| Nr. | Titel | Bewertung | Länge |
|---|
| 1 | Moose the Mooche | 3 | 3:03 |
| 2 | Yardbird Suite | | 2:55 |
| 3 | Ornithology | | 3:00 |
| 4 | Night in Tunisia | | 3:02 |
| 5 | Milestones | | 2:35 |
| 6 | Move | 4 | 2:33 |
| 7 | Budo | 4 | 2:34 |
| 8 | Deception | 3 | 2:47 |
| 9 | Odjenar | | 2:52 |
| 10 | Hibeck | | 3:05 |
| 11 | Conception | | 4:02 |
| 12 | My Old Flame | | 6:34 |
| 13 | Blue Room | | 3:00 |
| 14 | It's Only a Papermoon- recording engineer:
- Rudy van Gelder (am 1951-10-05)
- Produzent(in):
- Bob Weinstock
- Klavier:
- Walter Bishop, Jr. (am 1951-10-05)
- Kontrabass:
- Tommy Potter (am 1951-10-05)
- Schlagzeug:
- Art Blakey (am 1951-10-05)
- Tenorsaxophon:
- Sonny Rollins (am 1951-10-05)
- Trompete:
- Miles Davis (am 1951-10-05)
- phonographisches Urheberrecht (℗) von:
- Fantasy, Inc. und Prestige
- aufgenommen bei:
- Apex Studios in New York, New York, Vereinigte Staaten (am 1951-10-05)
- instrumental recording of:
- It’s Only a Paper Moon (am 1951-10-05)
- Texter:
- E.Y. Harburg (in 1933) und Billy Rose (in 1933)
- Komponist(in):
- Harold Arlen (in 1933)
- publisher:
- Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. und Warner Bros. Music
| | 5:24 |
| 15 | Denial | | 5:40 |
| 16 | How Deep Is the Ocean | | 4:38 |
| 17 | Yesterdays | | 3:44 |
| 18 | Chance It | | 3:02 |