White Christmas

~ Veröffentlichung von Elvis Presley (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Santa Claus Is Back in Town
Techniker(in):
Thorne Nogar
Akustikgitarre und Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1957-09-07)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1957-09-07)
Klavier:
Dudley Brooks (am 1957-09-07)
Kontrabass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1957-09-07)
Schlagzeug:
D.J. Fontana (am 1957-09-07)
Hintergrundgesang:
The Jordanaires (southern gospel group) (am 1957-09-07) und Millie Kirkham (am 1957-09-07)
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1957)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-09-07)
recording of:
Santa Claus Is Back in Town (am 1957-09-07)
Verfasser(in):
Jerry Leiber und Mike Stoller
publisher:
Carlin Music Corporation, Cherry River Music, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) und Sony/ATV Songs LLC
3.952:24
2White Christmas
Techniker(in):
Thorne Nogar
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1957-09-05 bis 1957-09-07) und Elvis Presley (“The King of Rock and Roll”) (von 1957-09-05 bis 1957-09-07)
Klavier:
Dudley Brooks (von 1957-09-05 bis 1957-09-07)
Kontrabass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1957-09-06)
Schlagzeug:
D.J. Fontana (von 1957-09-05 bis 1957-09-07)
Hintergrundgesang:
The Jordanaires (southern gospel group) (am 1957-09-06) und Millie Kirkham (am 1957-09-06)
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-09-06)
cover recording of:
White Christmas (vocal quartet arrangement, made popular by The Drifters) (am 1957-09-06)
Texter und Komponist(in):
Irving Berlin (von 1938 bis 1940)
Arrangement von:
White Christmas
quotes lyrics from:
Jingle Bells
32:24
3Here Comes Santa Claus (Right Down Santa Claus Lane)
Techniker(in):
Thorne Nogar
Akustikgitarre und Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1957-09-06)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1957-09-06)
Klavier:
Dudley Brooks (am 1957-09-06)
Kontrabass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1957-09-06)
Schlagzeug:
D.J. Fontana (am 1957-09-06)
Hintergrundgesang:
The Jordanaires (southern gospel group) (am 1957-09-06) und Millie Kirkham (am 1957-09-06)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-09-06)
cover recording of:
Here Comes Santa Claus (Right Down Santa Claus Lane) (am 1957-09-06)
Texter und Komponist(in):
Gene Autry (“The Singing Cowboy”), Oakley Haldeman (songwriter) und Harriett Melka
publisher:
Campbell Connelly & Co., EMI Davis Music Australia Pty Limited, Remick Music Corp., Warner Bros. Music Corp. und Gene Autry Music Publishing, Inc. (am 1947-11-20)
3.51:55
4I’ll Be Home for Christmas
Techniker(in):
Thorne Nogar
Akustikgitarre und Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1957-09-07)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1957-09-07)
Klavier:
Dudley Brooks (am 1957-09-07)
Kontrabass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1957-09-07)
Schlagzeug:
D.J. Fontana (am 1957-09-07)
Hintergrundgesang:
The Jordanaires (southern gospel group) (am 1957-09-07) und Millie Kirkham (am 1957-09-07)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-09-07)
cover recording of:
I’ll Be Home for Christmas (am 1957-09-07)
Texter:
James Kimball Gannon
zusätzliche(r) Verfasser(in):
Buck Ram
Komponist(in):
Walter Kent
publisher:
Chappell Music Ltd., Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gannon and Kent Music Co., Piedmont Music Company, Warner Chappell und Warner Chappell Music (publisher as Warner/Chappell Music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
41:54
5Blue Christmas
Techniker(in):
Thorne Nogar
Akustikgitarre und Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1957-09-05)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1957-09-05)
Klavier:
Dudley Brooks (am 1957-09-05)
Kontrabass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1957-09-05)
Schlagzeug:
D.J. Fontana (am 1957-09-05)
Hintergrundgesang:
The Jordanaires (southern gospel group) (am 1957-09-05) und Millie Kirkham (am 1957-09-05)
phonographisches Urheberrecht (℗) von:
RCA Victor (in 1957), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1957) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1968)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-09-05)
Teil von:
Billboard Hot 100: 2026-01-03 (Nummer: 21), Billboard Hot 100: 2025-12-27 (Nummer: 27), Billboard Hot 100: 2025-12-20 (Nummer: 29), Billboard Hot 100: 2025-12-13 (Nummer: 31) und Billboard Hot 100: 2025-12-06 (Nummer: 50)
cover recording of:
Blue Christmas (am 1957-09-05)
Verfasser(in):
Bill Hayes (songwriter) und Jay Johnson (songwriter of “Blue Christmas”)
publisher:
Anglo-Pic Music Co. Ltd., Bibo Music Publishing, Inc., J. Albert & Son Pty. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und Universal Polygram International, Inc.
