| # | Title | Artist | Rating | Length |
|---|
| 1 | Lass, Fürstin, lass noch einen Strahl, BWV 198: 1. [Chorus]. Lass, Fürstin, lass noch einen Strahl- sound engineer:
- Thore Brinkmann (in 2015-02)
- producer, mixer and editor:
- Hans Kipfer
- choir vocals:
- Bach Collegium Japan (in 2015-02)
- orchestra:
- Bach Collegium Japan (in 2015-02)
- conductor:
- Masaaki Suzuki (in 2015-02)
- phonographic copyright (℗) by:
- BIS Records AB (in 2015)
- recorded at:
- Kobe Shoin Women’s University Chapel in Kobe, Hyogo , Japan (in 2015-02)
- recording of:
- Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": I. Coro "Laß, Fürstin, laß noch einen Strahl" (in 2015-02)
- premiered in:
- Leipzig, Sachsen , Germany (on 1727-10-17)
- composed in:
- Leipzig, Sachsen , Germany (in 1727)
- lyricist:
- Johann Christoph Gottsched
- composer:
- Johann Sebastian Bach (in 1727)
- librettist:
- Johann Christoph Gottsched (in 1727)
- part of:
- Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
| Johann Sebastian Bach | | 5:42 |
| 2 | Lass, Fürstin, lass noch einen Strahl, BWV 198: 2. Recitativo (Soprano). Dein Sachsen, dein bestürztes Meißen- sound engineer:
- Thore Brinkmann (in 2015-02)
- producer, mixer and editor:
- Hans Kipfer
- soprano vocals:
- Joanne Lunn (in 2015-02)
- orchestra:
- Bach Collegium Japan (in 2015-02)
- conductor:
- Masaaki Suzuki (in 2015-02)
- phonographic copyright (℗) by:
- BIS Records AB (in 2015)
- recorded at:
- Kobe Shoin Women’s University Chapel in Kobe, Hyogo , Japan (in 2015-02)
- recording of:
- Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": II. Recitativo (Sopran) "Dein Sachsen, dein bestürztes Meißen" (in 2015-02)
- premiered in:
- Leipzig, Sachsen , Germany (on 1727-10-17)
- composed in:
- Leipzig, Sachsen , Germany (in 1727)
- lyricist:
- Johann Christoph Gottsched
- composer:
- Johann Sebastian Bach (in 1727)
- librettist:
- Johann Christoph Gottsched (in 1727)
- part of:
- Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
| Johann Sebastian Bach | | 1:32 |
| 3 | Lass, Fürstin, lass noch einen Strahl, BWV 198: 3. Aria (Soprano). Verstummt, verstummt, ihr holden Saiten!- sound engineer:
- Thore Brinkmann (in 2015-02)
- producer, mixer and editor:
- Hans Kipfer
- soprano vocals:
- Joanne Lunn (in 2015-02)
- orchestra:
- Bach Collegium Japan (in 2015-02)
- conductor:
- Masaaki Suzuki (in 2015-02)
- phonographic copyright (℗) by:
- BIS Records AB (in 2015)
- recorded at:
- Kobe Shoin Women’s University Chapel in Kobe, Hyogo , Japan (in 2015-02)
- recording of:
- Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": III. Aria (Sopran) "Verstummt, verstummt, ihr holden Saiten" (in 2015-02)
- premiered in:
- Leipzig, Sachsen , Germany (on 1727-10-17)
- composed in:
- Leipzig, Sachsen , Germany (in 1727)
- lyricist:
- Johann Christoph Gottsched
- composer:
- Johann Sebastian Bach (in 1727)
- librettist:
- Johann Christoph Gottsched (in 1727)
- part of:
- Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
| Johann Sebastian Bach | | 3:46 |
| 4 | Lass, Fürstin, lass noch einen Strahl, BWV 198: 4. Recitativo (Alto). Der Glocken bebendes Getön- sound engineer:
- Thore Brinkmann (in 2015-02)
- producer, mixer and editor:
- Hans Kipfer
- orchestra:
- Bach Collegium Japan (in 2015-02)
- conductor:
- Masaaki Suzuki (in 2015-02)
- phonographic copyright (℗) by:
- BIS Records AB (in 2015)
- recorded at:
- Kobe Shoin Women’s University Chapel in Kobe, Hyogo , Japan (in 2015-02)
- recording of:
- Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": IV. Recitavo (Alt) "Der Glocken bebendes Getön" (in 2015-02)
