The Vocal Works: Cantatas / Passions / Oratorios / Masses / Motets

~ Release by Johann Sebastian Bach; Bach Collegium Japan, Masaaki Suzuki (see all versions of this release, 1 available)

Tracklist

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1▼Hybrid SACD: The Sacred Cantatas disc 1
#TitleArtistRatingLength
1Cantata no. 4, BWV 4 "Christ lag in Todesbanden": I. Sinfonia
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": I. Sinfonia (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach1:14
2Cantata no. 4, BWV 4 "Christ lag in Todesbanden": II. Versus I. Coro "Christ Lag in Todes Banden"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": II. Coro Versus I "Christ Lag in Todes Banden" (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach4:03
3Cantata no. 4, BWV 4 "Christ lag in Todesbanden": III. Versus II. Duetto "Den Tod niemand zwingen kunnt"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
countertenor vocals:
太刀川昭 (Akira Tachikawa) (from 1995-06 until 1995-07)
soprano vocals:
Yumiko Kurisu (from 1995-06 until 1995-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": III. Duetto (Soprano, Alto) Versus II "Den Tod niemand zwingen kunnt" (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach3:41
4Cantata no. 4, BWV 4 "Christ lag in Todesbanden": IV. Versus III. Aria "Jesus Christus, Gottes Sohn" (Tenore)
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
tenor vocals:
Koki Katano (from 1995-06 until 1995-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": IV. Aria (Tenore) Versus III "Jesus Christus, Gottes Sohn" (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach1:56
5Cantata no. 4, BWV 4 "Christ lag in Todesbanden": V. Versus IV. Coro "Es war ein wunderlicher Krieg"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": V. Coro Versus IV "Es war ein wunderlicher Krieg" (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach2:28
6Cantata no. 4, BWV 4 "Christ lag in Todesbanden": VI. Versus V. Aria "Hier ist das rechte Osterlamm" (Basso)
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 1995-06 until 1995-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VI. Aria (Basso) Versus V "Hier ist das rechte Osterlamm" (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach2:38
7Cantata no. 4, BWV 4 "Christ lag in Todesbanden": VII. Versus VI. Duetto "So feiern wir das hohe Fest" (Soprano, Tenore)
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
soprano vocals:
Yumiko Kurisu (from 1995-06 until 1995-07)
tenor vocals:
Koki Katano (from 1995-06 until 1995-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest" (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach1:29
8Cantata no. 4, BWV 4 "Christ lag in Todesbanden": VIII. Versus VII. Choral "Wir essen und leben wohl"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VIII. Choral Versus VII "Wir essen und leben wohl" (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach1:24
9Cantata no. 150, BWV 150 "Nach Dir, Herr, verlanget mich": I. Sinfonia
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": I. Sinfonia (from 1995-06 until 1995-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach1:40
10Cantata no. 150, BWV 150 "Nach Dir, Herr, verlanget mich": II. Coro "Nach Dir, Herr, verlanget mich"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": II. Coro "Nach dir, Herr, verlanget mich" (from 1995-06 until 1995-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach3:29
11Cantata no. 150, BWV 150 "Nach Dir, Herr, verlanget mich": III. Aria "Doch bin und bleibe ich vergnügt" (Soprano)
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
soprano vocals:
Yumiko Kurisu (from 1995-06 until 1995-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": III. Aria (Sopran) "Doch bin und bleibe ich vergnügt" (from 1995-06 until 1995-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach1:28
12Cantata no. 150, BWV 150 "Nach Dir, Herr, verlanget mich": IV. Coro "Leite mich in deiner Wahrheit"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": IV. Coro "Leite mich in deiner Wahrheit" (from 1995-06 until 1995-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach1:47
13Cantata no. 150, BWV 150 "Nach Dir, Herr, verlanget mich": V. Aria "Zedern müssen von den Winden" (Terzetto: Alto, Tenore, Basso)
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 1995-06 until 1995-07)
countertenor vocals:
太刀川昭 (Akira Tachikawa) (from 1995-06 until 1995-07)
tenor vocals:
Koki Katano (from 1995-06 until 1995-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": V. Aria (Terzetto Alt, Tenor, Bass) "Zedern müssen von den Winden" (from 1995-06 until 1995-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach1:12
14Cantata no. 150, BWV 150 "Nach Dir, Herr, verlanget mich": VI. Coro "Meine Augen sehen stets zu dem Herrn"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": VI. Coro "Meine Augen sehen stets zu dem Herrn" (from 1995-06 until 1995-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach2:03
15Cantata no. 150, BWV 150 "Nach Dir, Herr, verlanget mich": VII. Coro "Meine Tage in dem Leide"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": VII. Coro "Meine Tage in dem Leide" (from 1995-06 until 1995-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach3:06
16Cantata no. 196, BWV 196 "Der Herr denket an uns": I. Sinfonia
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": I. Sinfonia (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
Johann Sebastian Bach1:47
17Cantata no. 196, BWV 196 "Der Herr denket an uns": II. Coro "Der Herr denket an uns"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": II. Coro "Der Herr denket an uns" (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
Johann Sebastian Bach2:11
18Cantata no. 196, BWV 196 "Der Herr denket an uns": III. Aria "Er segnet, die den Herrn fürchten" (Soprano)
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
soprano vocals:
Yumiko Kurisu (from 1995-06 until 1995-07)
orchestra:
Bach Collegium Japan (from 1995-06 until 1995-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": III. Aria (Sopran) "Er segnet, die den Herrn fürchten" (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
Johann Sebastian Bach2:30
19Cantata no. 196, BWV 196 "Der Herr denket an uns": IV. Duetto "Der Herr segnet euch" (Tenore, Basso)
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 1995-06 until 1995-07)
tenor vocals:
Koki Katano (from 1995-06 until 1995-07)
orchestra:
Bach Collegium Japan (from 1995-06 until 1995-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": IV. Duetto (Tenor, Bass) "Der Herr segne euch je mehr und mehr" (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
