The Pavarotti Edition

~ Veröffentlichung von Luciano Pavarotti (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: Donizetti
2▶CD: Bellini, Donizetti, Verdi
3▶CD: Verdi
4▶CD: Verdi 2
5▼CD: Puccini
Nr.TitelBewertungLänge
1Che gelida manina
Techniker(in):
James Lock (James Locke, engineer), Colin Moorfoot (engineer) und Gordon Parry (engineer)
Produzent(in):
James Mallinson (producer) und Ray Minshull (record producer)
Tenor-Gesang [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
Orchester:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1972-10)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (in 1972-10)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
4:44
2O soave fanciulla
Techniker(in):
James Lock (James Locke, engineer), Colin Moorfoot (engineer) und Gordon Parry (engineer)
Produzent(in):
James Mallinson (producer) und Ray Minshull (record producer)
Baritongesang [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
Soprangesang [Mimì]:
Mirella Freni (soprano) (in 1972-10)
Tenor-Gesang [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
Orchester:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1972-10)
Bearbeitung von:
La Bohème: Atto I. “O soave fanciulla” (Love Duet) von Luciano Pavarotti (tenor), Mirella Freni (soprano), Berliner Philharmoniker, Herbert von Karajan (conductor)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì) (in 1972-10)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Luigi Illica und Giuseppe Giacosa (in 1896)
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
4:18
3In un coupé?… O Mimi, tu piu non torni
Baritongesang [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
Tenor-Gesang [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
Orchester:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1972-10)
recording of:
La bohème: Atto IV. no. 20. “In un coupé?” (Marcello, Rodolfo) (in 1972-10)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
recording of:
La bohème: Atto IV. no. 21. “O Mimì, tu più non torni” (Rodolfo, Marcello) (in 1972-10)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
4:45
4Sono andati
Soprangesang:
Mirella Freni (soprano)
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Berliner Philharmoniker
conductor:
Herbert von Karajan (conductor)
recording of:
La bohème: Atto IV. no. 25. “Sono andati? Fingevo di dormire” (Mimì, Rodolfo)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
5:15
5Che avvien? [La Bohème / Act 4]
Techniker(in):
James Lock (James Locke, engineer), Colin Moorfoot (engineer) und Gordon Parry (engineer)
Produzent(in):
James Mallinson (producer) und Ray Minshull (record producer)
Baritongesang [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
Baritongesang [Schaunard]:
Gianni Maffeo (baritone) (in 1972-10)
Bass-Gesang [Colline]:
Nicolaï Ghiaurov (operatic bass) (in 1972-10)
Soprangesang [Mimì]:
Mirella Freni (soprano) (in 1972-10)
Soprangesang [Musetta]:
Elizabeth Harwood (soprano) (in 1972-10)
Tenor-Gesang [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
Orchester:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1972-10)
recording of:
La bohème: Atto IV. no. 26. “O Dio! Mimì! … Che avvien?” (Rodolfo, Schaunard, Mimì, Musetta, Marcello, Colline) (in 1972-10)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
6:13
6Dovunque al mondo
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (James Locke, engineer) (in 1974-01) und Gordon Parry (engineer) (in 1974-01)
assistierende(r) Produzent(in):
Michael Woolcock (producer) (in 1974-01)
Produzent(in):
Christopher Raeburn (producer) (in 1974-01)
Baritongesang [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
Tenor-Gesang [B.F. Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
Orchester:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1974)
aufgenommen bei:
Sofiensaal in Landstraße, Wien, Österreich (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Dovunque al mondo” (Pinkerton, Sharpless) (in 1974-01)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
3:00
7America for ever
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (James Locke, engineer) (in 1974-01) und Gordon Parry (engineer) (in 1974-01)
assistierende(r) Produzent(in):
Michael Woolcock (producer) (in 1974-01)
Produzent(in):
Christopher Raeburn (producer) (in 1974-01)
Baritongesang [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
Tenor-Gesang [B.F. Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
Tenor-Gesang [Goro]:
Michel Sénéchal (tenor) (in 1974-01)
Orchester:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1974)
aufgenommen bei:
Sofiensaal in Landstraße, Wien, Österreich (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Ed è bella la sposa?” … “Quale smania vi prende!” … “Amore o grillo” (Sharpless, Goro, Pinkerton) (in 1974-01)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
2:36
8Ier l'altro il consolato
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (James Locke, engineer) (in 1974-01) und Gordon Parry (engineer) (in 1974-01)
assistierende(r) Produzent(in):
Michael Woolcock (producer) (in 1974-01)
Produzent(in):
Christopher Raeburn (producer) (in 1974-01)
Baritongesang [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
Tenor-Gesang [B.F. Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
