Rhythm & Blues 1956

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

Track durations obtained from software.

Starting around 1996, Time-Life repackaged many of the Rhythm & Blues (Time Life Music) series releases for the Solid Gold Soul series. The Solid Gold Soul releases included updated artwork and packaging, but the used same track listings, masterings, and (usually) the same matrix number on the disc.

Time-Life released this disc as Rhythm & Blues 1956 (RHD-05) in the Rhythm & Blues (Time Life Music) series and Solid Gold Soul 1956 (R838-24) in the Solid Gold Soul series. The two discs are digitally identical.

Other Identifiers
Matrix / Runout: 10 OPCD 2616-2 SRC**06

Anmerkung zuletzt geändert am 2024-06-01 19:45 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Why Do Fools Fall in Love
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 307)
recording of:
Why Do Fools Fall in Love (in 1955-11)
Verfasser(in):
Morris Levy und Frankie Lymon
zusätzliche(r) Verfasser(in):
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) und Herman Santiago (singer for Frankie Lymon & The Teenagers)
publisher:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Frankie Lymon and The Teenagers4.52:19
2Let the Good Times Roll
recording of:
Let the Good Times Roll
Verfasser(in):
Shirley Goodman und Leonard Lee
publisher:
Atlantic Music Corp. (BMI), Pixley Music (publisher), Travis Music Co. und Unart Music Corp.
Shirley & Lee2:25
3Rip It Up
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1956-05-09)
Bassgitarre:
Frank Fields (am 1956-05-09)
Gitarre:
Edgar Blanchard (am 1956-05-09)
Klavier und Sologesang:
Little Richard (am 1956-05-09)
Schlagzeug:
Earl Palmer (am 1956-05-09)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1956-05-09)
aufgenommen bei:
J&M Music Shop in New Orleans, Louisiana, Vereinigte Staaten (am 1956-05-09)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 4)
recording of:
Rip It Up (am 1956-05-09)
Verfasser(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Peter Maurice Music Co. Ltd., Robin Hood Music Co., Sony/ATV Songs LLC und Venice Music
Little Richard4.52:25
4I'm in Love Again
Produzent(in):
Dave Bartholomew
phonographisches Urheberrecht (℗) von:
Everest Records (classical) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
aufgenommen bei:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, Vereinigte Staaten
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 6)
recording of:
I’m in Love Again (am 1955-10-15)
Verfasser(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
Fats Domino51:59
5Eddie My Love
Tenorsaxophon:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 31)
recording of:
Eddie My Love
Verfasser(in):
Aaron Collins (US R&B singer/songwriter), Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”) und Sam Ling
The Teen Queens3:14
6The Great Pretender
recorded in:
Chicago, Illinois, Vereinigte Staaten (in 1955-09)
Sologesang:
Tony Williams (lead singer for The Platters)
phonographisches Urheberrecht (℗) von:
Elap Music Ltd. (a division of Pickwick Group Ltd. / a division of Carlton Home Entertainment (UK) Ltd.)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 352)
recording of:
The Great Pretender (in 1955-09)
Texter und Komponist(in):
Buck Ram
publisher:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) und Southern Music Publishing Company Limited
The Platters52:40
7Honky Tonk (Part 2)
Bill Doggett2:36
8Smoke Stack Lightning
recording of:
Smokestack Lightning
Texter und Komponist(in):
Chester Arthur Burnett
publisher:
Arc Music (U.S. rock & blues publisher)
Howlin’ Wolf3:04
9Please Please Please
recorded in:
Cincinnati, Ohio, Vereinigte Staaten (am 1956-02-04)
Produzent(in):
Ralph Bass
Bass:
Clarence Mack (US bassist) (am 1956-02-04)
Gitarre:
Nafloyd Scott (am 1956-02-04)
Klavier:
Lucas "Fats" Gonder (am 1956-02-04)
Schlagzeug:
Edison Gore (am 1956-02-04)
Tenorsaxophon:
Ray Felder (am 1956-02-04) und Wilbert Smith (am 1956-02-04)
Hintergrundgesang:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) (am 1956-02-04), Nashpendle Knox (am 1956-02-04), Sylvester Keels (member of James Brown & The Famous Flames) (am 1956-02-04) und Johnny Terry (bass vocals, member of James Brown & The Famous Flames) (am 1956-02-04)
Sologesang:
James Brown (The Godfather of Soul) (am 1956-02-04)
Interpret(in):
James Brown & The Famous Flames (am 1956-02-04)
phonographisches Urheberrecht (℗) von:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1956)
aufgenommen bei:
King Studios in Cincinnati, Ohio, Vereinigte Staaten (am 1956-02-04)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 142)
recording of:
Please, Please, Please (am 1956-02-04)
Texter und Komponist(in):
James Brown (The Godfather of Soul) und Johnny Terry (bass vocals, member of James Brown & The Famous Flames)
publisher:
Intersong Music, Intersong Music Ltd. und Jadar Music Corp.
James Brown2:46
10Fever
recorded in:
Cincinnati, Ohio, Vereinigte Staaten (am 1956-03-01)
Bass:
Edwyn Conley (am 1956-03-01)
Gitarre:
Bill Jennings (1950s US jazz guitarist) (am 1956-03-01)
Klavier:
Jon Thomas (R&B/rock'n'roll organist and pianist) (am 1956-03-01)
Schlagzeug [drums]:
Edison Gore (am 1956-03-01)
Tenorsaxophon:
Ray Felder (am 1956-03-01) und Rufus Gore (US R&B saxophonist) (am 1956-03-01)
vocals:
Little Willie John (am 1956-03-01)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 3) und Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2010)
recording of:
Fever (am 1956-03-01)
Verfasser(in):
Eddie Cooley und John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. und Trio Music Company
Teil von:
The Adjustment Bureau
Little Willie John2:43
11In the Still of the Nite
Produzent(in):
Marty Kugell
Klavier:
Curlee Glover (in 1956-02)
Kontrabass:
Doug Murray (double bassist) (in 1956-02)
Schlagzeug [drums]:
Bobby Mapp (in 1956-02)
Solo-Saxophon:
Vinny Mazzetta (in 1956-02)
vocals:
Al Denby (in 1956-02), Jim Freeman (American singer and songwriter) (in 1956-02), Ed Martin (in 1956-02), Nat Mosley (in 1956-02) und Fred Parris (in 1956-02)
phonographisches Urheberrecht (℗) von:
Standard Records (in 1956)
aufgenommen bei:
Saint Bernadette Catholic School (New Haven) in New Haven, Connecticut, Vereinigte Staaten (in 1956-02)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 90) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 170)
recording of:
In the Still of the Night (Five Satins doo-wop song) (in 1956)
Texter und Komponist(in):
Fred Parris
publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und Llee Corp. (LLEE Corporation) (in 1956)
The Five Satins4.53:02
12Long Tall Sally
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1956-02-07)
Bassgitarre:
Frank Fields (am 1956-02-07)
Gitarre:
Edgar Blanchard (am 1956-02-07)
Klavier und Sologesang:
Little Richard (am 1956-02-07)
Schlagzeug:
Earl Palmer (am 1956-02-07)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1956-02-07)
aufgenommen bei:
J&M Music Shop in New Orleans, Louisiana, Vereinigte Staaten (am 1956-02-07)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 13) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 56)
recording of:
Long Tall Sally (am 1956-02-07)
Verfasser(in):
Enotris Johnson (am 1955-11-29), Richard Wayne Penniman (am 1955-11-29) und Robert Alexander Blackwell (am 1955-11-29)
publisher:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music und Venice Music
Little Richard42:10
13Speedoo
The Cadillacs2:23
14Brown-Eyed Handsome Man
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre und Sologesang:
Chuck Berry (am 1956-04-19)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1956-04-19)
Kontrabass:
Willie Dixon (am 1956-04-19)
Schlagzeug:
Melvin Billups (am 1956-04-19)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 2003)
