| # | Title | Artist | Rating | Length |
|---|
| 1 | Too Funky (single edit) | George Michael | 3 | 3:46 |
| 2 | Stay | Shakespear’s Sister | 3.25 | 3:48 |
| 3 | America: What Time Is Love? | The KLF | | 3:29 |
| 4 | Even Better Than the Real Thing (The Perfecto mix) | U2 | | 6:38 |
| 5 | Ain’t No Doubt | Jimmy Nail | 3 | 4:06 |
| 6 | Could It Be Magic (Rapino radio mix)- engineer:
- Tim Eames and Robin Sellars
- co-producer:
- Billy Griffin, Ian Levine and The Rapino Brothers
- mixer:
- Ian Levine
- cover recording of:
- Could It Be Magic
- lyricist:
- Adrienne Anderson
- additional composer:
- Fryderyk Chopin
- composer:
- Barry Manilow
- publisher:
- Angeldust Music (ended), Kamikazee Music (ended), EMI Longitude Music and Universal Music Careers
- sub-publisher:
- シンコーミュージック・エンタテイメント , ユニバーサル・ミュージック・パブリッシング Synch事業部 , イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
- is based on:
- Prélude no. 20 in C minor, op. 28: Largo
- version of:
- Could It Be Magic
- recording of:
- Could It Be Magic
- lyricist:
- Adrienne Anderson
- additional composer:
- Fryderyk Chopin
- composer:
- Barry Manilow
- publisher:
- Angeldust Music (ended), Kamikazee Music (ended), EMI Longitude Music and Universal Music Careers
- sub-publisher:
- シンコーミュージック・エンタテイメント , ユニバーサル・ミュージック・パブリッシング Synch事業部 , イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
- is based on:
- Prélude no. 20 in C minor, op. 28: Largo
- version of:
- Could It Be Magic
- recording of:
- Could It Be Magic
- lyricist:
- Adrienne Anderson
- additional writer:
- Bibi Anderson
- additional composer:
- Fryderyk Chopin
- composer:
- Barry Manilow
- publisher:
- BMG Music Publishing Limited
- is based on:
- Prélude no. 20 in C minor, op. 28: Largo
- version of:
- Could It Be Magic
| Take That | 2 | 3:30 |
| 7 | Give Me Just a Little More Time- additional engineer:
- Gordon Dennis
- assistant engineer:
- Jason Barron, Dillon Gallagher, Matt Le Flem, Chris McDonnell , Dean Murphy , Les Sharma and Paul Waterman
- engineer:
- Peter Day
- producer:
- Mike Stock and Pete Waterman
- mixer:
- Dave Ford and Phil Harding
- keyboard:
- Julian Gingell and Mike Stock
- background vocals:
- Lance Ellington , Carol Kenyon, Mae McKenna , Kylie Minogue, Leroy Osbourne , Mike Stock and Miriam Stockley
- lead vocals:
- Kylie Minogue
- arranger:
- Mike Stock and Pete Waterman
- phonographic copyright (℗) by:
- PWL Records Ltd. (in 1991)
- recorded at and mixed at:
- The Hit Factory in London , England, United Kingdom
- cover recording of:
- Give Me Just a Little More Time
- writer:
- Lamont Dozier, Ronald Dunbar , Brian Holland and Eddie Holland
- publisher:
- Holland Group Productions Inc. and Universal/MCA Music Ltd.
