Mastermix Professional Engineered for DJs A: 50s 60s 70s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Wake Up Little Susie
diritti fonografici (℗) detenuti da:
Cadence (NYC-based label founded by Archie Bleyer) (nel 1957)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 21) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 311)
registrazione di:
Wake Up Little Susie (nel 1957)
autore:
Boudleaux Bryant e Felice Bryant
editore:
Acuff-Rose Publications, Inc. (BMI), House of Bryant Publications (publisher; do NOT use as release label), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) e Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
The Everly Brothers4.652:00
2Rock Around the Clock
batteria :
Billy Gussak (il 1954-04-12)
chitarra :
Bill Haley (il 1954-04-12)
chitarra elettrica :
Danny Cedrone (il 1954-04-12)
chitarra steel :
William F. ‘Billy’ Williamson (il 1954-04-12)
contrabbasso :
Marshall Lytle (il 1954-04-12)
pianoforte :
Johnny Grande (il 1954-04-12)
sassofono tenore :
Joey D'Ambrosio (il 1954-04-12)
voce:
Bill Haley (il 1954-04-12)
registrazione di:
Rock Around the Clock (Bill Haley’s version) (il 1954-04-12)
paroliere e compositore:
Jimmy De Knight (nel 1952) e Max C. Freedman (American songwriter and lyricist) (nel 1952)
arrangiatore:
Harry Filler
editore:
Edward Kassner Music Co. Ltd. e Myers Music, Inc.
versione di:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & His Comets42:11
3Why Do Fools Fall in Love
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 8) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 307)
registrazione di:
Why Do Fools Fall in Love (nel 1955-11)
autore:
Morris Levy e Frankie Lymon
autore aggiunto:
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) e Herman Santiago (singer for Frankie Lymon & The Teenagers)
editore:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Frankie Lymon & The Teenagers4.52:18
4Thats Amore
produttore:
Lee Gillette
voce:
Dean Martin (American singer/actor) (il 1953-08-13)
orchestra:
Dick Stabile and His Orchestra (il 1953-08-13)
direttore d'orchestra:
Dick Stabile (il 1953-08-13)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1953)
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1953-08-13)
registrazione di:
That’s Amore (il 1953-08-13)
paroliere:
Jack Brooks (English–American lyricist)
compositore:
Harry Warren (US composer and lyricist)
editore:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) e Universal Songs (publisher)
sub-editore:
BMG Ariola Belgium (do not use this as an imprint!) e BMG Unisongs Music Publishers BV
parte di:
The 26th Academy Award for Best Original Song (numero: 2)
parte di:
The Real Book (compilation of jazz standards, Volume I)
Dean Martin4.353:08
5Sugar Sugar
video musicali:
Sugar, Sugar di The Archies
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 6), Rolling Stone: The 50 Best Tunes by Made-Up Musicians (numero: 18), Billboard: Greatest of All Time Hot 100 Songs (numero: 90) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 155)
registrazione di:
Sugar, Sugar (nel 1969)
autore:
Jeff Barry e Andy Kim (pop singer & songwriter)
editore:
Don Kirshner Music Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner/Chappell Music Ltd. (1996–2019)
The Archies3.52:48
6Surfin' USA
tecnico:
Chuck Britz
produttore:
Nick Venet
voce principale:
Mike Love (Beach Boys) (il 1963-01-31)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1963-01-31)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1963 (numero: 9) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Surfin’ U.S.A. (il 1963-01-31)
paroliere:
Brian Wilson (Beach Boys co‐founder)
compositore:
Chuck Berry
editore:
Arc Music Corp. (U.S. rock & blues publisher), Isalee Music Publishing Company e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
si basa su:
Sweet Little Sixteen
The Beach Boys4.52:26
7Help!
tecnico:
Norman Smith (UK producer/engineer, performed as Hurricane Smith)
tecnico aggiunto:
Ken Scott (UK record producer & engineer)
produttore e tecnico di missaggio:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
basso elettrico :
Paul McCartney (The Beatles) (il 1965-04-13)
batteria e tamburello :
Ringo Starr (The Beatles) (il 1965-04-13)
chitarra a 12 corde [rhythm guitar] :
John Lennon (The Beatles) (il 1965-04-13)
chitarra elettrica [lead guitar] :
George Harrison (The Beatles) (il 1965-04-13)
voce di accompagnamento:
George (George Harrison, The Beatles) (il 1965-04-13) e Paul (Paul McCartney, The Beatles) (il 1965-04-13)
voce principale:
John (John Lennon, The Beatles) (il 1965-04-13)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1987)
registrata presso:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1965-04-13)
remix di:
Help! (original stereo studio mix, without intro) di The Beatles (UK rock band, “The Fab Four”) (nel 1987)
registrazione di:
Help! (il 1965-04-13)
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
EMI Music Publishing Australia Pty. Limited (not for release label use!), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs ltd, SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) e Unart Music Corp.