aufgenommen bei:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (am 1956-04-19)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 375)
recording of:
Brown Eyed Handsome Man (am 1956-04-19)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Chuck Berry32:18
15Corrine Corrina
recorded in:
New York, New York, Vereinigte Staaten (am 1956-02-04)
Produzent(in):
Ahmet Ertegun (US American Songwriter, producer) und Jerry Wexler
alto saxophone:
Earl Warren (am 1956-02-04)
Gitarre:
George Barnes (am 1956-02-04) und Billy Mure (am 1956-02-04)
Klavier:
Ernie Hayes (American pianist, organist and arranger) (am 1956-02-04)
Kontrabass [bass]:
Lloyd Trotman (US jazz bassist) (am 1956-02-04)
Schlagzeug [drums]:
Panama Francis (US swing jazz drummer) (am 1956-02-04)
Tenorsaxophon:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (am 1956-02-04)
Trompete:
Jimmy Nottingham (am 1956-02-04) und Dick Vance (US jazz trumpeter and arranger) (am 1956-02-04)
Hintergrundgesang:
The Cookies (50s girl group) (am 1956-02-04)
vocals:
Big Joe Turner (am 1956-02-04)
recording of:
Corrine, Corrina (am 1956-02-04)
Texter:
[traditional] (special purpose artist), Armetia Chatman (blues musician, aka Bo Chatmon) (in 1929), J. Mayo ‘Ink’ Williams (in 1929) und Mitchell Parish (in 1932)
Komponist(in):
[traditional] (special purpose artist)
publisher:
Belwin-Mills Publishing Corp., EMI Music Publishing France und Gotham Music Service, Inc. (am 1932-03-18)
Joe Turner52:55
16Blueberry Hill
Produzent(in):
Dave Bartholomew
phonographisches Urheberrecht (℗) von:
Everest Records (classical), Liberty (a division of UMG Recordings, Inc.) (in 1957) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
aufgenommen bei:
Master Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Bearbeitung von:
Blueberry Hill (Imperial) von Fats Domino
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 81) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 147)
cover recording of:
Blueberry Hill (am 1956-06-27)
Texter:
Al Lewis (Tin Pan Alley era lyricist) und Larry Stock
Komponist(in):
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company und Victoria Music Publishing Co. Ltd.
Teil von:
12 Monkeys Soundtrack
Fats Domino4.652:23
17Oh What a Nite
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 260)
recording of:
Oh, What a Night (in 1956-05)
Verfasser(in):
Johnny Funches und Marvin Junior
publisher:
Conrad Music (publisher; do NOT use as release label)
The Dells2:54
18Treasure of Love
Clyde McPhatter2:10
19Stranded in the Jungle
phonographisches Urheberrecht (℗) von:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (vom 1956 bis heute)
cover recording of:
Stranded in the Jungle
Verfasser(in):
James E. Johnson (The Jayhawks/Vibrations) und Ernestine Smith
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peermusic (UK) Limited und Shag Publications
The Cadets3:05
20Slow Walk
Sil Austin2:41
21A Thousand Miles Away
recording of:
A Thousand Miles Away (in 1956-08)
Verfasser(in):
William Miller (US songwriter, A&R executive, label owner) und James “Shep” Sheppard (American Doo-Wop/R&B singer)
publisher:
Nom Music, Inc.
The Heartbeats32:26
22Goodnight My Love
recording of:
Goodnight My Love (Pleasant Dreams)
Verfasser(in):
John Marascalco und George Motola
publisher:
Chappel-Morris, House of Fortune und Quintet Music (Leiber & Stoller)
Jesse Belvin3:06

Nennungen

Veröffentlichung

Produzent(in):Steve Carr (Washington, DC area producer and engineer) (Aufgabe: compilation producer)
Joe Sasfy (Aufgabe: compilation producer)
hergestellt von und phonographisches Urheberrecht (℗) von:Warner Special Products
urheberrechtlich geschützt (©) von:Time-Life Books Inc.
mastered at:Hit and Run Studios (Rockville, MD based studio) in Rockville, Maryland, Vereinigte Staaten
Discogs:https://www.discogs.com/release/14211587 [Info]

Veröffentlichungsgruppe

Teil von:Rhythm & Blues (Time-Life Music) (Nummer: 1956) (Reihenfolge: 3)
Discogs:https://www.discogs.com/master/1723854 [Info]