- premiered in:
- Leipzig, Sachsen , Germany (on 1727-10-17)
- composed in:
- Leipzig, Sachsen , Germany (in 1727)
- lyricist:
- Johann Christoph Gottsched
- composer:
- Johann Sebastian Bach (in 1727)
- librettist:
- Johann Christoph Gottsched (in 1727)
- part of:
- Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
| Johann Sebastian Bach | | 0:50 |
| 5 | Lass, Fürstin, lass noch einen Strahl, BWV 198: 5. Aria (Alto). Wie starb die Heldin so vergnügt!- sound engineer:
- Thore Brinkmann (in 2015-02)
- producer, mixer and editor:
- Hans Kipfer
- alto vocals:
- Robin Blaze (in 2015-02)
- orchestra:
- Bach Collegium Japan (in 2015-02)
- conductor:
- Masaaki Suzuki (in 2015-02)
- phonographic copyright (℗) by:
- BIS Records AB (in 2015)
- recorded at:
- Kobe Shoin Women’s University Chapel in Kobe, Hyogo , Japan (in 2015-02)
- recording of:
- Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": V. Aria (Alt) "Wie starb die Heldin so vergnügt" (in 2015-02)
- premiered in:
- Leipzig, Sachsen , Germany (on 1727-10-17)
- composed in:
- Leipzig, Sachsen , Germany (in 1727)
- lyricist:
- Johann Christoph Gottsched
- composer:
- Johann Sebastian Bach (in 1727)
- librettist:
- Johann Christoph Gottsched (in 1727)
- part of:
- Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
| Johann Sebastian Bach | | 7:11 |
| 6 | Lass, Fürstin, lass noch einen Strahl, BWV 198: 6. Recitativo (Tenore). Ihr Leben ließ die Kunst zu sterben- sound engineer:
- Thore Brinkmann (in 2015-02)
- producer, mixer and editor:
- Hans Kipfer
- tenor vocals:
- Makoto Sakurada (in 2015-02)
- orchestra:
- Bach Collegium Japan (in 2015-02)
- conductor:
- Masaaki Suzuki (in 2015-02)
- phonographic copyright (℗) by:
- BIS Records AB (in 2015)
- recorded at:
- Kobe Shoin Women’s University Chapel in Kobe, Hyogo , Japan (in 2015-02)
- recording of:
- Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VI. Recitavo (Tenor) "Ihr Leben ließ die Kunst zu sterben" (in 2015-02)
- premiered in:
- Leipzig, Sachsen , Germany (on 1727-10-17)
- composed in:
- Leipzig, Sachsen , Germany (in 1727)
- lyricist:
- Johann Christoph Gottsched
- composer:
- Johann Sebastian Bach (in 1727)
- librettist:
- Johann Christoph Gottsched (in 1727)
- part of:
- Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
| Johann Sebastian Bach | | 1:09 |
| 7 | Lass, Fürstin, lass noch einen Strahl, BWV 198: 7. Chorus. An dir, du Fürbild großer Frauen- sound engineer:
- Thore Brinkmann (in 2015-02)
- producer, mixer and editor:
- Hans Kipfer
- choir vocals:
- Bach Collegium Japan (in 2015-02)
- orchestra:
- Bach Collegium Japan (in 2015-02)
- conductor:
- Masaaki Suzuki (in 2015-02)
- phonographic copyright (℗) by:
- BIS Records AB (in 2015)
- recorded at:
- Kobe Shoin Women’s University Chapel in Kobe, Hyogo , Japan (in 2015-02)
- recording of:
- Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VII. Coro "An dir, du Fürbild großer Frauen" (in 2015-02)
- premiered in:
- Leipzig, Sachsen , Germany (on 1727-10-17)
- composed in:
- Leipzig, Sachsen , Germany (in 1727)
- lyricist:
- Johann Christoph Gottsched
- composer:
- Johann Sebastian Bach (in 1727)
- librettist:
- Johann Christoph Gottsched (in 1727)
- part of:
- Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
| Johann Sebastian Bach | | 1:56 |
| 8 | Lass, Fürstin, lass noch einen Strahl, BWV 198: 8. [Aria] (Tenore). Der Ewigkeit saphirnes Haus- sound engineer:
- Thore Brinkmann (in 2015-02)
- producer, mixer and editor:
- Hans Kipfer