Johann Sebastian Bach1:52
20Cantata no. 196, BWV 196 "Der Herr denket an uns": V. Coro "Ihr seid die Gesegneten des Herrn"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
orchestra:
Bach Collegium Japan (from 1995-06 until 1995-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": V. Coro "Ihr seid die Gesegneten des Herrn" (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
Johann Sebastian Bach3:12
2▼Hybrid SACD: The Sacred Cantatas disc 2
#TitleArtistRatingLength
1Cantata no. 71, BWV 71 "Gott ist mein König": I. Coro
sound engineer:
Marion Schwebel (in 1995-11)
producer:
Hans Kipfer
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1995-11)
performer:
Bach Collegium Japan (in 1995-11)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1995-11)
recording of:
Kantate, BWV 71 "Gott ist mein König von altersher": I. Coro (Sopran, Alt, Tenor, Bass) "Gott ist mein König von altersher" (in 1995-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 71 "Gott ist mein König"
Johann Sebastian Bach1:59
2Cantata no. 71, BWV 71 "Gott ist mein König": II. Aria - Choral
sound engineer:
Marion Schwebel (in 1995-11)
producer:
Hans Kipfer
soprano vocals:
鈴木美登里 (Midori Suzuki, vocalist) (in 1995-11)
tenor vocals:
Gerd Türk (German tenor) (in 1995-11)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1995-11)
performer:
Bach Collegium Japan (in 1995-11)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1995-11)
recording of:
Kantate, BWV 71 "Gott ist mein König von altersher": II. Aria (Sopran, Tenor) "Ich bin nun achtzig Jahr" (in 1995-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 71 "Gott ist mein König"
Johann Sebastian Bach3:58
3Cantata no. 71, BWV 71 "Gott ist mein König": III. Coro
sound engineer:
Marion Schwebel (in 1995-11)
producer:
Hans Kipfer
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1995-11)
performer:
Bach Collegium Japan (in 1995-11)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1995-11)
recording of:
Kantate, BWV 71 "Gott ist mein König von altersher": III. Fuga (Coro) "Dein Alter sei wie deine Jugend" (in 1995-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 71 "Gott ist mein König"
Johann Sebastian Bach2:07
4Cantata no. 71, BWV 71 "Gott ist mein König": IV. Arioso
sound engineer:
Marion Schwebel (in 1995-11)
producer:
Hans Kipfer
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1995-11)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1995-11)
performer:
Bach Collegium Japan (in 1995-11)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1995-11)
recording of:
Kantate, BWV 71 "Gott ist mein König von altersher": IV. Arioso (Bass) "Tag und Nacht ist dein" (in 1995-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 71 "Gott ist mein König"
Johann Sebastian Bach3:06
5Cantata no. 71, BWV 71 "Gott ist mein König": V. Aria
sound engineer:
Marion Schwebel (in 1995-11)
producer:
Hans Kipfer
alto vocals:
Yoshikazu Mera (Japanese countertenor) (in 1995-11)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1995-11)
performer:
Bach Collegium Japan (in 1995-11)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1995-11)
recording of:
Kantate, BWV 71 "Gott ist mein König von altersher": V. Aria (Alt) "Durch mächtige Kraft" (in 1995-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 71 "Gott ist mein König"
Johann Sebastian Bach1:18
6Cantata no. 71, BWV 71 "Gott ist mein König": VI. Coro
sound engineer:
Marion Schwebel (in 1995-11)
producer:
Hans Kipfer
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1995-11)
performer:
Bach Collegium Japan (in 1995-11)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1995-11)
recording of:
Kantate, BWV 71 "Gott ist mein König von altersher": VI. Coro "Du wollest dem Feinde" (in 1995-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 71 "Gott ist mein König"
Johann Sebastian Bach3:25
7Cantata no. 71, BWV 71 "Gott ist mein König": VII. Coro
sound engineer:
Marion Schwebel (in 1995-11)
producer:
Hans Kipfer
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1995-11)
performer:
Bach Collegium Japan (in 1995-11)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1995-11)
recording of:
Kantate, BWV 71 "Gott ist mein König von altersher": VII. Coro (Sopran, Alt, Tenor, Bass) "Das neue Regiment" (in 1995-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 71 "Gott ist mein König"
Johann Sebastian Bach3:48
8Cantata no. 131, BWV 131 "Aus der Tiefe rufe ich, Herr, zu dir": I. Sinfonia - Choral
sound engineer:
Marion Schwebel (in 1995-11)
producer:
Hans Kipfer
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1995-11)
performer:
Bach Collegium Japan (in 1995-11)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1995-11)
recording of:
Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": I. Sinfonia e Coro "Aus der Tiefen rufe ich, Herr, zu dir" (in 1995-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir"
Johann Sebastian Bach4:44
9Cantata no. 131, BWV 131 "Aus der Tiefe rufe ich, Herr, zu dir": II. Aria
sound engineer:
Marion Schwebel (in 1995-11)
producer:
Hans Kipfer
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1995-11)
soprano vocals:
鈴木美登里 (Midori Suzuki, vocalist) (in 1995-11)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1995-11)
performer:
Bach Collegium Japan (in 1995-11)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1995-11)
recording of:
Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": IV. Aria (Tenor) con Choral "Meine Seele wartet auf den Herrn" (in 1995-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir"
Johann Sebastian Bach4:23
10Cantata no. 131, BWV 131 "Aus der Tiefe rufe ich, Herr, zu dir": III. Coro
sound engineer:
Marion Schwebel (in 1995-11)
producer:
Hans Kipfer
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1995-11)
performer:
Bach Collegium Japan (in 1995-11)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1995-11)
recording of:
Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": III. Coro "Ich harre des Herrn, meine Seele harret" (in 1995-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir"
Johann Sebastian Bach3:12
11Cantata no. 131, BWV 131 "Aus der Tiefe rufe ich, Herr, zu dir": IV. Aria
sound engineer:
Marion Schwebel (in 1995-11)
producer:
Hans Kipfer
alto vocals:
Yoshikazu Mera (Japanese countertenor) (in 1995-11)
tenor vocals:
Gerd Türk (German tenor) (in 1995-11)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1995-11)
performer:
Bach Collegium Japan (in 1995-11)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1995-11)
