Mastermix Professional Engineered for DJs A: 50s 60s 70s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Wake Up Little Susie
phonographic copyright (℗) by:
Cadence (NYC-based label founded by Archie Bleyer) (in 1957)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 21) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 311)
recording of:
Wake Up Little Susie (in 1957)
writer:
Boudleaux Bryant and Felice Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI), House of Bryant Publications (publisher; do NOT use as release label), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
The Everly Brothers4.652:00
2Rock Around the Clock
double bass:
Marshall Lytle (on 1954-04-12)
drums (drum set):
Billy Gussak (on 1954-04-12)
electric guitar:
Danny Cedrone (on 1954-04-12)
guitar:
Bill Haley (on 1954-04-12)
piano:
Johnny Grande (on 1954-04-12)
steel guitar:
William F. ‘Billy’ Williamson (on 1954-04-12)
tenor saxophone:
Joey D'Ambrosio (on 1954-04-12)
vocals:
Bill Haley (on 1954-04-12)
recording of:
Rock Around the Clock (Bill Haley’s version) (on 1954-04-12)
lyricist and composer:
Jimmy De Knight (in 1952) and Max C. Freedman (American songwriter and lyricist) (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. and Myers Music, Inc.
version of:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & His Comets42:11
3Why Do Fools Fall in Love
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 8) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 307)
recording of:
Why Do Fools Fall in Love (in 1955-11)
additional writer:
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) and Herman Santiago (singer for Frankie Lymon & The Teenagers)
writer:
Morris Levy and Frankie Lymon
publisher:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Frankie Lymon & The Teenagers4.52:18
4Thats Amore
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (on 1953-08-13)
orchestra:
Dick Stabile and His Orchestra (on 1953-08-13)
conductor:
Dick Stabile (on 1953-08-13)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1953)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-08-13)
recording of:
That’s Amore (on 1953-08-13)
lyricist:
Jack Brooks (English–American lyricist)
composer:
Harry Warren (US composer and lyricist)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) and Universal Songs (publisher)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!) and BMG Unisongs Music Publishers BV
part of:
The 26th Academy Award for Best Original Song (number: 2)
part of:
The Real Book (compilation of jazz standards, Volume I)
Dean Martin4.353:08
5Sugar Sugar
music videos:
Sugar, Sugar by The Archies
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 6), Rolling Stone: The 50 Best Tunes by Made-Up Musicians (number: 18), Billboard: Greatest of All Time Hot 100 Songs (number: 90) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 155)
recording of:
Sugar, Sugar (in 1969)
writer:
Jeff Barry and Andy Kim (pop singer & songwriter)
publisher:
Don Kirshner Music Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner/Chappell Music Ltd. (1996–2019)
The Archies3.52:48
6Surfin' USA
engineer:
Chuck Britz
producer:
Nick Venet
lead vocals:
Mike Love (Beach Boys) (on 1963-01-31)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1963-01-31)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 9) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Surfin’ U.S.A. (on 1963-01-31)
lyricist:
Brian Wilson (Beach Boys co‐founder)
composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
is based on:
Sweet Little Sixteen
The Beach Boys4.52:26
7Help!
additional engineer:
Ken Scott (UK record producer & engineer)
engineer:
Norman Smith (UK producer/engineer, performed as Hurricane Smith)
producer and mixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
12 string guitar [rhythm guitar]:
John Lennon (The Beatles) (on 1965-04-13)
drums (drum set) and tambourine:
Ringo Starr (The Beatles) (on 1965-04-13)
electric bass guitar:
Paul McCartney (The Beatles) (on 1965-04-13)
electric guitar [lead guitar]:
George Harrison (The Beatles) (on 1965-04-13)
background vocals:
George (George Harrison, The Beatles) (on 1965-04-13) and Paul (Paul McCartney, The Beatles) (on 1965-04-13)
lead vocals:
John (John Lennon, The Beatles) (on 1965-04-13)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-04-13)
remix of:
Help! (original stereo studio mix, without intro) by The Beatles (UK rock band, “The Fab Four”) (in 1987)
recording of:
Help! (on 1965-04-13)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
EMI Music Publishing Australia Pty. Limited (not for release label use!), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs ltd, SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) and Unart Music Corp.
