigosa (in 1996-11)
recording of:
Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62: II. Sumens illud Ave
Komponist(in):
[anonymous] (special purpose artist)
Teil von:
Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62
[anonymous]0:38
8Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62: III. Solve vincla reis
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Harfe [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
Truhenorgel:
Guido Morini (composer) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) und Jordi Savall (viol player, conductor and composer) (in 1996-11)
Bass-Gesang:
Daniele Carnovich (operatic bass) (in 1996-11)
Countertenorgesang:
Carlos Mena (counter-tenor) (in 1996-11)
Tenor-Gesang:
Lambert Climent (tenor) (in 1996-11) und Francesc Garrigosa (in 1996-11)
recording of:
Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62: III. Solve vincla reis
Komponist(in):
[anonymous] (special purpose artist)
Teil von:
Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62
[anonymous]1:31
9Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62: IV. Monstra te esse matrem
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Harfe [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
Truhenorgel:
Guido Morini (composer) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) und Jordi Savall (viol player, conductor and composer) (in 1996-11)
Bass-Gesang:
Daniele Carnovich (operatic bass) (in 1996-11)
Countertenorgesang:
Carlos Mena (counter-tenor) (in 1996-11)
Tenor-Gesang:
Lambert Climent (tenor) (in 1996-11) und Francesc Garrigosa (in 1996-11)
recording of:
Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62: IV. Monstra te esse matrem
Komponist(in):
[anonymous] (special purpose artist)
Teil von:
Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62
[anonymous]0:44
10Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62: V. Virgo singularis
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Harfe [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
Truhenorgel:
Guido Morini (composer) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) und Jordi Savall (viol player, conductor and composer) (in 1996-11)
Bass-Gesang:
Daniele Carnovich (operatic bass) (in 1996-11)
Countertenorgesang:
Carlos Mena (counter-tenor) (in 1996-11)
Tenor-Gesang:
Lambert Climent (tenor) (in 1996-11) und Francesc Garrigosa (in 1996-11)
recording of:
Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62: V. Virgo singularis
Komponist(in):
[anonymous] (special purpose artist)
Teil von:
Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62
[anonymous]1:22
11Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62: VI. Vitam praesta puram
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Harfe [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
Truhenorgel:
Guido Morini (composer) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) und Jordi Savall (viol player, conductor and composer) (in 1996-11)
Bass-Gesang:
Daniele Carnovich (operatic bass) (in 1996-11)
Countertenorgesang:
Carlos Mena (counter-tenor) (in 1996-11)
Tenor-Gesang:
Lambert Climent (tenor) (in 1996-11) und Francesc Garrigosa (in 1996-11)
recording of:
Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62: VI. Vitam praesta puram
Komponist(in):
[anonymous] (special purpose artist)
Teil von:
Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62
[anonymous]0:41
12Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62: VII. Sit laus Deo Patri
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Harfe [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
Truhenorgel:
Guido Morini (composer) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) und Jordi Savall (viol player, conductor and composer) (in 1996-11)
Bass-Gesang:
Daniele Carnovich (operatic bass) (in 1996-11)
Countertenorgesang:
Carlos Mena (counter-tenor) (in 1996-11)
Tenor-Gesang:
Lambert Climent (tenor) (in 1996-11) und Francesc Garrigosa (in 1996-11)
recording of:
Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62: VII. Sit laus Deo Patri
Komponist(in):
[anonymous] (special purpose artist)
Teil von:
Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62
[anonymous]1:14
13Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62: VIII. Amen
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Harfe [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
Truhenorgel:
Guido Morini (composer) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) und Jordi Savall (viol player, conductor and composer) (in 1996-11)
Bass-Gesang:
Daniele Carnovich (operatic bass) (in 1996-11)
Countertenorgesang:
Carlos Mena (counter-tenor) (in 1996-11)
Tenor-Gesang:
Lambert Climent (tenor) (in 1996-11) und Francesc Garrigosa (in 1996-11)
recording of:
Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62: VIII. Amen
Komponist(in):
[anonymous] (special purpose artist)
Teil von:
Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62
[anonymous]0:22
14Ave Maris Stella, Damianus, para arpa, CM 76
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Harfe [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
