De Tijdloze, Vol. 6

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1My Generation
producer:
Shel Talmy
bass:
John Entwistle (on 1965-10-13)
drums (drum set) and percussion:
Keith Moon (drummer) (on 1965-10-13)
guitar:
Pete Townshend (of The Who) (on 1965-10-13)
piano:
Nicky Hopkins (pianist and organist) (on 1965-10-13)
lead vocals:
Roger Daltrey (on 1965-10-13)
vocals:
John Entwistle (on 1965-10-13) and Pete Townshend (of The Who) (on 1965-10-13)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1965, in 1970) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (on 1965-10-13)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 11), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 37) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 232)
recording of:
My Generation (on 1965-10-13)
lyricist and composer:
Pete Townshend (of The Who)
publisher:
Devon Music Inc., Essex Music of Australia P/L, Essex Musikvertrieb GmbH and Fabulous Music, Ltd. (this is a publisher, not an imprint!)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
The Who4.43:19
2Blauw
recording of:
Blauw
lyricist and composer:
M.J. Lau
publisher:
Peermusic Holland B.V., Tenyor Music and Warner Basart Publ. Group
The Scene4:35
3Jump Around
recording of:
Jump Around
writer:
Dave Appell, Kal Mann, Larry Muggerud and Erik Schrody
House of Pain4.653:34
4They Stood Up for Love
recording of:
They Stood Up for Love
lyricist:
Ed Kowalczyk
composer:
Patrick Dahlheimer, Ed Kowalczyk and Chad Taylor (US guitarist for Live)
Live4:04
5Hallelujah
additional recording engineer:
John Smith (US recording engineer)
recording engineer and mixer:
Leanne Ungar
assistant engineer:
Lee Friedman
producer:
John Lissauer
lead vocals:
Leonard Cohen (Canadian singer‐songwriter and poet)
vocals:
Jennifer Warnes
arranger:
John Lissauer
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recorded at:
Quadrasonic Sound in New York, New York, United States
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 38) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 74)
recording of:
Hallelujah (in 1984)
lyricist and composer:
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Bad Monk Publishing, Leonard Cohen Stranger Music Inc., SM Publishing Argentina S.R.L., Sony/ATV Music LLC, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs (SOCAN), Sony/ATV Songs LLC and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
sub-publisher:
Sony/ATV Music Publishing (Hong Kong)
Leonard Cohen4.154:34
6I Say a Little Prayer
recording engineer:
Tom Dowd (on 1968-04-17)
producer:
Jerry Wexler
bass:
Jerry Jemmott (on 1968-04-17)
drums (drum set):
Roger Hawkins (on 1968-04-17)
guitar:
Tommy Cogbill (on 1968-04-17)
piano and lead vocals:
Aretha Franklin (on 1968-04-17)
background vocals:
The Sweet Inspirations (on 1968-04-17)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-17)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 117)
cover recording of:
I Say a Little Prayer (on 1968-04-17)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) and Windswept Pacific Music Ltd.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Aretha Franklin4.353:33
7Papa Was a Rolling Stone
cover recording of:
Papa Was a Rollin’ Stone
lyricist and composer:
Barrett Strong and Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Diamond Music Corporation, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Temptations3:56
8Firestarter
engineer:
Neil McLellan
producer and mixer:
Liam Howlett
vocals:
Keith Flint (vocalist in The Prodigy)
phonographic copyright (℗) by:
XL Recordings (in 1996)
mixed at:
Earthbound Studios in Bradwell, Essex, England, United Kingdom
engineered at:
The Strongroom in Shoreditch, Hackney, London (Greater London), England, United Kingdom
produced at:
Earthbound Studios in Bradwell, Essex, England, United Kingdom
samples:
Close (to the Edit) by Art of Noise and S.O.S. by The Breeders
edit of:
Firestarter by Prodigy (UK electronic group, main member Liam Howlett)
recording of:
Firestarter
writer:
Kim Deal, Anne Dudley (English score composer), Keith Flint (vocalist in The Prodigy), Trevor Horn, Liam Howlett, J.J. Jeczalik, Gary Langan and Paul Morley
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI/Virgin Music Publishing Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Perfect Songs (UK publisher, affiliated with BMI), Unforgettable Songs Ltd. and Zomba Music
is based on:
S.O.S.
