De Tijdloze, Vol. 6

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

| |
1▼CD
#TitleArtistRatingLength
1I Will Follow
assistant engineer:
Kevin Moloney
engineer:
Paul Thomas (engineer)
producer:
Steve Lillywhite
drums (drum set):
Larry Mullen, Jr.
electric bass guitar:
Adam Clayton
electric guitar:
The Edge (U2 guitarist David Evans)
lead vocals:
Bono (singer of U2)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1980)
recorded at:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
I Will Follow
lyricist:
Bono (singer of U2)
composer:
Bono (singer of U2), Adam Clayton, The Edge (U2 guitarist David Evans) and Larry Mullen, Jr.
publisher:
Blue Mountain Music Ltd, Chappell Music (UK), Gallo Music, Island Music (Island Music Ltd.), Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Mother Music, PolyGram International Music Publishing B.V., Polygram Music, Taiyo Music Inc., Universal Music Publishing B.V. (Benelux subsidiary of Universal Music Publishing Group) and Blue Mountain Music Ltd. (in 1980)
U24.153:34
2Inbetween Days
engineer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
producer and mixer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) and Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
bass guitar:
Simon Gallup
bass guitar [6-string bass] and lead vocals:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
drums (drum set):
Boris Williams
guitar:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) and Porl Thompson
keyboard:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson and Lol Tolhurst
phonographic copyright (℗) by:
Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead)
music videos:
In Between Days by The Cure
part of:
Indie 88: Top 500 Indie Rock Songs (number: 320)
recording of:
In Between Days
lyricist and composer:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
publisher:
APB Music Co.
The Cure4.12:57
3The Scientist
recording of:
The Scientist
writer:
Guy Berryman, Jonny Buckland, Will Champion and Chris Martin (lead singer of Coldplay)
publisher:
BMG Music Publishing Ltd.
Coldplay5:10
4Live Forever
recording of:
Live Forever
lyricist and composer:
Noel Gallagher
Oasis3:43
5Piano Man
engineer:
Ron Malo
producer:
Michael Stewart (US producer/guitarist from California, 1945–2002)
accordion and keyboard [keyboards]:
Michael Omartian (in 1973)
drums (drum set):
Ron Tutt (drummer) (in 1973)
electric bass guitar:
Wilton Felder (in 1973)
guitar:
Larry Carlton (in 1973) and Dean Parks (American session guitarist) (in 1973)
guitar [guitar overdubs]:
William Bennett (guitarist) (in 1973)
harmonica and piano and lead vocals:
Billy Joel (American singer-songwriter and pianist) (in 1973)
percussion:
Bobbi Hall (in 1973)
arranger:
Michael Omartian
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973, in 1975), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
recorded at:
Devonshire Studios in North Hollywood, Los Angeles, California, United States (in 1973)
music videos:
Piano Man by Billy Joel (American singer-songwriter and pianist)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 421)
recording of:
Piano Man (in 1973)
lyricist and composer:
Billy Joel (American singer-songwriter and pianist)
publisher:
April Music Ltd., Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Songs Australia Pty. Ltd., Home Grown Music, Inc. (work publisher), Impulsive Music, Tinker Street Tunes, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), CBS Songs Ltd. (in 1973) and Joelsongs (in 1973)
Billy Joel4.355:37
6Islands
engineer:
Rodaidh McDonald (producer)
producer:
Jamie Smith (English DJ, record producer, and remixer)
mixer:
Jamie Smith (English DJ, record producer, and remixer) and Rodaidh McDonald (producer)
bass guitar:
Oliver Sim (from 2008-12 until 2009-04)
drum machine:
Jamie Smith (English DJ, record producer, and remixer) (from 2008-12 until 2009-04)
guitar:
Romy Madley Croft (Romy Madley Croft, of The xx) (from 2008-12 until 2009-04)
keyboard:
Baria Qureshi (from 2008-12 until 2009-04)
vocals:
Baria Qureshi (from 2008-12 until 2009-04), Romy Madley Croft (Romy Madley Croft, of The xx) (from 2008-12 until 2009-04) and Oliver Sim (from 2008-12 until 2009-04)
recorded at:
XL Studios in London (Greater London), England, United Kingdom (from 2008-12 until 2009-04)
mixed at:
XL Studios in London (Greater London), England, United Kingdom (from 2009-04 until 2009-05)
music videos:
Islands by The xx (UK indie/dream pop trio)
recording of:
Islands (from 2008-12 until 2009-04)
lyricist:
Romy Madley Croft (Romy Madley Croft, of The xx) and Oliver Sim
composer:
Jamie Smith (English DJ, record producer, and remixer), Baria Qureshi, Romy Madley Croft (Romy Madley Croft, of The xx) and Oliver Sim
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The XX4.152:42
7Feeling Good
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (on 1965-01-15)
vocals:
Nina Simone (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965)
cover recording of:
Feeling Good (on 1965-01-15)
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd and Musical Comedy Prods.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
Nina Simone4.152:53
8You Know I’m No Good
recording of:
You Know I’m No Good
lyricist and composer:
Amy Winehouse
publisher:
EMI Music Publishing (do not use as a release label!)