recording of:
Ave Maris Stella, para arpa, CM 76 (from Cancionero de Montecassino) (in 1996-11)
Komponist(in):
Damien Havericq (Netherlandish composer in Antwerp, fl. 1538-1556)
Teil von:
Cancionero de Montecassino (Nummer: CMM 76)
[anonymous]3:48
15Veni sancte spiritus, Secuencia para 3 voces: I. Veni sancte spiritus
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Truhenorgel:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
Countertenorgesang:
Kai Wessel (countertenor) (in 1996-11)
Mezzosoprangesang:
María Cristina Kiehr (soprano) (in 1996-11)
Soprangesang:
Montserrat Figueras (soprano) (in 1996-11)
teilweise recording of:
Veni Sancte Spiritus
Komponist(in):
Guillaume Dufay (French 15th century composer)
Guillaume Dufay0:37
16Veni sancte spiritus, Secuencia para 3 voces: II. Veni pater pauperum
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Truhenorgel:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
Countertenorgesang:
Kai Wessel (countertenor) (in 1996-11)
Mezzosoprangesang:
María Cristina Kiehr (soprano) (in 1996-11)
Soprangesang:
Montserrat Figueras (soprano) (in 1996-11)
teilweise recording of:
Veni Sancte Spiritus
Komponist(in):
Guillaume Dufay (French 15th century composer)
Guillaume Dufay0:21
17Veni sancte spiritus, Secuencia para 3 voces: III. Consolator optime
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Truhenorgel:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
Countertenorgesang:
Kai Wessel (countertenor) (in 1996-11)
Mezzosoprangesang:
María Cristina Kiehr (soprano) (in 1996-11)
Soprangesang:
Montserrat Figueras (soprano) (in 1996-11)
teilweise recording of:
Veni Sancte Spiritus
Komponist(in):
Guillaume Dufay (French 15th century composer)
Guillaume Dufay0:37
18Veni sancte spiritus, Secuencia para 3 voces: IV. In labore requies
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Truhenorgel:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
Countertenorgesang:
Kai Wessel (countertenor) (in 1996-11)
Mezzosoprangesang:
María Cristina Kiehr (soprano) (in 1996-11)
Soprangesang:
Montserrat Figueras (soprano) (in 1996-11)
teilweise recording of:
Veni Sancte Spiritus
Komponist(in):
Guillaume Dufay (French 15th century composer)
Guillaume Dufay0:21
19Veni sancte spiritus, Secuencia para 3 voces: V. O lux beatissima
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Truhenorgel:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
Countertenorgesang:
Kai Wessel (countertenor) (in 1996-11)
Mezzosoprangesang:
María Cristina Kiehr (soprano) (in 1996-11)
Soprangesang:
Montserrat Figueras (soprano) (in 1996-11)
teilweise recording of:
Veni Sancte Spiritus
Komponist(in):
Guillaume Dufay (French 15th century composer)
Guillaume Dufay0:37
20Veni sancte spiritus, Secuencia para 3 voces: VI. Sine tuo nomine
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Truhenorgel:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
Countertenorgesang:
Kai Wessel (countertenor) (in 1996-11)
Mezzosoprangesang:
María Cristina Kiehr (soprano) (in 1996-11)
Soprangesang:
Montserrat Figueras (soprano) (in 1996-11)
teilweise recording of:
Veni Sancte Spiritus
Komponist(in):
Guillaume Dufay (French 15th century composer)
Guillaume Dufay0:20
21Veni sancte spiritus, Secuencia para 3 voces: VII. Lava quod est sordidum
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Truhenorgel:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
Countertenorgesang:
Kai Wessel (countertenor) (in 1996-11)
Mezzosoprangesang:
María Cristina Kiehr (soprano) (in 1996-11)
Soprangesang:
Montserrat Figueras (soprano) (in 1996-11)
teilweise recording of:
Veni Sancte Spiritus
Komponist(in):
Guillaume Dufay (French 15th century composer)
Guillaume Dufay0:38
22Veni sancte spiritus, Secuencia para 3 voces: VIII. Flecte, quod est rigidum
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Truhenorgel:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
Countertenorgesang:
Kai Wessel (countertenor) (in 1996-11)
Mezzosoprangesang:
María Cristina Kiehr (soprano) (in 1996-11)
Soprangesang:
Montserrat Figueras (soprano) (in 1996-11)
teilweise recording of:
Veni Sancte Spiritus
Komponist(in):
Guillaume Dufay (French 15th century composer)
Guillaume Dufay0:21
23Veni sancte spiritus, Secuencia para 3 voces: IX. Da tuis fidelibus
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Truhenorgel:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
Countertenorgesang:
Kai Wessel (countertenor) (in 1996-11)
Mezzosoprangesang:
María Cristina Kiehr (soprano) (in 1996-11)
Soprangesang:
Montserrat Figueras (soprano) (in 1996-11)
teilweise recording of:
Veni Sancte Spiritus
Komponist(in):
Guillaume Dufay (French 15th century composer)
Guillaume Dufay0:37
24Veni sancte spiritus, Secuencia para 3 voces: X. Da virtuitis meritum
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Truhenorgel:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
Countertenorgesang:
Kai Wessel (countertenor) (in 1996-11)
Mezzosoprangesang:
María Cristina Kiehr (soprano) (in 1996-11)