recording of:
Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": IV. Aria (Tenor) con Choral "Meine Seele wartet auf den Herrn" (in 1995-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir"
Johann Sebastian Bach5:12
12Cantata no. 131, BWV 131 "Aus der Tiefe rufe ich, Herr, zu dir": V. Coro
sound engineer:
Marion Schwebel (in 1995-11)
producer:
Hans Kipfer
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1995-11)
performer:
Bach Collegium Japan (in 1995-11)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1995-11)
recording of:
Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": V. Coro "Israel hoffe auf den Herrn" (in 1995-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir"
Johann Sebastian Bach4:13
13Cantata no. 106, BWV 106 "Gottes Zeit ist die allerbeste Zeit": I. Sonatina
sound engineer:
Marion Schwebel (in 1995-11)
producer:
Hans Kipfer
orchestra:
Bach Collegium Japan (in 1995-11)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1995-11)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1995-11)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": I. Sonatina (in 1995-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach3:09
14Cantata no. 106, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIa. Coro
sound engineer:
Marion Schwebel (in 1995-11)
producer:
Hans Kipfer
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1995-11)
performer:
Bach Collegium Japan (in 1995-11)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1995-11)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIa. Coro "Gottes Zeit ist die allerbeste Zeit" (in 1995-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:01
15Cantata no. 106, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIb. Arioso
sound engineer:
Marion Schwebel (in 1995-11)
producer:
Hans Kipfer
tenor vocals:
Gerd Türk (German tenor) (in 1995-11)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1995-11)
performer:
Bach Collegium Japan (in 1995-11)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1995-11)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIb. Arioso (Tenor) "Ach, Herr, Lehre uns bedenken" (in 1995-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:13
16Cantata no. 106, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIc. Arioso
sound engineer:
Marion Schwebel (in 1995-11)
producer:
Hans Kipfer
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1995-11)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1995-11)
performer:
Bach Collegium Japan (in 1995-11)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1995-11)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIc. Aria (Bass) "Bestell dein Haus" (in 1995-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach1:06
17Cantata no. 106, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IId. Coro
sound engineer:
Marion Schwebel (in 1995-11)
producer:
Hans Kipfer
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1995-11)
performer:
Bach Collegium Japan (in 1995-11)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1995-11)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IId. Coro (+ Sopran) "Es ist der alte Bund" (in 1995-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach3:27
18Cantata no. 106, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIa. Aria
sound engineer:
Marion Schwebel (in 1995-11)
producer:
Hans Kipfer
alto vocals:
Yoshikazu Mera (Japanese countertenor) (in 1995-11)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1995-11)
performer:
Bach Collegium Japan (in 1995-11)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1995-11)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIa. Aria (Alt, Bass) "In deine Hände befehle ich meinen Geist" (in 1995-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:21
19Cantata no. 106, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIb. Arioso - Choral
sound engineer:
Marion Schwebel (in 1995-11)
producer:
Hans Kipfer
alto vocals:
Yoshikazu Mera (Japanese countertenor) (in 1995-11)
tenor vocals:
Gerd Türk (German tenor) (in 1995-11)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1995-11)
performer:
Bach Collegium Japan (in 1995-11)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1995-11)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIb. Arioso (Bass, Coro Alt) "Heute wirst du mit mir" (in 1995-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach3:34
20Cantata no. 106, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IV. Coro
sound engineer:
Marion Schwebel (in 1995-11)
producer:
Hans Kipfer
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1995-11)
performer:
Bach Collegium Japan (in 1995-11)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1995-11)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IV. Choral "Glorie, Lob, Ehr und Herrlichkeit" (in 1995-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach3:14
3▼Hybrid SACD: The Sacred Cantatas disc 3
#TitleArtistRatingLength
1Cantata no. 12, BWV 12 "Weinen, Klagen, Sorgen, Zagen": I. Sinfonia
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-04)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": I. Sinfonia (in 1996-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach2:34
2Cantata no. 12, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro: "Weinen, Klagen, Sorgen, Zagen"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-04)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen" (in 1996-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach6:57
3Cantata no. 12, BWV 12 "Weinen, Klagen, Sorgen, Zagen": III. Recitativo: "Wir müssen durch viel Trubsal in das Reich"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
countertenor vocals:
Yoshikazu Mera (Japanese countertenor) (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-04)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": III. Recitativo (Alto) "Wir müssen durch viel Trübsal" (in 1996-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach0:47
4Cantata no. 12, BWV 12 "Weinen, Klagen, Sorgen, Zagen": IV. Aria: "Kreuz und Krone sind verbunden"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
countertenor vocals:
Yoshikazu Mera (Japanese countertenor) (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-04)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": IV. Aria (Alto) "Kreuz und Krone sind verbunden" (in 1996-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach6:04
5Cantata no. 12, BWV 12 "Weinen, Klagen, Sorgen, Zagen": V. Aria: "Ich folge Christo nach"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-04)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": V. Aria (Basso) "Ich folge Christo nach" (in 1996-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach2:19
