Thriller 25: The World’s Biggest Selling Album of All Time (スリラー25周年記念リミテッド・エディション／期間限定生産)

~ Veröffentlichung von Michael Jackson (alle Versionen dieser Veröffentlichung ansehen, 84 vorhanden)

Anmerkung

This is the japanese edition of Thriller's 25th anniversary re-issue.

(Zombie cover art, thick 2CD jewel case, cardboard coating)

DVD tracklist:

  1. Billie Jean (promotion video)
  2. Beat It (promotion video)
  3. Thriller (promotion video)
  4. Billie Jean (Motown 25th Anniversary TV Special performance) fake live, lip-sync

This edition's Audio CD has an exclusive to Japan bonus track 17.

Anmerkung zuletzt geändert am 2023-07-04 13:36 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Wanna Be Startin’ Somethin’
recording engineer und Mix:
Bruce Swedien
drum machine-Programmierung und Koproduzent(in):
Michael Jackson (“King of Pop”)
Produzent(in):
Quincy Jones
E-Bass:
Louis Johnson (bass, member of Brothers Johnson)
Flügelhorn und Trompete:
Gary Grant (brass) und Jerry Hey
flute und Saxophon:
Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
foot stomps [bathroom stomp board]:
Nelson Hayes, Michael Jackson (“King of Pop”) und Steven Ray (80s US R&B producer/performer)
Gitarre:
David Williams (session guitarist and songwriter)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Posaune:
Bill Reichenbach, Jr. (jazz trombonist)
Rhodes Piano und Synthesizer:
Greg Phillinganes
Synthesizer:
Michael Boddicker und Bill Wolfer (record producer, songwriter, musician and synthesizer programmer from USA)
Hintergrundgesang:
Bunny Hull, James Ingram (R&B singer), Michael Jackson (“King of Pop”), Becky Lopez, Julia Waters, Maxine Waters und Oren Waters
Sologesang:
Michael Jackson (“King of Pop”)
Blasinstrumente arranger:
Jerry Hey und Michael Jackson (“King of Pop”)
Horn arranger:
Jerry Hey
Horn und Perkussion arranger:
Michael Jackson (“King of Pop”)
Perkussion arranger:
Quincy Jones
phonographisches Urheberrecht (℗) von:
MJJ Productions Inc. (rights holder, not an imprint) (in 1982)
aufgenommen bei:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1982)
Samples:
Soul Makossa von Manu Dibango
recording of:
Wanna Be Startin’ Somethin’ (von 1982-04 bis 1982-10)
Texter und Komponist(in):
Michael Jackson (“King of Pop”)
publisher:
Byefall Productions, Inc. und Sony/ATV Harmony
quotes lyrics from:
Soul Makossa
Teil von:
MJ: The Musical
Teil von:
MJ: The Musical
Michael Jackson3.956:02
2Baby Be Mine
recording engineer und Mix:
Bruce Swedien
Synthesizer-Programmierung:
Brian Banks (American keyboardist), Anthony Marinelli (Soundtrack composer) und Steve Porcaro
Produzent(in):
Quincy Jones
Flügelhorn und Trompete:
Gary Grant (brass) und Jerry Hey
flute und Saxophon:
Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
Gitarre:
David Williams (session guitarist and songwriter)
Keyboard und Synthesizer:
Greg Phillinganes
Posaune:
Bill Reichenbach, Jr. (jazz trombonist)
Schlagzeug:
Leon Ndugu Chancler
Synthesizer:
Michael Boddicker und David Paich
Sologesang:
Michael Jackson (“King of Pop”)
Blasinstrumente arranger und Horn arranger:
Jerry Hey
Synthesizer arranger:
Rod Temperton
phonographisches Urheberrecht (℗) von:
MJJ Productions Inc. (rights holder, not an imprint) (in 1982)
aufgenommen bei:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1982)
recording of:
Baby Be Mine
Texter und Komponist(in):
Rod Temperton
Michael Jackson3.654:20
3The Girl Is Mine
recording engineer und Mix:
Bruce Swedien
Synthesizer-Programmierung:
Steve Porcaro
Produzent(in):
Michael Jackson (“King of Pop”) und Quincy Jones
E-Bass:
Louis Johnson (bass, member of Brothers Johnson) (von 1982-04-14 bis 1982-04-16)
Geige / Violine:
Gerald Vinci (American violinist and strings conductor) (von 1982-04-14 bis 1982-04-16)
Gitarre:
Steve Lukather (von 1982-04-14 bis 1982-04-16) und Dean Parks (American session guitarist) (von 1982-04-14 bis 1982-04-16)
Klavier:
David Paich (von 1982-04-14 bis 1982-04-16)
Rhodes Piano:
Greg Phillinganes (von 1982-04-14 bis 1982-04-16)
Schlagzeug:
Jeff Porcaro (von 1982-04-14 bis 1982-04-16)
Synthesizer:
David Foster (Canadian music producer, arranger and composer) (von 1982-04-14 bis 1982-04-16)
Gast Sologesang:
Paul McCartney (The Beatles) (von 1982-04-14 bis 1982-04-16)
