| # | Title | Artist | Rating | Length |
|---|
| 1 | Fidelio op. 72: Ouvertüre | Ludwig van Beethoven | | 6:26 |
| 2 | Fidelio op. 72: Erster Akt, Nr. 1. Duett: »Jetzt, Schätzchen, jetzt sind wir allein« (Jaguino, Marzelline)- executive producer:
- Prof. Elsa Schiller
- producer:
- Otto Gerdes
- soprano vocals [Marzelline]:
- Irmgard Seefried (from 1957-05 until 1957-07, in 1957-09)
- tenor vocals [Jaquino]:
- Friedrich Lenz (from 1957-05 until 1957-07, in 1957-09)
- orchestra:
- Bayerisches Staatsorchester (from 1957-05 until 1957-07, in 1957-09)
- conductor:
- Ferenc Fricsay (from 1957-05 until 1957-07, in 1957-09)
- balance engineer:
- Peter Niemann
- recorded at:
- Herkulessaal in München , Bayern , Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche in Berlin, Germany (in 1957-09)
- recording of:
- Fidelio, op. 72: Act I, Scene I, no. 1a. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) (from 1957-05 until 1957-07)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
- recording of:
- Fidelio, op. 72: Act I, Scene I, no. 1a. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) (in 1957-09)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
| Ludwig van Beethoven | | 4:26 |
| 3 | Fidelio op. 72: Erster Akt. »Jacquino, Jacquino« (Rocco, Marzelline, Jaquino)- executive producer:
- Prof. Elsa Schiller
- producer:
- Otto Gerdes
- spoken vocals [Jaquino]:
- Wolfgang Spier (from 1957-05 until 1957-07, in 1957-09)
- spoken vocals [Marzelline]:
- Ruth Hellberg (from 1957-05 until 1957-07, in 1957-09)
- spoken vocals [Rocco]:
- Wilhelm Borchert (from 1957-05 until 1957-07, in 1957-09)
- orchestra:
- Bayerisches Staatsorchester (from 1957-05 until 1957-07, in 1957-09)
- conductor:
- Ferenc Fricsay (from 1957-05 until 1957-07, in 1957-09)
- balance engineer:
- Peter Niemann
- recorded at:
- Herkulessaal in München , Bayern , Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche in Berlin, Germany (in 1957-09)
- recording of:
- Fidelio, op. 72: Act I, Scene I, no. 2c. Dialog "Jaquino!" - "Ja, Meister Rocco?" (Rocco, Jaquino, Marzelline, Leonore) (from 1957-05 until 1957-07)
- additional librettist:
- Georg Friedrich Treitschke
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
- recording of:
- Fidelio, op. 72: Act I, Scene I, no. 2c. Dialog "Jaquino!" - "Ja, Meister Rocco?" (Rocco, Jaquino, Marzelline, Leonore) (in 1957-09)
- additional librettist:
- Georg Friedrich Treitschke
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
| Ludwig van Beethoven | | 0:22 |
| 4 | Fidelio op. 72: Erster Akt, Nr. 2. Arie: »O wär ich schon mit dir vereint« (Marzelline)- executive producer:
- Prof. Elsa Schiller
- producer:
- Otto Gerdes
- soprano vocals [Marzelline]:
- Irmgard Seefried (from 1957-05 until 1957-07, in 1957-09)
- orchestra:
- Bayerisches Staatsorchester (from 1957-05 until 1957-07, in 1957-09)
- conductor:
- Ferenc Fricsay (from 1957-05 until 1957-07, in 1957-09)
- balance engineer:
- Peter Niemann
- recorded at:
- Herkulessaal in München , Bayern , Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche in Berlin, Germany (in 1957-09)
- recording of:
- Fidelio, op. 72: Act I, Scene I, no. 2a. Aria "O wär' ich schon mit dir vereint" (Marzelline) (from 1957-05 until 1957-07)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly and Joseph Sonnleithner
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
- recording of:
- Fidelio, op. 72: Act I, Scene I, no. 2a. Aria "O wär' ich schon mit dir vereint" (Marzelline) (in 1957-09)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly and Joseph Sonnleithner
