The Time of My Life: The Greatest Hits of the Movies

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1(I’ve Had) The Time of My Life
assistente tecnico:
Jeff DeMorris (incarico: 2nd assistant engineer) e Dan Nebenzal (incarico: 1st assistant engineer)
tecnico:
Carmine Rubino
produttore:
Michael Lloyd (US guitarist/singer producer)
voce:
Bill Medley e Jennifer Warnes
remixer:
Jimmy Ienner (producer), Michael Lloyd (US guitarist/singer producer), Dan Nebenzal e Carmine Rubino
arrangiatore:
Gene Page
arrangiatore aggiunto:
John D’Andrea e Michael Lloyd (US guitarist/singer producer)
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead), BMG Music (nel 1987) e Vestron Music Inc. (nel 1987)
è stato produttore per:
Mike Curb Productions
registrata presso:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti
registrazione di:
(I’ve Had) The Time of My Life
paroliere:
Franke Previte
compositore:
John DeNicola e Donald Markowitz
editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) (conclusa), Calspen Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Marcu Music Company, Inc., R U Cyrius Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Tunes LLC (ASCAP), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィックミュージック (Fujipacific Music, Inc.), Donald Jay Music, Ltd. (publisher) (nel 1987), Jemava Music Corp. (nel 1987), Knockout Music Inc. (nel 1987) e R.U. Cyrius Publishing (nel 1987)
parte di:
The 60th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1987 winner)
Bill Medley & Jennifer Warnes3.754:48
2It Must Have Been Love
programmazione:
Clarence Öfwerman (dal 1987 al 1990)
tecnico:
Anders Herrlin e Alar Suurna
produttore:
Clarence Öfwerman
tecnico di missaggio:
Humberto Gatica
batteria :
Pelle Alsing (dal 1987 al 1990)
chitarra elettrica [electric guitars] :
Jonas Isacsson (dal 1987 al 1990)
synclavier e tastiera [keyboards] :
Clarence Öfwerman (dal 1987 al 1990)
voce:
Marie Fredriksson (dal 1987 al 1990) e Per Gessle (Swedish singer and guitarist) (dal 1987 al 1990)
diritti fonografici (℗) detenuti da:
EMI Svenska AB (not for release label use!) (nel 1990) e Parlophone Music Sweden AB (not for release label use, for copyrights use only) (nel 1990)
registrata presso:
Audio Sweden in Stockholm, Stockholms län (Stockholm county), Svezia (dal 1987 al 1990) e EMI Studios in Stockholm, Stockholms län (Stockholm county), Svezia (dal 1987 al 1990)
mixata presso:
Ground Control Studios in Santa Monica, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 466)
registrazione di:
It Must Have Been Love (dal 1987 al 1990)
paroliere e compositore:
Per Håkan Gessle (Swedish singer and guitarist)
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) e Jimmy Fun Music
Roxette3.154:19
3I Will Always Love You
tecnico:
David Reitzas, Bill Schnee e Peter Yianilos
produttore:
David Foster (Canadian music producer, arranger and composer)
produttore esecutivo:
Clive Davis (record producer, A&R executive and music industry chief executive) e Whitney Houston
tecnico di missaggio:
David Reitzas
direzione creativa:
Rickey Minor (bass player, music director, composer, music producer)
sassofono solista :
Kirk Whalum
arrangiatore:
David Foster (Canadian music producer, arranger and composer)
arrangiatore voci:
Whitney Houston
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) e Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1992)
mixata presso:
Ocean Way Recording in Hollywood, Los Angeles, California, Stati Uniti
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 3), New York Post: 100 Greatest Covers (2007) (numero: 59), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 60), Billboard: Greatest of All Time Hot 100 Songs (numero: 60) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 94)
registrazione karaoke di:
I Will Always Love You
paroliere e compositore:
Dolly Parton
editore:
Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd (not for release label use!), Owepar Publishing Inc. e Velvet Apple Music
registrazione cover di:
I Will Always Love You
paroliere e compositore:
Dolly Parton
editore:
Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd (not for release label use!), Owepar Publishing Inc. e Velvet Apple Music
Whitney Houston4.54:24
4When You Say Nothing at All
programmazione e produttore:
Stephen Lipson
tecnico e tecnico di missaggio:
Heff Moraes
basso :
Stephen Lipson
batteria :
Andy Duncan (UK drummer and producer)
chitarra :
Dominic Miller (guitarist)
fisarmonica e fischietto :
James McNally
tastiera :
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
voce:
Ronan Keating
voce di accompagnamento:
Tessa Niles e Miriam Stockley
diritti fonografici (℗) detenuti da:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (nel 1999) e Polygram Ireland Ltd. (nel 1999)
registrata presso:
Metropolis (London) in London (Greater London), England, Regno Unito e The Aquarium (Studio) in London (Greater London), England, Regno Unito
mixata presso:
The Aquarium (Studio) in London (Greater London), England, Regno Unito
registrazione cover di:
When You Say Nothing at All
autore:
Paul Overstreet (country singer and songwriter) e Don Schlitz
Ronan Keating2.754:16
5Take My Breath Away
tecnico:
Dave Concors, Michael Rosen (US metal producer/engineer) e Tom Whitlock
produttore:
Jerry Bruckheimer, Giorgio Moroder e Don Simpson (American film producer, screenwriter, and actor)
tecnico di missaggio:
Giorgio Moroder e Brian Reeves
batteria :
Rob Brill
chitarra elettrica :
Ric Olsen
sintetizzatore :
Arthur Barrow e John Crawford (Berlin bassist)
voce principale:
Terri Nunn (Berlin singer)
diritti fonografici (℗) detenuti da:
CBS Inc. (US broadcasting company; file no releases here!) (nel 1986) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986)
registrata presso:
Oasis Recording Studios in North Hollywood, Los Angeles, California, Stati Uniti
video musicali:
Take My Breath Away di Berlin (US new wave/synthpop)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 28), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 62) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 490)
registrazione di:
Take My Breath Away (song from the 1986 film Top Gun)
paroliere:
Tom Whitlock
compositore:
Giorgio Moroder
editore:
Famous Music Publishing Germany GmbH & Co. KG (conclusa), Jastian Music Inc. (conclusa), BMG Ariola Belgium, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Sony/ATV Harmony, Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1986), GMPC (nel 1986) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) (conclusa), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
parte di:
The 59th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1986 winner)
Berlin3.654:12
6Love Is All Around
co-produttore:
Graeme Duffin
direttore d'orchestra:
Fiachra Trench
arrangiatore archi :
Fiachra Trench
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1994) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1994)
video musicali:
Love Is All Around di Wet Wet Wet
registrazione cover di:
Love Is All Around
paroliere e compositore:
Reg Presley
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. e Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
registrazione di:
Love Is All Around
paroliere e compositore:
Reg Presley
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. e Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.64:00
7My Heart Will Go On
tecnico di registrazione:
Humberto Gatica e David Gleeson
supporto a vario titolo:
Emilie Charlap (incarico: orchestratra contractor) e Dan Shea (incarico: sound design)
programmazione:
Dan Shea
programmazione degli strumenti:
Walter Afanasieff
programmazione degli strumenti aggiuntiva:
Dan Shea
assistente tecnico:
Chris Brooke, Tony Gonzalez (engineer), Tyson Leeper, Glen Marchese, Ethan Schofer e Greg Thompson (engineer, mixer)
tecnico:
Humberto Gatica (voce principale) e Dan Shea
co-produttore:
James Horner (American score composer)
produttore:
Walter Afanasieff
tecnico di missaggio:
Humberto Gatica
chitarra :
Dann Huff
organo Hammond [Hammond B-3 organ] , sintetizzatore basso [synth bass] e tastiera :
Walter Afanasieff
tastiera aggiunto:
Dan Shea
tin whistle [pennywhistle/whistles] :
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes)
violino folk [Irish fiddle] :
Paul Peabody (violinist)
voce di accompagnamento:
Cleytoven Richardson, Leslie Ellis, Skyler Jett, Konesha Owens e Jeanie Tracy
direttore d'orchestra:
William Ross (composer, orchestrator, arranger, conductor)
arrangiatore:
Walter Afanasieff
orchestratore:
William Ross (composer, orchestrator, arranger, conductor)
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti e Wallyworld in San Rafael, California, Stati Uniti
mixata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
video musicali:
My Heart Will Go On (love theme from Titanic) di Céline Dion
versioni a cappella:
The music from that movie about the boat di David Thorne (designer)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 2) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 279)
registrazione di:
My Heart Will Go On
paroliere:
Will Jennings
compositore:
James Horner (American score composer)
editore:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (fino al 2014-12-31) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (dal 2015-01-01 a oggi)
parte di:
The 70th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1997 winner)
parte di:
Titanic
Céline Dion4.354:39
8Here With Me
registrazione di:
Here With Me
autore:
Dido Armstrong (English singer‐songwriter), Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) e Paul Statham
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Dido4:06
9Turn Back Time
produttore e tecnico di missaggio:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen e Søren Rasted
arrangiatore:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen e Søren Rasted
diritti fonografici (℗) detenuti da:
Universal Music A/S (not for release label use! Danish subsidiary of Universal Music Group)
registrazione di:
Turn Back Time
autore:
Claus Norreen e Søren Rasted
editore:
MCA Music Scandinavia AB e Warner/Chappell Music Denmark, A/S (KODA)
Aqua3.554:08
10How Do I Live
registrazione di:
How Do I Live
paroliere e compositore:
Diane Warren (US songwriter)
editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e Realsongs (dal 1997 a oggi)
parte di:
The 70th Academy Award for Best Original Song (numero: 2)
LeAnn Rimes44:56
11Pure Shores
programmazione:
Sean Spuehler
produttore:
William Orbit (English musician, composer and record producer)
tecnico di missaggio:
Mark “Spike” Stent (producer, engineer)
voce:
Melanie Blatt e Shaznay Lewis
diritti fonografici (℗) detenuti da:
Warner Music UK Limited (not for release label use!) (nel 2000)
parte di:
The Downloader’s Music Source Book (numero: 380)
registrazione di:
Pure Shores
compositore:
Shaznay Lewis e William Orbit (English musician, composer and record producer)
All Saints3.654:28
12Kiss Me
tecnico e tecnico di missaggio:
Russ Long (engineer)
batteria e percussione :
Dale Baker (Drummer; The Maudlin Fee)
voce:
Leigh Nash (vocalist of Sixpence None the Richer)
diritti fonografici (℗) detenuti da:
Squint Entertainment (nel 1998)
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 15)
registrazione di:
Kiss Me
paroliere e compositore:
Matt Slocum (lead guitarist for Sixpence None the Richer)
editore:
My So-Called Music, Songs of Evergreen Copyrights, Squint Songs e Le Tigre Sur un Ballon Publishing (nel 1999)
Sixpence None the Richer4.53:26
13Nothing’s Gonna Stop Us Now
esecutore:
Starship (continuation of Jefferson Starship) (nel 1987)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1985, nel 1987), BMG Entertainment (nel 1987) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1987)
registrazione di:
Nothing’s Gonna Stop Us Now (nel 1987)
autore:
Albert Hammond e Diane Warren (US songwriter)
arrangiatore:
Narada Michael Walden
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) e Windswept Pacific Music Ltd. (publishing company)
parte di:
The 60th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1987 nominee)
Starship3.754:30
14Don’t You (Forget About Me)
produttore:
Keith Forsey (drummer, producer and songwriter)
tecnico di missaggio:
Jez Coad
esecutore:
Simple Minds (Scottish rock band) (il 1984-07-10)
diritti fonografici (℗) detenuti da:
Simple Minds Ltd
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 25) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 340)
registrazione di:
Don’t You (Forget About Me) (il 1984-07-10)
