Housework Songs

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1I Want to Break Free
Assistent recording engineer:
Eddie DeLena (engineer) und Stephan Wissnet
recording engineer, Programmierung und Techniker(in):
Mack (German rock producer/engineer Reinhold Mack)
zusätzlich recording engineer:
Mike Beiriger
Produzent(in):
Mack (German rock producer/engineer Reinhold Mack) und Queen (UK rock group)
Akustikgitarre [acoustic rhythm guitar] und Bassgitarre:
John Deacon (von 1983-08 bis 1984-01)
E-Gitarre:
Brian May (Queen guitarist) (von 1983-08 bis 1984-01)
Gast-Solo-Synthesizer und Gast-Synthesizer:
Fred Mandel (von 1983-08 bis 1984-01)
Schlagzeug:
Roger Taylor (Queen drummer) (von 1983-08 bis 1984-01)
Synthesizer:
John Deacon (von 1983-08 bis 1984-01) und Freddie Mercury (von 1983-08 bis 1984-01)
Hintergrundgesang und Sologesang:
Freddie Mercury (von 1983-08 bis 1984-01)
phonographisches Urheberrecht (℗) von:
Raincloud Productions Ltd. (in 1984) und Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 2011)
aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland (von 1983-08 bis 1984-01) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1983-08 bis 1984-01)
produced at:
Musicland Studios (Munich) in München, Bayern, Deutschland (von 1983-08 bis 1984-01) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1983-08 bis 1984-01)
Bearbeitung von:
I Want to Break Free (single version) von Queen (UK rock group)
recording of:
I Want to Break Free (von 1983-08 bis 1984-01)
Texter und Komponist(in):
John Deacon
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Queen Music Ltd.
enthalten in:
We Will Rock You (Queen musical)
enthalten in:
We Will Rock You (German version of the Queen musical)
Queen4.353:17
2Life Is a Rollercoaster
recording of:
Life Is a Rollercoaster
Komponist(in):
Gregg Alexander und Rick Nowels
Ronan Keating2.653:54
3Manic Monday
Produzent(in):
David Kahne
Mix:
David Leonard (US producer and engineer)
Bassgitarre:
Michael Steele (American bassist, guitarist, songwriter, and singer)
Gitarre:
Susanna Hoffs und Vicki Peterson
Schlagzeug:
Debbi Peterson (drummer for The Bangles)
Sologesang:
Susanna Hoffs
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1985) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 208)
recording of:
Manic Monday
Texter und Komponist(in):
Christopher (Prince, “The Artist Formerly Known as…”)
publisher:
Bangophile Music, Controversy Music, EMI Music Publishing Taiwan, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music) und WB Music Corp. (1929–2019)
Bangles43:04
4Respect
recording engineer:
Tom Dowd (am 1967-02-14)
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1967-02-14)
Bassgitarre:
Tommy Cogbill (am 1967-02-14)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-02-14)
Klavier:
Aretha Franklin (am 1967-02-14)
Kornett:
Melvin Lastie (am 1967-02-14)
Orgel:
Spooner Oldham (am 1967-02-14)
Schlagzeug:
Roger Hawkins (am 1967-02-14)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-02-14) und King Curtis (saxophonist) (am 1967-02-14)
Hintergrundgesang:
Carolyn Franklin (am 1967-02-14) und Erma Franklin (am 1967-02-14)
vocals:
Aretha Franklin (am 1967-02-14)
conductor:
Tom Dowd (am 1967-02-14)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-14)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 21), New York Post: 100 Greatest Covers (2007) (Nummer: 52) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
cover recording of:
Respect (am 1967-02-14)
Texter und Komponist(in):
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell und Warner/Chappell North America
Aretha Franklin3.92:22
5I Will Survive
Partner-Produzent(in):
Freddie Perren
Produzent(in):
Dino Fekaris
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1978), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1978) und Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1979)
Bearbeitung von:
I Will Survive (12″ single version) von Gloria Gaynor
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 251) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 489)
recording of:
I Will Survive
Verfasser(in):
Dino Fekaris und Freddie Perren
