BBQ Classics: Best of 70s 80s 90s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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(As of 2024-07-04).

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Titelliste

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1Born in the U.S.A.
recording engineer:
Toby Scott (von 1982-04-27 bis 1982-05-03)
assistierende(r) Techniker(in):
John R. Davenport (engineer), Jeff Hendrickson (sound engineer), Bruce Lampcov, Billy Straus und Zoë Yanakas
Produzent(in):
Jon Landau, Little Steven, Chuck Plotkin und Bruce Springsteen
Mix:
Bob Clearmountain
Akustikgitarre:
Little Steven (von 1982-04-27 bis 1982-05-03)
Bassgitarre:
Garry Tallent (von 1982-04-27 bis 1982-05-03)
Gitarre und Sologesang:
Bruce Springsteen (von 1982-04-27 bis 1982-05-03)
Glockenspiel, Orgel und Klavier und Klavier:
Danny Federici (von 1982-04-27 bis 1982-05-03)
Klavier und Synthesizer:
Roy Bittan (von 1982-04-27 bis 1982-05-03)
Perkussion:
Clarence Clemons (von 1982-04-27 bis 1982-05-03)
Schlagzeug:
Max Weinberg (von 1982-04-27 bis 1982-05-03)
phonographisches Urheberrecht (℗) von:
Bruce Springsteen (in 1984)
aufgenommen bei:
The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1982-04-27 bis 1982-05-03)
mixed at:
The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 48) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 275)
recording of:
Born in the U.S.A. (von 1982-04-27 bis 1982-05-03)
publisher:
Bruce Springsteen (in 1984)
Texter und Komponist(in):
Bruce Springsteen (in 1981)
publisher:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Version von:
Vietnam
Bruce Springsteen3.854:39
2The South’s Gonna Do It (Again)
The Charlie Daniels Band3:57
3Down Home
Alabama3:28
4Gone Country
recording engineer und Mix:
John Kelton
zusätzlich recording engineer:
Steve Lowery (Engineer, based in Nashville, TN)
Techniker(in):
Paula Montondo (Mixing & recording engineer)
Produzent(in):
Keith Stegall (American country singer / songwriter and record producer)
Sologesang:
Alan Jackson (US country singer/songwriter)
aufgenommen bei:
Eleven Eleven Sound in Nashville, Tennessee, Vereinigte Staaten und The Castle (Castle Recording Studios) in Franklin, Tennessee, Vereinigte Staaten
mixed at:
The Castle (Castle Recording Studios) in Franklin, Tennessee, Vereinigte Staaten
Musikvideos:
Gone Country von Alan Jackson (US country singer/songwriter)
recording of:
Gone Country
Texter und Komponist(in):
Bob McDill
Alan Jackson4.254:20
5Don’t Stop Believin’
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981)
recording of:
Don’t Stop Believin’ (Journey song)
Verfasser(in):
Jonathan Cain, Steve Perry (former lead singer of Journey) und Neal Schon
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Lacey Boulevard Music, Sharandall Music, Sony Music (global brand, excluding JP, owned by Sony Music Entertainment), Universal/MCA Music Ltd. (not for release label use!) und Weedhigh‐Nightmare Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), 日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Journey4:11
6Jolene
recording of:
Jolene
Texter und Komponist(in):
Dolly Parton
publisher:
Carlin Music Corporation, Neue Welt Musikverlag GmbH (2017 – present), Owepar Publishing Inc. und Velvet Apple Music
Dolly Parton53:43
7Brand New Man
Produzent(in):
Don Cook (US country producer/songwriter) und Scott Hendricks (producer)
Mix:
Scott Hendricks (producer)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1991)
mixed at:
Castle Recording Studios in Franklin, Tennessee, Vereinigte Staaten
recording of:
Brand New Man
Verfasser(in):
Kix Brooks, Don Cook (US country producer/songwriter) und Ronnie Dunn (American country music singer-songwriter and record producer)
Brooks & Dunn4.52:59
8Two Tickets to Paradise
recording engineer:
Andy Johns (in 1977-06)
Produzent(in):
Bruce Botnick
Mix:
Andy Johns
alto saxophone:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
Bassgitarre:
Lonnie Turner
Gitarre:
Jimmy Lyon (rock guitarist, worked with Eddie Money)
Keyboard:
Eddie Money, Alan Pasqua und Freddie Webb (keyboardist)
Mundharmonika, Saxophon und Sologesang:
Eddie Money
Perkussion:
Kevin Calhoun (percussionist)
Schlagzeug:
Gary Mallaber
Hintergrundgesang:
Randy Nichols
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978)
aufgenommen bei:
CBS Studios (San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten (in 1977-06) und Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1977-06)
recording of:
Two Tickets to Paradise (in 1977-06)
Texter und Komponist(in):
Eddie Money
publisher:
Cashola Music, Three Wise Boys Music LLC und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Eddie Money4.154:00
9Would?