autore:
Keith Forsey (drummer, producer and songwriter) e Steve Schiff
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. e Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:21
15When the Going Gets Tough, the Tough Get Going
produttore:
Barry J. Eastmond e Wayne Brathwaite
produttore esecutivo:
Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Nigel Green (engineer)
diritti fonografici (℗) detenuti da:
Zomba Records Limited (not strictly a label - avoid adding releases here) (nel 1986)
video musicali:
When the Going Gets Tough, the Tough Get Going di Billy Ocean
registrazione di:
When the Going Gets Tough, the Tough Get Going
autore:
Wayne Brathwaite, Barry Eastmond, Robert John “Mutt” Lange (Robert John Lange) e Billy Ocean
editore:
Aqua Music (Billy Ocean's recording & publishing label), Aqua Music Ltd., BMG Music Publishing Ltd., Imagem London Ltd., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Zomba Enterprises, Inc. e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Billy Ocean34:08
16Holding Out for a Hero
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1984) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1985)
registrazione di:
Holding Out for a Hero
paroliere:
Dean Pitchford
compositore:
Jim Steinman
editore:
BMG Music Publishing Ltd., Ensign Music Corp., Famous Chappell, Famous Chappell Ltd. (UK-based music publishing company.), Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Harmony UK, Sony/ATV Melody e Sony/ATV Music Publishing LLC (1995–2020)
si basa su:
Stark Raving Love
Bonnie Tyler4.154:21
17Show Me Heaven
Maria McKee3:43
18I Believe I Can Fly
R. Kelly3:16
19Up Where We Belong (An Officer and a Gentleman Soundtrack version)
produttore:
Stewart Levine (record producer and saxophonist)
batteria :
Leon Ndugu Chancler
chitarra :
Louie Shelton
percussione :
Paulinho da Costa (Brazilian percussionist)
tastiera :
Robbie Buchanan (Canadian producer) e Bobby Lyle
voce principale:
Joe Cocker e Jennifer Warnes
diritti fonografici (℗) detenuti da:
Island Records, Inc. (US, Island holding) (nel 1982) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1982)
registrazione di:
Up Where We Belong (An Officer and a Gentleman)
paroliere:
Will Jennings
compositore:
Jack Nitzsche (American musician and score composer) e Buffy Sainte‐Marie
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 55th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1982 winner)
Joe Cocker & Jennifer Warnes3.553:52
2▼CD
#TitoloArtistaValutazioneDurata
1Happy
assistente tecnico di registrazione:
Matthew Desrameaux
tecnico di registrazione:
Mike Larson (recording engineer)
produttore:
Pharrell Williams
tecnico di missaggio:
Leslie Brathwaite
editor:
Andrew Coleman (recording/mix engineer, Neptunes-associated) e Mike Larson (recording engineer)
voce di accompagnamento:
Rhea Dummett, Trevon Henderson, Shamika Hightower, Ashley L. Lee, Jasmine Murray e Terrence Rolle
arrangiatore:
Andrew Coleman (recording/mix engineer, Neptunes-associated) e Mike Larson (recording engineer)
registrata presso:
Circle House Studios in North Miami, Florida, Stati Uniti
mixata presso:
Music Box Studios (Atlanta) in Atlanta, Georgia, Stati Uniti
video musicali:
Happy di Pharrell Williams e Happy (from Despicable Me 2) (ballroom version) di Pharrell Williams
parte di:
Billboard Year-End Hot 100 singles of 2014 (numero: 1), Billboard Decade End Chart: Streaming Songs (2010s) (numero: 20) e Billboard: Greatest of All Time Hot 100 Songs (numero: 88)
registrazione di:
Happy
paroliere e compositore:
Pharrell Williams
editore:
EMI April Music Inc., More Water From Nazareth Publishing, Inc. e Universal Pictures Music
parte di:
The 86th Academy Award for Best Original Song (numero: 2)
Pharrell Williams4.23:53
2Jump
programmazione:
Brian Higgins (British producer and song writer) e Tim Powell (Songwriter and producer, ex-Xenomania)
programmazione aggiuntiva:
Tim Larcombe (Production music composer) e Jon Shave
tecnico:
Jack Clark (engineer)
produttore:
Brian Higgins (British producer and song writer) e Xenomania
tecnico di missaggio:
Tim Powell (Songwriter and producer, ex-Xenomania)
chitarra :
Greg Bone, Nick Coler e Shawn Lee (American musician, producer, video game composer)
tastiera :
Brian Higgins (British producer and song writer) e Tim Powell (Songwriter and producer, ex-Xenomania)
voce:
Cheryl Cole (formerly Cheryl Cole), Nadine Coyle, Sarah Harding, Nicola Roberts e Kimberley Walsh
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 2003)
mixata presso:
Eden Studios (2nd location, Chiswick, 72-07) in Chiswick, Hounslow, London (Greater London), England, Regno Unito
registrazione cover di:
Jump (for My Love)
autore:
Stephen Mitchell (US musician, composer, songwriter, producer et al.), Marti Sharron e Gary Skardina
editore:
Anidraks Music (publisher), ATV Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Sony/ATV Songs LLC
Girls Aloud2.53:40
3Can’t Fight the Moonlight
supporto a vario titolo:
Sara Lind (incarico: technical assistant) e Robert Orton (incarico: technical assistant)
tecnico e tecnico di missaggio:
Steve MacMillan
tecnico aggiunto:
Austin Deptula, Greg Hunt (Texas based engineer), Gary Leach e Tim Weidner (engineer)
produttore:
Trevor Horn
basso :
Lee Sklar (bassist, session musician) e Jamie Muhoberac
batteria [drums] :
Curt Bisquera e John Robinson (session drummer)
chitarra :
Tim Pierce (US session guitarist)
pianoforte :
Alan Pasqua
tastiera [keyboards] :
Jamie Muhoberac
voce di accompagnamento:
Sue Ann Carwell e Niki Harris (US singer and dancer)
orchestratore:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
diritti fonografici (℗) detenuti da:
Curb Records, Inc. (holding company - do not use as release label) (nel 2000)
registrata presso:
Royal Tone Studios in North Hollywood, Los Angeles, California, Stati Uniti e Sarm West Coast in Los Angeles, California, Stati Uniti
video musicali:
Can't Fight the Moonlight (longer version) di LeAnn Rimes (US country & pop singer)
parte di:
Billboard Year-End Hot 100 singles of 2002 (numero: 56)
registrazione di:
Can’t Fight the Moonlight
paroliere e compositore:
Diane Warren (US songwriter)
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), Realsongs e Universal/MCA Music Ltd. (not for release label use!)