- tenor vocals:
- Makoto Sakurada (in 2015-02)
- orchestra:
- Bach Collegium Japan (in 2015-02)
- conductor:
- Masaaki Suzuki (in 2015-02)
- phonographic copyright (℗) by:
- BIS Records AB (in 2015)
- recorded at:
- Kobe Shoin Women’s University Chapel in Kobe, Hyogo , Japan (in 2015-02)
- recording of:
- Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VIII. Aria (Tenor) "Der Ewigkeit saphirnes Haus" (in 2015-02)
- premiered in:
- Leipzig, Sachsen , Germany (on 1727-10-17)
- composed in:
- Leipzig, Sachsen , Germany (in 1727)
- lyricist:
- Johann Christoph Gottsched
- composer:
- Johann Sebastian Bach (in 1727)
- librettist:
- Johann Christoph Gottsched (in 1727)
- part of:
- Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
| Johann Sebastian Bach | | 3:41 |
| 9 | Lass, Fürstin, lass noch einen Strahl, BWV 198: 9. Recitativo (Basso). Was Wunder ists? Du bist es wert- sound engineer:
- Thore Brinkmann (in 2015-02)
- producer, mixer and editor:
- Hans Kipfer
- bass vocals:
- Dominik Wörner (in 2015-02)
- orchestra:
- Bach Collegium Japan (in 2015-02)
- conductor:
- Masaaki Suzuki (in 2015-02)
- phonographic copyright (℗) by:
- BIS Records AB (in 2015)
- recorded at:
- Kobe Shoin Women’s University Chapel in Kobe, Hyogo , Japan (in 2015-02)
- recording of:
- Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": IX. Recitativo (Bass) "Was Wunder ists? Du bist es wert" (in 2015-02)
- premiered in:
- Leipzig, Sachsen , Germany (on 1727-10-17)
- composed in:
- Leipzig, Sachsen , Germany (in 1727)
- lyricist:
- Johann Christoph Gottsched
- composer:
- Johann Sebastian Bach (in 1727)
- librettist:
- Johann Christoph Gottsched (in 1727)
- part of:
- Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
| Johann Sebastian Bach | | 2:17 |
| 10 | Lass, Fürstin, lass noch einen Strahl, BWV 198: 10. Chorus ultimus. Doch, Königin! du stirbest nicht- sound engineer:
- Thore Brinkmann (in 2015-02)
- producer, mixer and editor:
- Hans Kipfer
- choir vocals:
- Bach Collegium Japan (in 2015-02)
- orchestra:
- Bach Collegium Japan (in 2015-02)
- conductor:
- Masaaki Suzuki (in 2015-02)
- phonographic copyright (℗) by:
- BIS Records AB (in 2015)
- recorded at:
- Kobe Shoin Women’s University Chapel in Kobe, Hyogo , Japan (in 2015-02)
- recording of:
- Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": X. Coro "Doch Königin! du stirbest nicht" (in 2015-02)
- premiered in:
- Leipzig, Sachsen , Germany (on 1727-10-17)
- composed in:
- Leipzig, Sachsen , Germany (in 1727)
- lyricist:
- Johann Christoph Gottsched
- composer:
- Johann Sebastian Bach (in 1727)
- librettist:
- Johann Christoph Gottsched (in 1727)
- part of:
- Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
| Johann Sebastian Bach | | 5:33 |
| 11 | Schlage doch, gewünschte Stunde, BWV 53 | Johann Sebastian Bach | | 7:09 |
| 12 | Tilge, Höchster, meine Sünden, BWV 1083: Versus 1 (Soprano, Alto). Tilge, Höchster, meine Sünden- producer:
- Jens Braun
- countertenor vocals:
- Robin Blaze (in 2005-09)
- soprano vocals:
- Carolyn Sampson (in 2005-09)
- orchestra:
- Bach Collegium Japan (in 2005-09)
- conductor:
- Masaaki Suzuki (in 2005-09)
- balance engineer:
- Uli Schneider
- phonographic copyright (℗) by:
- BIS Records AB (in 2014)
- recorded at:
- Kobe Shoin Women’s University Chapel in Kobe, Hyogo , Japan (in 2005-09)
- recording of:
- Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 1 (Sopran, Alt) "Tilge, Höchster meine Sünden" (in 2005-09)
- premiered in:
- Leipzig, Sachsen , Germany
- composed in:
- Leipzig, Sachsen , Germany
- additional composer:
- Johann Sebastian Bach (from 1745 until 1747)
- composer:
- Giovanni Battista Pergolesi (in 1736)
- arrangement of:
- Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa
- part of:
- Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
| Johann Sebastian Bach | | 4:25 |
| 13 | Tilge, Höchster, meine Sünden, BWV 1083: Versus 2 (Soprano). Ist mein Herz in Missetaten- producer:
- Jens Braun
- countertenor vocals:
- Robin Blaze (in 2005-09)
- soprano vocals:
- Carolyn Sampson (in 2005-09)
- orchestra:
- Bach Collegium Japan (in 2005-09)
- conductor:
- Masaaki Suzuki (in 2005-09)
- balance engineer:
- Uli Schneider
- phonographic copyright (℗) by:
- BIS Records AB (in 2014)
- recorded at:
- Kobe Shoin Women’s University Chapel in Kobe, Hyogo , Japan (in 2005-09)
- recording of:
- Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 2 (Sopran) "Ist mein Herz in Missetaten" (in 2005-09)
- premiered in:
- Leipzig, Sachsen , Germany
- composed in:
- Leipzig, Sachsen , Germany
- additional composer:
- Johann Sebastian Bach (from 1745 until 1747)
- composer:
- Giovanni Battista Pergolesi (in 1736)
- arrangement of:
- Stabat mater for soprano, alto, strings and basso continuo: II. Aria (soprano): Cujus animam gementem
- part of:
- Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
| Johann Sebastian Bach | | 2:08 |
| 14 | Tilge, Höchster, meine Sünden, BWV 1083: Versus 3 (Soprano, Alto). Missetaten, die mich drücken- producer:
- Jens Braun
- countertenor vocals:
- Robin Blaze (in 2005-09)
- soprano vocals:
- Carolyn Sampson (in 2005-09)
- orchestra:
- Bach Collegium Japan (in 2005-09)
- conductor:
- Masaaki Suzuki (in 2005-09)
- balance engineer:
- Uli Schneider
- phonographic copyright (℗) by:
- BIS Records AB (in 2014)
- recorded at:
- Kobe Shoin Women’s University Chapel in Kobe, Hyogo , Japan (in 2005-09)
- recording of:
- Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 3 (Sopran, Alt) "Missetaten, die mich drücken" (in 2005-09)
- premiered in:
- Leipzig, Sachsen , Germany
- composed in:
- Leipzig, Sachsen , Germany
- additional composer:
- Johann Sebastian Bach (from 1745 until 1747)
- composer:
- Giovanni Battista Pergolesi (in 1736)
- arrangement of:
- Stabat mater for soprano, alto, strings and basso continuo: III. Duo: O quam tristis et afflicta
- part of:
- Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
| Johann Sebastian Bach | | 2:31 |
| 15 | Tilge, Höchster, meine Sünden, BWV 1083: Versus 4 (Alto). Dich erzürnt mein Tun und Lassen- producer:
- Jens Braun
- countertenor vocals:
- Robin Blaze (in 2005-09)
- soprano vocals:
- Carolyn Sampson (in 2005-09)
- orchestra:
- Bach Collegium Japan (in 2005-09)
- conductor:
- Masaaki Suzuki (in 2005-09)
- balance engineer:
- Uli Schneider
- phonographic copyright (℗) by:
- BIS Records AB (in 2014)
- recorded at:
- Kobe Shoin Women’s University Chapel in Kobe, Hyogo , Japan (in 2005-09)
- recording of:
- Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 4 (Alt) "Dich erzürnt mein Tun und Lassen" (in 2005-09)
- premiered in:
- Leipzig, Sachsen , Germany
- composed in:
- Leipzig, Sachsen , Germany
- additional composer:
- Johann Sebastian Bach (from 1745 until 1747)
- composer:
- Giovanni Battista Pergolesi (in 1736)
- arrangement of:
- Stabat mater for soprano, alto, strings and basso continuo: IV. Aria (alto): Quae moerebat et dolebat
- part of:
- Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
| Johann Sebastian Bach | | 2:02 |