publisher:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.953:15
6Build Me Up Buttercup
Musikvideos:
Build Me Up Buttercup von The Foundations (British soul band, active from 1967 to 1970)
Teil von:
Cachitos Nochevieja 2022 (Nummer: 43) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 252)
recording of:
Build Me Up Buttercup
Verfasser(in):
Mike d’Abo (English singer‐songwriter, former frontman of Manfred Mann) und Tony Macaulay
publisher:
A. Schroeder Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI United Partnership Ltd., Immediate Music Ltd. und Welbeck Music (publisher)
The Foundations3.52:53
7Daydream Believer
Produzent(in):
Chip Douglas
Bass:
Chip Douglas (von 1967-06-14 bis 1967-08-09)
Bassposaune:
Richard Leith (trombonist) (von 1967-06-14 bis 1967-08-09) und Phil Teele (von 1967-06-14 bis 1967-08-09)
Geige / Violine:
Nathan Kaproff (von 1967-06-14 bis 1967-08-09), George Kast (von 1967-06-14 bis 1967-08-09), Alex Murray (violinist) (von 1967-06-14 bis 1967-08-09) und Erno Neufeld (von 1967-06-14 bis 1967-08-09)
Gitarre:
Michael Nesmith (von 1967-06-14 bis 1967-08-09)
Klavier:
Peter Tork (von 1967-06-14 bis 1967-08-09)
Perkussion:
William E. Martin (von 1967-06-14 bis 1967-08-09)
Posaune:
Richard Noel (trombonist) (von 1967-06-14 bis 1967-08-09)
Schlagzeug:
Eddie Hoh (von 1967-06-14 bis 1967-08-09)
Trompete:
Pete Candoli (von 1967-06-14 bis 1967-08-09), Al Porcino (von 1967-06-14 bis 1967-08-09) und Manuel Stevens (von 1967-06-14 bis 1967-08-09)
Hintergrundgesang:
Micky Dolenz (von 1967-06-14 bis 1967-08-09)
Sologesang:
Davy Jones (The Monkees member) (von 1967-06-14 bis 1967-08-09)
Horn und Saiteninstrumente arranger:
Shorty Rogers (trumpet)
Musikvideos:
Daydream Believer von The Monkees
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 39)
recording of:
Daydream Believer (von 1967-06-14 bis 1967-08-09)
Texter und Komponist(in):
John Stewart (singer-songwriter (Kingston Trio))
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees4.652:55
8Pretty Woman
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1964-08-01)
Produzent(in):
Fred Foster
Gitarre:
Jerry Kennedy (am 1964-08-01), Wayne Moss (am 1964-08-01) und Billy Sanford (guitar) (am 1964-08-01)
Klavier:
Floyd Cramer (am 1964-08-01)
Kontrabass [upright bass]:
Bob Moore (U.S. bassist and bandleader) (am 1964-08-01)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1964-08-01)
Perkussion:
Paul Garrison (am 1964-08-01)
Saxophon:
Boots Randolph (am 1964-08-01)
Schlagzeug:
Buddy Harman (Session drummer and songwriter) (am 1964-08-01)
zwölfsaitige Gitarre [12 string guitar Epiphone] und Sologesang:
Roy Orbison (am 1964-08-01)
vocals:
Roy Orbison
phonographisches Urheberrecht (℗) von:
Orbison Records, Orbison Records, Inc. und Monument Record Corp. (not for release label use!) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 222)
recording of:
Oh, Pretty Woman (Roy Orbison song) (am 1964-08-01)
Texter und Komponist(in):
Bill Dees (songwriter, singer, guitarist) und Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (am 1964-08-26) und Acuff-Rose (BMI) (in 1972)
Roy Orbison4.22:58
9Help Me Rhonda
Techniker(in):
Chuck Britz
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
Bassgitarre:
Carol Kaye (am 1965-02-24)
Gitarre:
Carl Wilson (Beach Boys) (am 1965-02-24)
Hammond-Orgel [Hammond B3 organ] und Klavier [acoustic piano]:
Brian Wilson (Beach Boys co‐founder) (am 1965-02-24)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1965-02-24)
Hintergrundgesang:
Mike Love (Beach Boys) (am 1965-02-24), Brian Wilson (Beach Boys co‐founder) (am 1965-02-24), Carl Wilson (Beach Boys) (am 1965-02-24) und Dennis Wilson (Beach Boys) (am 1965-02-24)
Sologesang:
Al Jardine (am 1965-02-24)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1965-02-24) und Universal Recording Studios (unidentified, possibly a mix of different studios) (am 1965-02-24)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 16)
recording of:
Help Me, Rhonda (am 1965-02-24)
Texter und Komponist(in):
Brian Wilson (Beach Boys co‐founder)
zusätzlicher Texter:
Mike Love (Beach Boys)
publisher:
Irving Music, Inc. und Rondor Music (London) Ltd.