LeAnn Rimes2.853:34
4Footloose
produttore:
Lee DeCarlo e Kenny Loggins
batteria :
Tris Imboden
chitarra :
Buzz Feiten
chitarra basso :
Nathan East
percussione :
Michael Boddicker e Paulinho da Costa (Brazilian percussionist)
sintetizzatore basso :
Michael Boddicker
strumenti:
Michael Boddicker
tastiera :
Neil Larsen e Steven Wood (US soundtrack composer, member of Honk)
voce di accompagnamento:
Marilyn Dorman, Richey Washington e Steven Wood (US soundtrack composer, member of Honk)
voce principale:
Kenny Loggins
remixer:
Humberto Gatica
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1984), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1984), Sony BMG Music Entertainment Inc. (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Footloose
paroliere:
Dean Pitchford
compositore:
Kenny Loggins
editore:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. e Universal Music Publishers MGB Australia Pty Ltd
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
Kenny Loggins4.13:47
5The Power of Love
tecnico di registrazione:
Jim Gaines e Robert Missbach
assistente tecnico:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) e Jim “Watts” Vereecke
tecnico aggiunto:
Michael Christopher (engineer), Phil Kaffel e Malcolm Pollack
produttore:
Bob Clearmountain, Jellybean (US producer John Benitez) e Huey Lewis and the News (American pop rock band)
tecnico di missaggio:
Robert Missbach
armonica (a bocca) :
Huey Lewis
batteria e percussione :
Bill Gibson (US drummer for Huey Lews & the News)
chitarra :
Johnny Colla (US sax & guitarist for Huey Lewis & the News) e Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
chitarra basso :
Mario Cipollina
sassofono :
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
tastiera :
Sean Hopper (US Keyboardist for Huey Lewis & the News)
voce:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) e Huey Lewis
diritti fonografici (℗) detenuti da:
Chrysalis Records, Inc. (not for release label use!) (nel 1984, nel 1985, nel 1986) e Chrysalis (nel 1985)
registrata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti, Studio D Recording in Sausalito, California, Stati Uniti e The Plant Studios (1981–2008) in Sausalito, California, Stati Uniti
mixata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
video musicali:
The Power of Love (full length) di Huey Lewis and the News (American pop rock band)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 108)
registrazione di:
The Power of Love (Back to the Future)
autore:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) e Huey Lewis
editore:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) e WB Music Corp. (1929–2019)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
parte di:
The 58th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1985 nominee)
parte di:
Back to the Future: the Musical
Huey Lewis and the News43:54
6Lovefool
tecnico e produttore:
Tore Johansson
batteria e percussione :
Bengt Lagerberg
chitarra :
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
chitarra basso :
Magnus Sveningsson
tastiera :
Lars-Olof Johansson
voce di accompagnamento:
Magnus Sveningsson e Peter Svensson (guitarist, composer, producer; member of The Cardigans)
voce principale:
Nina Persson
diritti fonografici (℗) detenuti da:
Stockholm Records e Universal Music AB (Swedish subsidiary of Universal Music Group)
lavorazione tecnica effettuata presso:
Tambourine Studios in Malmö, Skåne (Skåne county), Svezia
prodotta presso:
Tambourine Studios in Malmö, Skåne (Skåne county), Svezia
video musicali:
Lovefool di The Cardigans (Swedish rock band)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 242)
registrazione di:
Lovefool
paroliere:
Nina Persson e Peter Svensson (guitarist, composer, producer; member of The Cardigans)
compositore:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
editore:
Stockholm Songs e Universal–Songs of PolyGram International, Inc.