3.652:08
6Santa Bring My Baby Back (to Me)
Techniker(in):
Thorne Nogar
Akustikgitarre und Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1957-09-07)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1957-09-07)
Klavier:
Dudley Brooks (am 1957-09-07)
Kontrabass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1957-09-07)
Schlagzeug:
D.J. Fontana (am 1957-09-07)
Hintergrundgesang:
The Jordanaires (southern gospel group) (am 1957-09-07) und Millie Kirkham (am 1957-09-07)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-09-07)
recording of:
Santa Bring My Baby Back (to Me) (am 1957-09-07)
Verfasser(in):
Claude Demetrius und Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Carlin Music Corporation, Cherry Lane Music Co., Gladys Music, Gladys Music Inc., Minder Music Ltd. und Rachel’s Own Music
41:53
7O Little Town of Bethlehem
Techniker(in):
Thorne Nogar
Akustikgitarre und Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1957-09-07)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1957-09-07)
Klavier:
Dudley Brooks (am 1957-09-07)
Kontrabass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1957-09-07)
Schlagzeug:
D.J. Fontana (am 1957-09-07)
Hintergrundgesang:
The Jordanaires (southern gospel group) (am 1957-09-07) und Millie Kirkham (am 1957-09-07)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-09-07)
cover recording of:
O Little Town of Bethlehem (version performed by Elvis Presley) (am 1957-09-07)
Verfasser(in):
Mark White (co-writer of version of "O Little Town of Bethlehem" performed by Elvis Presley)
Komponist(in):
Lewis Henry Redner
publisher:
Cherry River Music, Elvis Presley Music, Elvis Presley Music Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Version von:
O Little Town of Bethlehem (traditional carol with the tune “St. Louis”, as commonly sung in the U.S.)
cover recording of:
O Little Town of Bethlehem (traditional carol with the tune “St. Louis”, as commonly sung in the U.S.)
Texter:
Phillips Brooks (in 1868)
Komponist(in):
Lewis Henry Redner (in 1868)
basiert auf:
St. Louis (hymn tune)
42:36
8Silent Night
recording of:
Silent Night (Elvis Presley version) (am 1957-09-06)
Texter:
Josef Mohr
Komponist(in):
Franz Xaver Gruber
Übersetzer:
John Freeman Young (in 1859)
publisher:
Cherry River Music und Elvis Presley Music
Version von:
Silent Night (Christmas carol, English translation)
2:19
9(There’ll Be) Peace in the Valley (for Me)
cover recording of:
There’ll Be Peace in the Valley for Me (am 1957-01-13)
publisher:
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”) (am 1939-01-25)
Texter und Komponist(in):
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”)
publisher:
Carlin Music Corp., Rightsong Music, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3:21
10I Believe
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1957-01-12)
Klavier:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1957-01-12)
Kontrabass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1957-01-12)
Schlagzeug:
D.J. Fontana (am 1957-01-12)
Hintergrundgesang:
The Jordanaires (southern gospel group) (am 1957-01-12)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1957-01-12)
cover recording of:
I Believe (am 1957-01-12)
Verfasser(in):
Ervin Drake (Songwriter), Irvin Graham, Jimmy Shirl (Songwriter) und Al Stillman
publisher:
Adaken Music, Cromwell Music, Inc., Gentlemen Jim Music Corp., Hampshire House Publishing Corp., L and S Freedom Music, Lindabet Music Corporation, Tadzio Music Corp., The Songwriters Guild, The Stillman Song Company und TRO Essex Music Ltd.