6Cantata no. 12, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VI. Aria: "Sei getreu"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
tenor vocals:
Makoto Sakurada (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-04)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VI. Aria (Tenore) "Sei getreu, alle Pein wird doch nur ein Kleines sein" (in 1996-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach3:59
7Cantata no. 12, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VII. Choral: "Was Gott tut, das ist wohlgetan"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-04)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VII. Choral "Was Gott tut, das ist wohlgetan" (in 1996-04)
lyricist:
Samuel Rodigast (German poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Breitkopf 389 Choralgesänge (number: 340)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach1:09
8Cantata no. 54, BWV 54 "Widerstehe doch der Sünde": I. Aria: "Widerstehe doch der Sünde"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
countertenor vocals:
Yoshikazu Mera (Japanese countertenor) (in 1996-04)
orchestra:
Bach Collegium Japan (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
recorded at:
Kobe Shoin Women's University (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-04)
recording of:
Kantate, BWV 54 "Widerstehe doch der Sünde": I. Aria (Alto) "Widerstehe doch der Sünde" (in 1996-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 54 "Widerstehe doch der Sünde"
Johann Sebastian Bach36:06
9Cantata no. 54, BWV 54 "Widerstehe doch der Sünde": II. Recitativo: "Die Art verruchter Sünden"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
countertenor vocals:
Yoshikazu Mera (Japanese countertenor) (in 1996-04)
orchestra:
Bach Collegium Japan (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
recorded at:
Kobe Shoin Women's University (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-04)
recording of:
Kantate, BWV 54 "Widerstehe doch der Sünde": II. Recitativo (Alto) "Die Art verruchter Sünden" (in 1996-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 54 "Widerstehe doch der Sünde"
Johann Sebastian Bach31:23
10Cantata no. 54, BWV 54 "Widerstehe doch der Sünde": III. Aria: "Wer Sünde tut, der ist vom Teufel"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
countertenor vocals:
Yoshikazu Mera (Japanese countertenor) (in 1996-04)
orchestra:
Bach Collegium Japan (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
recorded at:
Kobe Shoin Women's University (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-04)
recording of:
Kantate, BWV 54 "Widerstehe doch der Sünde": III. Aria (Alto) Wer Sünde tut, der ist vom Teufel (in 1996-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 54 "Widerstehe doch der Sünde"
Johann Sebastian Bach33:16
11Cantata no. 162, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe": I. Aria: "Ach, ich sehe, itzt, da ich zur Hochzeit gehe"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-04)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": I. Aria (Bass) "Ach! ich sehe, itzt, da ich zur Hochzeit gehe" (in 1996-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
Johann Sebastian Bach3:43
12Cantata no. 162, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe": II. Recitativo: "O großes Hochzeitfest"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
tenor vocals:
Makoto Sakurada (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-04)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": II. Recitativo (Tenor) "O großes Hochzeitsfest" (in 1996-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
Johann Sebastian Bach1:45
13Cantata no. 162, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe": III. Aria: "Jesu, Brunnquell aller Gnaden"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
soprano vocals:
Yumiko Kurisu (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-04)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": III. Aria (Sopran) "Jesu, Brunnquell aller Gnaden" (in 1996-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
Johann Sebastian Bach3:38
14Cantata no. 162, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe": IV. Recitativo: "Mein Jesu, lass mir nicht"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
alto vocals:
Yoshikazu Mera (Japanese countertenor) (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-04)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": IV. Recitativo (Alt) "Mein Jesu, laß mich nicht" (in 1996-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
Johann Sebastian Bach1:42
15Cantata no. 162, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe": V. Duett-Aria: "In meinem Gott bin ich erfreut!"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
alto vocals:
Yoshikazu Mera (Japanese countertenor) (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-04)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": V. Aria (Duetto Alt, Tenor) "In meinem Gott bin ich erfreut" (in 1996-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
Johann Sebastian Bach3:51
16Cantata no. 162, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe": VI. Choral "Ach, ich habe schon erblicket"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-04)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": VI. Choral "Ach, ich habe schon erblicket" (in 1996-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Johann Rosenmüller (composer) (in 1652)
part of:
Breitkopf 389 Choralgesänge (number: 18)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
Johann Sebastian Bach1:16
17Cantata no. 182, BWV 182 "Himmelskönig, sei willkommen": I. Sinfonia
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-04)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen": I. Sonata (in 1996-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
version of:
Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: I. Sonata
part of:
Kantate, BWV 182 "Himmelskönig, sei willkommen"
Johann Sebastian Bach1:56
18Cantata no. 182, BWV 182 "Himmelskönig, sei willkommen": II. Coro: "Himmelskönig, sei willkommen"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-04)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen": II. Coro "Himmelskönig, sei willkommen" (in 1996-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 "Himmelskönig, sei willkommen"
Johann Sebastian Bach3:24