The Cardigans3.753:15
7Flashdance… What a Feeling
produttore:
Giorgio Moroder
voce:
Irene Cara
diritti fonografici (℗) detenuti da:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (nel 1983), Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (nel 1983) e Universal Music TV (UK, a division of Universal Music Operations Limited) (nel 1995)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 38) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 492)
registrazione di:
Flashdance… What a Feeling
paroliere:
Irene Cara e Keith Forsey (drummer, producer and songwriter)
compositore:
Giorgio Moroder
editore:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony e WB Music Corp. (1929–2019)
parte di:
The 56th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1983 winner)
Irene Cara3.653:55
8Goldeneye
registrata a:
London (Greater London), England, Regno Unito
tecnico di registrazione:
Mark “Spike” Stent (producer, engineer)
programmazione:
Marius de Vries
assistente tecnico:
Paul ‘P Dub’ Walton
produttore:
Nellee Hooper
produttore esecutivo:
Bono (singer of U2) e The Edge (U2 guitarist David Evans)
tecnico di missaggio:
Nellee Hooper e Mark “Spike” Stent (producer, engineer)
voce:
Tina Turner
arrangiatore archi [orchestra] :
Craig Armstrong (Scottish score composer)
registrazione di:
GoldenEye
autore:
Bono (singer of U2) e The Edge (U2 guitarist David Evans)
editore:
Blue Mountain Music e Songs of PolyGram International, Inc.
parte di:
James Bond themes
Tina Turner3.353:28
9Pretty Wowan
registrata a:
Nashville, Tennessee, Stati Uniti (il 1964-08-01)
produttore:
Fred Foster
armonica (a bocca) :
Charlie McCoy (white blues harmonica player, 1960s-present) (il 1964-08-01)
batteria :
Buddy Harman (Session drummer and songwriter) (il 1964-08-01)
chitarra :
Jerry Kennedy (il 1964-08-01), Wayne Moss (il 1964-08-01) e Billy Sanford (guitar) (il 1964-08-01)
chitarra a 12 corde [12 string guitar Epiphone] e voce principale:
Roy Orbison (il 1964-08-01)
contrabbasso [upright bass] :
Bob Moore (U.S. bassist and bandleader) (il 1964-08-01)
percussione :
Paul Garrison (il 1964-08-01)
pianoforte :
Floyd Cramer (il 1964-08-01)
sassofono :
Boots Randolph (il 1964-08-01)
voce:
Roy Orbison
diritti fonografici (℗) detenuti da:
Orbison Records, Orbison Records, Inc. e Monument Record Corp. (not for release label use!) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 222)
registrazione di:
Oh, Pretty Woman (Roy Orbison song) (il 1964-08-01)
paroliere e compositore:
Bill Dees (songwriter, singer, guitarist) e Roy Orbison
editore:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (il 1964-08-26) e Acuff-Rose (BMI) (nel 1972)
Roy Orbison4.22:56
10Wherever You Will Go
assistente tecnico di registrazione:
Tiago Becker e Valente Torres
tecnico di registrazione:
Marc Greene (engineer) e David Thoener
produttore:
Marc Tanner
tecnico di missaggio:
Chris Lord‐Alge
basso :
Bob Glaub
batteria :
Matt Laug
campionatore [loops] , chitarra , mandolino e sitar :
Aaron Kamin
percussione :
Aaron Kamin, Matt Laug e Satnam Ramgotra
sintetizzatore [synth strings] :
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
tabla :
Satnam Ramgotra
tastiera aggiunto:
Paul Mirkovich
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 2001) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 2001)
registrata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Image Recording in Los Angeles, California, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 2002 (numero: 5)
registrazione di:
Wherever You Will Go
autore:
Alex Band (singer‐songwriter and frontman of The Calling) e Aaron Kamin
editore:
Alex Band Music, Amedeo Music, BMG Music Publishing, Inc., BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Careers e Universal Music Publishing MGB Ltd.
The Calling3.953:29
11Hold On
produttore:
Glen Ballard
produttore esecutivo:
Charles Koppelman (American businessman and musician)
voce:
Chynna Phillips, Carnie Wilson e Wendy Wilson
diritti fonografici (℗) detenuti da:
SBK Records (nel 1990)
registrazione di:
Hold On
autore:
Glen Ballard, Chynna Phillips e Carnie Wilson
editore:
Get Out Songs, Smooshie Music, Aerostation Corporation (nel 1990), EMI Blackwood Music Inc. (nel 1990), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (nel 1990, nel 2003), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (nel 1990, nel 2003), Wilphill Music (nel 1990) e Universal Music Corp. (USA, affiliated with ASCAP) (nel 2003)
Wilson Phillips33:40
12Let’s Hear It for the Boy
produttore:
George Duke
tecnico di missaggio:
Tom Perry (engineer), Tommy Vicari e Erik Zobler
batteria elettronica [Linn Drums] , minimoog [Mini-Moog] , moog [Memory Moog] e sintetizzatore analogico [Prophet V] :
George Duke
chitarra :
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussione :
Paulinho da Costa (Brazilian percussionist)
voce di accompagnamento:
George Merrill, Shannon Rubicam e Deniece Williams (US soul/funk vocalist/songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Let’s Hear It for the Boy
paroliere:
Dean Pitchford
compositore:
Thomas Snow (US keyboardist/songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
Deniece Williams3.64:21
13Living in America
assistente tecnico:
Jeff Lord‐Alge
tecnico:
Chris Lord‐Alge
produttore:
Dan Hartman
chitarra :
Dan Hartman e Stevie Ray Vaughan
chitarra basso :
T.M. Stevens (US bass player Thomas Michael Stevens)
corno :
Crispin Cioe, Bob Funk (trombonist, trumpet player), Arno Hecht (American saxophonist), Hollywood Paul Litteral e The Uptown Horns (US horn section, formed in 1980)
membranofono :
Ray Marchica
tastiera :
Dan Hartman
voce di accompagnamento:
Dan Hartman e T.M. Stevens (US bass player Thomas Michael Stevens)
voce principale:
James Brown (The Godfather of Soul)
registrazione di:
Living in America
autore:
Dan Hartman e Charlie Midnight
editore:
April Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Janiceps Music, Second Nature Music, Inc., UA Music Inc. e United Lion Music Inc.