The Beatles3.652:19
8Build Me Up Buttercup
registrazione di:
Build Me Up Buttercup
autore:
Mike d’Abo (English singer‐songwriter, former frontman of Manfred Mann) e Tony Macaulay
editore:
A. Schroeder Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI United Partnership Ltd., Immediate Music Ltd. e Welbeck Music (publisher)
The Foundations2:59
9Mony Mony
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1968)
registrazione di:
Mony Mony
autore:
Bobby Bloom (US singer-songwriter), Ritchie Cordell, Bo Gentry e Tommy James (American musician, singer, songwriter and record producer)
editore:
Big Seven Music Corp., EMI Blackwood Music (Canada) Ltd., EMI Music Publishing (WP) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB e Planetary Nom (London) Ltd.
Tommy James & the Shondells2:52
10Young Girl
registrazione di:
Young Girl
paroliere e compositore:
Jerry Fuller
editore:
EMI Music Publishing (S.E. Asia) Ltd. (EMI Music Publishing (S.E. Asia) Limited)
Gary Puckett & the Union Gap3:11
11Come Fly With Me
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1965-10-11)
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1965-10-11)
arrangiatore:
Billy May
registrazione di:
Come Fly With Me (il 1965-10-11)
paroliere:
Sammy Cahn (nel 1957)
compositore:
Jimmy Van Heusen (nel 1957)
editore:
Cahn Music Company, Maraville Music Corp., PW Arrangements, The International Music Network, Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. e WB Music Corp. (1929–2019) (fino al 2019-05-28)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner Chappell Music Ltd. (no slash; used 1988–1996) e フジパシフィックミュージック (Fujipacific Music, Inc.)
Frank Sinatra53:12
12Where Did Our Love Go
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
basso :
James Jamerson (il 1964-04-08)
batteria :
Richard "Pistol" Allen (il 1964-04-08)
calpestio di piedi [footstomps] :
Michael Valvano (il 1964-04-08)
chitarra :
Robert White (US funk/soul guitarist) (il 1964-04-08) e Eddie Willis (il 1964-04-08)
pianoforte :
Earl Van Dyke (il 1964-04-08)
sassofono baritono :
Mike Terry (60s US soul arranger/conductor) (il 1964-04-08)
strumenti:
The Funk Brothers (il 1964-04-08)
vibrafono :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (il 1964-04-08)
voce di accompagnamento:
Florence Ballard (il 1964-04-08) e Mary Wilson (il 1964-04-08)
voce principale:
Diana Ross (il 1964-04-08)
registrata presso:
Hitsville (Motown Records) in Detroit, Michigan, Stati Uniti (il 1964-04-08)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 9), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 29) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 472)
registrazione di:
Where Did Our Love Go (il 1964-04-08)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
autore:
Holland / Dozier / Holland
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Jobete Music (UK) Ltd. e Jobete Music Co., Inc.
The Supremes52:30
13Night Fever
produttore:
Bee Gees, Albhy Galuten e Karl Richardson
basso :
Maurice Gibb (nel 1977)
batteria :
Dennis Bryon (Welsh drummer, author) (nel 1977)
chitarra [rhythm guitar] e voce principale:
Barry Gibb (nel 1977)
chitarra elettrica :
Alan Kendall (nel 1977)
percussione :
Dennis Bryon (Welsh drummer, author) (nel 1977) e Joe Lala (nel 1977)
pianoforte , sintetizzatore e tastiera :
Blue Weaver (nel 1977)
altra voce [harmony vocals] e voce di accompagnamento:
Barry Gibb (nel 1977), Maurice Gibb (nel 1977) e Robin Gibb (nel 1977)
diritti fonografici (℗) detenuti da:
Barry Gibb (nel 1977), Maurice Gibb (nel 1977) e Robin Gibb (nel 1977)
diritti fonografici (℗) detenuti da:
PolyGram International Ltd. (nel 1977), PolyGram International Music B.V. (not for release label use!) (nel 1977), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1977) e RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (nel 1977)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 2) e Billboard: Greatest of All Time Hot 100 Songs (numero: 47)
registrazione di:
Night Fever (nel 1977)
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Chappell & Co Ltd., Crompton Songs, Gibb Brothers Music e R.S.O. Publishing Ltd.
Bee Gees4.13:31
14I Will Survive
produttore:
Dino Fekaris
produttore associato:
Freddie Perren
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1978), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1978) e Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (nel 1979)
edit di:
I Will Survive (12″ single version) di Gloria Gaynor
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 251) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 489)
registrazione di:
I Will Survive
autore:
Dino Fekaris e Freddie Perren
editore:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.953:15
15Make Me Smile (Come Up and See Me)
produttore:
Steve Harley e Alan Parsons (of The Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 18)
registrazione di:
Make Me Smile (Come Up and See Me)
paroliere e compositore:
Steve Harley
editore:
EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. e Trigram Music Management Ltd.