Soprangesang:
Montserrat Figueras (soprano) (in 1996-11)
teilweise recording of:
Veni Sancte Spiritus
Komponist(in):
Guillaume Dufay (French 15th century composer)
Guillaume Dufay0:19
25Veni sancte spiritus, Secuencia para 3 voces: XI. Amen
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Truhenorgel:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
Countertenorgesang:
Kai Wessel (countertenor) (in 1996-11)
Mezzosoprangesang:
María Cristina Kiehr (soprano) (in 1996-11)
Soprangesang:
Montserrat Figueras (soprano) (in 1996-11)
teilweise recording of:
Veni Sancte Spiritus
Komponist(in):
Guillaume Dufay (French 15th century composer)
Guillaume Dufay0:28
26Miserere nostri, para 4 voces
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Truhenorgel:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) und Jordi Savall (viol player, conductor and composer) (in 1996-11)
Bass-Gesang:
Daniele Carnovich (operatic bass) (in 1996-11)
Countertenorgesang:
Carlos Mena (counter-tenor) (in 1996-11)
Tenor-Gesang:
Lambert Climent (tenor) (in 1996-11) und Francesc Garrigosa (in 1996-11)
[anonymous]2:02
27Vexilla regis prodeunt, Himno de vísperas para 3 voces, CM 106: I. Vexilla regis prodeunt
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Truhenorgel:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) und Jordi Savall (viol player, conductor and composer) (in 1996-11)
Bass-Gesang:
Daniele Carnovich (operatic bass) (in 1996-11)
Countertenorgesang:
Carlos Mena (counter-tenor) (in 1996-11)
Tenor-Gesang:
Lambert Climent (tenor) (in 1996-11) und Francesc Garrigosa (in 1996-11)
teilweise recording of:
Vexilla Regis Prodeunt
Komponist(in):
Guillaume Dufay (French 15th century composer)
Teil von:
Hymns
Guillaume Dufay0:37
28Vexilla regis prodeunt, Himno de vísperas para 3 voces, CM 106: II. Quo vulneratus insuper
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Truhenorgel:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) und Jordi Savall (viol player, conductor and composer) (in 1996-11)
Bass-Gesang:
Daniele Carnovich (operatic bass) (in 1996-11)
Countertenorgesang:
Carlos Mena (counter-tenor) (in 1996-11)
Tenor-Gesang:
Lambert Climent (tenor) (in 1996-11) und Francesc Garrigosa (in 1996-11)
teilweise recording of:
Vexilla Regis Prodeunt
Komponist(in):
Guillaume Dufay (French 15th century composer)
Teil von:
Hymns
Guillaume Dufay1:23
29Vexilla regis prodeunt, Himno de vísperas para 3 voces, CM 106: III. Impleta sunt quae concinit
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Truhenorgel:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) und Jordi Savall (viol player, conductor and composer) (in 1996-11)
Bass-Gesang:
Daniele Carnovich (operatic bass) (in 1996-11)
Countertenorgesang:
Carlos Mena (counter-tenor) (in 1996-11)
Tenor-Gesang:
Lambert Climent (tenor) (in 1996-11) und Francesc Garrigosa (in 1996-11)
teilweise recording of:
Vexilla Regis Prodeunt
Komponist(in):
Guillaume Dufay (French 15th century composer)
Teil von:
Hymns
Guillaume Dufay0:37
30Vexilla regis prodeunt, Himno de vísperas para 3 voces, CM 106: IV. Arbor decora et fulgida
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Truhenorgel:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) und Jordi Savall (viol player, conductor and composer) (in 1996-11)
Bass-Gesang:
Daniele Carnovich (operatic bass) (in 1996-11)
Countertenorgesang:
Carlos Mena (counter-tenor) (in 1996-11)
Tenor-Gesang:
Lambert Climent (tenor) (in 1996-11) und Francesc Garrigosa (in 1996-11)
teilweise recording of:
Vexilla Regis Prodeunt
Komponist(in):
Guillaume Dufay (French 15th century composer)
Teil von:
Hymns
Guillaume Dufay1:14
31Vexilla regis prodeunt, Himno de vísperas para 3 voces, CM 106: V. Beata cujus brachiis
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Truhenorgel:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) und Jordi Savall (viol player, conductor and composer) (in 1996-11)
Bass-Gesang:
Daniele Carnovich (operatic bass) (in 1996-11)
Countertenorgesang:
Carlos Mena (counter-tenor) (in 1996-11)
Tenor-Gesang:
Lambert Climent (tenor) (in 1996-11) und Francesc Garrigosa (in 1996-11)
teilweise recording of:
Vexilla Regis Prodeunt
Komponist(in):
Guillaume Dufay (French 15th century composer)
Teil von:
Hymns
Guillaume Dufay0:37
32Vexilla regis prodeunt, Himno de vísperas para 3 voces, CM 106: VI. O Crux ave, spes unica
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Truhenorgel:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) und Jordi Savall (viol player, conductor and composer) (in 1996-11)
Bass-Gesang:
Daniele Carnovich (operatic bass) (in 1996-11)
Countertenorgesang:
Carlos Mena (counter-tenor) (in 1996-11)
Tenor-Gesang:
Lambert Climent (tenor) (in 1996-11) und Francesc Garrigosa (in 1996-11)
teilweise recording of:
Vexilla Regis Prodeunt
Komponist(in):
Guillaume Dufay (French 15th century composer)
Teil von:
Hymns
Guillaume Dufay1:12
33Vexilla regis prodeunt, Himno de vísperas para 3 voces, CM 106: VII. Tesumma Deus Trinitas