| Kylie Minogue | 3 | 3:08 |
| 8 | Would I Lie to You? (edit) | Charles & Eddie | 3.35 | 3:26 |
| 9 | I Love Your Smile (Driza Bone remix) | Shanice | 4 | 3:51 |
| 10 | My Lovin’ (You’re Never Gonna Get It) (radio edit) | En Vogue | | 3:58 |
| 11 | Sleeping Satellite | Tasmin Archer | 4.25 | 4:41 |
| 12 | Crucify (remix) | Tori Amos | 3.65 | 4:16 |
| 13 | Why- programming:
- Marius de Vries, Stephen Lipson and Peter-John Vettese
- engineer:
- Heff Moraes
- producer:
- Stephen Lipson
- assistant mixer:
- Will O'Donovan
- guitar:
- Stephen Lipson
- keyboard:
- Marius de Vries, Annie Lennox , Stephen Lipson and Peter-John Vettese
- recorder:
- Peter-John Vettese
- vocals:
- Annie Lennox
- phonographic copyright (℗) by:
- BMG Ariola Muenchen GmbH (in 1992) and Sony BMG Music Entertainment (UK) Ltd. (in 1992)
- recorded at:
- Mayfair Studios in London , England, United Kingdom and The Church Studios in London , England, United Kingdom
- mixed at:
- Mayfair Studios in London , England, United Kingdom
- recording of:
- Why
- lyricist and composer:
- Annie Lennox
- publisher:
- BMG Records , La Lennoxa Music Co. Ltd. and Universal Music Publishing MGB Ltd.
| Annie Lennox | 3.5 | 4:54 |
| 14 | No Ordinary Love (radio edit) | Sade | | 3:57 |
| 15 | The Days of Pearly Spencer | Marc Almond | | 4:24 |
| 16 | The Crying Game | Boy George | 2 | 3:21 |
| 17 | Disappointed (single mix) | Electronic | 3.5 | 4:20 |
| 18 | Temptation (Brothers in Rhythm remix edit) | Heaven 17 | 2 | 3:59 |
| 19 | Laid So Low (Tears Roll Down) | Tears for Fears | | 4:39 |
| 20 | Human Touch (single edit) | Bruce Springsteen | 4 | 5:10 |
| 21 | Keep the Faith- additional engineer:
- Obie O’Brien
- assistant engineer:
- Brian Dobbs and Darren Grahn
- engineer:
- Randy Staub
- producer:
- Bob Rock
- assistant mixer:
- Greg Goldman, Ed Korengo and Jim Labinski
- mixer:
- Bob Rock and Randy Staub
- bass guitar:
- Alec John Such
- drums (drum set):
- Tico Torres
- guitar:
- Richie Sambora
- keyboard:
- David Bryan
- lead vocals:
- Jon Bon Jovi
- phonographic copyright (℗) by:
- The Island Def Jam Music Group and PolyGram Records, Inc. (in 1992)
- recorded at:
- Little Mountain Sound in Vancouver, British Columbia, Canada
- mixed at:
- A&M Studios in Hollywood, Los Angeles, California, United States
- recording of:
- Keep the Faith
- writer:
- Jon Bon Jovi, Desmond Child and Richie Sambora
- publisher:
- PolyGram Music Publishing Ltd., Sony/ATV Tunes LLC , Universal PolyGram International Publishing, Inc. , Desmobile Inc. (from 1992 to present), Aggressive Music (in 1992), Bon Jovi Publishing (in 1992), EMI April Music Inc. (in 1992) and PolyGram International Publishing, Inc. (in 1992)
- sub-publisher:
- シンコーミュージック・エンタテイメント , ソニー・ミュージックパブリッシング A事業部 and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Bon Jovi | 4.25 | 5:43 |
| 22 | Be Quick or Be Dead | Iron Maiden | 4.15 | 3:24 |
| 23 | Everything About You | Ugly Kid Joe | | 4:13 |
| 24 | Viva Las Vegas | ZZ Top | 4 | 4:03 |
| 25 | I Drove All Night | Roy Orbison | 4.65 | 3:46 |
| 26 | Hazard (edit) | Richard Marx | | 4:46 |
| 27 | Sometimes Love Just Ain’t Enough (single version) | Patty Smyth & Don Henley | 4 | 4:26 |
| 28 | To Be With You- assistant engineer:
- Chris Kupper, David Luke , Scott Ralston, Michael Semanick and Andy Udoff
- engineer and mixer:
- Kevin Elson and Tom Size
- producer:
- Kevin Elson
- bass guitar [bass]:
- Billy Sheehan
- drums (drum set) [drums]:
- Pat Torpey
- guitar:
- Paul Gilbert
- lead vocals [vocals]:
- Eric Martin
- phonographic copyright (℗) by:
- Atlantic Recording Corp. (in 1991), Warner Music International (in 1991) and Warner Music H.K. Ltd. (in 1997)
- recorded at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States, Fantasy Studios in Berkeley, California, United States and Rumbo Recorders in Canoga Park, Los Angeles, California, United States
- music videos:
- To Be With You by Mr. Big
- recording of:
- To Be With You
- writer:
- David Grahame and Eric Martin
- publisher:
- イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30), Dog Turner Music (from 1991 to present), EMI April Music Inc. (from 1991 to present), Eric Martin Songs (from 1991 to present), Tasmanian Compositions (from 1991 to present), ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| Mr. Big | 4.4 | 3:27 |
| 29 | Nothing to Fear (2001 edit) | Chris Rea | 3 | 4:28 |
| 30 | The One (remastered 2017) | Elton John | 2.6 | 5:51 |
| 31 | Damn I Wish I Was Your Lover (radio version) | Sophie B. Hawkins | 3.35 | 4:13 |
| 32 | Tired of Being Alone (remix) | Texas | | 3:27 |
| 33 | I Want You Near Me | Tina Turner | 2.5 | 3:53 |
| 34 | Feel So High | Des’ree | 4 | 3:55 |
| 35 | Piece of My Heart | Erma Franklin | 3.75 | 2:35 |
| 36 | Lady Godiva’s Room | Simply Red | | 2:54 |
| 37 | (Love Moves in) Mysterious Ways (2012 remaster) | Julia Fordham | 2 | 4:36 |
| 38 | All Woman | Lisa Stansfield | | 4:47 |
| 39 | Rhythm Is a Dancer (7” edit) | Snap! | 3.85 | 3:43 |
| 40 | Ebeneezer Goode | The Shamen | 3.2 | 3:52 |
| 41 | Something Good | Utah Saints | | 3:32 |
| 42 | Twilight Zone (7” vocal) | 2 Unlimited | 4.35 | 4:09 |
| 43 | Miami Hit Mix | Gloria Estefan | | 5:19 |
| 44 | It’s My Life- engineer:
- Gundars Rullis (choir vocals)
- producer and mixer:
- Denniz PoP
- background vocals:
- Paola Toro
- choir vocals:
- Annelie Berg, Marie Bergman , Björn Ström, Gladys del Pilar and Ricco
- choir vocals arranger:
- Anders Hansson
- phonographic copyright (℗) by:
- BMG Ariola München GmbH (in 1992, in 1993)
- produced for:
- SweMix Productions (in 1992)
- recorded at:
- Polar Studios in Stockholm, Stockholms län , Sweden (choir vocals) and SweMix Studio in Stockholm, Stockholms län , Sweden
- mixed at:
- SweMix Studio in Stockholm, Stockholms län , Sweden
- music videos:
- It’s My Life by Dr. Alban
- recording of:
- It’s My Life
- lyricist:
- Dr. Alban
- composer:
- Denniz PoP
- publisher:
- SweMix Music, SweMix Songs and Warner Chappell Music Ltd.
| Dr. Alban | 3.8 | 4:01 |
| 45 | Please Don’t Go (77 Sunshine edit) | KWS | | 3:31 |
| 46 | Baker Street- performer:
- Steve Mac
- phonographic copyright (℗) by:
- PWL International Ltd. (in 1992)
- cover recording of:
- Baker Street
- lyricist and composer:
- Gerry Rafferty
- publisher:
- B Music, Belfern Ltd., EMI Music Publishing , EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. , Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. , Universal Songs and Universal–Songs of PolyGram International, Inc.