quotes music from:
Close (to the Edit)
The Prodigy4.653:47
9Tainted Love
engineer:
Paul Hardiman
producer:
Mike Thorne (UK producer & keyboardist)
mixer:
Harvey Goldberg
electronic instruments and other instruments:
Dave Ball (UK electronic musician, part of Soft Cell)
background vocals:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
recorded at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
music videos:
Tainted Love by Soft Cell (1980s English synth‐pop duo)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 5), Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 8), New York Post: 100 Greatest Covers (2007) (number: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 33) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 46)
cover recording of:
Tainted Love
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:39
10Common People
recording of:
Common People
lyricist:
Jarvis Cocker
composer:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) and Russell Senior
premiered at:
Reading Festival (1994-08-27) (1994)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 BMG事業部 (until 2018-03-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Pulp2.44:08
11Wrong
Novastar3:35
12Bright Eyes
recording of:
Bright Eyes
lyricist and composer:
Mike Batt
publisher:
April Music, CBS Songs Ltd., EMI Blackwood Music Inc., EMI Music Publishing Germany GmbH (1967–2001), EMI Songs Australia Pty. Ltd., EMI Songs Ltd., SBK Songs Ltd., Watership Productions Ltd. and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Art Garfunkel3:56
13Always on the Run
engineer:
David Domanich and Henry Hirsch
producer:
Lenny Kravitz
mixer:
Henry Hirsch
bass guitar, drums (drum set) and guitar and lead vocals:
Lenny Kravitz
guest guitar:
Slash (Guns N’ Roses guitarist)
guest saxophone:
Karl Denson and Butch Tomas
guest trumpet:
Mike Hunter (Trumpet player)
performer:
Slash (Guns N’ Roses guitarist)
horn arranger:
Lenny Kravitz
phonographic copyright (℗) by:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1991)
recording of:
Always on the Run
lyricist:
Lenny Kravitz
composer:
Lenny Kravitz and Slash (Guns N’ Roses guitarist)
publisher:
Dik Hayd Music and Miss Bessie Music
Lenny Kravitz3.83:54
14Get Up Feel Like Beeing a Sex Machine
producer:
James Brown (The Godfather of Soul)
bass guitar:
Bootsy Collins (US funk musician & songwriter)
drums (drum set):
John Starks
guitar:
Catfish Collins
organ:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group)
piano:
James Brown (The Godfather of Soul)
tenor saxophone:
Robert McCollough
trumpet:
Clayton Gunnells and Darryl Hassan Jamison
lead vocals:
James Brown (The Godfather of Soul) (on 1970-04-25)
vocals:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group)
performer:
The J.B.’s
phonographic copyright (℗) by:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1970)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 196) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 326)
recording of:
Get Up (I Feel Like Being Like a) Sex Machine (on 1970-04-25)
writer:
James Brown (The Godfather of Soul), Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) and Ron Lenhoff
publisher:
Dynatone Publishing Co. and Intersong Music Ltd.
James Brown45:18
15Saturday
recording of:
Saturday
lyricist and composer:
David Dewaele and Stephen Dewaele
publisher:
Strictly Confidential and We'll Sue You
Soulwax3:12
16A Whiter Shade of Pale
producer:
Denny Cordell
bass guitar:
David Knights
guest drums (drum set):
Bill Eyden
guitar:
Ray Royer
Hammond organ:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
phonographic copyright (℗) by:
Onward Music Ltd. (in 1967)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 57) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 271)
recording of:
A Whiter Shade of Pale
lyricist:
Keith Reid
composer:
Gary Brooker and Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) and Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
is based on:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
is based on:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:03
17Hard Times
The Scabs4:49