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
| Ludwig van Beethoven | | 3:44 |
| 5 | Fidelio op. 72: Erster Akt. »Guten Tag, Marzelline, ist Fidelio noch nicht zurück?« (Rocco, Marzelline, Leonore)- executive producer:
- Prof. Elsa Schiller
- producer:
- Otto Gerdes
- spoken vocals [Leonore]:
- Anne Kersten (from 1957-05 until 1957-07, in 1957-09)
- spoken vocals [Marzelline]:
- Ruth Hellberg (from 1957-05 until 1957-07, in 1957-09)
- spoken vocals [Rocco]:
- Wilhelm Borchert (from 1957-05 until 1957-07, in 1957-09)
- orchestra:
- Bayerisches Staatsorchester (from 1957-05 until 1957-07, in 1957-09)
- conductor:
- Ferenc Fricsay (from 1957-05 until 1957-07, in 1957-09)
- balance engineer:
- Peter Niemann
- recorded at:
- Herkulessaal in München , Bayern , Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche in Berlin, Germany (in 1957-09)
- recording of:
- Fidelio, op. 72: Act I, Scene I, no. 2b. Dialog "Ist Fidelio noch nicht zurück?" (Rocco, Marzelline, Leonore) (from 1957-05 until 1957-07)
- additional librettist:
- Georg Friedrich Treitschke
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
- recording of:
- Fidelio, op. 72: Act I, Scene I, no. 2b. Dialog "Ist Fidelio noch nicht zurück?" (Rocco, Marzelline, Leonore) (in 1957-09)
- additional librettist:
- Georg Friedrich Treitschke
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
| Ludwig van Beethoven | | 0:36 |
| 6 | Fidelio op. 72: Erster Akt, Nr. 3. Quartett: »Mir ist so wunderbar« (Marzelline, Leonore, Rocco, Jaquino)- executive producer:
- Prof. Elsa Schiller
- producer:
- Otto Gerdes
- bass vocals [Rocco]:
- Gottlob Frick (from 1957-05 until 1957-07, in 1957-09)
- soprano vocals [Leonore]:
- Leonie Rysanek (from 1957-05 until 1957-07, in 1957-09)
- soprano vocals [Marzelline]:
- Irmgard Seefried (from 1957-05 until 1957-07, in 1957-09)
- tenor vocals [Jaquino]:
- Friedrich Lenz (from 1957-05 until 1957-07, in 1957-09)
- orchestra:
- Bayerisches Staatsorchester (from 1957-05 until 1957-07, in 1957-09)
- conductor:
- Ferenc Fricsay (from 1957-05 until 1957-07, in 1957-09)
- balance engineer:
- Peter Niemann
- recorded at:
- Herkulessaal in München , Bayern , Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche in Berlin, Germany (in 1957-09)
- recording of:
- Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) (from 1957-05 until 1957-07)
- composer:
- Ludwig van Beethoven (in 1805)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- revised by:
- Ludwig van Beethoven (in 1814)
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
- recording of:
- Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) (in 1957-09)
- composer:
- Ludwig van Beethoven (in 1805)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- revised by:
- Ludwig van Beethoven (in 1814)
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
| Ludwig van Beethoven | | 4:23 |
| 7 | Fidelio op. 72: Erster Akt. »Höre, Fidelio« (Rocco, Marzelline)- executive producer:
- Prof. Elsa Schiller
- producer:
- Otto Gerdes
- spoken vocals [Marzelline]:
- Ruth Hellberg (from 1957-05 until 1957-07, in 1957-09)
- spoken vocals [Rocco]:
- Wilhelm Borchert (from 1957-05 until 1957-07, in 1957-09)
- orchestra:
- Bayerisches Staatsorchester (from 1957-05 until 1957-07, in 1957-09)
- conductor:
- Ferenc Fricsay (from 1957-05 until 1957-07, in 1957-09)
- balance engineer:
- Peter Niemann
- recorded at:
- Herkulessaal in München , Bayern , Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche in Berlin, Germany (in 1957-09)