James Brown3.354:43
149 to 5
registrazione di:
9 to 5
paroliere e compositore:
Dolly Parton
editore:
Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Canada Ltd. (Canadian publisher), Fox Fanfare Music, Screen Gems–EMI Music e Velvet Apple Music
parte di:
The 53rd Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1980 nominee)
Dolly Parton4.53:00
15Danger Zone
programmazione degli strumenti:
Hans Zimmer (German score composer)
tecnico:
Dave Concors, Dave Connors e Tom Whitlock
produttore:
Giorgio Moroder e Tom Whitlock
produttore esecutivo:
Michael Dilbeck
tecnico di missaggio:
Giorgio Moroder e Brian Reeves
batteria :
John Robinson (session drummer)
chitarra :
Dann Huff e Kenny Loggins
sassofono :
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
sintetizzatore :
Tom Whitlock
tastiera :
Giorgio Moroder
voce principale:
Kenny Loggins
diritti fonografici (℗) detenuti da:
CBS Inc. (US broadcasting company; file no releases here!) (nel 1986), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1986), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1986) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986)
registrata presso:
Oasis Recording Studios in North Hollywood, Los Angeles, California, Stati Uniti
versioni a cappella:
Danger Zone di Tufts Beelzebubs (Tufts University all-male a cappella group)
registrazione di:
Danger Zone (Top Gun)
paroliere:
Thomas Whitlock
compositore:
Giorgio Moroder
editore:
Budde Music Inc. (US publisher), Neue Welt Musikverlag GmbH (2017 – present), Sony/ATV Harmony, Sony/ATV Harmony UK, Sony/ATV Music Publishing (Germany) GmbH (1998–2002), Warner Chappell Overseas Holdings Ltd., Warner/Chappell North America, WB Music Corp. (1929–2019), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1986) e GMPC (nel 1986)
Kenny Loggins4.33:31
16Eye of the Tiger
assistente tecnico:
Hill Swimmer
tecnico:
Phil Bonnano e Mike Clink
produttore:
Jim Peterik e Frankie Sullivan (US guitarist and songwriter, member of Survivor)
diritti fonografici (℗) detenuti da:
Scotti Bros. Industries Inc (company credits only; do not use as release label!) (nel 1982), Volcano Entertainment III, L.L.C. (nel 1982, nel 1985) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 2016)
registrata presso:
Rumbo Recorders in Canoga Park, Los Angeles, California, Stati Uniti
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 28) e VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 63)
registrazione di:
Eye of the Tiger
autore:
Jim Peterik e Frankie Sullivan (US guitarist and songwriter, member of Survivor)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (fino al 2017-03-31) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (dal 2017-04-01 a oggi)
parte di:
The 55th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1982 nominee)
Survivor4.454:05
17Ghostbusters
Ray Parker Jr.4:05
18Fame
registrazione di:
Fame
paroliere:
Dean Pitchford
compositore:
Michael Gore (composer)
editore:
EMI Affiliated Catalog Inc.
parte di:
The 53rd Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1980 winner)
Irene Cara53:49
19Loco in Acapulco
produttore:
Phil Collins (of Genesis) e Lamont Dozier
produttore esecutivo:
Clive Davis (record producer, A&R executive and music industry chief executive)
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1988)
registrazione di:
Loco in Acapulco
autore:
Phil Collins (of Genesis) e Lamont Dozier
editore:
Hit & Run Music (Publ) Ltd, Philip Collins Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Four Tops3:29
20Stand by Me
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
voce:
Ben E. King (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1960, nel 1961) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1986)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 131) e BILLIONS CLUB
registrazione di:
Stand by Me (il 1960-10-27)
editore:
Mike Stoller
autore:
Ben E. King, Jerry Leiber e Mike Stoller
editore:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:55
21Unchained Melody
tecnico:
Larry Levine
produttore:
Phil Spector
voce principale solista:
Bobby Hatfield (nel 1965-03)
arrangiatore:
Jack Nitzsche (American musician and score composer)
diritti fonografici (℗) detenuti da:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965, nel 1968) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1966)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (nel 1965-03)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 269) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 366)
registrazione cover di:
Unchained Melody (nel 1965-03)
editore:
Hy Zaret
paroliere:
Hy Zaret
compositore:
Alex North (US composer)
editore:
Frank Music Corp. (conclusa), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing e Unchained Melody Publishing, LLC
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 2)
The Righteous Brothers33:36
3▼CD
#TitoloArtistaValutazioneDurata
1Out of Reach
voce principale:
Gabrielle (British singer-songwriter)
orchestra:
The London Session Orchestra
diritti fonografici (℗) detenuti da:
Go! Beat (subsidiary of Go! Discs; folded into UMG) (nel 2001)
video musicali:
Out of Reach di Gabrielle (British singer-songwriter)
registrazione di:
Out of Reach (nel 2001)
autore:
Louise Gabrielle Bobb (British singer-songwriter) e Jonathan Shorten
editore:
Perfect Songs (UK publisher, affiliated with BMI)
Gabrielle3.753:16
2It Will Rain
tecnico:
Ari Levine
produttore:
The Smeezingtons
assistente tecnico di missaggio:
Chris Galland e Erik Madrid (engineer)