19Cantata no. 182, BWV 182 "Himmelskönig, sei willkommen": III. Recitativo: "Siehe, siehe, ich komme"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-04)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen": III. Recitativo (Bass) "Siehe, ich komme" (in 1996-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 182 "Himmelskönig, sei willkommen"
Johann Sebastian Bach0:36
20Cantata no. 182, BWV 182 "Himmelskönig, sei willkommen": IV. Aria: "Starkes Lieben"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-04)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen": IV. Aria (Bass) "Starkes Lieben" (in 1996-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 "Himmelskönig, sei willkommen"
Johann Sebastian Bach2:36
21Cantata no. 182, BWV 182 "Himmelskönig, sei willkommen": V. Aria: "Leget euch dem Heiland unter"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
alto vocals:
Yoshikazu Mera (Japanese countertenor) (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-04)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen": V. Aria (Alt) "Leget euch dem Heiland unter" (in 1996-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 "Himmelskönig, sei willkommen"
Johann Sebastian Bach8:58
22Cantata no. 182, BWV 182 "Himmelskönig, sei willkommen": VI. Aria: "Jesu, lass durch Wohl und Weh"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
tenor vocals:
Makoto Sakurada (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-04)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen": VI. Aria (Tenor) "Jesus, laß durch Wohl und Weh" (in 1996-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 "Himmelskönig, sei willkommen"
Johann Sebastian Bach3:56
23Cantata no. 182, BWV 182 "Himmelskönig, sei willkommen": VII. Choral: "Jesu, deine Passion ist mir lauter Freude"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-04)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen": VII. Choral "Jesu, deine Passion" (in 1996-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Paul Stockmann (in 1633)
version of:
Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: VII. Choral "Jesu, deine Passion"
part of:
Kantate, BWV 182 "Himmelskönig, sei willkommen"
Johann Sebastian Bach3:10
24Cantata no. 182, BWV 182 "Himmelskönig, sei willkommen": VIII. Coro: "So lassen uns gehen in Salem der Freuden"
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-04)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen": VIII. Coro "So lasset uns gehen in Salem der Freuden" (in 1996-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 "Himmelskönig, sei willkommen"
Johann Sebastian Bach4:01
4▼Hybrid SACD: The Sacred Cantatas disc 4
#TitleArtistRatingLength
1Cantata, BWV 199 "Mein Herze schwimmt im Blut": I. Recitativo "Mein Herze schwimmt in Blut"
sound engineer:
Ingo Petry (in 1996-06)
producer:
Jens Braun (classical engineer)
soprano vocals:
Midori Suzuki (vocalist) (in 1996-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-06)
performer:
Bach Collegium Japan (in 1996-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-06)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": I. Recitativo "Mein Herze schwimmt im Blut" (catch-all for unknown versions) (in 1996-06)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
Johann Sebastian Bach2:07
2Cantata, BWV 199 "Mein Herze schwimmt im Blut": II. Aria "Stumme Seufzer, stille Klagen"
sound engineer:
Ingo Petry (in 1996-06)
producer:
Jens Braun (classical engineer)
soprano vocals:
Midori Suzuki (vocalist) (in 1996-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-06)
performer:
Bach Collegium Japan (in 1996-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-06)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": II. Aria "Stumme Seufzer, stille Klagen" (catch-all for unknown versions) (in 1996-06)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
Johann Sebastian Bach8:40
3Cantata, BWV 199 "Mein Herze schwimmt im Blut": III. Recitativo "Doch Gott muss mir genädig sein"
sound engineer:
Ingo Petry (in 1996-06)
producer:
Jens Braun (classical engineer)
soprano vocals:
Midori Suzuki (vocalist) (in 1996-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-06)
performer:
Bach Collegium Japan (in 1996-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-06)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": III. Recitativo "Doch Gott muß mir gnädig sein" (catch-all for unknown versions) (in 1996-06)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
Johann Sebastian Bach1:07
4Cantata, BWV 199 "Mein Herze schwimmt im Blut": IV. Aria "Tief gebückt und voller Reue"
sound engineer:
Ingo Petry (in 1996-06)
producer:
Jens Braun (classical engineer)
soprano vocals:
Midori Suzuki (vocalist) (in 1996-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-06)
performer:
Bach Collegium Japan (in 1996-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-06)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": IV. Aria "Tief gebückt und voller Reue" (catch-all for unknown versions) (in 1996-06)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
Johann Sebastian Bach7:30
5Cantata, BWV 199 "Mein Herze schwimmt im Blut": V. Recitativo "Auf diese Schmerzensreu"
sound engineer:
Ingo Petry (in 1996-06)
producer:
Jens Braun (classical engineer)
soprano vocals:
Midori Suzuki (vocalist) (in 1996-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-06)
performer:
Bach Collegium Japan (in 1996-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-06)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": V. Recitativo "Auf diese Schmerzensreu" (catch-all for unknown versions) (in 1996-06)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
Johann Sebastian Bach0:17
6Cantata, BWV 199 "Mein Herze schwimmt im Blut": VI. Choral "Ich, dein betrübtes Kind"
sound engineer:
Ingo Petry (in 1996-06)
producer:
Jens Braun (classical engineer)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-06)
performer:
Bach Collegium Japan (in 1996-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-06)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": VI. Choral "Ich, dein betrübtes Kind" (catch-all for unknown versions) (in 1996-06)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
Johann Sebastian Bach1:36
7Cantata, BWV 199 "Mein Herze schwimmt im Blut": VII. Recitativo "Ich lege mich in diese Wunden"
sound engineer:
Ingo Petry (in 1996-06)
producer:
Jens Braun (classical engineer)
soprano vocals:
Midori Suzuki (vocalist) (in 1996-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-06)
performer:
Bach Collegium Japan (in 1996-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-06)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": VII. Recitativo "Ich lege mich in diese Wunden" (catch-all for unknown versions) (in 1996-06)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
Johann Sebastian Bach0:43
8Cantata, BWV 199 "Mein Herze schwimmt im Blut": VIII. Aria "Wie freudig ist mein Herz"
sound engineer:
Ingo Petry (in 1996-06)
producer:
Jens Braun (classical engineer)
soprano vocals:
Midori Suzuki (vocalist) (in 1996-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-06)
performer:
Bach Collegium Japan (in 1996-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-06)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": VIII. Aria "Wie freudig ist mein Herz" (catch-all for unknown versions) (in 1996-06)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
Johann Sebastian Bach2:27
9Cantata, BWV 165 "O heiliges Geist - und Wasserbad": I. Aria "O heiliges Geist - und Wasserbad"
sound engineer:
Ingo Petry (in 1996-06)
producer:
Jens Braun (classical engineer)
soprano vocals:
Aki Yanagisawa (in 1996-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-06)
performer:
Bach Collegium Japan (in 1996-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-06)
recording of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad": I. Aria (Sopran) "O heilges Geist- und Wasserbad" (in 1996-06)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad"
Johann Sebastian Bach3:03
10Cantata, BWV 165 "O heiliges Geist - und Wasserbad": II. Recitativo "Die sündige Geburt verdammter Adamserben"
sound engineer:
Ingo Petry (in 1996-06)
producer:
Jens Braun (classical engineer)
bass vocals:
Stephan Schreckenberger (bass vocalist) (in 1996-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-06)
performer:
Bach Collegium Japan (in 1996-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-06)
recording of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad": II. Recitativo (Bass) "Die sündige Geburt verdammter Adamserben" (in 1996-06)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad"
Johann Sebastian Bach1:16
11Cantata, BWV 165 "O heiliges Geist - und Wasserbad": III. Aria "Jesu, der aus großer Liebe"
sound engineer:
Ingo Petry (in 1996-06)
producer:
Jens Braun (classical engineer)
alto vocals:
Akira Tachikawa (in 1996-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-06)
performer:
Bach Collegium Japan (in 1996-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-06)
recording of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad": III. Aria (Alt) "Jesu, der aus großer Liebe" (in 1996-06)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad"
Johann Sebastian Bach2:27
12Cantata, BWV 165 "O heiliges Geist - und Wasserbad": IV. Recitativo "Ich habe ja, mein Seelenbräutigam"
sound engineer:
Ingo Petry (in 1996-06)
producer:
Jens Braun (classical engineer)
bass vocals:
Stephan Schreckenberger (bass vocalist) (in 1996-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-06)
performer:
Bach Collegium Japan (in 1996-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-06)
recording of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad": IV. Recitativo (Bass) "Ich habe ja, mein Seelenbräutigam" (in 1996-06)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad"
Johann Sebastian Bach2:30
13Cantata, BWV 165 "O heiliges Geist - und Wasserbad": V. Aria "Jesu, meines Todes Tod"
sound engineer:
Ingo Petry (in 1996-06)
producer:
Jens Braun (classical engineer)
tenor vocals:
Makoto Sakurada (in 1996-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-06)
performer:
Bach Collegium Japan (in 1996-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-06)
recording of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad": V. Aria (Tenor) "Jesu, meines Todes Tod" (in 1996-06)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad"
Johann Sebastian Bach2:23
14Cantata, BWV 165 "O heiliges Geist - und Wasserbad": VI. Choral "Sein Wort, sein Tauf, sein Nachtmahl"
sound engineer:
Ingo Petry (in 1996-06)
producer:
Jens Braun (classical engineer)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-06)
performer:
Bach Collegium Japan (in 1996-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-06)
recording of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad": VI. Choral "Sein Wort, sein Tauf, sein Nachtmahl" (in 1996-06)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Ludwig Helmbold (in 1575)
part of:
Breitkopf 389 Choralgesänge (number: 266)
part of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad"
Johann Sebastian Bach0:50
15Cantata, BWV 185 "Barmherziges Herze der ewigen Liebe": I. Aria (Duetto) "Barmherziges Herze der ewigen Liebe"
sound engineer:
Ingo Petry (in 1996-06)
producer:
Jens Braun (classical engineer)
soprano vocals:
Midori Suzuki (vocalist) (in 1996-06)
tenor vocals:
Makoto Sakurada (in 1996-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-06)
performer:
Bach Collegium Japan (in 1996-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-06)
recording of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": I. Aria Duetto (Sopran, Tenor) "Barmherziges Herze der ewigen Liebe" (in 1996-06)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-07-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe"
Johann Sebastian Bach3:21
16Cantata, BWV 185 "Barmherziges Herze der ewigen Liebe": II. Recitativo "Ihr Herzen, die ihr euch"
sound engineer:
Ingo Petry (in 1996-06)
producer:
Jens Braun (classical engineer)
alto vocals:
Akira Tachikawa (in 1996-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-06)
performer:
Bach Collegium Japan (in 1996-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-06)
recording of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": II. Recitativo (Alt) "Ihr Herzen, die ihr euch" (in 1996-06)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-07-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe"
Johann Sebastian Bach2:07
17Cantata, BWV 185 "Barmherziges Herze der ewigen Liebe": III. Aria "Sei bemüht in dieser Zeit"
sound engineer:
Ingo Petry (in 1996-06)
producer:
Jens Braun (classical engineer)
alto vocals:
Akira Tachikawa (in 1996-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-06)
performer:
Bach Collegium Japan (in 1996-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-06)
recording of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": III. Aria (Alt) "Sei bemüht in dieser Zeit" (in 1996-06)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-07-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe"
Johann Sebastian Bach4:31
18Cantata, BWV 185 "Barmherziges Herze der ewigen Liebe": IV. Recitativo "Die Eigenliebe schmeichelt sich!"