Amy Winehouse4:15
9Hotellounge
recording of:
Hotellounge (Be the Death of Me)
lyricist:
Tom Barman (Belgian musician)
composer:
Tom Barman (Belgian musician) and Rudy Trouvé (Belgian musician)
dEUS4:42
10Midlife Crisis
producer:
Faith No More and Matt Wallace (US producer & engineer)
mixer:
Matt Wallace (US producer & engineer)
ebow and electric guitar:
Jim Martin (ex-Faith No More guitarist) (from 1992-01 until 1992-03)
phonographic copyright (℗) by:
London Records Ltd. (not release label) (in 1992) and Slash Records (company, do not use as release label!) (in 1992)
samples:
Car Thief by Beastie Boys and Cecilia (original stereo mix) by Simon & Garfunkel (drums (drum set))
music videos:
Midlife Crisis (official video) by Faith No More
recording of:
Midlife Crisis
lyricist:
Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.)
composer:
Mike Bordin (American drummer), Roddy Bottum, Billy Gould, Jim Martin (ex-Faith No More guitarist) and Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.)
publisher:
Big Thrilling Music (music publishing company), Rondor Music (London) Ltd. and Vomit God Music (Mike Patton’s music publishing company)
live recording of:
Midlife Crisis
lyricist:
Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.)
composer:
Mike Bordin (American drummer), Roddy Bottum, Billy Gould, Jim Martin (ex-Faith No More guitarist) and Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.)
publisher:
Big Thrilling Music (music publishing company), Rondor Music (London) Ltd. and Vomit God Music (Mike Patton’s music publishing company)
Faith No More4.14:16
11Fat Lip
recording of:
Fat Lip
writer:
Dave Baksh, Steve Jocz and Deryck Whibley
publisher:
EMI April Music Canada, EMI April Music Inc. and Rectum Renovator Music
Sum 413:00
12Radar Love
producer:
Golden Earring
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1973) and Red Bullet Productions B.V. (in 1973)
recording of:
Radar Love
lyricist:
Barry Hay
composer:
George Kooymans
publisher:
Dayglow Music (publisher), Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music, Snamyook Music (publisher associated with George Kooymans) and Sony/ATV Music Publishing
Golden Earring4.255:04
13Synrise
Goose5:32
14Sleeper in Metropolis
performer:
David Harrow (English record producer, DJ, and multimedia artist)
recording of:
Sleeper in Metropolis
writer:
Anne Clark (English poet, songwriter and electronic musician) and David Harrow (English record producer, DJ, and multimedia artist)
composer:
David Harrow (English record producer, DJ, and multimedia artist)
publisher:
Red Flame Music Ltd. and Virgin Music (Publishers) Ltd.
Anne Clark54:04
15I’m Not in Love
bass and guitar:
Graham Gouldman (in 1975)
effects [musical effects]:
Eric (in 1975)
electric piano and lead vocals:
Eric Stewart (in 1975)
Moog:
Kevin Godley (in 1975)
piano:
Lol Creme (in 1975)
synclavier [control desk]:
Eric (in 1975), Graham (in 1975), Kevin (in 1975) and Lol (in 1975)
background vocals:
Lol Creme (in 1975), Kevin Godley (in 1975) and Graham Gouldman (in 1975)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!)