tecnico di missaggio:
Manny Marroquin
basso :
Oscar Hidalgo (double bassist)
viola :
Andrew Duckles
violino [violins] :
Charlie Bisharat (US violinist) e Josefina Vergara (Chilean-American violinist)
direttore d'orchestra:
Suzie Katayama
esecutore:
Bruno Mars (US singer)
arrangiatore archi :
Phredley Brown
mixata presso:
Larrabee Studios in North Hollywood, Los Angeles, California, Stati Uniti
lavorazione tecnica effettuata presso:
Levcon Studios in Hollywood, Los Angeles, California, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 2012 (numero: 26)
registrazione di:
It Will Rain
autore:
Philip Lawrence (urban songwriter/producer, of The Smeezingtons), Ari Levine e Bruno Mars (US singer)
editore:
BMG Gold Songs, Mars Force Music, Music Famamanem LP, THOU ART THE HUNGER (NORTH) 301 / 373, TOY PLANE MUSIC 301 / 372, Universal Music Corp. (USA, affiliated with ASCAP), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bruno Mars34:19
3She’s Like the Wind
assistente tecnico:
Dan Nebenzal
tecnico:
Carmine Rubino
produttore:
Michael Lloyd (US guitarist/singer producer)
voce:
Wendy Fraser
voce principale:
Patrick Swayze
orchestratore aggiunto:
John D’Andrea
diritti fonografici (℗) detenuti da:
Vestron Music Inc. (nel 1987)
è stato produttore per:
Mike Curb Productions
registrata presso:
Michael Lloyd Studio in Beverly Hills, California, Stati Uniti
mixata presso:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti
video musicali:
She’s Like the Wind (music video) di Patrick Swayze
registrazione di:
She’s Like the Wind
autore:
Patrick Swayze (nel 1984) e Stacy Widelitz (nel 1984)
editore:
Plainview Diner Music, Very Tony Music, Strawberry Fork Music, Inc. (nel 1987) e Troph Productions, Inc. (nel 1987)
Patrick Swayze & Wendy Fraser4.353:51
4Waiting for a Star to Fall
programmazione degli strumenti:
George Merrill
produttore:
Arif Mardin
assistente tecnico di missaggio:
Jim Dineen
tecnico di missaggio:
David Leonard (US producer and engineer)
batteria :
Denny Fongheiser e Michael Jochum
chitarra :
John Goux
chitarra basso , pianoforte e sintetizzatore :
George Merrill
sassofono contralto :
Andy Snitzer
sintetizzatore [Crowning touch] :
Joe Mardin
voce:
George Merrill e Shannon Rubicam
voce aggiuntiva:
Susan Boyd
diritti fonografici (℗) detenuti da:
BMG Music (nel 1988) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1988)
mixata presso:
The Grey Room in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Waiting for a Star to Fall
autore:
George Merrill e Shannon Rubicam
editore:
Irving Music, Inc., Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Boy Meets Girl Music (dal 1987 a oggi) e Irving Music (BMI) (dal 1987 a oggi)
Boy Meets Girl3.254:33
5You Make My Dreams
produttore:
Daryl Hall e John Oates
voce:
Daryl Hall e John Oates
arrangiatore:
Daryl Hall e John Oates
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1980) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1980)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 232)
registrazione di:
You Make My Dreams
paroliere:
Sara Allen, Daryl Hall e John Oates
compositore:
Daryl Hall
editore:
Geomantic Music, Hot Cha Music Co., Mushroom Music Pty. Ltd., Primary Wave Brian, Unichappell Music, Inc. e Warner/Chappell Music Australia Pty. Ltd.
sub-editore:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Daryl Hall & John Oates4.053:08
6Baby I Love Your Way
tecnico di registrazione e produttore:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
programmazione:
Aaron Zigman (American score composer)
programmazione aggiuntiva:
Erik Hansen
produttore esecutivo:
Jeff Aldrich (A&R)
assistente tecnico di missaggio:
Dave Betancourt (engineer)
tecnico di missaggio:
Tom Lord Alge
batteria :
Abraham Laboriel Jr. e John Robinson (session drummer)
chitarra [“Duane Eddy” guitar] :
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
chitarra [skank guitar] :
Tony Chin
chitarra acustica :
John Goux
chitarra basso :
Abraham Laboriel
flauto e sassofono tenore :
Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
percussione :
Steve Forman (US percussionist)
sassofono contralto solista :
Warren Hill
tastiera :
Aaron Zigman (American score composer)
tromba :
Jerry Hey
trombone :
Bill Reichenbach (jazz trombonist)
voce di accompagnamento:
James McWhinney
voce di accompagnamento e voce principale:
Quino (of Big Mountain)
arrangiatore:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter) e Aaron Zigman (American score composer)
diritti fonografici (℗) detenuti da:
Giant Records ("a division of Warner Music Sweden AB", not for release label use! use “Giant”) (nel 1994)
mixata presso:
Encore Recording Studios in Burbank, California, Stati Uniti
registrazione cover di:
Baby, I Love Your Way
paroliere e compositore:
Peter Frampton
editore:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
Big Mountain4:23
7Here Comes the Hotstepper
Ini Kamoze4:11
8Teenage Dirtbag
Wheatus4:03
9Deeper Underground
tecnico di registrazione e tecnico:
Al Stone (UK engineer)
assistente tecnico:
Paul Stoney
produttore e tecnico di missaggio:
Jay Kay (English singer, Jamiroquai) e Al Stone (UK engineer)
batteria :
Derrick McKenzie (dal 1998 al 1999)
chitarra :
Simon Katz (songwriter and multi-instrumentalist) (dal 1998 al 1999)
chitarra basso :
Nick Fyffe (dal 1998 al 1999)
percussione :
Sola Akingbola (dal 1998 al 1999)
tastiera :
Toby Smith (dal 1998 al 1999)
voce:
Jay Kay (English singer, Jamiroquai) (dal 1998 al 1999)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.)