The Beach Boys42:45
10You Sexy Thing
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) und CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1984)
recording of:
You Sexy Thing (in 1975)
Verfasser(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) und Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. und RAK Publishing Ltd
Hot Chocolate3.854:01
11I Got You Babe
Produzent(in):
Ray “Pablo” Falconer und UB40
Gast vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
Interpret(in):
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) und UB40
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 2000)
produced at:
The Abattoir in Birmingham, West Midlands, England, Vereinigtes Königreich
cover recording of:
I Got You Babe
Texter und Komponist(in):
Sonny Bono
publisher:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) und Warner/Chappell Music Ltd. (1996–2019)
UB40 feat. Chrissie Hynde2.753:09
12Baby, I Love Your Way
recording engineer und Produzent(in):
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
Programmierung:
Aaron Zigman (American score composer)
zusätzliche Programmierung:
Erik Hansen
leitende(r) Produzent(in):
Jeff Aldrich (A&R)
assistierende(r) Mix:
Dave Betancourt (engineer)
Mix:
Tom Lord Alge
Akustikgitarre:
John Goux
Bassgitarre:
Abraham Laboriel
flute und Tenorsaxophon:
Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
Gitarre [“Duane Eddy” guitar]:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
Gitarre [skank guitar]:
Tony Chin
Keyboard:
Aaron Zigman (American score composer)
Perkussion:
Steve Forman (US percussionist)
Posaune:
Bill Reichenbach (jazz trombonist)
Schlagzeug:
Abraham Laboriel Jr. und John Robinson (session drummer)
Solo-alto saxophone:
Warren Hill
Trompete:
Jerry Hey
Hintergrundgesang:
James McWhinney
Hintergrundgesang und Sologesang:
Quino (of Big Mountain)
arranger:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter) und Aaron Zigman (American score composer)
phonographisches Urheberrecht (℗) von:
Giant Records ("a division of Warner Music Sweden AB", not for release label use! use “Giant”) (in 1994)
mixed at:
Encore Recording Studios in Burbank, California (Kalifornien), Vereinigte Staaten
cover recording of:
Baby, I Love Your Way
Texter und Komponist(in):
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Big Mountain4:23
13It Must Be Love
cover recording of:
It Must Be Love
Texter und Komponist(in):
Labi Siffre
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated)
Madness43:17
14Gold
Produzent(in):
Steve Jolley, Spandau Ballet und Tony Swain (songwriter, producer)
Bass:
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (in 1982)
Gitarre:
Gary Kemp (in 1982)
Keyboard:
Jess Bailey (in 1982)
Perkussion und Saxophon:
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (in 1982)
Schlagzeug:
John Keeble (in 1982)
Sologesang:
Tony Hadley (in 1982)
Interpret(in):
Spandau Ballet (in 1982)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
recording of:
Gold (in 1982)
Texter und Komponist(in):
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet3.53:51
15(I Just) Died in Your Arms
Techniker(in):
Terry Brown (producer)
Produzent(in):
Terry Brown (producer), Cutting Crew und John Jansen (US recording engineer and producer)
Mix:
Tim Palmer (British producer/mixer)
Akustikgitarre, E-Gitarre und Synthesizer [E-mu Emulator]:
Kevin MacMichael
Bass:
Colin Farley
Klavier:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
Perkussion, Schlagzeug und Tamburin:
Martin Beedle
Hintergrundgesang:
Peter Birch
Sologesang:
Nick Van Eede
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) und Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1986)
aufgenommen bei:
AIR Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Utopia Studios (London) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 26)
recording of:
(I Just) Died in Your Arms
Texter und Komponist(in):
Nick Van Eede
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. und Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew4.14:32
16Over My Shoulder
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1995)
aufgenommen bei:
The Farm (of Genesis fame) in Surrey, England, Vereinigtes Königreich
recording of:
Over My Shoulder
Verfasser(in):
Paul Carrack und Mike Rutherford
publisher:
EMI Music Publishing (do not use as a release label!), Hit & Run Music (Publishing) Ltd und Plangent Visions Music Ltd.