Steve Harley & Cockney Rebel43:56
16Don't Go Breaking My Heart
registrata a:
Toronto, Ontario, Canada (nel 1976-05)
produttore:
Gus Dudgeon
basso elettrico :
Kenny Passarelli (Bass, piano) (nel 1976-05)
batteria :
Roger Pope (nel 1976-05)
bonghi , congas e tamburello :
Ray Cooper (percussionist) (nel 1976-05)
chitarra elettrica :
Davey Johnstone (nel 1976-05)
piano Rhodes [Fender Rhodes electric piano] :
James Newton Howard (American score composer) (nel 1976-05)
voce di accompagnamento:
Curt Boettcher (nel 1976-05), Cidny Bullens (American singer-songwriter) (nel 1976-05) e Kiki Dee (nel 1976-05)
voce ospite:
Kiki Dee (nel 1976-05)
voce principale:
Elton John (English singer, songwriter, pianist, and composer) (nel 1976-05)
orchestratore:
James Newton Howard (American score composer)
diritti fonografici (℗) detenuti da:
This Record Co. Ltd. (copyright holder)
registrazione di:
Don’t Go Breaking My Heart (nel 1976-05)
paroliere:
Carte Blanche (aka. Bernie Taupin, Onions)
compositore:
Ann Orson (English singer, songwriter, pianist, and composer)
editore:
Big Pig Music Ltd. (publisher), Rocket Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) e Universal–Songs of PolyGram International, Inc.
Elton John & Kiki Dee3.64:35
17Cars
tecnico e tecnico di missaggio:
Rikki Sylvan e Harvey Webb
produttore:
Gary Numan
batteria , batteria e tamburello e percussione :
Cedric Sharpley
chitarra basso :
Paul Gardiner
percussione [synthetic percussion] :
Gary Numan
tastiera :
Gary Numan e Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis)
voce principale:
Gary Numan (nel 1979)
diritti fonografici (℗) detenuti da:
Beggars Banquet (, nel 1979) e WEA Filipacchi Music (not for release label use! copyrights/distribution only, FR division of WEA International Inc. in the 1970s) (nel 1979)
registrata presso:
Marcus Recording Studios (London) in London (Greater London), England, Regno Unito
video musicali:
Cars di Gary Numan
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 11), Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 16) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 93)
registrazione di:
Cars
paroliere e compositore:
Gary Numan
autore:
Nick Hemming e Gary Numan
editore:
Beggars Banquet Music Ltd. e Momentum Music Ltd.
Gary Numan4.23:48
18Da Ya Think I'm Sexy
tecnico:
Andy Johns
produttore:
Tom Dowd
tecnico di missaggio:
Tom Dowd e Andy Johns
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) e WEA Records B.V. (nel 1978)
video musicali:
Da Ya Think I'm Sexy? di Rod Stewart
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 301)
registrazione di:
Da Ya Think I’m Sexy?
autore:
Carmine Appice, Duane Hitchings e Rod Stewart
editore:
Control (German electronic), EMI April Music Inc., EMI Full Keel Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Nitestalk Music, Riva Music Ltd., Warner/Chappell Music, Inc., Warner/Chappell North America, WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
versione di:
Taj Mahal
Rod Stewart4.25:32
19Blockbuster
produttore:
Phil Wainman
diritti fonografici (℗) detenuti da:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (nel 1973) e Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1973)
registrazione di:
Block Buster!
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music Publishing Ltd., Chinnichap Music Ltd. e RAK Publ. Ltd.
The Sweet53:13
20Get It On
tecnico:
Roy Thomas Baker (producer), Malcolm Cecil, Rik Pekkonen e Martin Rushent
produttore:
Tony Visconti
basso elettrico :
Steve Currie (dal 1971-03 al 1971-06)
batteria :
Bill Legend (dal 1971-03 al 1971-06)
chitarra elettrica e voce principale:
Marc Bolan (dal 1971-03 al 1971-06)
percussione :
Mickey Finn (musician and T. Rex member) (dal 1971-03 al 1971-06)
tastiera :
Rick Wakeman (dal 1971-03 al 1971-06)
voce di accompagnamento:
Howard Kaylan (dal 1971-03 al 1971-06) e Mark Volman (dal 1971-03 al 1971-06)
diritti fonografici (℗) detenuti da:
Essex Music International Ltd. (nel 1971), Straight Ahead Productions Ltd. (nel 1971, nel 2001) e Tarantula Productions (nel 1971)
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 22), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 41)
registrazione di:
Get It On (Bang a Gong) (dal 1971-03 al 1971-06)
paroliere e compositore:
Marc Bolan
editore:
Essex Music International, Essex Music International, Inc., Essex Musikförlaget, Essex Musikvertrieb GmbH, The Richmond Organization, TRO Essex Music International, Inc. e Westminster Music Ltd.
T. Rex4.654:26

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parte di:Mastermix Professional Engineered for DJs (letters) (numero: A) (ordine: 1)