registrata presso:
Chillington Studios (Jamiroquai's studio) in Buckinghamshire, England, Regno Unito (dal 1998 al 1999)
registrazione di:
Deeper Underground (dal 1998 al 1999)
compositore:
Jay Kay (English singer, Jamiroquai) e Tobi Smith
editore:
EMI Blackwood Music Inc. e EMI Music Publishing Ltd. (PRS‐affiliated)
Jamiroquai3.654:45
10Everybody (Backstreet’s Back)
supporto a vario titolo:
Bonnie Brewster (incarico: girl crowd), Andrea M. Majied (incarico: girl crowd) e Susan McCall (incarico: girl crowd)
assistente tecnico:
Tommie Hicks, Jr.
tecnico:
Joe Smith (US recording/mixing engineer)
produttore:
Max Martin (Swedish record producer) e Denniz PoP
produttore esecutivo:
Louis J Pearlman
editor:
Chaz Harper
esecutore:
A.J. (US singer, songwriter, actor, dancer & model), Brian (from the Backstreet Boys), Howie D. (from the Backstreet Boys), Kevin (from the Backstreet Boys) e Nick (US pop singer & Backstreet Boy)
diritti fonografici (℗) detenuti da:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (nel 1997)
è stato produttore per:
Cheiron Productions
registrata presso:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Svezia e Parc Studios in Orlando, Florida, Stati Uniti
mixata presso:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Svezia
editing effettuato presso:
Battery Recording Studios (NYC; not to be confused with the mastering studio located at 321 W 44th Street) in New York, New York, Stati Uniti
registrazione di:
Everybody (Backstreet’s Back)
autore:
Max Martin (Swedish record producer) e Denniz PoP
editore:
Maratone AB (conclusa), MXM Music AB (conclusa), Grantsville Publishing Ltd., GV-Maratone, GV-MXM, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Zomba Enterprises, Inc., Zomba Music Publishers Limited (UK subsidiary of Zomba Music Publishing) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Backstreet Boys3.153:45
11Wake Me Up Before You Go-Go
assistente tecnico:
Paul Gomersau
tecnico:
Chris Porter (engineer and producer)
produttore:
George Michael
sassofono :
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
tastiera :
Tommy Eyre
arrangiatore:
George Michael
diritti fonografici (℗) detenuti da:
CBS Records (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (nel 1984), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1984, nel 2006) e Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (nel 1986)
video musicali:
Wake Me Up Before You Go di Wham! (British pop-duo)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 28) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 269)
registrazione di:
Wake Me Up Before You Go‐Go
paroliere e compositore:
George Michael
editore:
Chappell Music (UK), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Morrison Leahy Music Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell Music Ltd. (1996–2019)
Wham!3.853:52
12Brown Eyed Girl
tecnico di registrazione:
Brooks Arthur (il 1967-03-28)
produttore:
Bert Russell Berns
batteria :
Gary Chester (studio drummer and educator) (il 1967-03-28)
chitarra :
Al Gorgoni (il 1967-03-28), Hugh McCracken (il 1967-03-28) e Van Morrison (il 1967-03-28)
chitarra basso :
Eric Gale (il 1967-03-28)
organo :
Garry Sherman (mid-20th century composer, arranger & conductor) (il 1967-03-28)
voce di accompagnamento:
The Sweet Inspirations (il 1967-03-28)
voce principale:
Van Morrison (il 1967-03-28)
esecutore:
Van Morrison (il 1967-03-28)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment Inc. (nel 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967), Charly Records (nel 1968) e Exile Productions Ltd. (not for Label Release) (nel 1973)
registrata presso:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, Stati Uniti (il 1967-03-28) e A&R Recording Studio (original studio, 1958–1967) in New York, New York, Stati Uniti (il 1967-04-07)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 71) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 109)
registrazione di:
Brown Eyed Girl (dal 1967-03-28 al 1967-04-07)
paroliere e compositore:
Van Morrison
editore:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (nel 1967) e Polygram Publishing AB (nel 1992)
Van Morrison3.253:01
13Arthur’s Theme
assistente tecnico:
Stuart Gitlin e Margaret Gwynne (engineer)
tecnico aggiunto:
John Guess, Lee Herschberg, Mark Linett e Richard Mullen
produttore:
Michael Omartian
tecnico di missaggio:
Chet Himes
voce principale:
Christopher Cross (US singer‐songwriter)
direttore d'orchestra:
Michael Omartian
arrangiatore archi :
Michael Omartian
arrangiatore:
Christopher Cross (US singer‐songwriter), Rob Meurer e Michael Omartian
primo violino:
Assa Drori
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1981, nel 1983)
registrata presso e mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 19)
registrazione di:
Arthur’s Theme (Best That You Can Do)
autore:
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager e Christopher Cross (US singer‐songwriter)
editore:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner-Barham Music LLC, Warner/Chappell North America, Woolnough Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 54th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1981 winner)
Christopher Cross53:51
14Everybody’s Talkin’
Harry Nilsson2:44
15Hi-Fidelity
voce:
Valerie Landsburg (US actor, director, and television writer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1982)
registrazione di:
Hi-Fidelity
autore:
Enid Gloria Levine
editore:
EMI Songs Ltd. e Koppelman–Bandier Music Corp.
The Kids From Fame2:47
16Neutron Dance
registrazione di:
Neutron Dance
autore:
Danny Sembello e Allee Willis
editore:
MCA Music Ltd.
The Pointer Sisters4:15
17Cuddly Toy
Roachford3:48
18Lead Me On
Teena Marie3:44
19Kissing You
Des’ree4:51
20From the Heart
Another Level4:52