The Beatles3.652:19
8Build Me Up Buttercup
recording of:
Build Me Up Buttercup
writer:
Mike d’Abo (English singer‐songwriter, former frontman of Manfred Mann) and Tony Macaulay
publisher:
A. Schroeder Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI United Partnership Ltd., Immediate Music Ltd. and Welbeck Music (publisher)
The Foundations2:59
9Mony Mony
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recording of:
Mony Mony
writer:
Bobby Bloom (US singer-songwriter), Ritchie Cordell, Bo Gentry and Tommy James (American musician, singer, songwriter and record producer)
publisher:
Big Seven Music Corp., EMI Blackwood Music (Canada) Ltd., EMI Music Publishing (WP) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB and Planetary Nom (London) Ltd.
Tommy James & the Shondells2:52
10Young Girl
recording of:
Young Girl
lyricist and composer:
Jerry Fuller
publisher:
EMI Music Publishing (S.E. Asia) Ltd. (EMI Music Publishing (S.E. Asia) Limited)
Gary Puckett & the Union Gap3:11
11Come Fly With Me
recorded in:
Hollywood, Los Angeles, California, United States (on 1965-10-11)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1965-10-11)
arranger:
Billy May
recording of:
Come Fly With Me (on 1965-10-11)
lyricist:
Sammy Cahn (in 1957)
composer:
Jimmy Van Heusen (in 1957)
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, The International Music Network, Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. and WB Music Corp. (1929–2019) (until 2019-05-28)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner Chappell Music Ltd. (no slash; used 1988–1996) and フジパシフィックミュージック (Fujipacific Music, Inc.)
Frank Sinatra53:12
12Where Did Our Love Go
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor) (on 1964-04-08)
bass:
James Jamerson (on 1964-04-08)
drums (drum set):
Richard "Pistol" Allen (on 1964-04-08)
foot stomps [footstomps]:
Michael Valvano (on 1964-04-08)
guitar:
Robert White (US funk/soul guitarist) (on 1964-04-08) and Eddie Willis (on 1964-04-08)
instruments:
The Funk Brothers (on 1964-04-08)
piano:
Earl Van Dyke (on 1964-04-08)
vibraphone:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (on 1964-04-08)
background vocals:
Florence Ballard (on 1964-04-08) and Mary Wilson (on 1964-04-08)
lead vocals:
Diana Ross (on 1964-04-08)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (on 1964-04-08)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 9), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 29) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 472)
recording of:
Where Did Our Love Go (on 1964-04-08)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
writer:
Holland / Dozier / Holland
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. and Jobete Music Co., Inc.
The Supremes52:30
13Night Fever
producer:
Bee Gees, Albhy Galuten and Karl Richardson
bass:
Maurice Gibb (in 1977)
drums (drum set):
Dennis Bryon (Welsh drummer, author) (in 1977)
electric guitar:
Alan Kendall (in 1977)
guitar [rhythm guitar] and lead vocals:
Barry Gibb (in 1977)
keyboard, piano and synthesizer:
Blue Weaver (in 1977)
percussion:
Dennis Bryon (Welsh drummer, author) (in 1977) and Joe Lala (in 1977)
background vocals and other vocals [harmony vocals]:
Barry Gibb (in 1977), Maurice Gibb (in 1977) and Robin Gibb (in 1977)
phonographic copyright (℗) by:
Barry Gibb (in 1977), Maurice Gibb (in 1977) and Robin Gibb (in 1977)
phonographic copyright (℗) by:
PolyGram International Ltd. (in 1977), PolyGram International Music B.V. (not for release label use!) (in 1977), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977) and RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1977)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 2) and Billboard: Greatest of All Time Hot 100 Songs (number: 47)
recording of:
Night Fever (in 1977)
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Chappell & Co Ltd., Crompton Songs, Gibb Brothers Music and R.S.O. Publishing Ltd.
Bee Gees4.13:31
14I Will Survive
associate producer:
Freddie Perren
producer:
Dino Fekaris
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1978), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1978) and Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1979)
edit of:
I Will Survive (12″ single version) by Gloria Gaynor
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 251) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 489)
recording of:
I Will Survive
writer:
Dino Fekaris and Freddie Perren
publisher:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.953:15
15Make Me Smile (Come Up and See Me)
producer:
Steve Harley and Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
part of:
TV Cream: Real 100 Best Singles Ever (number: 18)
recording of:
Make Me Smile (Come Up and See Me)
lyricist and composer:
Steve Harley
publisher:
EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. and Trigram Music Management Ltd.