| 16 | Tilge, Höchster, meine Sünden, BWV 1083: Versus 5 und 6 (Soprano, Alto). Wer wird seine Schuld verneinen- producer:
- Jens Braun
- countertenor vocals:
- Robin Blaze (in 2005-09)
- soprano vocals:
- Carolyn Sampson (in 2005-09)
- orchestra:
- Bach Collegium Japan (in 2005-09)
- conductor:
- Masaaki Suzuki (in 2005-09)
- balance engineer:
- Uli Schneider
- phonographic copyright (℗) by:
- BIS Records AB (in 2014)
- recorded at:
- Kobe Shoin Women’s University Chapel in Kobe, Hyogo , Japan (in 2005-09)
- recording of:
- Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 5 & 6 (Sopran, Alt) "Wer wird seine Schuld verneinen" (in 2005-09)
- premiered in:
- Leipzig, Sachsen , Germany
- composed in:
- Leipzig, Sachsen , Germany
- additional composer:
- Johann Sebastian Bach (from 1745 until 1747)
- composer:
- Giovanni Battista Pergolesi (in 1736)
- arrangement of:
- Stabat mater for soprano, alto, strings and basso continuo: V. (1) Duo: Quis est homo, qui non fleret
- part of:
- Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
| Johann Sebastian Bach | | 2:11 |
| 17 | Tilge, Höchster, meine Sünden, BWV 1083: Versus 7 (Soprano, Alto). Siehe! ich bin in Sünd empfangen- producer:
- Jens Braun
- countertenor vocals:
- Robin Blaze (in 2005-09)
- soprano vocals:
- Carolyn Sampson (in 2005-09)
- orchestra:
- Bach Collegium Japan (in 2005-09)
- conductor:
- Masaaki Suzuki (in 2005-09)
- balance engineer:
- Uli Schneider
- phonographic copyright (℗) by:
- BIS Records AB (in 2014)
- recorded at:
- Kobe Shoin Women’s University Chapel in Kobe, Hyogo , Japan (in 2005-09)
- recording of:
- Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 7 (Sopran, Alt) "Sieh! ich bin in Sünd empfangen" (in 2005-09)
- premiered in:
- Leipzig, Sachsen , Germany
- composed in:
- Leipzig, Sachsen , Germany
- additional composer:
- Johann Sebastian Bach (from 1745 until 1747)
- composer:
- Giovanni Battista Pergolesi (in 1736)
- arrangement of:
- Stabat mater for soprano, alto, strings and basso continuo: V. (2) Duo: Pro peccatis suae gentis
- part of:
- Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
| Johann Sebastian Bach | | 0:45 |
| 18 | Tilge, Höchster, meine Sünden, BWV 1083: Versus 8 (Soprano). Sieh, du willst die Wahrheit haben- producer:
- Jens Braun
- countertenor vocals:
- Robin Blaze (in 2005-09)
- soprano vocals:
- Carolyn Sampson (in 2005-09)
- orchestra:
- Bach Collegium Japan (in 2005-09)
- conductor:
- Masaaki Suzuki (in 2005-09)
- balance engineer:
- Uli Schneider
- phonographic copyright (℗) by:
- BIS Records AB (in 2014)
- recorded at:
- Kobe Shoin Women’s University Chapel in Kobe, Hyogo , Japan (in 2005-09)
- recording of:
- Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 8 (Sopran) "Sieh, du willst die Wahrheit haben" (in 2005-09)
- premiered in:
- Leipzig, Sachsen , Germany
- composed in:
- Leipzig, Sachsen , Germany
- additional composer:
- Johann Sebastian Bach (from 1745 until 1747)
- composer:
- Giovanni Battista Pergolesi (in 1736)
- arrangement of:
- Stabat mater for soprano, alto, strings and basso continuo: VI. Aria (soprano): Vidit suum dulcem natum
- part of:
- Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
| Johann Sebastian Bach | | 2:50 |
| 19 | Tilge, Höchster, meine Sünden, BWV 1083: Versus 9 (Alto). Wasche mich doch rein von Sünden- producer:
- Jens Braun
- countertenor vocals:
- Robin Blaze (in 2005-09)
- soprano vocals:
- Carolyn Sampson (in 2005-09)
- orchestra:
- Bach Collegium Japan (in 2005-09)
- conductor:
- Masaaki Suzuki (in 2005-09)
- balance engineer:
- Uli Schneider