recording engineer und Mix:
Rick Parashar
A&R-Management:
Nick Terzo
Produzent(in):
Alice in Chains und Rick Parashar
Bassgitarre:
Mike Starr (Alice in Chains)
Gitarre und Hintergrundgesang:
Jerry Cantrell
Schlagzeug:
Sean Kinney
Sologesang:
Jerry Cantrell und Layne Staley
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1992)
Musikvideos:
Would? von Alice in Chains
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 88) und The Downloader’s Music Source Book (Nummer: 353)
recording of:
Would?
Texter und Komponist(in):
Jerry Cantrell
publisher:
Buttnugget Publishing und Sony/ATV Music Publishing LLC (1995–2020)
Alice in Chains4.353:27
10My Life
assistierende(r) Techniker(in):
Dave Martone (US engineer)
Techniker(in):
Jim Boyer (producer/engineer)
Produzent(in):
Phil Ramone
Mix:
Jim Boyer (producer/engineer) und Phil Ramone
Akustikgitarre:
Steve Kahn (in 1978)
E-Bass:
Doug Stegmeyer (bass player, aka Slug Douglas) (in 1978)
Hybrid-Piano, Klavier und Sologesang:
Billy Joel (American singer-songwriter and pianist) (in 1978)
Schlagzeug:
Liberty DeVitto (US drummer) (in 1978)
Gast Hintergrundgesang:
Peter Cetera (in 1978) und Donnie Dacus (in 1978)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
aufgenommen bei:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, Vereinigte Staaten (in 1978)
mixed at:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, Vereinigte Staaten
Musikvideos:
My Life von Billy Joel (American singer-songwriter and pianist) und My Life von Billy Joel (American singer-songwriter and pianist)
recording of:
My Life (in 1978)
Texter und Komponist(in):
Billy Joel (American singer-songwriter and pianist)
publisher:
April Music Inc., Joelsongs, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), CBS Songs Ltd. (in 1978), EMI April Music Inc. (in 1978) und Impulsive Music (in 1978)
Billy Joel4.154:44
11Jailhouse RockElvis Presley2:27
12Top Gun Anthem
Programmierung:
Harold Faltermeyer
Techniker(in):
Dave Whitman
Produzent(in):
Jerry Bruckheimer, Harold Faltermeyer und Don Simpson (American film producer, screenwriter, and actor)
Mix:
Harold Faltermeyer und Brian Reeves
E-Gitarre:
Steve Stevens (US guitarist and songwriter)
Keyboard und Synthesizer:
Harold Faltermeyer
Interpret(in):
Steve Stevens (US guitarist and songwriter)
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1986)
aufgenommen bei:
Oasis Recording Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Right Track Recording Studios in Manhattan, New York, New York, Vereinigte Staaten
recording of:
Top Gun Anthem
Komponist(in):
Harold Faltermeyer
publisher:
Sony/ATV Harmony
Harold Faltermeyer & Steve Stevens4:13
13Private Eyes
recording engineer und Mix:
Neil Kernon
assistierende(r) Techniker(in):
Bruce Buckhhalter (Engineer)
Koproduzent(in):
Neil Kernon
Produzent(in):
Daryl Hall und John Oates
Schlagzeug [drums]:
Mickey Curry
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1981) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1981)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
recording of:
Private Eyes
Verfasser(in):
Janna Allen (songwriter), Sara Allen, Daryl Hall und Warren Pash
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), BMG Rights Management Canada, Geomantic Music, Gnarly Dude Music, Hot Cha Music Co., Primary Wave Brian, Unichappell Music Six Continents Special Account, Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
live recording of:
Private Eyes
Verfasser(in):
Janna Allen (songwriter), Sara Allen, Daryl Hall und Warren Pash