42:05
11Take My Hand, Precious Lord
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1957-01-13)
Gitarre:
Scotty Moore (American guitarist and recording engineer)
Klavier:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1957-01-13)
Kontrabass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1957-01-13)
membranophone:
D.J. Fontana
Schlagzeug:
D.J. Fontana (am 1957-01-13)
Hintergrundgesang:
The Jordanaires (southern gospel group) (am 1957-01-13)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1957-01-13)
zusätzlich Hintergrundgesang:
The Jordanaires (southern gospel group)
cover recording of:
Take My Hand, Precious Lord (am 1957-01-13)
Texter und arranger:
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”)
Komponist(in):
[traditional] (special purpose artist)
zusätzliche(r) Komponist(in):
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”)
vorher zugeschrieben zu:
George Nelson Allen (American composer from the 1800s)
43:18
12It Is No Secret (What God Can Do)
Stimme/Gesang:
The Jordanaires (southern gospel group)
cover recording of:
It Is No Secret (am 1957-01-19)
Texter und Komponist(in):
Stuart Hamblen
publisher:
Duchess Music Corporation (BMI-affiliated), Hamblen Music, MCA Music Ltd. und Songs of Universal, Inc. (BMI)
43:55
13O Come, All Ye Faithful
Techniker(in):
Al Pachucki
Hintergrundgesang:
The Imperials (gospel/CCM group) (am 1971-05-16)
arranger:
Elvis Presley (“The King of Rock and Roll”)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1971-05-16)
recording of:
O Come, All Ye Faithful (arrangement by Elvis Presley) (am 1971-05-16)
arranger:
Elvis Presley (“The King of Rock and Roll”)
publisher:
Cherry River Music, Elvis Presley Music und R&H Music
Arrangement von:
O Come, All Ye Faithful (English version of Latin “Adeste fideles”)
cover recording of:
O Come, All Ye Faithful (English version of Latin “Adeste fideles”)
Texter und Komponist(in):
John Francis Wade (von 1740 bis 1743)
Übersetzer:
Frederick Oakeley (in 1841)
Arrangement von:
O Come, All Ye Faithful
übersetzte Version von:
Adeste fideles (original latin version)
cover recording of:
O Come, All Ye Faithful (arrangement by Elvis Presley)
arranger:
Elvis Presley (“The King of Rock and Roll”)
publisher:
Cherry River Music, Elvis Presley Music und R&H Music
Arrangement von:
O Come, All Ye Faithful (English version of Latin “Adeste fideles”)
42:49
14The First Noel
Techniker(in):
Al Pachucki
Bass:
Norbert Putnam (von 1971-05-15 bis 1971-05-16)
Gitarre:
James Burton (guitarist) (von 1971-05-15 bis 1971-05-16) und Chip Young (American session guitarist, bassist, producer in the genre of country) (von 1971-05-15 bis 1971-05-16)
Klavier:
David Briggs (English organist and composer) (von 1971-05-15 bis 1971-05-16)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (von 1971-05-15 bis 1971-05-16)
Orgel:
Charlie McCoy (white blues harmonica player, 1960s-present) (von 1971-05-15 bis 1971-05-16) und Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter) (von 1971-05-15 bis 1971-05-16)
Perkussion:
Larry Londin (von 1971-05-15 bis 1971-05-16) und Charlie McCoy (white blues harmonica player, 1960s-present) (von 1971-05-15 bis 1971-05-16)
Schlagzeug:
Kenny Buttrey (von 1971-05-15 bis 1971-05-16), Jerry Carrigan (US drummer) (von 1971-05-15 bis 1971-05-16) und Larry Londin (von 1971-05-15 bis 1971-05-16)
Hintergrundgesang:
The Imperials Quartet (gospel/CCM group) (am 1971-05-16)
vocals:
Ginger Holladay (American singer-songwriter) (von 1971-05-15 bis 1971-05-16), The Imperials (gospel/CCM group) (von 1971-05-15 bis 1971-05-16), Millie Kirkham (von 1971-05-15 bis 1971-05-16) und Temple Riser (von 1971-05-15 bis 1971-05-16)
arranger:
Elvis Presley (“The King of Rock and Roll”)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1971)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (von 1971-05-15 bis 1971-05-16, am 1971-05-16)