sound engineer:
Ingo Petry (in 1996-06)
producer:
Jens Braun (classical engineer)
bass vocals:
Stephan Schreckenberger (bass vocalist) (in 1996-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-06)
performer:
Bach Collegium Japan (in 1996-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-06)
recording of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": IV. Recitativo (Bass) "Die Eigenliebe schmeichelt sich" (in 1996-06)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-07-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe"
Johann Sebastian Bach0:59
19Cantata, BWV 185 "Barmherziges Herze der ewigen Liebe": V. Aria "Das ist der Christen Kunst"
sound engineer:
Ingo Petry (in 1996-06)
producer:
Jens Braun (classical engineer)
bass vocals:
Stephan Schreckenberger (bass vocalist) (in 1996-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-06)
performer:
Bach Collegium Japan (in 1996-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-06)
recording of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": V. Aria (Bass) "Das ist der Christen Kunst" (in 1996-06)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-07-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe"
Johann Sebastian Bach2:01
20Cantata, BWV 185 "Barmherziges Herze der ewigen Liebe": VI. Choral "Ich ruf zu dir, Herr Jesu Christ"
sound engineer:
Ingo Petry (in 1996-06)
producer:
Jens Braun (classical engineer)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-06)
performer:
Bach Collegium Japan (in 1996-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-06)
recording of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": VI. Choral "Ich ruf zu dir, Herr Jesu Christ" (in 1996-06)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-07-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Johann Agricola (German 16th century protestant reformer)
part of:
Breitkopf 389 Choralgesänge (number: 184)
part of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe"
Johann Sebastian Bach1:26
21Cantata, BWV 163 "Nur jedem das Seine": I. Aria "Nur jedem das Seine!"
sound engineer:
Ingo Petry (in 1996-06)
producer:
Jens Braun (classical engineer)
tenor vocals:
Makoto Sakurada (in 1996-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-06)
performer:
Bach Collegium Japan (in 1996-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-06)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": I. Aria (Tenor) "Nur jedem das Seine" (in 1996-06)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-11-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
Johann Sebastian Bach3:36
22Cantata, BWV 163 "Nur jedem das Seine": II. Recitativo "Du bist, mein Gott, der Geber aller Gaben"
sound engineer:
Ingo Petry (in 1996-06)
producer:
Jens Braun (classical engineer)
bass vocals:
Stephan Schreckenberger (bass vocalist) (in 1996-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-06)
performer:
Bach Collegium Japan (in 1996-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-06)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": II. Recitativo (Bass) "Du bist, mein Gott, der Geber aller Gaben" (in 1996-06)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-11-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
Johann Sebastian Bach1:28
23Cantata, BWV 163 "Nur jedem das Seine": III. Aria "Laß mein Herz die Münze sein"
sound engineer:
Ingo Petry (in 1996-06)
producer:
Jens Braun (classical engineer)
bass vocals:
Stephan Schreckenberger (bass vocalist) (in 1996-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-06)
performer:
Bach Collegium Japan (in 1996-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-06)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": III. Aria (Bass) "Laß mein Herz die Münze sein" (in 1996-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
Johann Sebastian Bach3:08
24Cantata, BWV 163 "Nur jedem das Seine": IV. Duett-Recitativo "Ich wollte dir, O Gott"
sound engineer:
Ingo Petry (in 1996-06)
producer:
Jens Braun (classical engineer)
alto vocals:
Akira Tachikawa (in 1996-06)
soprano vocals:
Aki Yanagisawa (in 1996-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-06)
performer:
Bach Collegium Japan (in 1996-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-06)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": IV. Recitativo (Sopran, Alt) "Ich wollte dir, o Gott, das Herze" (in 1996-06)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-11-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
Johann Sebastian Bach2:27
25Cantata, BWV 163"Nur jedem das Seine": V. Duetto-Aria "Nimm mich mir und gib mich dir!"