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), BMG Rights Management Canada, Geomantic Music, Gnarly Dude Music, Hot Cha Music Co., Primary Wave Brian, Unichappell Music Six Continents Special Account, Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Daryl Hall & John Oates4.553:32
14Carrie
recording engineer und Mix:
Wally Buck und Kevin Elson
Produzent(in):
Kevin Elson
Bassgitarre [bass]:
John Levén
Gitarre:
John Norum
Keyboard:
Mic Michaeli
Schlagzeug [drums]:
Ian Haugland
Hintergrundgesang:
Ian Haugland, Mic Michaeli und John Norum
Sologesang:
Joey Tempest (Swedish singer)
phonographisches Urheberrecht (℗) von:
CBS Records AB (SE subsidiary of CBS Records, renamed Sony Music Entertainment (Sweden) AB in 1991) (in 1986), CBS, Inc. (US broadcasting company; file no releases here!) (in 1986) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1986)
produced for:
Elson Music Vision, Inc.
aufgenommen bei und mixed at:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten, Powerplay Studios in Maur, Zürich (Kanton Zürich), Schweiz und Soundtrade Studios in Solna City, Stockholms län (Stockholm county), Schweden
recording of:
Carrie (Europe song)
Verfasser(in):
Mic Michaeli und Joey Tempest (Swedish singer)
publisher:
EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Seven Doors Music
Europe3.94:31
15Big River
Produzent(in):
Chips Moman
recording of:
Big River
Texter und Komponist(in):
Johnny Cash (country music legend)
publisher:
Hi Lo Music Inc. (BMI-affiliated), House of Cash, Inc. (BMI-affiliated, publisher for works of Johnny Cash) und Knox Music, Inc.
The Highwaymen, Willie Nelson, Johnny Cash, Waylon Jennings & Kris Kristofferson2:47
16Surrender
assistierende(r) Techniker(in):
Mike Beiriger
Techniker(in):
Gary Ladinsky (engineer)
Produzent(in):
Tom Werman
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 356) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 465)
recording of:
Surrender (von 1978-04-30 bis 1978-05-03)
Texter und Komponist(in):
Rick Nielsen
publisher:
Adult Music (in 1978) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1978)
sub-publisher:
イーエムアイ音楽出版 C・F事業部 (EMI Music Publishing Japan C.F. division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Cheap Trick3.854:14
17Broken Wings
Techniker(in):
Paul DeVilliers und Lois Oki
Produzent(in):
Paul DeVilliers und Mr. Mister (American pop rock band)
Mix:
Mick Guzauski und Mike Shipley (audio engineer, mixer, producer)
Bassgitarre und Sologesang:
Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
Gitarre:
Steve Farris (US session guitarist, member of Mr. Mister)
Keyboard:
Steve George (US keyboardist for Mr. Mister & Pages)
Schlagzeug:
Pat Mastelotto
vocals:
Steve George (US keyboardist for Mr. Mister & Pages)
phonographisches Urheberrecht (℗) von:
BMG Entertainment International (in 1985), BMG Music (in 1985), BMG Music International (in 1985) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1985)
recording of:
Broken Wings
Verfasser(in):
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) und Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
publisher:
Ali‐Aja Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Mr. Mister45:49
18Wide Open Spaces
Assistent recording engineer:
Chip Matthews und Mike Wruck
recording engineer:
Eric Legg
Produzent(in):
Blake Chancey und Paul Worley
zusätzliche(r) Produzent(in):
Jim Burnett, Mark Capps (recording engineer), Tony Castle (engineer), Erik Hellerman, Clarke Schleicher (American producer, engineer and mixing engineer.) und Ed Simonton
assistierende(r) Mix:
Christopher Rowe und Shawn Simpson
Mix:
John Guess
Editing:
Jim Burnett, Don Cobb und Carlos Grier
Akustikgitarre:
Mark Casstevens, Billy Crain, Billy Joe Walker, Jr., Paul Worley und Emily Erwin (von 1997-03 bis 1997-08)
Banjo und Resonatorgitarre [dobro]:
Emily Erwin (von 1997-03 bis 1997-08)
Bass:
Joe Chemay und Michael Rhodes
Conga [conga], shakers [shaker] und Tamburin:
Tom Roady
E-Gitarre:
George Marinelli, Billy Joe Walker, Jr. und Paul Worley
Fiddle und Mandoline:
Martie Seidel (von 1997-03 bis 1997-08)
Hammond-Orgel [B-3 organ] und Klavier:
Matt Rollings (American composer, musician and record producer)
Schlagzeug [drums]:
Greg Morrow (session drummer)
Steel-Gitarre:
Lloyd Maines
Sologesang:
Natalie Maines (von 1997-03 bis 1997-08)
vocals:
Emily Erwin (von 1997-03 bis 1997-08) und Martie Seidel (von 1997-03 bis 1997-08)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
aufgenommen bei:
Westwood Studio
mixed at:
The Workstation
edited at:
Georgetown Masters in Nashville, Tennessee, Vereinigte Staaten
additionally produced at:
Sound Stage Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Soundshop (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten, The Money Pit in Nashville, Tennessee, Vereinigte Staaten und Westwood Studio
recording of:
Wide Open Spaces (von 1997-03 bis 1997-08)
Texter und Komponist(in):
Susan Gibson
publisher:
Pie-Eyed Music (in 1997)
The Chicks4.53:44
19Jessie’s Girl
Produzent(in):
Keith Olsen (US producer and engineer)
arranger:
Neil Geraldo, Keith Olsen (US producer and engineer) und Rick Springfield
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1981), BMG Music (in 1981), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1981), RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981, in 2001) und Wizard Records (in 1981)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 20) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 55)
recording of:
Jessie’s Girl
Texter und Komponist(in):
Rick Springfield
publisher:
BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Muscleman Music, PolyGram Music Publishing Ltd., Portal Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc. und Wizard Music
Rick Springfield4.453:14
20Black Betty
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) und CBS Schallplatten GmbH (in 1990)
cover recording of:
Black Betty
Texter und Komponist(in):
[traditional] (special purpose artist) und Huddie William Ledbetter
publisher:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (vom 1977 bis heute) und TRO (publisher) (vom 1977 bis heute)
Ram Jam3.854:00
21Bulls on Parade
recording engineer:
Nick DiDia
assistierende(r) Techniker(in):
Clay Harper
Techniker(in):
Caram Costanzo (music producer, sound engineer)
Koproduzent(in):
Rage Against the Machine
Produzent(in):
Brendan O’Brien (engineer)
Mix:
Andy Wallace (engineer)
Bass:
Tim Bob
Gitarre:
Tom Morello
Schlagzeug:
Brad Wilk
Sologesang:
Zack de la Rocha
aufgenommen bei:
Cole Rehearsal Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
The Enterprise (aka Enterprise Studios) in Burbank, California (Kalifornien), Vereinigte Staaten
recording of:
Bulls on Parade
Texter:
Zack de la Rocha
Komponist(in):
Tim Commerford, Tom Morello, Zack de la Rocha und Brad Wilk
Rage Against the Machine4.43:50
22Sunny
Produzent(in):
Frank Farian
Hintergrundgesang und Sologesang:
Marcia Barrett, Frank Farian und Liz Mitchell
cover recording of:
Sunny
Texter und Komponist(in):
Bobby Hebb
publisher:
MRC Music Corp., Portable Music Co., Inc., Unichappell Music und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Boney M.44:01
23Knockin’ on Heaven’s Door
Techniker(in):