Orchester:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1974)
aufgenommen bei:
Sofiensaal in Landstraße, Wien, Österreich (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Ier l’altro, il Consolato” (Sharpless) (in 1974-01)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
2:13
9Bimba, bimba, non piangere
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (James Locke, engineer) (in 1974-01) und Gordon Parry (engineer) (in 1974-01)
assistierende(r) Produzent(in):
Michael Woolcock (producer) (in 1974-01)
Produzent(in):
Christopher Raeburn (producer) (in 1974-01)
Chorgesang:
Konzertvereinigung Wiener Staatsopernchor (Chor der Wiener Staatsoper) (in 1974-01)
Mezzosoprangesang und Mezzosoprangesang [Suzuki]:
Christa Ludwig (mezzo-soprano) (in 1974-01)
Soprangesang [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
Tenor-Gesang [B.F. Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
Orchester:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1974)
aufgenommen bei:
Sofiensaal in Landstraße, Wien, Österreich (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Bimba, bimba, non piangere” (Pinkerton, coro, Butterfly, Suzuki) (in 1974-01)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
2:22
10Viene la sera
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (James Locke, engineer) (in 1974-01) und Gordon Parry (engineer) (in 1974-01)
assistierende(r) Produzent(in):
Michael Woolcock (producer) (in 1974-01)
Produzent(in):
Christopher Raeburn (producer) (in 1974-01)
Mezzosoprangesang [Suzuki]:
Christa Ludwig (mezzo-soprano) (in 1974-01)
Soprangesang [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
Tenor-Gesang [B.F. Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
Orchester:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1974)
aufgenommen bei:
Sofiensaal in Landstraße, Wien, Österreich (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Viene la sera” (Pinkerton, Butterfly, Suzuki) (in 1974-01)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
7:34
11Vogliatemi bene
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (James Locke, engineer) (in 1974-01) und Gordon Parry (engineer) (in 1974-01)
assistierende(r) Produzent(in):
Michael Woolcock (producer) (in 1974-01)
Produzent(in):
Christopher Raeburn (producer) (in 1974-01)
Soprangesang [Butterfly]:
Mirella Freni (soprano) (in 1974-01)
Tenor-Gesang [Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
Orchester:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1974)
aufgenommen bei:
Sofiensaal in Landstraße, Wien, Österreich (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” … “Un pò'di vero c'è” … “Oh quanti occhi fisi” (Butterfly, Pinkerton) (Love Duet) (in 1974-01)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
Teil von:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
7:54
12Addio fiorito asil
Baritongesang [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
Tenor-Gesang [Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
Orchester:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
recording of:
Madama Butterfly: Atto III. “Addio, fiorito asil” (Pinkerton, Sharpless) (Pinkerton’s Farewell) (in 1974-01)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
2:10
13Non piangere Liù
Baritongesang [Ping]:
Tom Krause (bass-baritone)
Bass-Gesang [Timur]:
Nicolaï Ghiaurov (operatic bass)
Chorgesang:
The John Alldis Choir
Soprangesang [Liù]:
Montserrat Caballé (soprano)
Tenor-Gesang [Calaf]:
Luciano Pavarotti (tenor)
Tenor-Gesang [Pang]:
Pier Francesco Poli (Italian tenor)
Tenor-Gesang [Pong]:
Piero de Palma (tenor)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Zubin Mehta (conductor)
chorus master:
John Alldis (chorusmaster and conductor)
recording of:
Turandot: Atto I. “Ah! per l’ultima volta!” (Timur, Liù, Ministri, Calaf, coro)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto I (Turandot: Act I)
recording of:
Turandot: Atto I. “Ah! per l’ultima volta!” (Timur, Liù, Ministri, Calaf, coro)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto I (Turandot: Act I)
recording of:
Turandot: Atto I. “Non piangere, Liù” (Calaf, Liù, Timur)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto I (Turandot: Act I)
recording of:
Turandot: Atto I. “Non piangere, Liù” (Calaf, Liù, Timur)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto I (Turandot: Act I)
5:06
14Nessun dorma!
Chorgesang:
The John Alldis Choir (von 1972-08-10 bis 1972-08-25) und Wandsworth School Boys’ Choir (von 1972-08-10 bis 1972-08-25)
Tenor-Gesang [Calaf]:
Luciano Pavarotti (tenor) (von 1972-08-10 bis 1972-08-25)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1972-08-10 bis 1972-08-25)
conductor:
Zubin Mehta (conductor) (von 1972-08-10 bis 1972-08-25)
chorus master:
John Alldis (chorusmaster and conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1972-08-10 bis 1972-08-25)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (von 1972-08-10 bis 1972-08-25)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1921-03 bis 1924-03)
Librettist:
Giuseppe Adami und Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. und Ed. G. Ricordi & Cia. SpA (Italian publisher)
Teil von:
Turandot: Atto III (Turandot: Act III)
53:00
15Principessa di morte!