| Undercover | | 4:05 |
| 47 | Finally (7” Choice mix) | CeCe Peniston | | 3:44 |
| 48 | Too Blind to See It | Kym Sims | | 3:30 |
| 49 | Ain’t No Man | Dina Carroll | 3 | 3:53 |
| 50 | Vibeology | Paula Abdul | | 3:20 |
| 51 | It’s a Fine Day | Opus III | 3 | 3:36 |
| 52 | Movin’ On Up | Primal Scream | 3.55 | 3:48 |
| 53 | Your Town (Euro 7”) | Deacon Blue | | 3:48 |
| 54 | Friday I’m in Love- assistant engineer:
- Chris Bandy
- engineer:
- David M. Allen and Steve Whitfield
- producer:
- David M. Allen and The Cure
- assistant mixer:
- Andy Baker , Shaun De Feo, Bill Parry , Danton Supple and Mark Warner
- mixer:
- Mark Saunders
- bass guitar:
- Simon Gallup
- bass guitar [6-string bass]:
- Perry Bamonte
- drums (drum set) and percussion:
- Boris Williams
- guitar:
- Robert Smith and Porl Thompson
- keyboard:
- Perry Bamonte and Robert Smith
- lead vocals:
- Robert Smith
- phonographic copyright (℗) by:
- Fiction Records Ltd. (in 1992)
- recorded at:
- The Manor in Oxfordshire, England, United Kingdom
- mixed at:
- Olympic Studios in Barnes, Richmond upon Thames, London , England, United Kingdom
- music videos:
- Friday I’m in Love by The Cure
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 73)
- recording of:
- Friday I’m in Love
- lyricist:
- Robert J. Smith
- composer:
- Boris Williams, Paul S. Thompson, Perry Bamonte, Robert J. Smith and Simon Gallup
- publisher:
- BMG Music Publishing Ltd., BMG Songs, Inc. and Fiction Songs Ltd.
| The Cure | 4.6 | 3:34 |
| 55 | Metal Mickey | Suede | 4.5 | 3:26 |
| 56 | Motorcycle Emptiness (radio edit) | Manic Street Preachers | 3 | 3:34 |
| 57 | Uh Huh Oh Yeh! (Always There to Fool You!) | Paul Weller | | 3:20 |
| 58 | Love Song (edit) | Simple Minds | 3.65 | 3:52 |
| 59 | Face to Face | Siouxsie & the Banshees | 3.5 | 4:21 |
| 60 | I Will Always Love You- engineer:
- David Reitzas, Bill Schnee and Peter Yianilos
- executive producer:
- Clive Davis and Whitney Houston
- producer:
- David Foster
- mixer:
- David Reitzas
- creative direction:
- Rickey Minor
- solo saxophone:
- Kirk Whalum
- arranger:
- David Foster
- vocals arranger:
- Whitney Houston
- phonographic copyright (℗) by:
- RCA Records and Arista Records, Inc. (in 1992)
- mixed at:
- Ocean Way Recording in Hollywood, Los Angeles, California, United States
- part of:
- The Co-Op: Top 10 British Funeral Songs (number: 3), New York Post: 100 Greatest Covers (2007) (number: 59), Billboard: The 500 Best Pop Songs (number: 60), Billboard: Greatest of All Time Hot 100 Songs (number: 60) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 94)
- karaoke recording of:
- I Will Always Love You
- lyricist and composer:
- Dolly Parton
- publisher:
- Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd , Owepar Publishing Inc. and Velvet Apple Music
- cover recording of:
- I Will Always Love You
- lyricist and composer:
- Dolly Parton
- publisher:
- Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd , Owepar Publishing Inc. and Velvet Apple Music
| Whitney Houston | 4.5 | 4:31 |
| 61 | Save the Best for Last- producer:
- Keith Thomas
- additional arranger:
- Vanessa Williams
- arranger:
- Keith Thomas
- recording of:
- Save the Best for Last
- writer:
- Phil Galdston, Jon Lind and Wendy Waldman
- publisher:
- Big Mystique Music, EMI Longitude Music, EMI Music Publishing Ltd. , Kazzoom Music, Inc., Moon and Stars Music, PolyGram Music Publishing, The International Music Network Ltd, Universal Music Publishing Ltd. and Universal PolyGram International Publishing, Inc.
