| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | The Winner Takes It All- Techniker(in):
- Michael B. Tretow
- Produzent(in):
- Benny Andersson und Björn Ulvaeus
- Bassgitarre:
- Mike Watson (am 1980-06-06)
- Bratsche / Viola:
- Nils Heie (am 1980-06-16), Håkan Roos (am 1980-06-16) und Bo Söderström (am 1980-06-16)
- Cello:
- Olle Gustafsson (am 1980-06-16) und Åke Olofsson (am 1980-06-16)
- Geige / Violine:
- Martin Bylund (am 1980-06-16), Anders Dahl (am 1980-06-16), Lars Stegenberg (am 1980-06-16), Gunnar Michols (am 1980-06-16), Bernt Nylund (am 1980-06-16), Bertil Orsin (am 1980-06-16), Sixten Strömvall (am 1980-06-16) und Harry Teike (am 1980-06-16)
- Gitarre:
- Lasse Wellander (am 1980-06-06)
- Keyboard und Synthesizer:
- Benny Andersson (am 1980-06-06)
- Perkussion:
- Åke Sundqvist (am 1980-06-06)
- Schlagzeug:
- Ola Brunkert (am 1980-06-06)
- Hintergrundgesang:
- Frida (am 1980-06-06)
- Sologesang:
- Agnetha Fältskog (am 1980-06-06)
- Cello, Bratsche / Viola und Geige / Violine arranger:
- Rutger Gunnarsson (in 1980)
- arranger:
- Benny Andersson und Björn Ulvaeus
- phonographisches Urheberrecht (℗) von:
- Polar Music International AB (in 1980)
- aufgenommen bei:
- Polar Studios in Stockholm, Stockholms län , Schweden (am 1980-06-06, am 1980-06-16)
- mixed at:
- Polar Studios in Stockholm, Stockholms län , Schweden (am 1980-06-18)
- Teil von:
- The Downloader’s Music Source Book (Nummer: 66)
- recording of:
- The Winner Takes It All (in 1980-06)
- Verfasser(in):
- Benny Andersson und Björn Ulvaeus
- publisher:
- EMI Music Publishing (beendet), Universal Music Publishing Group (beendet), Universal/Union Songs Musikförlag AB (beendet), Bocu Music, EMI Waterford Music, Union Songs AB , Universal PolyGram International Publishing, Inc. , Artwork Music Co., Inc. (vom 1980 bis ????) und Countless Songs, Ltd. (vom 1980 bis ????)
- Teil von:
- Mamma Mia!
| ABBA | 3.85 | 4:54 |
| 2 | Hold on to the Nights | Richard Marx | | 4:24 |
| 3 | Una Rosa Un Tango | Amanda Lear | | 4:07 |
| 4 | Sixteen Tons | The Platters | 5 | 2:36 |
| 5 | Lonesome Shepherd | James Last | | 4:27 |
| 6 | Stairway to Heaven- cover recording of:
- Stairway to Heaven
- Verfasser(in):
- Jimmy Page und Robert Plant
- publisher:
- Superhype Music, Inc. (beendet), Flames of Albion Music, Inc., Superhype Publishing, Warner Bros. , Warner Brothers , Warner Chappell , Warner Chappell Music Ltd. und Warner Chappell North America Limited
- sub-publisher:
- Warner/Chappell Music Japan, Synch division (beendet), Yamaha Music Entertainment Holdings, Inc. (beendet) und Neue Welt Musikverlag GmbH München
| Far Corporation | | 2:28 |
| 7 | In the Army Now- Produzent(in):
- Pip Williams
- phonographisches Urheberrecht (℗) von:
- Mercury Records Ltd. (in 1986), Mercury Records Ltd. (UK) (in 1986), Phonogram Ltd. (London) (in 1986), Polydor Ltd. (UK) (in 1986) und Quo Entertainment (in 1986)
- produced for:
- Handle Artists
- cover recording of:
- In the Army Now
- Verfasser(in):
- Ferdi Bolland und Rob Bolland
- publisher:
- Beadle Music Ltd., Bolland Music, Copyright Control , Dayglow Music NV, Dayglow Muziekuitgeverij N.V., Island Music Ltd., Nada Music , Nada Music International, Nada Music International CV und The International Music Network
| Status Quo | 2.5 | 3:43 |
| 8 | Waiting for a Girl Like You | Foreigner | | 4:50 |
| 9 | Theme From Paradise | Fausto Papetti | | 3:17 |
| 10 | I Will Survive | Gloria Gaynor | | 3:45 |
| 11 | Oh Pretty Woman- recorded in:
- Nashville, Tennessee, Vereinigte Staaten (am 1964-08-01)
- Produzent(in):
- Fred Foster
- Gitarre:
- Jerry Kennedy (am 1964-08-01), Wayne Moss (am 1964-08-01) und Billy Sanford (am 1964-08-01)
- Klavier:
- Floyd Cramer (am 1964-08-01)
- Kontrabass [upright bass]:
- Bob Moore (am 1964-08-01)
- Mundharmonika:
- Charlie McCoy (am 1964-08-01)
- Perkussion:
- Paul Garrison (am 1964-08-01)
- Saxophon:
- Boots Randolph (am 1964-08-01)
- Schlagzeug:
- Buddy Harman (am 1964-08-01)
- zwölfsaitige Gitarre [12 string guitar Epiphone] und Sologesang:
- Roy Orbison (am 1964-08-01)
- vocals:
- Roy Orbison
- phonographisches Urheberrecht (℗) von:
- Orbison Records, Orbison Records, Inc. und Monument Record Corp. (in 1964)
- Teil von:
- Dave Marsh: The Best of the Top 40 Singles: 1964 (Nummer: 20), Billboard: The 500 Best Pop Songs (Nummer: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (Nummer: 222)
- recording of:
- Oh, Pretty Woman (am 1964-08-01)
- Texter und Komponist(in):
- Bill Dees und Roy Orbison
- publisher:
- Acuff-Rose Music Limited , Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. , Acuff-Rose Publications, Inc. (am 1964-08-26) und Acuff-Rose (in 1972)
| Roy Orbison | 4.2 | 3:03 |
| 12 | Tango | Raffaella Carrà | | 3:02 |
| 13 | Reflections | Richard Clayderman & James Last | | 4:24 |
| 14 | Salut | Joe Dassin | | 3:21 |
| 15 | Regrets | Mylène Farmer | 3 | 5:16 |
| 16 | Nostalgie | Julio Iglesias | | 3:55 |
| 17 | Lily Was Here | Candy Dulfer | 3.8 | 4:21 |
| 18 | Miss You Nights | Cliff Richard | | 3:57 |
| 19 | The Winner Takes It All | London Symphony Orchestra | | 4:17 |