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Truhenorgel:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) und Jordi Savall (viol player, conductor and composer) (in 1996-11)
Bass-Gesang:
Daniele Carnovich (operatic bass) (in 1996-11)
Countertenorgesang:
Carlos Mena (counter-tenor) (in 1996-11)
Tenor-Gesang:
Lambert Climent (tenor) (in 1996-11) und Francesc Garrigosa (in 1996-11)
teilweise recording of:
Vexilla Regis Prodeunt
Komponist(in):
Guillaume Dufay (French 15th century composer)
Teil von:
Hymns
Guillaume Dufay0:41
34Vexilla regis prodeunt, Himno de vísperas para 3 voces, CM 106: VIII. Miserere nostri. Amen
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Truhenorgel:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) und Jordi Savall (viol player, conductor and composer) (in 1996-11)
Bass-Gesang:
Daniele Carnovich (operatic bass) (in 1996-11)
Countertenorgesang:
Carlos Mena (counter-tenor) (in 1996-11)
Tenor-Gesang:
Lambert Climent (tenor) (in 1996-11) und Francesc Garrigosa (in 1996-11)
teilweise recording of:
Vexilla Regis Prodeunt
Komponist(in):
Guillaume Dufay (French 15th century composer)
Teil von:
Hymns
Guillaume Dufay1:34
35Fantasia, CM 91
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Barockposaune:
Daniel Lassalle (baroque trombonist) (in 1996-11) und Stefan Légée (baroque trombonist) (in 1996-11)
Bombarde:
Josep Borràs (bassoonist, dulcian player) (in 1996-11)
chalumeau:
Alfredo Bernardini (oboist) (in 1996-11)
Perkussion:
Pedro Estevan (in 1996-11)
Truhenorgel:
Guido Morini (composer) (in 1996-11)
Zink:
Jean-Pierre Canihac (in 1996-11)
recording of:
Fantasia, CM 91
Komponist(in):
[anonymous] (special purpose artist)
Teil von:
Cancionero de Montecassino (Nummer: CMM 91)
[anonymous]1:54
36Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: I. Magnificat anima mea Dominum
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Barockposaune:
Daniel Lassalle (baroque trombonist) (in 1996-11) und Stefan Légée (baroque trombonist) (in 1996-11)
Bombarde:
Josep Borràs (bassoonist, dulcian player) (in 1996-11)
chalumeau:
Alfredo Bernardini (oboist) (in 1996-11)
Harfe [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
Truhenorgel:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) und Jordi Savall (viol player, conductor and composer) (in 1996-11)
Zink:
Jean-Pierre Canihac (in 1996-11)
Bass-Gesang:
Daniele Carnovich (operatic bass) (in 1996-11) und Jordi Ricart (bass-baritone) (in 1996-11)
Countertenorgesang:
Carlos Mena (counter-tenor) (in 1996-11)
Tenor-Gesang:
Lambert Climent (tenor) (in 1996-11) und Francesc Garrigosa (in 1996-11)
recording of:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: I. Magnificat anima mea Dominum
Komponist(in):
Guillaume Dufay (French 15th century composer)
Teil von:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74
Guillaume Dufay0:43
37Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: II. Et exsultavit spiritus meus
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Barockposaune:
Daniel Lassalle (baroque trombonist) (in 1996-11) und Stefan Légée (baroque trombonist) (in 1996-11)
Bombarde:
Josep Borràs (bassoonist, dulcian player) (in 1996-11)
chalumeau:
Alfredo Bernardini (oboist) (in 1996-11)
Harfe [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
Truhenorgel:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) und Jordi Savall (viol player, conductor and composer) (in 1996-11)
Zink:
Jean-Pierre Canihac (in 1996-11)
Bass-Gesang:
Daniele Carnovich (operatic bass) (in 1996-11) und Jordi Ricart (bass-baritone) (in 1996-11)
Countertenorgesang:
Carlos Mena (counter-tenor) (in 1996-11)
Tenor-Gesang:
Lambert Climent (tenor) (in 1996-11) und Francesc Garrigosa (in 1996-11)
recording of:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: II. Et exsultavit spiritus meus
Komponist(in):
Guillaume Dufay (French 15th century composer)
Teil von:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74
Guillaume Dufay1:02
38Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: III. Quia respexit humilitatem
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Barockposaune:
Daniel Lassalle (baroque trombonist) (in 1996-11) und Stefan Légée (baroque trombonist) (in 1996-11)
Bombarde:
Josep Borràs (bassoonist, dulcian player) (in 1996-11)
chalumeau:
Alfredo Bernardini (oboist) (in 1996-11)
Harfe [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
Truhenorgel:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) und Jordi Savall (viol player, conductor and composer) (in 1996-11)
Zink:
Jean-Pierre Canihac (in 1996-11)
Bass-Gesang:
Daniele Carnovich (operatic bass) (in 1996-11) und Jordi Ricart (bass-baritone) (in 1996-11)
Countertenorgesang:
Carlos Mena (counter-tenor) (in 1996-11)
Tenor-Gesang:
Lambert Climent (tenor) (in 1996-11) und Francesc Garrigosa (in 1996-11)
recording of:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: III. Quia respexit humilitatem
Komponist(in):
Guillaume Dufay (French 15th century composer)
Teil von:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74
Guillaume Dufay1:04
39Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: IV. Quia fecit mihi magna