| Vanessa Williams | 3.35 | 3:40 |
| 62 | My Destiny (single radio edit) | Lionel Richie | | 3:40 |
| 63 | Celebration- engineer:
- Peter Day and Phil Harding
- cover recording of:
- Celebration
- writer:
- Robert “Kool” Bell, Ronald Bell, George Brown , Eumir Deodato, Robert Spike Mickens, Claydes Smith, James “J.T.” Taylor , Dennis “D.T.” Thomas and Earl Toon, Jr.
- publisher:
- Delightful Music Publishing Ltd., Double F Music Co., EMI Music Publishing Australia Pty Ltd , EMI Music Publishing WP Ltd., Fresh Start Music, Intersong-Förlagen AB, Planetary Nom (London) Ltd., Warner/Chappell Music Ltd. , Warner–Tamerlane Publishing Corp. (in 1980) and WB Music Corp. (in 1980)
| Kylie Minogue | | 4:00 |
| 64 | It Only Takes a Minute | Take That | | 3:47 |
| 65 | House of Love (Pedigree mix) | East 17 | 2 | 4:40 |
| 66 | Jump- recording of:
- Jump
- writer:
- Alphonso Mizell, Andrew Noland, Berry Gordy, Jr., Leroy Bonner , Jermaine Dupri , Fred Perren, Joe Nicolo, Marshall Jones , Marvin Pierce, Norman Napier, Ralph Middlebrooks, Deke Richards , Walter Morrison and Greg Webster
- is based on:
- I Want You Back
| Kris Kross | 5 | 3:17 |
| 67 | Addams Groove | MC Hammer | 2 | 3:56 |
| 68 | Just Another Day | Jon Secada | 3.5 | 4:19 |
| 69 | Walking on Broken Glass | Annie Lennox | 4 | 4:13 |
| 70 | Movin’ On (7” mix) | Bananarama | | 3:27 |
| 71 | Little Black Book- engineer:
- Greg Droman , Ross Hogarth and John Ingoldsby
- producer:
- Richard Feldman
- mixer:
- Peter Arata
- bass:
- Eric Pressly
- cello:
- Sachi McHenry
- drums (drum set):
- Kenny Aronoff
- guitar:
- Dave Alvin , Rusty Anderson and Michael Landau
- keyboard:
- Kevin Savigar
- percussion:
- Stan Lynch
- violin:
- Charlie Bisharat and Juliann French
- background vocals:
- Nadirah Ali, Gia Ciambotti , Cherryl Crowe, Marcy Levy, Debra Parson and Naomi Star
- lead vocals:
- Belinda Carlisle
- strings arranger:
- Pat Seymour
- phonographic copyright (℗) by:
- Virgin Records Ltd.
- mixed at:
- Larrabee Recording Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- Little Black Book
- writer:
- Belinda Carlisle, Richard Feldman and Marcy Levy
- publisher:
- Make Zee Music, Sony Music Publishing and Virgin Music Ltd.
| Belinda Carlisle | | 4:12 |
| 72 | Love Is Holy | Kim Wilde | | 4:00 |
| 73 | How Do You Do | Roxette | 3 | 3:10 |
| 74 | Faithful | Go West | 3 | 4:23 |
| 75 | Weather With You (remastered 2003) | Crowded House | 3.8 | 3:43 |
| 76 | You | Ten Sharp | 4 | 4:33 |
| 77 | For Your Babies | Simply Red | 2 | 4:17 |
| 78 | Goodnight Girl | Wet Wet Wet | | 3:40 |
| 79 | Hello (Turn Your Radio On) | Shakespear’s Sister | | 4:21 |
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