- phonographic copyright (℗) by:
- BIS Records AB (in 2014)
- recorded at:
- Kobe Shoin Women’s University Chapel in Kobe, Hyogo , Japan (in 2005-09)
- recording of:
- Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 9 (Alt) "Wasche mich doch rein von Sünden" (in 2005-09)
- premiered in:
- Leipzig, Sachsen , Germany
- composed in:
- Leipzig, Sachsen , Germany
- additional composer:
- Johann Sebastian Bach (from 1745 until 1747)
- composer:
- Giovanni Battista Pergolesi (in 1736)
- arrangement of:
- Stabat mater for soprano, alto, strings and basso continuo: VII. Aria (alto): Eja, mater, fons amoris
- part of:
- Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
| Johann Sebastian Bach | | 2:00 |
| 20 | Tilge, Höchster, meine Sünden, BWV 1083: Versus 10 (Soprano, Alto). Lass mich Freud und Wonne spüren- producer:
- Jens Braun
- countertenor vocals:
- Robin Blaze (in 2005-09)
- soprano vocals:
- Carolyn Sampson (in 2005-09)
- orchestra:
- Bach Collegium Japan (in 2005-09)
- conductor:
- Masaaki Suzuki (in 2005-09)
- balance engineer:
- Uli Schneider
- phonographic copyright (℗) by:
- BIS Records AB (in 2014)
- recorded at:
- Kobe Shoin Women’s University Chapel in Kobe, Hyogo , Japan (in 2005-09)
- recording of:
- Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 10 (Sopran, Alt) "Laß mich Freud und Wonne spüren" (in 2005-09)
- premiered in:
- Leipzig, Sachsen , Germany
- composed in:
- Leipzig, Sachsen , Germany
- additional composer:
- Johann Sebastian Bach (from 1745 until 1747)
- composer:
- Giovanni Battista Pergolesi (in 1736)
- arrangement of:
- Stabat mater for soprano, alto, strings and basso continuo: VIII. Duo: Fac, ut ardeat cor meum
- part of:
- Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
| Johann Sebastian Bach | | 2:19 |
| 21 | Tilge, Höchster, meine Sünden, BWV 1083: Versus 11 bis 15 (Soprano Alto). Schaue nicht auf meine Sünden- producer:
- Jens Braun
- countertenor vocals:
- Robin Blaze (in 2005-09)
- soprano vocals:
- Carolyn Sampson (in 2005-09)
- orchestra:
- Bach Collegium Japan (in 2005-09)
- conductor:
- Masaaki Suzuki (in 2005-09)
- balance engineer:
- Uli Schneider
- phonographic copyright (℗) by:
- BIS Records AB (in 2014)
- recorded at:
- Kobe Shoin Women’s University Chapel in Kobe, Hyogo , Japan (in 2005-09)
- recording of:
- Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 11-15 (Sopran, Alt) "Schaue nicht auf meine Sünden" (in 2005-09)
- premiered in:
- Leipzig, Sachsen , Germany
- composed in:
- Leipzig, Sachsen , Germany
- additional composer:
- Johann Sebastian Bach (from 1745 until 1747)
- composer:
- Giovanni Battista Pergolesi (in 1736)
- arrangement of:
- Stabat mater for soprano, alto, strings and basso continuo: IX. Duo: Sancta mater, istud agas
- part of:
- Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
| Johann Sebastian Bach | | 5:56 |
| 22 | Tilge, Höchster, meine Sünden, BWV 1083: Versus 16 (Alto). Öffne Lippen, Mund und Seele- producer:
- Jens Braun
- countertenor vocals:
- Robin Blaze (in 2005-09)
- soprano vocals:
- Carolyn Sampson (in 2005-09)
- orchestra:
- Bach Collegium Japan (in 2005-09)
- conductor:
- Masaaki Suzuki (in 2005-09)
- balance engineer:
- Uli Schneider
- phonographic copyright (℗) by:
- BIS Records AB (in 2014)
- recorded at:
- Kobe Shoin Women’s University Chapel in Kobe, Hyogo , Japan (in 2005-09)
- recording of:
- Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 16 (Alt) "Öffne Lippen, Mund und Seele" (in 2005-09)
- premiered in:
- Leipzig, Sachsen , Germany
- composed in:
- Leipzig, Sachsen , Germany
- additional composer:
- Johann Sebastian Bach (from 1745 until 1747)
- composer:
- Giovanni Battista Pergolesi (in 1736)
- arrangement of:
- Stabat mater for soprano, alto, strings and basso continuo: X. Aria (alto): Fac, ut portem Christi mortem
- part of:
- Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
| Johann Sebastian Bach | | 3:32 |
| 23 | Tilge, Höchster, meine Sünden, BWV 1083: Versus 17 und 18 (Soprano, Alto). Denn du willst kein Opfer haben- producer:
- Jens Braun
- countertenor vocals:
- Robin Blaze (in 2005-09)
- soprano vocals:
- Carolyn Sampson (in 2005-09)
- orchestra:
- Bach Collegium Japan (in 2005-09)
- conductor:
- Masaaki Suzuki (in 2005-09)
- balance engineer:
- Uli Schneider
- phonographic copyright (℗) by:
- BIS Records AB (in 2014)
- recorded at:
- Kobe Shoin Women’s University Chapel in Kobe, Hyogo , Japan (in 2005-09)
- recording of:
- Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 17 & 18 (Sopran, Alt) "Denn du willst kein Opfer haben" (in 2005-09)
- premiered in:
- Leipzig, Sachsen , Germany
- composed in:
- Leipzig, Sachsen , Germany
- additional composer:
- Johann Sebastian Bach (from 1745 until 1747)
- composer:
- Giovanni Battista Pergolesi (in 1736)
- arrangement of:
- Stabat mater for soprano, alto, strings and basso continuo: XII. Duo: Quando corpus morietur
- part of:
- Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
| Johann Sebastian Bach | | 3:12 |
| 24 | Tilge, Höchster, meine Sünden, BWV 1083: Versus 19 und 20 (Soprano, Alto). Lass dein Zion blühend dauern- producer:
- Jens Braun
- countertenor vocals:
- Robin Blaze (in 2005-09)
- soprano vocals:
- Carolyn Sampson (in 2005-09)
- orchestra:
- Bach Collegium Japan (in 2005-09)
- conductor:
- Masaaki Suzuki (in 2005-09)
- balance engineer:
- Uli Schneider
- phonographic copyright (℗) by:
- BIS Records AB (in 2014)
- recorded at:
- Kobe Shoin Women’s University Chapel in Kobe, Hyogo , Japan (in 2005-09)
- recording of:
- Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 19 & 20 (Sopran, Alt) "Laß dein Zion blühend dauern" (in 2005-09)
- premiered in:
- Leipzig, Sachsen , Germany
- composed in:
- Leipzig, Sachsen , Germany
- additional composer:
- Johann Sebastian Bach (from 1745 until 1747)
- composer:
- Giovanni Battista Pergolesi (in 1736)
- arrangement of:
- Stabat mater for soprano, alto, strings and basso continuo: XI. Duo: Inflammatus et accensus
- part of:
- Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
| Johann Sebastian Bach | | 1:52 |
| 25 | Tilge, Höchster, meine Sünden, BWV 1083: Amen (Soprano, Alto).- producer:
- Jens Braun
- countertenor vocals:
- Robin Blaze (in 2005-09)
- soprano vocals:
- Carolyn Sampson (in 2005-09)
- orchestra:
- Bach Collegium Japan (in 2005-09)
- conductor:
- Masaaki Suzuki (in 2005-09)
- balance engineer:
- Uli Schneider
- phonographic copyright (℗) by:
- BIS Records AB (in 2014)
- recorded at:
- Kobe Shoin Women’s University Chapel in Kobe, Hyogo , Japan (in 2005-09)
- recording of:
- Motette, BWV 1083 "Tilge, Höchster, meine Sünden": XIV. (Sopran, Alt) "Amen" (in 2005-09)
- premiered in:
- Leipzig, Sachsen , Germany
- composed in:
- Leipzig, Sachsen , Germany
- additional composer:
- Johann Sebastian Bach
- composer:
- Giovanni Battista Pergolesi
- arrangement of:
- Stabat mater for soprano, alto, strings and basso continuo: XIII. Amen
- part of:
- Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
| Johann Sebastian Bach | | 2:26 |
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