Sologesang:
Michael Jackson (“King of Pop”) (von 1982-04-14 bis 1982-04-16)
conductor:
Jerry Hey (von 1982-04-14 bis 1982-04-16)
Perkussion arranger:
David Paich
Saiteninstrumente arranger:
Jerry Hey
Synthesizer arranger:
David Foster (Canadian music producer, arranger and composer)
arranger:
Michael Jackson (“King of Pop”) und Quincy Jones
phonographisches Urheberrecht (℗) von:
MJJ Productions Inc. (rights holder, not an imprint) (in 1982)
aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1982-04-14 bis 1982-04-16)
recording of:
The Girl Is Mine (von 1982-04-14 bis 1982-04-16)
Texter und Komponist(in):
Michael Jackson (“King of Pop”)
publisher:
Mijac Music und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Michael Jackson with Paul McCartney3.63:42
4Thriller
recording engineer und Mix:
Bruce Swedien
Synthesizer-Programmierung:
Anthony Marinelli (Soundtrack composer)
Produzent(in):
Quincy Jones
drum machine [LinnDrum], Hintergrundgesang und Sologesang:
Michael Jackson (“King of Pop”)
Flügelhorn und Trompete:
Gary Grant (brass) und Jerry Hey
flute und Saxophon:
Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
Gitarre:
David Williams (session guitarist and songwriter)
Posaune:
Bill Reichenbach, Jr. (jazz trombonist)
Synthesizer:
Brian Banks (American keyboardist), Greg Phillinganes und Rod Temperton
Sprecher:
Vincent Price (US horror film actor)
Blasinstrumente arranger und Horn arranger:
Jerry Hey
Perkussion arranger und Synthesizer arranger:
Rod Temperton
sound effects:
Bruce Cannon und Bruce Swedien
phonographisches Urheberrecht (℗) von:
MJJ Productions Inc. (rights holder, not an imprint) (in 1982)
aufgenommen bei:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1982)
Musikvideos:
Thriller von Michael Jackson (“King of Pop”) und Thriller von Michael Jackson (“King of Pop”)
Teil von:
Billboard Hot 100: 2025-11-15 (Nummer: 10) und Billboard Hot 100: 2025-11-08 (Nummer: 32)
recording of:
Thriller
Texter und Komponist(in):
Rod Temperton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Rodsongs (publisher), Rondor Music (London) Ltd., Universal Music Publishing France (not for release label use!) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
basiert auf:
Starlight
Teil von:
MJ: The Musical
Michael Jackson4.55:57
5Beat It
recording engineer:
Donn Landee und Bruce Swedien
Synthesizer-Programmierung:
Steve Porcaro
Koproduzent(in):
Michael Jackson (“King of Pop”)
Produzent(in):
Quincy Jones
Mix:
Bruce Swedien
E-Bass und E-Gitarre:
Steve Lukather
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Keyboard:
Bill Wolfer (record producer, songwriter, musician and synthesizer programmer from USA)
Perkussion [drum case beater], Hintergrundgesang und Sologesang:
Michael Jackson (“King of Pop”)
Rhodes Piano und Synthesizer:
Greg Phillinganes
Schlagzeug:
Jeff Porcaro
Solo-E-Gitarre:
Edward Van Halen
Synclavier:
Tom Bahler
Synthesizer:
Steve Porcaro
Synthesizer [Synergy synthesizer]:
Greg Smith (Producer/Keyboards)
Vibraslap:
Chris Shepard
Perkussion arranger:
Michael Jackson (“King of Pop”) und Quincy Jones
arranger:
Rod Temperton
phonographisches Urheberrecht (℗) von:
MJJ Productions Inc. (rights holder, not an imprint) (in 1982)
aufgenommen bei:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1982)
Samples:
Untitled (side A) von Denny Jaeger
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 18), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 21), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 185), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 209) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 337)
recording of:
Beat It
Texter und Komponist(in):
Michael Jackson (“King of Pop”)
publisher:
Mijac Music und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
MJ: The Musical
Michael Jackson4.354:18
6Billie Jean
recording engineer und Mix:
Bruce Swedien
Synthesizer-Programmierung:
Bill Wolfer (record producer, songwriter, musician and synthesizer programmer from USA)
Koproduzent(in):
Michael Jackson (“King of Pop”)
Produzent(in):
Quincy Jones
Bassgitarre:
Louis Johnson (bass, member of Brothers Johnson)
Gitarre:
David Williams (session guitarist and songwriter)
Rhodes Piano und Synthesizer:
Greg Phillinganes
Schlagzeug:
Leon Ndugu Chancler
Synthesizer:
Bill Wolfer (record producer, songwriter, musician and synthesizer programmer from USA)
Sologesang:
Michael Jackson (“King of Pop”)
conductor:
Jeremy Lubbock
Perkussion und Synthesizer arranger und Synthesizer arranger:
Michael Jackson (“King of Pop”)
Saiteninstrumente arranger:
Jerry Hey
phonographisches Urheberrecht (℗) von:
MJJ Productions Inc. (rights holder, not an imprint) (in 1982)
aufgenommen bei:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1982)
Bearbeitung von:
Billie Jean (12″ version) von Michael Jackson (“King of Pop”)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 7), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 44), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 58) und Billboard: Greatest of All Time Hot 100 Songs (Nummer: 95)
recording of:
Billie Jean
Texter und Komponist(in):
Michael Jackson (“King of Pop”)
publisher:
Mijac Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
Neue Welt Musikverlag GmbH & Co. KG (– 2017) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
MJ: The Musical
Michael Jackson4.14:54
7Human Nature
recording engineer und Mix:
Bruce Swedien
Synthesizer-Programmierung:
Steve Porcaro
Produzent(in):
Quincy Jones
Gitarre:
Steve Lukather
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Jeff Porcaro
Synthesizer:
David Paich und Steve Porcaro
Sologesang:
Michael Jackson (“King of Pop”)
arranger:
Steve Lukather, David Paich und Steve Porcaro
phonographisches Urheberrecht (℗) von:
MJJ Productions Inc. (rights holder, not an imprint) (in 1982)
aufgenommen bei:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1982)
recording of:
Human Nature
Texter:
John Bettis
Komponist(in):
Steve Porcaro
publisher:
John Bettis Music und Mystical Light Music
sub-publisher:
Sony Music Publishing France, Warner Chappell Music France, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (, vom 2017-04-01 bis heute), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31)
Teil von:
MJ: The Musical
Michael Jackson3.64:06
8P.Y.T. (Pretty Young Thing)
recording engineer und Mix:
Bruce Swedien
Synthesizer-Programmierung:
Greg Phillinganes
Produzent(in):
Quincy Jones
E-Bass:
Louis Johnson (bass, member of Brothers Johnson)
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Händeklatschen:
James Ingram (R&B singer), Michael Jackson (“King of Pop”), Greg Phillinganes und Steven Ray (80s US R&B producer/performer)
Händeklatschen und Keyboard und Keyboard:
James Ingram (R&B singer)
Händeklatschen und Synthesizer und Synthesizer:
Greg Phillinganes
Schlagzeug:
Leon Ndugu Chancler
Vocoder:
Michael Boddicker
Hintergrundgesang:
Bunny Hull, Janet Jackson, LaToya Jackson und Becky Lopez
Sologesang:
Michael Jackson (“King of Pop”)
zusätzlich Hintergrundgesang:
Howard Hewett und James Ingram (R&B singer)
arranger:
James Ingram (R&B singer) und Quincy Jones
phonographisches Urheberrecht (℗) von:
MJJ Productions Inc. (rights holder, not an imprint) (in 1982)
aufgenommen bei:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1982)
recording of:
P.Y.T. (Pretty Young Thing)
Verfasser(in):
James Ingram (R&B singer) und Quincy Jones
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Yellowbrick Road Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Michael Jackson3.83:59
9The Lady in My Life
recording engineer und Mix:
Bruce Swedien
Produzent(in):
Quincy Jones
Bassgitarre:
Louis Johnson (bass, member of Brothers Johnson)
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Rhodes Piano:
Greg Phillinganes
Schlagzeug:
Jeff Porcaro
Synthesizer:
David Paich und Steve Porcaro
Sologesang:
Michael Jackson (“King of Pop”)
arranger:
Rod Temperton
phonographisches Urheberrecht (℗) von:
MJJ Productions Inc. (rights holder, not an imprint) (in 1982)
aufgenommen bei:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1982)
recording of:
The Lady in My Life
Texter und Komponist(in):
Rod Temperton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP)
Michael Jackson3.154:59
10Excerpt From “Thriller” Voice‐Over Session
phonographisches Urheberrecht (℗) von:
MJJ Productions Inc. (rights holder, not an imprint) (in 1982)
Vincent Price10:24
11The Girl Is Mine 2008
Techniker(in), Produzent(in) und Mix:
will.i.am (American rapper and producer)
Keyboard:
Keith Harris (00s US producer & musician) und will.i.am (American rapper and producer)
Schlagzeug:
will.i.am (American rapper and producer)
Synthesizer:
Keith Harris (00s US producer & musician)
phonographisches Urheberrecht (℗) von:
MJJ Productions Inc. (rights holder, not an imprint) (in 2008)
recording of:
The Girl Is Mine 2008
zusätzliche(r) Verfasser(in):
Keith Harris (00s US producer & musician), Michael Jackson (“King of Pop”) und will.i.am (American rapper and producer)
Version von:
The Girl Is Mine
Michael Jackson with will.i.am13:12
12P.Y.T. (Pretty Young Thing) 2008
Techniker(in), Produzent(in) und Mix:
will.i.am (American rapper and producer)
Keyboard:
Keith Harris (00s US producer & musician) und will.i.am (American rapper and producer)
Perkussion:
Chuck Prada
Saxophon:
Tim Izo
Schlagzeug:
will.i.am (American rapper and producer)
Synthesizer:
Keith Harris (00s US producer & musician)
Trompete:
Printz Board
Hintergrundgesang:
Simone Battle und Martii Garcia
phonographisches Urheberrecht (℗) von:
MJJ Productions Inc. (rights holder, not an imprint) (in 2008)
recording of:
P.Y.T. (Pretty Young Thing) 2008
zusätzliche(r) Verfasser(in):
Keith Harris (00s US producer & musician), Michael Jackson (“King of Pop”) und will.i.am (American rapper and producer)
Version von:
P.Y.T. (Pretty Young Thing)
Michael Jackson with will.i.am1.754:21
13Wanna Be Startin’ Somethin’ 2008
recording engineer:
Dylan Dresdow und Mark “Exit” Goodchild
zusätzliche Programmierung:
Akon (US singer and producer) und Giorgio Tuinfort
Koproduzent(in):
Giorgio Tuinfort
Produzent(in):
Akon (US singer and producer) und Michael Jackson (“King of Pop”)
instruments arranger:
Akon (US singer and producer) und Giorgio Tuinfort
phonographisches Urheberrecht (℗) von:
MJJ Productions Inc. (rights holder, not an imprint) (in 2008)
recording of:
Wanna Be Startin’ Somethin’
Texter und Komponist(in):
Michael Jackson (“King of Pop”)
publisher:
Byefall Productions, Inc. und Sony/ATV Harmony
quotes lyrics from:
Soul Makossa
Teil von:
MJ: The Musical
Teil von:
MJ: The Musical
recording of:
Wanna Be Startin’ Somethin’ 2008
zusätzliche(r) Verfasser(in):
Akon (US singer and producer), Michael Jackson (“King of Pop”) und Giorgio Tuinfort
Version von:
Wanna Be Startin’ Somethin’
Michael Jackson with Akon2.654:14
14Beat It 2008
recording engineer:
Padraic Kerin und will.i.am (American rapper and producer)
Produzent(in):
Quincy Jones und will.i.am (American rapper and producer)
Mix:
will.i.am (American rapper and producer)
Keyboard, Schlagzeug und Synthesizer:
will.i.am (American rapper and producer)
phonographisches Urheberrecht (℗) von:
MJJ Productions Inc. (rights holder, not an imprint) (in 2008)
recording of:
Beat It 2008
Version von:
Beat It
Michael Jackson with Fergie14:12
15Billie Jean 2008 (Kanye West mix)
assistierendes Sound-Engineering:
Nate Hertweck, Mike Houge und Matt Wheeler (engineer)
Sound-Engineering und Mix:
Anthony Kilhoffer
zusätzliches Sound-Engineering:
Alex Dromgoole
Koproduzent(in):
Anthony Kilhoffer
Produzent(in):
Kanye West (formerly Kanye West)
Keyboard:
Jeff Bhasker
zusätzlich Keyboard:
Anthony Caruso (keyboard) und Anthony Kilhoffer
phonographisches Urheberrecht (℗) von:
MJJ Productions Inc. (rights holder, not an imprint) (in 2008)
recording of:
Billie Jean
Texter und Komponist(in):
Michael Jackson (“King of Pop”)
publisher:
Mijac Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
Neue Welt Musikverlag GmbH & Co. KG (– 2017) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
MJ: The Musical
recording of:
Billie Jean 2008
Version von:
Billie Jean
Michael Jackson14:38
16For All Time
recording engineer:
Bruce Swedien
Produzent(in):
Michael Jackson (“King of Pop”)
assistierende(r) Mix:
Tom Bender (engineer)
Mix:
Mick Guzauski
Gitarre:
Steve Lukather
Keyboard:
David Paich und Steve Porcaro
Schlagzeug:
Jeff Porcaro
phonographisches Urheberrecht (℗) von:
MJJ Productions Inc. (rights holder, not an imprint) (in 2008)
recording of:
For All Time
Verfasser(in):
Steve Porcaro und Michael Sherwood
Michael Jackson24:06
17Got the Hots
Produzent(in):
Quincy Jones
recording of:
Got The Hots
Michael Jackson34:28
2▶DVD-Video