- recording of:
- Fidelio, op. 72: Act I, Scene I, no. 3b. Dialog "Höre, Fidelio!" (Rocco, Marzelline) (from 1957-05 until 1957-07)
- additional librettist:
- Georg Friedrich Treitschke
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
- recording of:
- Fidelio, op. 72: Act I, Scene I, no. 3b. Dialog "Höre, Fidelio!" (Rocco, Marzelline) (in 1957-09)
- additional librettist:
- Georg Friedrich Treitschke
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
| Ludwig van Beethoven | | 0:19 |
| 8 | Fidelio op. 72: Erster Akt, Nr. 4. Arie: »Hat man nicht auch Gold beineben« (Rocco)- executive producer:
- Prof. Elsa Schiller
- producer:
- Otto Gerdes
- bass vocals [Rocco]:
- Gottlob Frick (from 1957-05 until 1957-07, in 1957-09)
- orchestra:
- Bayerisches Staatsorchester (from 1957-05 until 1957-07, in 1957-09)
- conductor:
- Ferenc Fricsay (from 1957-05 until 1957-07, in 1957-09)
- balance engineer:
- Peter Niemann
- recorded at:
- Herkulessaal in München , Bayern , Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche in Berlin, Germany (in 1957-09)
- recording of:
- Fidelio, op. 72: Act I, Scene I, no. 4a. Aria "Hat man nicht auch Gold beineben" (Rocco) (from 1957-05 until 1957-07)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
- recording of:
- Fidelio, op. 72: Act I, Scene I, no. 4a. Aria "Hat man nicht auch Gold beineben" (Rocco) (in 1957-09)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
| Ludwig van Beethoven | | 2:45 |
| 9 | Fidelio op. 72: Erster Akt. »Ihr könnt das leicht sagen, Meister Rocco« (Leonore, Rocco, Marzelline)- executive producer:
- Prof. Elsa Schiller
- producer:
- Otto Gerdes
- spoken vocals [Leonore]:
- Anne Kersten (from 1957-05 until 1957-07, in 1957-09)
- spoken vocals [Marzelline]:
- Ruth Hellberg (from 1957-05 until 1957-07, in 1957-09)
- spoken vocals [Rocco]:
- Wilhelm Borchert (from 1957-05 until 1957-07, in 1957-09)
- orchestra:
- Bayerisches Staatsorchester (from 1957-05 until 1957-07, in 1957-09)
- conductor:
- Ferenc Fricsay (from 1957-05 until 1957-07, in 1957-09)
- balance engineer:
- Peter Niemann
- recorded at:
- Herkulessaal in München , Bayern , Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche in Berlin, Germany (in 1957-09)
- recording of:
- Fidelio, op. 72: Act I, Scene I, no. 4b. Dialog "Ihr könnt das leicht sagen, Meister Rocco" (Leonore, Rocco, Marzelline) (from 1957-05 until 1957-07)
- additional librettist:
- Georg Friedrich Treitschke
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
- recording of:
- Fidelio, op. 72: Act I, Scene I, no. 4c. Dialog "Ihr habt recht, Vater Rocco" (Leonore, Rocco, Marzelline) (from 1957-05 until 1957-09)
- additional librettist:
- Georg Friedrich Treitschke
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
- recording of:
- Fidelio, op. 72: Act I, Scene I, no. 4b. Dialog "Ihr könnt das leicht sagen, Meister Rocco" (Leonore, Rocco, Marzelline) (in 1957-09)
- additional librettist:
- Georg Friedrich Treitschke
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
- recording of:
- Fidelio, op. 72: Act I, Scene I, no. 4c. Dialog "Ihr habt recht, Vater Rocco" (Leonore, Rocco, Marzelline) (in 1957-09)
- additional librettist:
- Georg Friedrich Treitschke
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
| Ludwig van Beethoven | | 1:14 |
| 10 | Fidelio op. 72: Erster Akt, Nr. 5. Terzett: »Gut Söhnchen, gut, hab immer Mut« (Rocco, Leonore, Marzelline)- executive producer:
- Prof. Elsa Schiller
- producer:
- Otto Gerdes