Soprangesang [La Principessa Turandot]:
Joan Sutherland (soprano) (von 1972-08-10 bis 1972-08-25)
Tenor-Gesang [Il Principe Ignoto (Calaf)]:
Luciano Pavarotti (tenor) (von 1972-08-10 bis 1972-08-25)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1972-08-10 bis 1972-08-25)
conductor:
Zubin Mehta (conductor) (von 1972-08-10 bis 1972-08-25)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1972-08-10 bis 1972-08-25)
recording of:
Turandot: Atto III, scena 1. “Principessa di morte!” (Calaf, Turandot) (von 1972-08-10 bis 1972-08-25)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto III (Turandot: Act III)
3:17
16Che è mai di me?
Chorgesang:
The John Alldis Choir (von 1972-08-10 bis 1972-08-25) und Wandsworth School Boys’ Choir (von 1972-08-10 bis 1972-08-25)
Soprangesang [La Principessa Turandot]:
Joan Sutherland (soprano) (von 1972-08-10 bis 1972-08-25)
Tenor-Gesang [Il Principe Ignoto (Calaf)]:
Luciano Pavarotti (tenor) (von 1972-08-10 bis 1972-08-25)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1972-08-10 bis 1972-08-25)
conductor:
Zubin Mehta (conductor) (von 1972-08-10 bis 1972-08-25)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1972-08-10 bis 1972-08-25)
recording of:
Turandot: Atto III, scena 1. “Che è mai di me? Perduta!” (Turandot, Calaf, Voci interne) (von 1972-08-10 bis 1972-08-25)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto III (Turandot: Act III)
2:46
17Del primo pianto - Più grande vittoria non voler
Soprangesang [La Principessa Turandot]:
Joan Sutherland (soprano) (von 1972-08-10 bis 1972-08-25)
Tenor-Gesang [Il Principe Ignoto (Calaf)]:
Luciano Pavarotti (tenor) (von 1972-08-10 bis 1972-08-25)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1972-08-10 bis 1972-08-25)
conductor:
Zubin Mehta (conductor) (von 1972-08-10 bis 1972-08-25)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1972-08-10 bis 1972-08-25)
recording of:
Turandot: Atto III, scena 1. “Del primo pianto…ah!” (Turandot, Calaf) (von 1972-08-10 bis 1972-08-25)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto III (Turandot: Act III)
3:56
18So il tuo nome!
Soprangesang [La Principessa Turandot]:
Joan Sutherland (soprano) (von 1972-08-10 bis 1972-08-25)
Tenor-Gesang [Il Principe Ignoto (Calaf)]:
Luciano Pavarotti (tenor) (von 1972-08-10 bis 1972-08-25)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1972-08-10 bis 1972-08-25)
conductor:
Zubin Mehta (conductor) (von 1972-08-10 bis 1972-08-25)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1972-08-10 bis 1972-08-25)
recording of:
Turandot: Atto III, scena 1. “So il tuo nome!” (Turandot, Calaf) (von 1972-08-10 bis 1972-08-25)
Komponist(in):
Giacomo Puccini (Italian composer)
Teil von:
Turandot: Atto III (Turandot: Act III)
2:14
19Diecimile anni al nostro Imperatore-"Padre augusto" augusto
Chorgesang:
The John Alldis Choir (von 1972-08-10 bis 1972-08-25)
Soprangesang [La Principessa Turandot]:
Joan Sutherland (soprano) (von 1972-08-10 bis 1972-08-25)
Tenor-Gesang [Il Principe Ignoto (Calaf)]:
Luciano Pavarotti (tenor) (von 1972-08-10 bis 1972-08-25)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1972-08-10 bis 1972-08-25)
conductor:
Zubin Mehta (conductor) (von 1972-08-10 bis 1972-08-25)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1972-08-10 bis 1972-08-25)
recording of:
Turandot: Atto III, scena 2. Finale “Diecimilla anni al nostro Imperatore!” (La folla, Turandot) (von 1972-08-10 bis 1972-08-25)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto III (Turandot: Act III)
2:24
6▶CD: Puccini e Veristi
7▶CD: Arias
8▶CD: Arias 2
9▶CD: Italian Songs
10▶CD: Italian Popular Songs
11▶CD: Bonus Disc