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Barockposaune:
Daniel Lassalle (baroque trombonist) (in 1996-11) und Stefan Légée (baroque trombonist) (in 1996-11)
Bombarde:
Josep Borràs (bassoonist, dulcian player) (in 1996-11)
chalumeau:
Alfredo Bernardini (oboist) (in 1996-11)
Harfe [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
Truhenorgel:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) und Jordi Savall (viol player, conductor and composer) (in 1996-11)
Zink:
Jean-Pierre Canihac (in 1996-11)
Bass-Gesang:
Daniele Carnovich (operatic bass) (in 1996-11) und Jordi Ricart (bass-baritone) (in 1996-11)
Countertenorgesang:
Carlos Mena (counter-tenor) (in 1996-11)
Tenor-Gesang:
Lambert Climent (tenor) (in 1996-11) und Francesc Garrigosa (in 1996-11)
recording of:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: IV. Quia fecit mihi magna
Komponist(in):
Guillaume Dufay (French 15th century composer)
Teil von:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74
Guillaume Dufay1:06
40Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: V. Et misericordia ejus
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Barockposaune:
Daniel Lassalle (baroque trombonist) (in 1996-11) und Stefan Légée (baroque trombonist) (in 1996-11)
Bombarde:
Josep Borràs (bassoonist, dulcian player) (in 1996-11)
chalumeau:
Alfredo Bernardini (oboist) (in 1996-11)
Harfe [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
Truhenorgel:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) und Jordi Savall (viol player, conductor and composer) (in 1996-11)
Zink:
Jean-Pierre Canihac (in 1996-11)
Bass-Gesang:
Daniele Carnovich (operatic bass) (in 1996-11) und Jordi Ricart (bass-baritone) (in 1996-11)
Countertenorgesang:
Carlos Mena (counter-tenor) (in 1996-11)
Tenor-Gesang:
Lambert Climent (tenor) (in 1996-11) und Francesc Garrigosa (in 1996-11)
recording of:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: V. Et misericordia ejus
Komponist(in):
Guillaume Dufay (French 15th century composer)
Teil von:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74
Guillaume Dufay1:15
41Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: VI. Fecit potentiam in brachio suo
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Barockposaune:
Daniel Lassalle (baroque trombonist) (in 1996-11) und Stefan Légée (baroque trombonist) (in 1996-11)
Bombarde:
Josep Borràs (bassoonist, dulcian player) (in 1996-11)
chalumeau:
Alfredo Bernardini (oboist) (in 1996-11)
Harfe [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
Truhenorgel:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) und Jordi Savall (viol player, conductor and composer) (in 1996-11)
Zink:
Jean-Pierre Canihac (in 1996-11)
Bass-Gesang:
Daniele Carnovich (operatic bass) (in 1996-11) und Jordi Ricart (bass-baritone) (in 1996-11)
Countertenorgesang:
Carlos Mena (counter-tenor) (in 1996-11)
Tenor-Gesang:
Lambert Climent (tenor) (in 1996-11) und Francesc Garrigosa (in 1996-11)
recording of:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: VI. Fecit potentiam in brachio suo
Komponist(in):
Guillaume Dufay (French 15th century composer)
Teil von:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74
Guillaume Dufay1:02
42Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: VII. Deposuit potentes de sede
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Barockposaune:
Daniel Lassalle (baroque trombonist) (in 1996-11) und Stefan Légée (baroque trombonist) (in 1996-11)
Bombarde:
Josep Borràs (bassoonist, dulcian player) (in 1996-11)
chalumeau:
Alfredo Bernardini (oboist) (in 1996-11)
Harfe [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
Truhenorgel:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) und Jordi Savall (viol player, conductor and composer) (in 1996-11)
Zink:
Jean-Pierre Canihac (in 1996-11)
Bass-Gesang:
Daniele Carnovich (operatic bass) (in 1996-11) und Jordi Ricart (bass-baritone) (in 1996-11)
Countertenorgesang:
Carlos Mena (counter-tenor) (in 1996-11)
Tenor-Gesang:
Lambert Climent (tenor) (in 1996-11) und Francesc Garrigosa (in 1996-11)
recording of:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: VII. Deposuit potentes de sede
Komponist(in):
Guillaume Dufay (French 15th century composer)
Teil von:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74
Guillaume Dufay1:23
43Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: VIII. Esurientes implevit bonis
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Barockposaune:
Daniel Lassalle (baroque trombonist) (in 1996-11) und Stefan Légée (baroque trombonist) (in 1996-11)
Bombarde:
Josep Borràs (bassoonist, dulcian player) (in 1996-11)
chalumeau:
Alfredo Bernardini (oboist) (in 1996-11)
Harfe [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
Truhenorgel:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) und Jordi Savall (viol player, conductor and composer) (in 1996-11)
Zink:
Jean-Pierre Canihac (in 1996-11)
Bass-Gesang:
Daniele Carnovich (operatic bass) (in 1996-11) und Jordi Ricart (bass-baritone) (in 1996-11)
Countertenorgesang:
Carlos Mena (counter-tenor) (in 1996-11)
Tenor-Gesang:
Lambert Climent (tenor) (in 1996-11) und Francesc Garrigosa (in 1996-11)
recording of:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: VIII. Esurientes implevit bonis
Komponist(in):
Guillaume Dufay (French 15th century composer)
Teil von:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74
Guillaume Dufay1:11
44Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: IX. Suscepit Israel puerum suum
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Barockposaune:
Daniel Lassalle (baroque trombonist) (in 1996-11) und Stefan Légée (baroque trombonist) (in 1996-11)
Bombarde:
Josep Borràs (bassoonist, dulcian player) (in 1996-11)
chalumeau:
Alfredo Bernardini (oboist) (in 1996-11)
Harfe [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
Truhenorgel:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) und Jordi Savall (viol player, conductor and composer) (in 1996-11)
Zink:
Jean-Pierre Canihac (in 1996-11)
Bass-Gesang:
Daniele Carnovich (operatic bass) (in 1996-11) und Jordi Ricart (bass-baritone) (in 1996-11)
Countertenorgesang:
Carlos Mena (counter-tenor) (in 1996-11)
Tenor-Gesang:
Lambert Climent (tenor) (in 1996-11) und Francesc Garrigosa (in 1996-11)
recording of:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: IX. Suscepit Israel puerum suum
Komponist(in):
Guillaume Dufay (French 15th century composer)
Teil von:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74
Guillaume Dufay1:12
45Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: X. Sieut locutus est ad patres nostros
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Barockposaune:
Daniel Lassalle (baroque trombonist) (in 1996-11) und Stefan Légée (baroque trombonist) (in 1996-11)
Bombarde:
Josep Borràs (bassoonist, dulcian player) (in 1996-11)
chalumeau:
Alfredo Bernardini (oboist) (in 1996-11)
Harfe [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
Truhenorgel:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) und Jordi Savall (viol player, conductor and composer) (in 1996-11)
Zink:
Jean-Pierre Canihac (in 1996-11)
Bass-Gesang:
Daniele Carnovich (operatic bass) (in 1996-11) und Jordi Ricart (bass-baritone) (in 1996-11)
Countertenorgesang:
Carlos Mena (counter-tenor) (in 1996-11)
Tenor-Gesang:
Lambert Climent (tenor) (in 1996-11) und Francesc Garrigosa (in 1996-11)
recording of:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: X. Sieut locutus est ad patres nostros
Komponist(in):
Guillaume Dufay (French 15th century composer)
Teil von:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74
Guillaume Dufay1:02
46Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: XI. Gloria Patri et Filio
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Barockposaune:
Daniel Lassalle (baroque trombonist) (in 1996-11) und Stefan Légée (baroque trombonist) (in 1996-11)
Bombarde:
Josep Borràs (bassoonist, dulcian player) (in 1996-11)
chalumeau:
Alfredo Bernardini (oboist) (in 1996-11)
Harfe [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
Truhenorgel:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) und Jordi Savall (viol player, conductor and composer) (in 1996-11)
Zink:
Jean-Pierre Canihac (in 1996-11)
Bass-Gesang:
Daniele Carnovich (operatic bass) (in 1996-11) und Jordi Ricart (bass-baritone) (in 1996-11)
Countertenorgesang:
Carlos Mena (counter-tenor) (in 1996-11)
Tenor-Gesang:
Lambert Climent (tenor) (in 1996-11) und Francesc Garrigosa (in 1996-11)
recording of:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: XI. Gloria Patri et Filio
Komponist(in):
Guillaume Dufay (French 15th century composer)
Teil von:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74
Guillaume Dufay1:01
47Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: XII. Sieut erat in principio. Amen
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Barockposaune:
Daniel Lassalle (baroque trombonist) (in 1996-11) und Stefan Légée (baroque trombonist) (in 1996-11)
Bombarde:
Josep Borràs (bassoonist, dulcian player) (in 1996-11)
chalumeau:
Alfredo Bernardini (oboist) (in 1996-11)
Harfe [Renaissance harp]:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1996-11)
Truhenorgel:
Michael Behringer (conductor, organist and harpsichordist) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) und Jordi Savall (viol player, conductor and composer) (in 1996-11)
Zink:
Jean-Pierre Canihac (in 1996-11)
Bass-Gesang:
Daniele Carnovich (operatic bass) (in 1996-11) und Jordi Ricart (bass-baritone) (in 1996-11)
Countertenorgesang:
Carlos Mena (counter-tenor) (in 1996-11)
Tenor-Gesang:
Lambert Climent (tenor) (in 1996-11) und Francesc Garrigosa (in 1996-11)
recording of:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74: XII. Sieut erat in principio. Amen
Komponist(in):
Guillaume Dufay (French 15th century composer)
Teil von:
Magnificat tertii et quarti toni, para 2, 3 ó 4 voces, CM 74
Guillaume Dufay1:29
48Patres nostri peccaverunt, Coral para 4 voces, CM 2
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) und Jordi Savall (viol player, conductor and composer) (in 1996-11)