Steve Harley & Cockney Rebel43:56
16Don't Go Breaking My Heart
recorded in:
Toronto, Ontario, Canada (in 1976-05)
producer:
Gus Dudgeon
bongos, congas and tambourine:
Ray Cooper (percussionist) (in 1976-05)
drums (drum set):
Roger Pope (in 1976-05)
electric bass guitar:
Kenny Passarelli (Bass, piano) (in 1976-05)
electric guitar:
Davey Johnstone (in 1976-05)
Rhodes piano [Fender Rhodes electric piano]:
James Newton Howard (American score composer) (in 1976-05)
background vocals:
Curt Boettcher (in 1976-05), Cidny Bullens (American singer-songwriter) (in 1976-05) and Kiki Dee (in 1976-05)
guest vocals:
Kiki Dee (in 1976-05)
lead vocals:
Elton John (English singer, songwriter, pianist, and composer) (in 1976-05)
orchestrator:
James Newton Howard (American score composer)
phonographic copyright (℗) by:
This Record Co. Ltd. (copyright holder)
recording of:
Don’t Go Breaking My Heart (in 1976-05)
lyricist:
Carte Blanche (aka. Bernie Taupin, Onions)
composer:
Ann Orson (English singer, songwriter, pianist, and composer)
publisher:
Big Pig Music Ltd. (publisher), Rocket Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) and Universal–Songs of PolyGram International, Inc.
Elton John & Kiki Dee3.64:35
17Cars
engineer and mixer:
Rikki Sylvan and Harvey Webb
producer:
Gary Numan
bass guitar:
Paul Gardiner
drums (drum set), drums (drum set) and tambourine and percussion:
Cedric Sharpley
keyboard:
Gary Numan and Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis)
percussion [synthetic percussion]:
Gary Numan
lead vocals:
Gary Numan (in 1979)
phonographic copyright (℗) by:
Beggars Banquet (, in 1979) and WEA Filipacchi Music (not for release label use! copyrights/distribution only, FR division of WEA International Inc. in the 1970s) (in 1979)
recorded at:
Marcus Recording Studios (London) in London (Greater London), England, United Kingdom
music videos:
Cars by Gary Numan
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 11), Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 16) and VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 93)
recording of:
Cars
lyricist and composer:
Gary Numan
writer:
Nick Hemming and Gary Numan
publisher:
Beggars Banquet Music Ltd. and Momentum Music Ltd.
Gary Numan4.23:48
18Da Ya Think I'm Sexy
engineer:
Andy Johns
producer:
Tom Dowd
mixer:
Tom Dowd and Andy Johns
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) and WEA Records B.V. (in 1978)
music videos:
Da Ya Think I'm Sexy? by Rod Stewart
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 301)
recording of:
Da Ya Think I’m Sexy?
writer:
Carmine Appice, Duane Hitchings and Rod Stewart
publisher:
Control (German electronic), EMI April Music Inc., EMI Full Keel Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Nitestalk Music, Riva Music Ltd., Warner/Chappell Music, Inc., Warner/Chappell North America, WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
version of:
Taj Mahal
Rod Stewart4.25:32
19Blockbuster
producer:
Phil Wainman
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1973) and Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1973)
recording of:
Block Buster!
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music Publishing Ltd., Chinnichap Music Ltd. and RAK Publ. Ltd.
The Sweet53:13
20Get It On
engineer:
Roy Thomas Baker (producer), Malcolm Cecil, Rik Pekkonen and Martin Rushent
producer:
Tony Visconti
drums (drum set):
Bill Legend (from 1971-03 until 1971-06)
electric bass guitar:
Steve Currie (from 1971-03 until 1971-06)
electric guitar and lead vocals:
Marc Bolan (from 1971-03 until 1971-06)
keyboard:
Rick Wakeman (from 1971-03 until 1971-06)
percussion:
Mickey Finn (musician and T. Rex member) (from 1971-03 until 1971-06)
background vocals:
Howard Kaylan (from 1971-03 until 1971-06) and Mark Volman (from 1971-03 until 1971-06)
phonographic copyright (℗) by:
Essex Music International Ltd. (in 1971), Straight Ahead Productions Ltd. (in 1971, in 2001) and Tarantula Productions (in 1971)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 22), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 41)
recording of:
Get It On (Bang a Gong) (from 1971-03 until 1971-06)
lyricist and composer:
Marc Bolan
publisher:
Essex Music International, Essex Music International, Inc., Essex Musikförlaget, Essex Musikvertrieb GmbH, The Richmond Organization, TRO Essex Music International, Inc. and Westminster Music Ltd.
T. Rex4.654:26

Credits

Release group

part of:Mastermix Professional Engineered for DJs (letters) (number: A) (order: 1)