Mike + the Mechanics3.23:35
17American Pie
Techniker(in):
Tom Flye
Akustikgitarre und Banjo:
Don McLean (am 1971-05-26)
Bass:
Bob Rothstein (am 1971-05-26)
E-Gitarre:
David Spinozza (am 1971-05-26)
Hybrid-Piano:
Ray Colcord (am 1971-05-26)
Klavier:
Paul Griffin (American pianist, session musician) (am 1971-05-26)
Marimba und Vibraphon:
Mike Mainieri (am 1971-05-26)
Perkussion und Schlagzeug:
Roy Markowitz (am 1971-05-26)
Chorgesang:
West 44th Street Rhythm and Noise Choir (am 1971-05-26)
vocals:
Bob Rothstein (am 1971-05-26) und Don McLean (am 1971-05-26)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1971), EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1971) und United Artists Records (for bootlegs and counterfeit) (in 1971)
teilweise recording of:
American Pie (am 1971-05-26)
Texter und Komponist(in):
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd und Yahweh Tunes, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean54:07
18Sitting Down Here
vocals:
Lene Marlin
arranger:
Jørn Dahl
phonographisches Urheberrecht (℗) von:
Virgin Records Norway (in 1999)
aufgenommen bei:
Disclab Oslo in Oslo, Norwegen
recording of:
Sitting Down Here
Texter und Komponist(in):
Lene Marlin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Lene Marlin33:53
19Sunday Girl
assistierende(r) Techniker(in):
Grey Russell und Peter Coleman (British engineer & producer)
Techniker(in):
Peter Coleman (British engineer & producer)
assistierende(r) Produzent(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (von 1978-06 bis 1978-07)
Gitarre:
Frank Infante (von 1978-06 bis 1978-07) und Chris Stein (von 1978-06 bis 1978-07)
Keyboard:
Jimmy Destri (von 1978-06 bis 1978-07)
Schlagzeug:
Clem Burke (von 1978-06 bis 1978-07)
Sologesang:
Deborah Harry (von 1978-06 bis 1978-07)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978, in 1979), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) und Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1978-06 bis 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Vereinigte Staaten
recording of:
Sunday Girl (von 1978-06 bis 1978-07)
Texter und Komponist(in):
Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (beendet), Monster Island Music Publishing Corporation (beendet), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated) und Rare Blue Music Inc (in 1978)
Blondie3.83:09
20Live It Up
Techniker(in):
Thom Panunzio
Produzent(in):
Richard Gottehrer (American songwriter and music executive)
phonographisches Urheberrecht (℗) von:
Syray Pty. Limited (Australian record company copyright holder and distributor) (in 1984), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1986) und Festival Records (Australian) (in 1999)
aufgenommen bei:
Rhinoceros Studios in Sydney, New South Wales, Australien
recording of:
Live It Up
Texter und Komponist(in):
Greedy Smith (Australian musician and songwriter with Mental As Anything)
publisher:
Syray Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
Mental as Anything3.253:48
21Wired for Sound
Produzent(in):
Alan Tarney
vocals:
Cliff Richard
recording of:
Wired for Sound
Texter und Komponist(in):
B.A. Robertson und Alan Tarney
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner Chappell Music (publisher as Warner/Chappell Music)
Cliff Richard53:38
22Silly Love Songs
Assistent recording engineer und assistierende(r) Mix:
Mark Vigars (engineer) (von 1976-01-16 bis 1976-03)
recording engineer und Mix:
Pete Henderson (engineer) (von 1976-01-16 bis 1976-03)
Produzent(in):
Paul McCartney (The Beatles)
Bass und Sologesang:
Paul McCartney (The Beatles) (von 1976-01-16 bis 1976-03)
E-Gitarre:
Jimmy McCulloch (von 1976-01-16 bis 1976-03)
Horn:
Howie Casey (von 1976-01-16 bis 1976-03), Tony Dorsey (von 1976-01-16 bis 1976-03), Steve Howard (trumpeter) (von 1976-01-16 bis 1976-03) und Thaddeus Richard (von 1976-01-16 bis 1976-03)
Schlagzeug:
Joe English (von 1976-01-16 bis 1976-03)
Hintergrundgesang:
Denny Laine (von 1976-01-16 bis 1976-03), Linda McCartney (von 1976-01-16 bis 1976-03) und Paul McCartney (The Beatles) (von 1976-01-16 bis 1976-03)
conductor:
Paul McCartney (The Beatles) (von 1976-01-16 bis 1976-03)
Saiteninstrumente arranger:
Tony Dorsey
phonographisches Urheberrecht (℗) von:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 2014) und MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (in 2014)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1976-01-16, von 1976-01-16 bis 1976-03)
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1976-01-16 bis 1976-03)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 45) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 67)
recording of:
Silly Love Songs (von 1976-01-16 bis 1976-03)
Texter und Komponist(in):
Paul McCartney (The Beatles)
Verfasser(in):
Linda McCartney
publisher:
MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
Wings3.45:56
2▶CD

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Veröffentlichung

ASIN:UK: B000BAVZLW [Info]