recording of:
The First Noel (arrangement by Elvis Presley) (von 1971-05-15 bis 1971-05-16)
arranger:
Elvis Presley (“The King of Rock and Roll”)
publisher:
Cherry River Music, Elvis Presley Music und R&H Music
Arrangement von:
The First Noël
52:11
15On a Snowy Christmas Night
Techniker(in):
Al Pachucki
Hintergrundgesang:
The Imperials Quartet (gospel/CCM group) (am 1971-05-16)
vocals:
Elvis Presley (“The King of Rock and Roll”) (am 1971-05-16)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1971)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1971-05-16)
recording of:
On a Snowy Christmas Night (am 1971-05-16)
Texter und Komponist(in):
Stanley Gelber
publisher:
Cherry River Music, Elvis Presley Music, EMI U Catalog Inc. (publisher; do NOT use as release label) und Gladys Music
42:50
16Winter Wonderland
Techniker(in):
Al Pachucki
Hintergrundgesang:
The Imperials (gospel/CCM group) (am 1971-05-16)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1971)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1971-05-16)
cover recording of:
Winter Wonderland (am 1971-05-16)
Texter:
Richard B. Smith (wrote lyrics to “Winter Wonderland”)
Komponist(in):
Felix Bernard
publisher:
Bregman, Vocco & Conn, Inc., EMI Music (do not use as release label! this is a music publisher), Francis, Day & Hunter, Redwood Music Ltd. (Carlin), Warner Chappell Music Inc., Warner/Chappell Music Australia Pty. Ltd., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
32:19
17The Wonderful World of Christmas
Techniker(in):
Al Pachucki
Hintergrundgesang:
The Imperials Quartet (gospel/CCM group) (am 1971-05-16)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1971)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1971-05-16)
cover recording of:
The Wonderful World of Christmas (am 1971-05-16)
Verfasser(in):
Al Frisch und Charles Tobias (Tin Pan Alley songwriter)
publisher:
Ched Music Corp., Cromwell Music, Inc. und Myra Music Co.
41:58
18It Won’t Seem Like Christmas (Without You)
Techniker(in):
Al Pachucki
Hintergrundgesang:
The Imperials Quartet (gospel/CCM group) (am 1971-05-15)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1971)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1971-05-15)
recording of:
It Won’t Seem Like Christmas (Without You) (am 1971-05-15)
Texter und Komponist(in):
J.A. Balthrop
publisher:
Bob Wes Music, Cherry River Music, Elvis Presley Music und R&H Music
42:42
19I’ll Be Home on Christmas Day
Techniker(in):
Al Pachucki
Bass:
Norbert Putnam (von 1971-05-15 bis 1971-05-16)
Gitarre:
James Burton (guitarist) (von 1971-05-15 bis 1971-05-16) und Chip Young (American session guitarist, bassist, producer in the genre of country) (von 1971-05-15 bis 1971-05-16)
Klavier:
David Briggs (English organist and composer) (von 1971-05-15 bis 1971-05-16)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (von 1971-05-15 bis 1971-05-16)
Orgel:
Charlie McCoy (white blues harmonica player, 1960s-present) (von 1971-05-15 bis 1971-05-16) und Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter) (von 1971-05-15 bis 1971-05-16)
Perkussion:
Larry Londin (von 1971-05-15 bis 1971-05-16) und Charlie McCoy (white blues harmonica player, 1960s-present) (von 1971-05-15 bis 1971-05-16)
Schlagzeug:
Kenny Buttrey (von 1971-05-15 bis 1971-05-16), Jerry Carrigan (US drummer) (von 1971-05-15 bis 1971-05-16) und Larry Londin (von 1971-05-15 bis 1971-05-16)
Hintergrundgesang:
The Imperials (gospel/CCM group) (am 1971-05-16)
vocals:
Ginger Holladay (American singer-songwriter) (von 1971-05-15 bis 1971-05-16), The Imperials (gospel/CCM group) (von 1971-05-15 bis 1971-05-16), Millie Kirkham (von 1971-05-15 bis 1971-05-16) und Temple Riser (von 1971-05-15 bis 1971-05-16)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1971)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (von 1971-05-15 bis 1971-05-16, am 1971-05-16)