- bass vocals [Rocco]:
- Gottlob Frick
- soprano vocals [Leonore]:
- Leonie Rysanek (from 1957-05 until 1957-07, in 1957-09)
- soprano vocals [Marzelline]:
- Irmgard Seefried (from 1957-05 until 1957-07, in 1957-09)
- orchestra:
- Bayerisches Staatsorchester (from 1957-05 until 1957-07, in 1957-09)
- conductor:
- Ferenc Fricsay (from 1957-05 until 1957-07, in 1957-09)
- balance engineer:
- Peter Niemann
- recorded at:
- Herkulessaal in München , Bayern , Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche in Berlin, Germany (in 1957-09)
- recording of:
- Fidelio, op. 72: Act I, Scene I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) (from 1957-05 until 1957-07)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
- recording of:
- Fidelio, op. 72: Act I, Scene I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) (in 1957-09)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
| Ludwig van Beethoven | | 6:29 |
| 11 | Fidelio op. 72: Erster Akt, Nr. 6. Marsch- executive producer:
- Prof. Elsa Schiller
- producer:
- Otto Gerdes
- orchestra:
- Bayerisches Staatsorchester (from 1957-05 until 1957-07, in 1957-09)
- conductor:
- Ferenc Fricsay (from 1957-05 until 1957-07, in 1957-09)
- balance engineer:
- Peter Niemann
- recorded at:
- Herkulessaal in München , Bayern , Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche in Berlin, Germany (in 1957-09)
- recording of:
- Fidelio, op. 72: Act I, Scene II, no. 6a. Marsch (from 1957-05 until 1957-07)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
- recording of:
- Fidelio, op. 72: Act I, Scene II, no. 6a. Marsch (in 1957-09)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
| Ludwig van Beethoven | | 2:01 |
| 12 | Fidelio op. 72: Erster Akt. »Drei Schildwachen auf den Wall« (Pizarro, Rocco)- executive producer:
- Prof. Elsa Schiller
- producer:
- Otto Gerdes
- spoken vocals [Don Pizarro]:
- Walter Franck (from 1957-05 until 1957-07, in 1957-09)
- spoken vocals [Rocco]:
- Wilhelm Borchert (from 1957-05 until 1957-07, in 1957-09)
- orchestra:
- Bayerisches Staatsorchester (from 1957-05 until 1957-07, in 1957-09)
- conductor:
- Ferenc Fricsay (from 1957-05 until 1957-07, in 1957-09)
- balance engineer:
- Peter Niemann
- recorded at:
- Herkulessaal in München , Bayern , Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche in Berlin, Germany (in 1957-09)
- recording of:
- Fidelio, op. 72: Act I, Scene I, no. 6b. Dialog "Drei Schildwachen auf den Wall" (Pizarro, Rocco) (from 1957-05 until 1957-07)
- additional librettist:
- Georg Friedrich Treitschke
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
- recording of:
- Fidelio, op. 72: Act I, Scene I, no. 6b. Dialog "Drei Schildwachen auf den Wall" (Pizarro, Rocco) (in 1957-09)
- additional librettist:
- Georg Friedrich Treitschke
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
| Ludwig van Beethoven | | 0:46 |
| 13 | Fidelio op. 72: Erster Akt, Nr. 7. Arie & Chor: »Ha! Welch ein Augenblick!« (Pizarro, Chor)- executive producer:
- Prof. Elsa Schiller
- producer:
- Otto Gerdes
- baritone vocals [Don Pizarro]:
- Dietrich Fischer‐Dieskau (from 1957-05 until 1957-07, in 1957-09)
- choir vocals:
- Chor der Bayerischen Staatsoper (from 1957-05 until 1957-07, in 1957-09)
- orchestra:
- Bayerisches Staatsorchester (from 1957-05 until 1957-07, in 1957-09)
- conductor:
- Ferenc Fricsay (from 1957-05 until 1957-07, in 1957-09)
- chorus master:
- Alfred Leder (from 1957-05 until 1957-07, in 1957-09)
- balance engineer:
- Peter Niemann
- phonographic copyright (℗) by:
- Polydor International GmbH
- recorded at:
- Herkulessaal in München , Bayern , Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche in Berlin, Germany (in 1957-09)
- recording of:
- Fidelio, op. 72: Act I, Scene II, no. 7a. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus) (from 1957-05 until 1957-07)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
- recording of:
- Fidelio, op. 72: Act I, Scene II, no. 7a. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus) (in 1957-09)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
| Ludwig van Beethoven | | 2:55 |
| 14 | Fidelio op. 72: Erster Akt. »Hauptmann! Hören Sie!« (Pizarro, Rocco)- executive producer:
- Prof. Elsa Schiller
- producer:
- Otto Gerdes
- spoken vocals [Don Pizarro]:
- Walter Franck (from 1957-05 until 1957-07, in 1957-09)
- spoken vocals [Rocco]:
- Wilhelm Borchert (from 1957-05 until 1957-07, in 1957-09)
- orchestra:
- Bayerisches Staatsorchester (from 1957-05 until 1957-07, in 1957-09)
- conductor:
- Ferenc Fricsay (from 1957-05 until 1957-07, in 1957-09)
- balance engineer:
- Peter Niemann
- recorded at:
- Herkulessaal in München , Bayern , Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche in Berlin, Germany (in 1957-09)
- recording of:
- Fidelio, op. 72: Act I, Scene II, no. 7b. Dialog "Hauptmann, besteigen Sie mit einem Trompeter sogleich den Turm!" (Pizarro, Rocco) (from 1957-05 until 1957-07)
- additional librettist:
- Georg Friedrich Treitschke
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
- recording of:
- Fidelio, op. 72: Act I, Scene II, no. 7b. Dialog "Hauptmann, besteigen Sie mit einem Trompeter sogleich den Turm!" (Pizarro, Rocco) (in 1957-09)
- additional librettist:
- Georg Friedrich Treitschke
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
| Ludwig van Beethoven | | 0:17 |
| 15 | Fidelio op. 72: Erste, Akt. Nr. 8. Duett: »Jetzt, Alter, jetzt hat es Eile!« (Pizarro, Rocco)- executive producer:
- Prof. Elsa Schiller
- producer:
- Otto Gerdes
- baritone vocals [Don Pizarro]:
- Dietrich Fischer‐Dieskau (from 1957-05 until 1957-07, in 1957-09)
- bass vocals [Rocco]:
- Gottlob Frick (from 1957-05 until 1957-07, in 1957-09)
- orchestra:
- Bayerisches Staatsorchester (from 1957-05 until 1957-07, in 1957-09)
- conductor:
- Ferenc Fricsay (from 1957-05 until 1957-07, in 1957-09)
- balance engineer:
- Peter Niemann
- phonographic copyright (℗) by:
- Polydor International GmbH
- recorded at:
- Herkulessaal in München , Bayern , Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche in Berlin, Germany (in 1957-09)
- recording of:
- Fidelio, op. 72: Act I, Scene II, no. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) (from 1957-05 until 1957-07)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
- recording of:
- Fidelio, op. 72: Act I, Scene II, no. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) (in 1957-09)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
| Ludwig van Beethoven | | 4:49 |
| 16 | Fidelio op. 72: Erster Akt, Nr. 9. Rezitativ & Arie: »Abscheulicher! Wo eilst du hin? ... Komm, Hoffnung, lass den letzten Stern« (Leonore)- executive producer:
- Prof. Elsa Schiller
- producer:
- Otto Gerdes
- soprano vocals [Leonore]:
- Leonie Rysanek (from 1957-05 until 1957-07, in 1957-09)
- orchestra:
- Bayerisches Staatsorchester (from 1957-05 until 1957-07, in 1957-09)
- conductor:
- Ferenc Fricsay (from 1957-05 until 1957-07, in 1957-09)
- balance engineer:
- Peter Niemann
- recorded at:
- Herkulessaal in München , Bayern , Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche in Berlin, Germany (in 1957-09)
- recording of:
- Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore) (from 1957-05 until 1957-07)
- composer:
- Ludwig van Beethoven (in 1814)
- part of:
- Fidelio, op. 72: Akt I
- recording of:
- Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore) (in 1957-09)
- composer:
- Ludwig van Beethoven (in 1814)
- part of:
- Fidelio, op. 72: Akt I
| Ludwig van Beethoven | | 7:05 |
| 17 | Fidelio op. 72: Erster Akt. »Aber Marzelline! Früher, da war ich der gute« (Jaquino, Marzelline, Rocco, Leonore)- executive producer:
- Prof. Elsa Schiller
- producer:
- Otto Gerdes
- spoken vocals [Jaquino]:
- Wolfgang Spier (from 1957-05 until 1957-07, in 1957-09)
- spoken vocals [Leonore]:
- Anne Kersten (from 1957-05 until 1957-07, in 1957-09)
- spoken vocals [Marzelline]:
- Ruth Hellberg (from 1957-05 until 1957-07, in 1957-09)
- spoken vocals [Rocco]:
- Wilhelm Borchert (from 1957-05 until 1957-07, in 1957-09)
- orchestra:
- Bayerisches Staatsorchester (from 1957-05 until 1957-07, in 1957-09)
- conductor:
- Ferenc Fricsay (from 1957-05 until 1957-07, in 1957-09)
- balance engineer:
- Peter Niemann
- recorded at:
- Herkulessaal in München , Bayern , Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche in Berlin, Germany (in 1957-09)
- recording of:
- Fidelio, op. 72: Act I, Scene II, no. 9b. Dialog "Marzelline!" - "Nein, ich will nicht..." (Jaquino, Marzelline, Rocco, Leonore) (from 1957-05 until 1957-07)
- additional librettist:
- Georg Friedrich Treitschke
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
- recording of:
- Fidelio, op. 72: Act I, Scene II, no. 9b. Dialog "Marzelline!" - "Nein, ich will nicht..." (Jaquino, Marzelline, Rocco, Leonore) (in 1957-09)
- additional librettist:
- Georg Friedrich Treitschke
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
| Ludwig van Beethoven | | 0:36 |
| 18 | Fidelio op. 72: Erster Akt, Nr. 10. Finale. »O welche Lust, in freier Luft den Atem leicht zu heben!« (Chor)- executive producer:
- Prof. Elsa Schiller
- producer:
- Otto Gerdes
- choir vocals:
- Chor der Bayerischen Staatsoper (from 1957-05 until 1957-07, in 1957-09)
- solo bass vocals [Second Prisoner]:
- Walter Franck
- solo tenor vocals [First Prisoner]:
- Siegmar Schneider
- orchestra:
- Bayerisches Staatsorchester (from 1957-05 until 1957-07, in 1957-09)
- conductor:
- Ferenc Fricsay (from 1957-05 until 1957-07, in 1957-09)
- chorus master:
- Alfred Leder (from 1957-05 until 1957-07, in 1957-09)
- balance engineer:
- Peter Niemann
- recorded at:
- Herkulessaal in München , Bayern , Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche in Berlin, Germany (in 1957-09)
- recording of:
- Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner) (from 1957-05 until 1957-07)
- composer:
- Ludwig van Beethoven (in 1805, in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
- recording of:
- Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner) (in 1957-09)
- composer:
- Ludwig van Beethoven (in 1805, in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
| Ludwig van Beethoven | | 7:40 |
| 19 | Fidelio op. 72: Erster Akt. [Rezitativ:] »Nun sprecht, wie ging's?» - [Duett:] »Noch heute, noch heute!« (Leonore, Rocco) [Szene:] »Ach Vater, Vater, eilt!» (Marzelline, Rocco, Pizarro, Jaquino)- executive producer:
- Prof. Elsa Schiller
- producer:
- Otto Gerdes
- baritone vocals [Don Pizarro]:
- Dietrich Fischer‐Dieskau (from 1957-05 until 1957-07, in 1957-09)
- bass vocals [Rocco]:
- Gottlob Frick (from 1957-05 until 1957-07, in 1957-09)
- soprano vocals [Leonore]:
- Leonie Rysanek (from 1957-05 until 1957-07, in 1957-09)
- soprano vocals [Marzelline]:
- Irmgard Seefried (from 1957-05 until 1957-07, in 1957-09)
- tenor vocals [Jaquino]:
- Friedrich Lenz (from 1957-05 until 1957-07, in 1957-09)
- orchestra:
- Bayerisches Staatsorchester (from 1957-05 until 1957-07, in 1957-09)
- conductor:
- Ferenc Fricsay (from 1957-05 until 1957-07, in 1957-09)
- balance engineer:
- Peter Niemann
- recorded at:
- Herkulessaal in München , Bayern , Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche in Berlin, Germany (in 1957-09)
- recording of:
- Fidelio, op. 72: Act I, Scene II, no. 10b. Recitative "Nun sprecht, wie ging's?" - "Noch heute" (Leonore, Rocco) (from 1957-05 until 1957-07)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
- recording of:
- Fidelio, op. 72: Act I, Scene II, no. 10c. Quintet "Ach, Vater, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro) (from 1957-05 until 1957-07)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
- recording of:
- Fidelio, op. 72: Act I, Scene II, no. 10d. "Verwegner Alter!" (Pizarro, Rocco) (from 1957-05 until 1957-07)
- composer:
- Ludwig van Beethoven (in 1814)
- part of:
- Fidelio, op. 72: Akt I
- recording of:
- Fidelio, op. 72: Act I, Scene II, no. 10b. Recitative "Nun sprecht, wie ging's?" - "Noch heute" (Leonore, Rocco) (in 1957-09)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
- recording of:
- Fidelio, op. 72: Act I, Scene II, no. 10c. Quintet "Ach, Vater, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro) (in 1957-09)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
- recording of:
- Fidelio, op. 72: Act I, Scene II, no. 10d. "Verwegner Alter!" (Pizarro, Rocco) (in 1957-09)
- composer:
- Ludwig van Beethoven (in 1814)
- part of:
- Fidelio, op. 72: Akt I
| Ludwig van Beethoven | | 7:34 |
| 20 | Fidelio op. 72: Erster Akt. »Leb wohl, du warmes Sonnenlicht« (Chor, Marzelline, Leonore, Jaquino, Pizarro, Rocco)- executive producer:
- Prof. Elsa Schiller
- producer:
- Otto Gerdes
- baritone vocals [Don Pizarro]:
- Dietrich Fischer‐Dieskau (from 1957-05 until 1957-07, in 1957-09)
- bass vocals [Rocco]:
- Gottlob Frick (from 1957-05 until 1957-07, in 1957-09)
- choir vocals:
- Chor der Bayerischen Staatsoper (from 1957-05 until 1957-07, in 1957-09)
- soprano vocals [Leonore]:
- Leonie Rysanek (from 1957-05 until 1957-07, in 1957-09)
- soprano vocals [Marzelline]:
- Irmgard Seefried
- tenor vocals [Jaquino]:
- Friedrich Lenz (from 1957-05 until 1957-07, in 1957-09)
- orchestra:
- Bayerisches Staatsorchester (from 1957-05 until 1957-07, in 1957-09)
- conductor:
- Ferenc Fricsay (from 1957-05 until 1957-07, in 1957-09)
- chorus master:
- Alfred Leder (from 1957-05 until 1957-07, in 1957-09)
- balance engineer:
- Peter Niemann
- recorded at:
- Herkulessaal in München , Bayern , Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche in Berlin, Germany (in 1957-09)
- recording of:
- Fidelio, op. 72: Act I, Scene II, no. 10e. "Leb wohl, du warmes Sonnenlicht" (Chor, Marzelline, Leonore, Jaquino, Pizarro, Rocco) (from 1957-05 until 1957-07)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
- recording of:
- Fidelio, op. 72: Act I, Scene II, no. 10e. "Leb wohl, du warmes Sonnenlicht" (Chor, Marzelline, Leonore, Jaquino, Pizarro, Rocco) (in 1957-09)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
| Ludwig van Beethoven | | 3:51 |
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