recording of:
Patres nostri peccaverunt (himno)
Komponist(in):
Johannes Cornago (Spanish renaissance composer, c. 1400-1475)
Teil von:
Cancionero de Montecassino (Nummer: CMM 2)
Johannes Cornago4:02
49Cum autem venissem, Himno procesional para 4 voces, CM 120: I. Cum autem venissim ad locum
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Barockposaune:
Daniel Lassalle (baroque trombonist) (in 1996-11) und Stefan Légée (baroque trombonist) (in 1996-11)
Bombarde:
Josep Borràs (bassoonist, dulcian player) (in 1996-11)
chalumeau:
Alfredo Bernardini (oboist) (in 1996-11)
Perkussion:
Pedro Estevan (in 1996-11)
Truhenorgel:
Guido Morini (composer) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) und Jordi Savall (viol player, conductor and composer) (in 1996-11)
Zink:
Jean-Pierre Canihac (in 1996-11)
Bass-Gesang:
Daniele Carnovich (operatic bass) (in 1996-11), Jordi Ricart (bass-baritone) (in 1996-11) und Xavier Sans (Catalan singer, conductor and composer) (in 1996-11)
Countertenorgesang:
Josep M. Gregori (in 1996-11), Jean-Yves Guerry (in 1996-11) und Carlos Mena (counter-tenor) (in 1996-11)
Tenor-Gesang:
Lambert Climent (tenor) (in 1996-11), Francesc Garrigosa (in 1996-11) und Lluís Vilamajó (tenor) (in 1996-11)
recording of:
Cum autem venissem, Himno procesional para 4 voces, CM 120: I. Cum autem venissim ad locum
Komponist(in):
[anonymous] (special purpose artist)
Teil von:
Cum autem venissem, Himno procesional para 4 voces, CM 120
[anonymous]3:53
50Cum autem venissem, Himno procesional para 4 voces, CM 120: II. O dulsissime filie Sion
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Barockposaune:
Daniel Lassalle (baroque trombonist) (in 1996-11) und Stefan Légée (baroque trombonist) (in 1996-11)
Bombarde:
Josep Borràs (bassoonist, dulcian player) (in 1996-11)
chalumeau:
Alfredo Bernardini (oboist) (in 1996-11)
Perkussion:
Pedro Estevan (in 1996-11)
Truhenorgel:
Guido Morini (composer) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) und Jordi Savall (viol player, conductor and composer) (in 1996-11)
Zink:
Jean-Pierre Canihac (in 1996-11)
Bass-Gesang:
Daniele Carnovich (operatic bass) (in 1996-11), Jordi Ricart (bass-baritone) (in 1996-11) und Xavier Sans (Catalan singer, conductor and composer) (in 1996-11)
Countertenorgesang:
Josep M. Gregori (in 1996-11), Jean-Yves Guerry (in 1996-11) und Carlos Mena (counter-tenor) (in 1996-11)
Tenor-Gesang:
Lambert Climent (tenor) (in 1996-11), Francesc Garrigosa (in 1996-11) und Lluís Vilamajó (tenor) (in 1996-11)
recording of:
Cum autem venissem, Himno procesional para 4 voces, CM 120: II. O dulsissime filie Sion
Komponist(in):
[anonymous] (special purpose artist)
Teil von:
Cum autem venissem, Himno procesional para 4 voces, CM 120
[anonymous]1:53
51Cum autem venissem, Himno procesional para 4 voces, CM 120: III. O vos qui transitis per viam
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Barockposaune:
Daniel Lassalle (baroque trombonist) (in 1996-11) und Stefan Légée (baroque trombonist) (in 1996-11)
Bombarde:
Josep Borràs (bassoonist, dulcian player) (in 1996-11)
chalumeau:
Alfredo Bernardini (oboist) (in 1996-11)
Perkussion:
Pedro Estevan (in 1996-11)
Truhenorgel:
Guido Morini (composer) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) und Jordi Savall (viol player, conductor and composer) (in 1996-11)
Zink:
Jean-Pierre Canihac (in 1996-11)
Bass-Gesang:
Daniele Carnovich (operatic bass) (in 1996-11), Jordi Ricart (bass-baritone) (in 1996-11) und Xavier Sans (Catalan singer, conductor and composer) (in 1996-11)
Countertenorgesang:
Josep M. Gregori (in 1996-11), Jean-Yves Guerry (in 1996-11) und Carlos Mena (counter-tenor) (in 1996-11)
Tenor-Gesang:
Lambert Climent (tenor) (in 1996-11), Francesc Garrigosa (in 1996-11) und Lluís Vilamajó (tenor) (in 1996-11)
recording of:
Cum autem venissem, Himno procesional para 4 voces, CM 120: III. O vos qui transitis per viam
Komponist(in):
[anonymous] (special purpose artist)
Teil von:
Cum autem venissem, Himno procesional para 4 voces, CM 120
[anonymous]1:56
52Cum autem venissem, Himno procesional para 4 voces, CM 120: IV. O nimis triste spectaculum
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Barockposaune:
Daniel Lassalle (baroque trombonist) (in 1996-11) und Stefan Légée (baroque trombonist) (in 1996-11)
Bombarde:
Josep Borràs (bassoonist, dulcian player) (in 1996-11)
chalumeau:
Alfredo Bernardini (oboist) (in 1996-11)
Perkussion:
Pedro Estevan (in 1996-11)
Truhenorgel:
Guido Morini (composer) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) und Jordi Savall (viol player, conductor and composer) (in 1996-11)
Zink:
Jean-Pierre Canihac (in 1996-11)
Bass-Gesang:
Daniele Carnovich (operatic bass) (in 1996-11), Jordi Ricart (bass-baritone) (in 1996-11) und Xavier Sans (Catalan singer, conductor and composer) (in 1996-11)
Countertenorgesang:
Josep M. Gregori (in 1996-11), Jean-Yves Guerry (in 1996-11) und Carlos Mena (counter-tenor) (in 1996-11)
Tenor-Gesang:
Lambert Climent (tenor) (in 1996-11), Francesc Garrigosa (in 1996-11) und Lluís Vilamajó (tenor) (in 1996-11)