recording of:
I’ll Be Home on Christmas Day (von 1971-05-15 bis 1971-05-16)
Texter und Komponist(in):
Tony Macaulay
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Oten Music und R&H Music
3.353:50
20If I Get Home on Christmas Day
Techniker(in):
Al Pachucki
Hintergrundgesang:
The Imperials (gospel/CCM group) (am 1971-05-15)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1971)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten
recording of:
If I Get Home on Christmas Day (am 1971-05-15)
Texter und Komponist(in):
Michael Jarrett (70s US artist, songwriter for Elvis)
publisher:
Gladys Music
32:52
21Holly Leaves and Christmas Trees
Techniker(in):
Al Pachucki
Bass:
Norbert Putnam (von 1971-05-15 bis 1971-05-16)
Gitarre:
James Burton (guitarist) (von 1971-05-15 bis 1971-05-16) und Chip Young (American session guitarist, bassist, producer in the genre of country) (von 1971-05-15 bis 1971-05-16)
Klavier:
David Briggs (English organist and composer) (von 1971-05-15 bis 1971-05-16)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (von 1971-05-15 bis 1971-05-16)
Orgel:
Charlie McCoy (white blues harmonica player, 1960s-present) (von 1971-05-15 bis 1971-05-16) und Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter) (von 1971-05-15 bis 1971-05-16)
Perkussion:
Larry Londin (von 1971-05-15 bis 1971-05-16) und Charlie McCoy (white blues harmonica player, 1960s-present) (von 1971-05-15 bis 1971-05-16)
Schlagzeug:
Kenny Buttrey (von 1971-05-15 bis 1971-05-16), Jerry Carrigan (US drummer) (von 1971-05-15 bis 1971-05-16) und Larry Londin (von 1971-05-15 bis 1971-05-16)
Hintergrundgesang:
The Imperials (gospel/CCM group) (am 1971-05-15)
vocals:
Ginger Holladay (American singer-songwriter) (von 1971-05-15 bis 1971-05-16), The Imperials (gospel/CCM group) (von 1971-05-15 bis 1971-05-16), Millie Kirkham (von 1971-05-15 bis 1971-05-16) und Temple Riser (von 1971-05-15 bis 1971-05-16)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1971)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1971-05-15, von 1971-05-15 bis 1971-05-16)
recording of:
Holly Leaves and Christmas Trees (von 1971-05-15 bis 1971-05-16)
Verfasser(in):
Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter) und Red West
publisher:
R&H Music
42:14
22Merry Christmas Baby
Techniker(in):
Al Pachucki
Bass:
Norbert Putnam (am 1971-05-15)
Gitarre:
James Burton (guitarist) (am 1971-05-15) und Chip Young (American session guitarist, bassist, producer in the genre of country) (am 1971-05-15)
Klavier:
David Briggs (English organist and composer) (am 1971-05-15)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1971-05-15)
Orgel:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1971-05-15) und Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter) (am 1971-05-15)
Perkussion:
Larry Londin (am 1971-05-15) und Charlie McCoy (white blues harmonica player, 1960s-present) (am 1971-05-15)
Schlagzeug:
Kenny Buttrey (am 1971-05-15), Jerry Carrigan (US drummer) (am 1971-05-15) und Larry Londin (am 1971-05-15)
Solo-Gitarre:
Eddie Hinton (am 1971-05-15)
vocals:
Ginger Holladay (American singer-songwriter) (am 1971-05-15), The Imperials (gospel/CCM group) (am 1971-05-15), Millie Kirkham (am 1971-05-15) und Temple Riser (am 1971-05-15)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1971-05-15)
cover recording of:
Merry Christmas Baby (am 1971-05-15)
Verfasser(in):
Lou Baxter und Johnny Moore (US blues guitarist, Three Blazers)
publisher:
Anne-Rachel Music Corp., St. Louis Music Corp., Unichappell Music, Inc., Warner Chappell Music (publisher as Warner/Chappell Music) und Warner/Chappell Music, Inc.