edit of:
I’m Not in Love (album version) by 10cc
recording of:
I’m Not in Love (in 1975)
writer:
Graham Gouldman and Eric Stewart
publisher:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, in 1975), Schubert Music Publishing, St. Anne's Music and St. Anne’s Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
10cc4.23:44
16Mad About You
membranophone programming:
Phil Chill
producer:
Alex Callier (member of Hooverphonic) and Roland Herrington
assistant mixer:
Mark Ryan (mixer)
mixer:
Alex Callier (member of Hooverphonic)
conductor:
Matt Dunkley
strings arranger:
Matt Dunkley
phonographic copyright (℗) by:
Sony Music Entertainment (Belgium) S.A./N.V. (not for release label use! BE subsidiary of SBE until 2005-7) (in 2000)
mixed at:
SynSound (recording studio) in Brussels (Brussels-Capital Region), Belgium
music videos:
Mad About You / V1 by Hooverphonic (Belgian Pop & Trip-Hop band) and Mad About You / V2 by Hooverphonic (Belgian Pop & Trip-Hop band)
part of:
ZAMU Award: Song (number: 2000)
recording of:
Mad About You
lyricist and composer:
Alex Callier (member of Hooverphonic)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Hoover Music
Hooverphonic4.353:44
17Last Goodbye
engineer and mixer:
Andy Wallace (engineer)
producer:
Mary Guibert, Michael Tighe (singer-songwriter/guitarist) and Andy Wallace (engineer)
bass guitar:
Mick Grondahl (bass guitarist)
drums (drum set) and percussion:
Matt Johnson (drummer for Jeff Buckley)
guitar and lead vocals:
Jeff Buckley (American singer, guitarist and songwriter)
part of:
Triple J’s Hottest 100: Twenty Years (2013) (number: 3)
recording of:
Last Goodbye
lyricist and composer:
Jeff Buckley (American singer, guitarist and songwriter)
Jeff Buckley3.54:32
2▼CD
#TitleArtistRatingLength
1My Generation
producer:
Shel Talmy
bass:
John Entwistle (on 1965-10-13)
drums (drum set) and percussion:
Keith Moon (drummer) (on 1965-10-13)
guitar:
Pete Townshend (of The Who) (on 1965-10-13)
piano:
Nicky Hopkins (pianist and organist) (on 1965-10-13)
lead vocals:
Roger Daltrey (on 1965-10-13)
vocals:
John Entwistle (on 1965-10-13) and Pete Townshend (of The Who) (on 1965-10-13)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1965, in 1970) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (on 1965-10-13)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 11), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 37) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 232)
recording of:
My Generation (on 1965-10-13)
lyricist and composer:
Pete Townshend (of The Who)
publisher:
Devon Music Inc., Essex Music of Australia P/L, Essex Musikvertrieb GmbH and Fabulous Music, Ltd. (this is a publisher, not an imprint!)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
The Who4.43:19
2Blauw
recording of:
Blauw
lyricist and composer:
M.J. Lau
publisher:
Peermusic Holland B.V., Tenyor Music and Warner Basart Publ. Group
The Scene4:35
3Jump Around
recording of:
Jump Around
writer:
Dave Appell, Kal Mann, Larry Muggerud and Erik Schrody
House of Pain4.653:34
4They Stood Up for Love
recording of:
They Stood Up for Love
lyricist:
Ed Kowalczyk
composer:
Patrick Dahlheimer, Ed Kowalczyk and Chad Taylor (US guitarist for Live)
Live4:04
5Hallelujah
additional recording engineer:
John Smith (US recording engineer)
recording engineer and mixer:
Leanne Ungar
assistant engineer:
Lee Friedman
producer:
John Lissauer
lead vocals:
Leonard Cohen (Canadian singer‐songwriter and poet)
vocals:
Jennifer Warnes
arranger:
John Lissauer
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recorded at:
Quadrasonic Sound in New York, New York, United States
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 38) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 74)
recording of:
Hallelujah (in 1984)
lyricist and composer:
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Bad Monk Publishing, Leonard Cohen Stranger Music Inc., SM Publishing Argentina S.R.L., Sony/ATV Music LLC, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs (SOCAN), Sony/ATV Songs LLC and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
sub-publisher:
Sony/ATV Music Publishing (Hong Kong)
Leonard Cohen4.154:34
6I Say a Little Prayer
recording engineer:
Tom Dowd (on 1968-04-17)
producer:
Jerry Wexler
bass:
Jerry Jemmott (on 1968-04-17)
drums (drum set):
Roger Hawkins (on 1968-04-17)
guitar:
Tommy Cogbill (on 1968-04-17)
piano and lead vocals:
Aretha Franklin (on 1968-04-17)
background vocals:
The Sweet Inspirations (on 1968-04-17)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-17)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 117)
cover recording of:
I Say a Little Prayer (on 1968-04-17)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) and Windswept Pacific Music Ltd.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Aretha Franklin4.353:33
7Papa Was a Rolling Stone
cover recording of:
Papa Was a Rollin’ Stone
lyricist and composer:
Barrett Strong and Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Diamond Music Corporation, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Temptations3:56
8Firestarter
engineer:
Neil McLellan
producer and mixer:
Liam Howlett
vocals:
Keith Flint (vocalist in The Prodigy)
phonographic copyright (℗) by:
XL Recordings (in 1996)
mixed at:
Earthbound Studios in Bradwell, Essex, England, United Kingdom
engineered at:
The Strongroom in Shoreditch, Hackney, London (Greater London), England, United Kingdom
produced at:
Earthbound Studios in Bradwell, Essex, England, United Kingdom
samples:
Close (to the Edit) by Art of Noise and S.O.S. by The Breeders
edit of:
Firestarter by Prodigy (UK electronic group, main member Liam Howlett)
recording of:
Firestarter
writer:
Kim Deal, Anne Dudley (English score composer), Keith Flint (vocalist in The Prodigy), Trevor Horn, Liam Howlett, J.J. Jeczalik, Gary Langan and Paul Morley
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI/Virgin Music Publishing Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Perfect Songs (UK publisher, affiliated with BMI), Unforgettable Songs Ltd. and Zomba Music
is based on:
S.O.S.