sound engineer:
Ingo Petry (in 1996-06)
producer:
Jens Braun (classical engineer)
alto vocals:
Akira Tachikawa (in 1996-06)
soprano vocals:
Aki Yanagisawa (in 1996-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-06)
performer:
Bach Collegium Japan (in 1996-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-06)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": V. Aria (Duetto Sopran, Alt) "Nimm mich mir und gib mich dir!" (in 1996-06)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-11-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
Johann Sebastian Bach2:51
26Cantata, BWV 163 "Nur jedem das Seine": VI. Choral "Führ auch mein Herz und Sinn"
sound engineer:
Ingo Petry (in 1996-06)
producer:
Jens Braun (classical engineer)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-06)
performer:
Bach Collegium Japan (in 1996-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-06)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": VI. Choral "Führ auch mein Herz und Sinn" (in 1996-06)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-11-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Johann Heermann (in 1630)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
Johann Sebastian Bach1:11
5▶Hybrid SACD: The Sacred Cantatas disc 5
6▶Hybrid SACD: The Sacred Cantatas disc 6
7▶Hybrid SACD: The Sacred Cantatas disc 7
8▶Hybrid SACD: The Sacred Cantatas disc 8
9▶Hybrid SACD: The Sacred Cantatas disc 9
10▶Hybrid SACD: The Sacred Cantatas disc 10
11▶Hybrid SACD: The Sacred Cantatas disc 11
12▶Hybrid SACD: The Sacred Cantatas disc 12
13▶Hybrid SACD: The Sacred Cantatas disc 13
14▶Hybrid SACD: The Sacred Cantatas disc 14
15▶Hybrid SACD: The Sacred Cantatas disc 15
16▶Hybrid SACD: The Sacred Cantatas disc 16
17▶Hybrid SACD: The Sacred Cantatas disc 17
18▶Hybrid SACD: The Sacred Cantatas disc 18
19▶Hybrid SACD: The Sacred Cantatas disc 19
20▶Hybrid SACD: The Sacred Cantatas disc 20
21▶Hybrid SACD: The Sacred Cantatas disc 21
22▶Hybrid SACD: The Sacred Cantatas disc 22
23▶Hybrid SACD: The Sacred Cantatas disc 23
24▶Hybrid SACD: The Sacred Cantatas disc 24
25▶Hybrid SACD: The Sacred Cantatas disc 25
26▶Hybrid SACD: The Sacred Cantatas disc 26
27▶Hybrid SACD: The Sacred Cantatas disc 27
28▶Hybrid SACD: The Sacred Cantatas disc 28
29▶Hybrid SACD: The Sacred Cantatas disc 29
30▶Hybrid SACD: The Sacred Cantatas disc 30
31▶Hybrid SACD: The Sacred Cantatas disc 31
32▶Hybrid SACD: The Sacred Cantatas disc 32
33▶Hybrid SACD: The Sacred Cantatas disc 33
34▶Hybrid SACD: The Sacred Cantatas disc 34
35▶Hybrid SACD: The Sacred Cantatas disc 35
36▶Hybrid SACD: The Sacred Cantatas disc 36
37▶Hybrid SACD: The Sacred Cantatas disc 37
38▶Hybrid SACD: The Sacred Cantatas disc 38
39▶Hybrid SACD: The Sacred Cantatas disc 39
40▶Hybrid SACD: The Sacred Cantatas disc 40
41▶Hybrid SACD: The Sacred Cantatas disc 41
42▶Hybrid SACD: The Sacred Cantatas disc 42
43▶Hybrid SACD: The Sacred Cantatas disc 43
44▶Hybrid SACD: The Sacred Cantatas disc 44
45▶Hybrid SACD: The Sacred Cantatas disc 45
46▶Hybrid SACD: The Sacred Cantatas disc 46
47▶Hybrid SACD: The Sacred Cantatas disc 47
48▶Hybrid SACD: The Sacred Cantatas disc 48
49▶Hybrid SACD: The Sacred Cantatas disc 49
50▶Hybrid SACD: The Sacred Cantatas disc 50
51▶Hybrid SACD: The Sacred Cantatas disc 51
52▶Hybrid SACD: The Sacred Cantatas disc 52
53▶Hybrid SACD: The Sacred Cantatas disc 53
54▶Hybrid SACD: The Sacred Cantatas disc 54
55▶Hybrid SACD: The Sacred Cantatas disc 55
56▶Hybrid SACD: The Secular Cantatas disc 1
57▶Hybrid SACD: The Secular Cantatas disc 2
58▶Hybrid SACD: The Secular Cantatas disc 3
59▶Hybrid SACD: The Secular Cantatas disc 4
60▶Hybrid SACD: The Secular Cantatas disc 5
61▶Hybrid SACD: The Secular Cantatas disc 6
62▶Hybrid SACD: The Secular Cantatas disc 7
63▶Hybrid SACD: The Secular Cantatas disc 8
64▶Hybrid SACD: The Secular Cantatas disc 9
65▶Hybrid SACD: The Secular Cantatas disc 10
66▶Hybrid SACD: St. John Passion
67▶Hybrid SACD: St. John Passion
68▶Hybrid SACD: St. Matthew Passion
69▶Hybrid SACD: St. Matthew Passion
70▶Hybrid SACD: Weihnachts-Oratorium
71▶Hybrid SACD: Weihnachts-Oratorium
72▶Hybrid SACD: Mass in B minor
73▶Hybrid SACD: Mass in B minor
74▶Hybrid SACD: Lutheran Masses I
75▶Hybrid SACD: Lutheran Masses II
76▶Hybrid SACD: Easter Oratorio / Ascension Oratorio
77▶Hybrid SACD: Motets
78▶Hybrid SACD: Various Vocal Works

Credits