3.655:45
23Silver Bells
Techniker(in):
Al Pachucki
Hintergrundgesang:
The Imperials (gospel/CCM group) (am 1971-05-15)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1971)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1971-05-15)
cover recording of:
Silver Bells (Christmas song) (am 1971-05-15)
Texter und Komponist(in):
Ray Evans (American songwriter) und Jay Livingston
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13), Jay Livingston Music Inc., Paramount Music Corporation, Sony/ATV Music Publishing Australia Pty Ltd. und Sony/ATV Harmony (in 1950)
sub-publisher:
Sony/ATV Harmony Canada und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
32:27
24Mama Liked the Roses
phonographisches Urheberrecht (℗) von:
BMG Music
recording of:
Mama Liked the Roses (am 1969-01-15)
Texter und Komponist(in):
John Christopher (Guitarist, lyricist, composer, singer, session musician)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
32:48
25If Every Day Was Like Christmas
Techniker(in):
Jim Malloy
Gitarre:
Harold Bradley (am 1966-06-10), Scotty Moore (American guitarist and recording engineer) (am 1966-06-10) und Chip Young (American session guitarist, bassist, producer in the genre of country) (am 1966-06-10)
Klavier:
David Briggs (English organist and composer) (am 1966-06-10)
Orgel:
Henry Slaughter (am 1966-06-10)
Pauke:
Buddy Harman (Session drummer and songwriter) (am 1966-06-10)
Saxophon:
Rufus Long (am 1966-06-10)
Schlagzeug:
D.J. Fontana (am 1966-06-10) und Buddy Harman (Session drummer and songwriter) (am 1966-06-10)
Steel-Gitarre:
Pete Drake (steel guitar player) (am 1966-06-10)
Hintergrundgesang:
Dolores Edgin (von 1966-06-10 bis 1966-06-12), The Jordanaires (southern gospel group) (von 1966-06-10 bis 1966-06-12), Millie Kirkham (von 1966-06-10 bis 1966-06-12), June Page (von 1966-06-10 bis 1966-06-12) und The Imperials Quartet (gospel/CCM group) (von 1966-06-10 bis 1966-06-12)
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
Dolores Edgin (am 1966-06-10), The Imperials (gospel/CCM group) (am 1966-06-10), The Jordanaires (southern gospel group) (am 1966-06-10), Millie Kirkham (am 1966-06-10), June Page (am 1966-06-10) und Elvis Presley (“The King of Rock and Roll”) (am 1966-06-12)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1966)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1966-06-10, von 1966-06-10 bis 1966-06-12, am 1966-06-12)
cover recording of:
If Every Day Was Like Christmas (von 1966-06-10 bis 1966-06-12)
Texter und Komponist(in):
Red West
publisher:
Atlantic Music Corp. (BMI)
3.52:53

Nennungen

Veröffentlichung

Techniker(in):Jim Malloy
Thorne Nogar
Al Pachucki
Produzent(in):Ernst Mikael Jorgensen
Roger Semon
phonographisches Urheberrecht (℗) von:BMG Entertainment (in 2000)