| # | Title | Artist | Rating | Length |
|---|
| 1 | The Tide Is High- engineer:
- Lenise Bent
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (in 1980)
- drums (drum set):
- Clem Burke (in 1980)
- guest percussion:
- Alex Acuña (in 1980), Ollie E. Brown (in 1980) and Emil Richards (in 1980)
- guitar:
- Frank Infante (in 1980) and Chris Stein (in 1980)
- keyboard:
- Jimmy Destri (in 1980)
- timpani:
- Chris Stein (in 1980)
- background vocals:
- Clem Burke (in 1980), Jimmy Destri (in 1980), Nigel Harrison (in 1980) and Frank Infante (in 1980)
- lead vocals:
- Deborah Harry (in 1980)
- instruments arranger:
- Jimmie Haskell
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980) and Chrysalis Records, Inc. (in 1980)
- recorded at:
- United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
- cover recording of:
- The Tide Is High (in 1980)
- additional writer:
- Howard Barrett and Tyrone Evans
- writer:
- John Holt
- publisher:
- B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control , Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
| Blondie | 4.45 | 3:53 |
| 2 | Bette Davis Eyes- recording engineer:
- Val Garay (in 1981-01)
- producer:
- Val Garay
- electric guitar:
- Waddy Wachtel (in 1981-01)
- lead vocals:
- Kim Carnes (in 1981-01)
- phonographic copyright (℗) by:
- Capitol Records, LLC , Capitol Records (in 1981), Capitol Records, Inc. (in 1981), Chrysalis Records (in 1981), EMI America Records, Inc. (in 1981), EMI Records Ltd. (in 1981), EMI Records USA (in 1981), EMI USA (in 1981) and EMI–Manhattan Records (in 1981)
- recorded at:
- Record One in Sherman Oaks, Los Angeles, California, United States (in 1981-01)
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 18) and Billboard: The 500 Best Pop Songs (number: 425)
- cover recording of:
- Bette Davis Eyes (in 1981-01)
- writer:
- Jackie DeShannon and Donna Weiss
- publisher:
- Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Ltd.
| Kim Carnes | 3.95 | 3:44 |
| 3 | Ghost Town | The Specials | | 3:42 |
| 4 | It’s Gonna Happen | The Undertones | | 3:33 |
| 5 | Favourite Shirts | Haircut One Hundred | 5 | 3:06 |
| 6 | Chant No.1 (I Don’t Need This Pressure on) | Spandau Ballet | 4 | 4:06 |
| 7 | I Want to Be Free | Toyah | 5 | 3:12 |
| 8 | A Good Year for the Roses | Elvis Costello & The Attractions | 4.25 | 3:10 |
| 9 | Kids in America- recording engineer:
- Jeo (from 1980 until 1981)
- programming:
- Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
- engineer:
- Steve Stewart
- producer:
- Ricky Wilde
- additional keyboard:
- Nick Priessnitz (from 1980 until 1981)
- bass guitar:
- Martin Russell (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
- drums (drum set):
- Bernhard Hahn (from 1980 until 1981), Chris North (from 1980 until 1981) and Tobias Wörner (from 1980 until 1981)
- guitar:
- Thomas Hahn (from 1980 until 1981), Charlotte Hatherley (from 1980 until 1981), Francis Lickerish (from 1980 until 1981), Steve Stewart (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- keyboard:
- Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981), Robert John Godfrey (from 1980 until 1981), Calvin Hayes (from 1980 until 1981), Derek von Krogh (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- background vocals:
- D. Janz (from 1980 until 1981), M. Janz (from 1980 until 1981), N. Janz (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- lead vocals:
- Charlotte Hatherley (from 1980 until 1981) and Kim Wilde (from 1980 until 1981)
- vocals:
- Kim Wilde (from 1980 until 1981)
- phonographic copyright (℗) by:
- Cherry Red Records Ltd. , EMI Records Ltd. (in 1981, in 1996, in 2001), EMI France (in 1993) and EMI Records Limited (in 2006)
- recorded at:
- Amira Studio (from 1980 until 1981), RAK Studios in London , England, United Kingdom (from 1980 until 1981), Soundmastaz Studios (from 1980 until 1981), Studio 77 in Stuttgart, Baden-Württemberg, Germany (from 1980 until 1981) and The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
- mixed at:
- Jeopark in Buchholz, Niedersachsen , Germany, RAK Studios in London , England, United Kingdom and Studio 77 in Stuttgart, Baden-Württemberg, Germany
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 55)
- recording of:
- Kids in America (from 1980 until 1981)
- writer:
- Marty Wilde and Ricky Wilde
- publisher:
- All Nations Music, EMI Music Publishing , Finchley Music Corp., RAK Publishing Ltd. and Rickim Music Ltd.