recording of:
Cum autem venissem, Himno procesional para 4 voces, CM 120: IV. O nimis triste spectaculum
Komponist(in):
[anonymous] (special purpose artist)
Teil von:
Cum autem venissem, Himno procesional para 4 voces, CM 120
[anonymous]4:21
53Cum autem venissem, Himno procesional para 4 voces, CM 120: V. Cum portaretur ad sepulcrum
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Barockposaune:
Daniel Lassalle (baroque trombonist) (in 1996-11) und Stefan Légée (baroque trombonist) (in 1996-11)
Bombarde:
Josep Borràs (bassoonist, dulcian player) (in 1996-11)
chalumeau:
Alfredo Bernardini (oboist) (in 1996-11)
Perkussion:
Pedro Estevan (in 1996-11)
Truhenorgel:
Guido Morini (composer) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) und Jordi Savall (viol player, conductor and composer) (in 1996-11)
Zink:
Jean-Pierre Canihac (in 1996-11)
Bass-Gesang:
Daniele Carnovich (operatic bass) (in 1996-11), Jordi Ricart (bass-baritone) (in 1996-11) und Xavier Sans (Catalan singer, conductor and composer) (in 1996-11)
Countertenorgesang:
Josep M. Gregori (in 1996-11), Jean-Yves Guerry (in 1996-11) und Carlos Mena (counter-tenor) (in 1996-11)
Tenor-Gesang:
Lambert Climent (tenor) (in 1996-11), Francesc Garrigosa (in 1996-11) und Lluís Vilamajó (tenor) (in 1996-11)
recording of:
Cum autem venissem, Himno procesional para 4 voces, CM 120: V. Cum portaretur ad sepulcrum
Komponist(in):
[anonymous] (special purpose artist)
Teil von:
Cum autem venissem, Himno procesional para 4 voces, CM 120
[anonymous]1:57
54Cum autem venissem, Himno procesional para 4 voces, CM 120: VI. Cum vero venissem ad locum
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Barockposaune:
Daniel Lassalle (baroque trombonist) (in 1996-11) und Stefan Légée (baroque trombonist) (in 1996-11)
Bombarde:
Josep Borràs (bassoonist, dulcian player) (in 1996-11)
chalumeau:
Alfredo Bernardini (oboist) (in 1996-11)
Perkussion:
Pedro Estevan (in 1996-11)
Truhenorgel:
Guido Morini (composer) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) und Jordi Savall (viol player, conductor and composer) (in 1996-11)
Zink:
Jean-Pierre Canihac (in 1996-11)
Bass-Gesang:
Daniele Carnovich (operatic bass) (in 1996-11), Jordi Ricart (bass-baritone) (in 1996-11) und Xavier Sans (Catalan singer, conductor and composer) (in 1996-11)
Countertenorgesang:
Josep M. Gregori (in 1996-11), Jean-Yves Guerry (in 1996-11) und Carlos Mena (counter-tenor) (in 1996-11)
Tenor-Gesang:
Lambert Climent (tenor) (in 1996-11), Francesc Garrigosa (in 1996-11) und Lluís Vilamajó (tenor) (in 1996-11)
recording of:
Cum autem venissem, Himno procesional para 4 voces, CM 120: VI. Cum vero venissem ad locum
Komponist(in):
[anonymous] (special purpose artist)
Teil von:
Cum autem venissem, Himno procesional para 4 voces, CM 120
[anonymous]1:58
55Cum autem venissem, Himno procesional para 4 voces, CM 120: VII. Amen
Assistent recording engineer:
Frédéric Briant (in 1996-11)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-11)
Editing:
Charlotte Charbonnier
Barockposaune:
Daniel Lassalle (baroque trombonist) (in 1996-11) und Stefan Légée (baroque trombonist) (in 1996-11)
Bombarde:
Josep Borràs (bassoonist, dulcian player) (in 1996-11)
chalumeau:
Alfredo Bernardini (oboist) (in 1996-11)
Perkussion:
Pedro Estevan (in 1996-11)
Truhenorgel:
Guido Morini (composer) (in 1996-11)
viola da gamba:
Eunice Brandão (Classical viol & viola da gamba player) (in 1996-11), Sergi Casademunt (classical viol and double bass player) (in 1996-11), Lorenz Duftschmid (Austrian viol player and conductor) (in 1996-11) und Jordi Savall (viol player, conductor and composer) (in 1996-11)
Zink:
Jean-Pierre Canihac (in 1996-11)
Bass-Gesang:
Daniele Carnovich (operatic bass) (in 1996-11), Jordi Ricart (bass-baritone) (in 1996-11) und Xavier Sans (Catalan singer, conductor and composer) (in 1996-11)
Countertenorgesang:
Josep M. Gregori (in 1996-11), Jean-Yves Guerry (in 1996-11) und Carlos Mena (counter-tenor) (in 1996-11)
Tenor-Gesang:
Lambert Climent (tenor) (in 1996-11), Francesc Garrigosa (in 1996-11) und Lluís Vilamajó (tenor) (in 1996-11)
recording of:
Cum autem venissem, Himno procesional para 4 voces, CM 120: VII. Amen
Komponist(in):
[anonymous] (special purpose artist)
Teil von:
Cum autem venissem, Himno procesional para 4 voces, CM 120
[anonymous]0:25
2▶CD: Musica Profana

Nennungen

Veröffentlichung

hergestellt in:Österreich
Fotografie:Servei fotogràfic Museu Nacional d'Art de Catalunya
liner notes:Luca Chiantore (pianist and musicologist; Italian liner notes translator for Alia Vox)
Traduit.com
liner notes Übersetzer:Irène Bloc (liner notes, French translation, for the label Alia Vox)
Jacqueline Minett (liner notes, English translator, mainly for Alia Vox)
Bernd Müller (liner notes, German translation)
Anne Steeb (liner notes, German translation)
zusätzlich liner notes:Traduit.com
illustration:Jaime Huguet (15th century Catalan painter)
hergestellt von:Sony DADC Austria AG
urheberrechtlich geschützt (©) von:Alia Vox
Discogs:https://www.discogs.com/release/7989928 [Info]
ASIN:UK: B00005B84T [Info]