Nennungen

Veröffentlichungsgruppe

ausgekoppelte Singles/EPs:Beat It
Billie Jean
Human Nature
P.Y.T. (Pretty Young Thing)
The Girl Is Mine von Michael Jackson (“King of Pop”) & Paul McCartney (The Beatles)
Thriller
Wanna Be Startin’ Somethin’
Wanna Be Startin’ Somethin’ / Beat It
Covers:Easy Star’s Thrillah von Easy Star All-Stars
Thriller Recovered von Various Artists (Diverse Interpreten, add compilations to this artist)
Teil von:Billboard Decade End Chart: Billboard 200 (1980s) (Nummer: 1) (Reihenfolge: 1)
Music Canada Certified Double Diamond Albums (Nummer: 1984-04-01) (Reihenfolge: 1)
Apple Music: 100 Best Albums (Nummer: 2) (Reihenfolge: 2)
Pitchfork: The 200 Best Albums of the 1980s (Nummer: 2) (Reihenfolge: 2)
Brit Award for British Album of the Year (winners) (Nummer: 1984) (Reihenfolge: 4)
Rolling Stone: 100 Best Albums of the Eighties (published November 16, 1989) (Nummer: 7) (Reihenfolge: 7)
Z-Trip’s Top Nine 80s Records (Nummer: Honorable Mention) (Reihenfolge: 10)
Rolling Stone: 500 Greatest Albums of All Time: 2020 edition (Nummer: 12) (Reihenfolge: 12)
Rolling Stone: 500 Greatest Albums of All Time: 2023 edition (Nummer: 12) (Reihenfolge: 12)
Rolling Stone: 500 Greatest Albums of All Time: 2003 edition (Nummer: 20) (Reihenfolge: 20)
Rolling Stone: 500 Greatest Albums of All Time: 2012 edition (Nummer: 20) (Reihenfolge: 20)
Grammy Award: Album of the Year nominees (Nummer: 1984 winner) (Reihenfolge: 109)
Discothèque Idéale Qobuz / Qobuz Ideal Discography (Qobuz’ Schallplattensammlung) (Reihenfolge: 131)
1001 Albums You Must Hear Before You Die (2005 edition) (Nummer: 506) (Reihenfolge: 507)
Wikipedia:en: Thriller 25 [Info]
en: Thriller 40 [Info]
Discogs:https://www.discogs.com/master/8883 [Info]
Liedtextseite:https://genius.com/albums/Michael-jackson/Thriller [Info]
Rezensionen:https://www.bbc.co.uk/music/reviews/649p [Info]
https://www.rollingstone.de/reviews/michael-jackson-thriller/ [Info]
andere Datenbanken:https://rateyourmusic.com/release/album/michael_jackson/thriller/ [Info]
https://www.musik-sammler.de/album/23365/ [Info]
https://www.offiziellecharts.de/charts/album-details-12 [Info]
Allmusic:https://www.allmusic.com/album/mw0000056882 [Info]
Wikidata:Q44320 [Info]