quotes music from:
Close (to the Edit)
The Prodigy4.653:47
9Tainted Love
engineer:
Paul Hardiman
producer:
Mike Thorne (UK producer & keyboardist)
mixer:
Harvey Goldberg
electronic instruments and other instruments:
Dave Ball (UK electronic musician, part of Soft Cell)
background vocals:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
recorded at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
music videos:
Tainted Love by Soft Cell (1980s English synth‐pop duo)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 5), Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 8), New York Post: 100 Greatest Covers (2007) (number: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 33) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 46)
cover recording of:
Tainted Love
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:39
10Common People
recording of:
Common People
lyricist:
Jarvis Cocker
composer:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) and Russell Senior
premiered at:
Reading Festival (1994-08-27) (1994)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 BMG事業部 (until 2018-03-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Pulp2.44:08
11Wrong
Novastar3:35
12Bright Eyes
recording of:
Bright Eyes
lyricist and composer:
Mike Batt
publisher:
April Music, CBS Songs Ltd., EMI Blackwood Music Inc., EMI Music Publishing Germany GmbH (1967–2001), EMI Songs Australia Pty. Ltd., EMI Songs Ltd., SBK Songs Ltd., Watership Productions Ltd. and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Art Garfunkel3:56
13Always on the Run
engineer:
David Domanich and Henry Hirsch
producer:
Lenny Kravitz
mixer:
Henry Hirsch
bass guitar, drums (drum set) and guitar and lead vocals:
Lenny Kravitz
guest guitar:
Slash (Guns N’ Roses guitarist)
guest saxophone:
Karl Denson and Butch Tomas
guest trumpet:
Mike Hunter (Trumpet player)
performer:
Slash (Guns N’ Roses guitarist)
horn arranger:
Lenny Kravitz
phonographic copyright (℗) by:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1991)
recording of:
Always on the Run
lyricist:
Lenny Kravitz
composer:
Lenny Kravitz and Slash (Guns N’ Roses guitarist)
publisher:
Dik Hayd Music and Miss Bessie Music
Lenny Kravitz3.83:54
14Get Up Feel Like Beeing a Sex Machine
producer:
James Brown (The Godfather of Soul)
bass guitar:
Bootsy Collins (US funk musician & songwriter)
drums (drum set):
John Starks
guitar:
Catfish Collins
organ:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group)
piano:
James Brown (The Godfather of Soul)
tenor saxophone:
Robert McCollough
trumpet:
Clayton Gunnells and Darryl Hassan Jamison
lead vocals:
James Brown (The Godfather of Soul) (on 1970-04-25)
vocals:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group)
performer:
The J.B.’s
phonographic copyright (℗) by:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1970)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 196) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 326)
recording of:
Get Up (I Feel Like Being Like a) Sex Machine (on 1970-04-25)
writer:
James Brown (The Godfather of Soul), Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) and Ron Lenhoff
publisher:
Dynatone Publishing Co. and Intersong Music Ltd.
James Brown45:18
15Saturday
recording of:
Saturday
lyricist and composer:
David Dewaele and Stephen Dewaele
publisher:
Strictly Confidential and We'll Sue You
Soulwax3:12
16A Whiter Shade of Pale
producer:
Denny Cordell
bass guitar:
David Knights
guest drums (drum set):
Bill Eyden
guitar:
Ray Royer
Hammond organ:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
phonographic copyright (℗) by:
Onward Music Ltd. (in 1967)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 57) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 271)
recording of:
A Whiter Shade of Pale
lyricist:
Keith Reid
composer:
Gary Brooker and Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) and Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
is based on:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
is based on:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:03
17Hard Times
The Scabs4:49