| Kim Wilde | 4.35 | 3:27 |
| 10 | Rock This Town | Stray Cats | | 3:26 |
| 11 | Wedding Bells | Godley & Creme | | 3:20 |
| 12 | Let’s Groove | Earth, Wind & Fire | | 3:35 |
| 13 | Keep on Loving You- assistant engineer:
- Tom Cummings and Jeff Eccles
- engineer:
- Kevin Beamish
- co-producer:
- Alan Gratzer
- producer:
- Kevin Beamish, Kevin Cronin and Gary Richrath
- acoustic guitar:
- Kevin Cronin
- bass:
- Bruce Hall
- drums (drum set):
- Alan Gratzer
- guitar:
- Gary Richrath
- Hammond organ:
- Neal Doughty
- background vocals:
- Kevin Cronin, Tom Kelly and Richard Page
- arranger:
- Kevin Cronin
- phonographic copyright (℗) by:
- Epic Records (in 1980), Sony BMG Music Entertainment (in 1980), Sony Music Entertainment (in 1980), Sony Music Entertainment Inc. (in 1980, in 1981) and CBS Records Inc. (in 1981)
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 67)
- recording of:
- Keep On Loving You (on 1980-09-03)
- lyricist and composer:
- Kevin Cronin
- publisher:
- Bucks Music Group Ltd. , Bug Music Ltd., Fate Music, HoriPro Entertainment Group, Hornall Brothers Music Ltd. , Mushroom Music , Mushroom Music Pty. Ltd., The International Music Network and Warner Chappell Music Ltd.
- sub-publisher:
- Taiyō Music
| REO Speedwagon | 3.7 | 3:20 |
| 14 | One of Us- engineer:
- Michael B. Tretow
- producer:
- Benny Andersson and Björn Ulvaeus
- acoustic guitar:
- Björn Ulvaeus (in 1981)
- acoustic guitar and electric guitar:
- Lasse Wellander (on 1981-10-21)
- bass guitar:
- Rutger Gunnarsson (on 1981-10-21)
- drums (drum set):
- Ola Brunkert (on 1981-10-21)
- keyboard:
- Benny Andersson (on 1981-10-21)
- keyboard and synthesizer:
- Benny Andersson (in 1981)
- mandolin:
- The Three Boys (on 1981-10-21)
- percussion:
- Åke Sundqvist (in 1981)
- arranger:
- Benny Andersson and Björn Ulvaeus
- phonographic copyright (℗) by:
- Polar Music International AB (in 1981)
- recorded at:
- Polar Studios in Stockholm, Stockholms län , Sweden (on 1981-10-21)
- mixed at:
- Polar Studios in Stockholm, Stockholms län , Sweden (on 1981-11-13)
- recording of:
- One of Us (on 1981-10-21)
- writer:
- Benny Andersson and Björn Ulvaeus
- publisher:
- Bocu Music Ltd. (ended), Union Songs AB , Union Songs Music, Universal , Artwork Music Co., Inc. (in 1981), EMI Waterford Music (in 1981), Universal PolyGram International Publishing, Inc. (in 1981) and Universal/Union Songs Musikförlag AB (in 1981)
- part of:
- Mamma Mia!
| ABBA | 3.3 | 3:58 |
| 15 | How ’Bout Us | Champaign | 4 | 3:20 |
| 16 | Japanese Boy | Aneka | 3 | 3:58 |
| 17 | Star | Kiki Dee | 5 | 3:16 |
| 18 | For Your Eyes Only | Sheena Easton | 3.5 | 3:01 |
| 19 | Runaround Sue | Racey | | 3:01 |
| 20 | Fade to Grey- engineer:
- John Hudson
- producer:
- Midge Ure and Visage
- performer:
- Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange and Midge Ure
- arranger:
- Visage
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1980) and Universal Records (in 1980)
- recorded at:
- Genetic Studios in West Berkshire, England, United Kingdom
- mixed at:
- Mayfair Sound in London , England, United Kingdom
- recording of:
- Fade to Grey
- writer:
- Billy Currie, Chris Payne and Midge Ure
- publisher:
- Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. and Performance Music Ltd
| Visage | 4.1 | 3:47 |
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