Dan Wallin
Produzent(in):
Gordon Carroll (producer)
Bassgitarre:
Terry Paul (in 1973-02)
Gitarre:
Bob Dylan (in 1973-02) und Roger McGuinn (in 1973-02)
Harmonium, Orgel und Spinet:
Carl Fortina (in 1973-02)
Schlagzeug:
Jim Keltner (in 1973-02)
Hintergrundgesang:
Carol Hunter (in 1973-02), Brenda Patterson (in 1973-02) und Donna Weiss (in 1973-02)
vocals:
Bob Dylan (in 1973-02)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973)
engineered at:
The Burbank Studios in Burbank, California (Kalifornien), Vereinigte Staaten
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 190)
recording of:
Knockin’ on Heaven’s Door (in 1973-02)
Texter und Komponist(in):
Bob Dylan
zusätzlicher Texter:
Bob Dylan (am 1975-03-23)
publisher:
Sony Music Publishers, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Ram’s Horn Music (in 1973)
Bob Dylan4.72:30
24I Ran (So Far Away)
recording engineer:
Mike Score
Techniker(in):
Mike Shipley (audio engineer, mixer, producer)
Produzent(in):
Mike Howlett
Bassgitarre und Hintergrundgesang:
Frank Maudsley
Gitarre:
Paul Reynolds (UK guitarist, in A Flock of Seagulls) und Mike Score
Keyboard und Sologesang:
Mike Score
Schlagzeug:
Ali Score
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1982), Zomba Productions Limited (in 1982) und Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
aufgenommen bei:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
I Ran von A Flock of Seagulls
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 55)
recording of:
I Ran
Verfasser(in):
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score und Mike Score
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
A Flock of Seagulls4.355:08
25Smokin’
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recording of:
Smokin’
Verfasser(in):
Brad Delp und Tom Scholz
publisher:
Lacey Boulevard Music, Screen Gems–EMI Music Ltd., Weedhigh‐Nightmare Music und Pure Songs (in 1976)
Boston4:24
26September
Produzent(in):
Maurice White (Earth, Wind & Fire)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1975, in 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 16) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 65)
recording of:
September
Verfasser(in):
Al McKay, Maurice White (Earth, Wind & Fire) und Allee Willis
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Steel Chest Music, The International Music Network, Universal Music Publishing Group, Pty. Ltd, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Earth, Wind & Fire4.553:36
27Life Is So Good
recording of:
Life Is So Good
Texter und Komponist(in):
John Denver
John Denver1:57
28Ragged Old Flag
recorded in:
Hendersonville, Tennessee, Vereinigte Staaten (am 1974-01-28)
Produzent(in):
Charlie Bragg und Johnny Cash (country music legend)
Akustikgitarre und Sprecher:
Johnny Cash (country music legend) (am 1974-01-28)
Banjo:
Earl Scruggs (am 1974-01-28)
Bass:
Joe Allen (US country songwriter & bassist) (am 1974-01-28)
Gitarre:
Bobby Thompson (guitar & banjo player) (am 1974-01-28)
Klavier:
Charles Cochran (Nashville session pianist & composer) (am 1974-01-28)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1974-01-28)
Schlagzeug:
Kenny Malone (session drummer/percussion) (am 1974-01-28)
Hintergrundgesang:
The Oak Ridge Boys (am 1974-01-28)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974)
recording of:
Ragged Old Flag (am 1974-01-28)
Texter und Komponist(in):
Johnny Cash (country music legend)
Johnny Cash33:07
29I’m No Stranger to the RainKeith Whitley33:34
30High on You
Techniker(in) und Produzent(in):
Ron Nevison
Bass:
Stephan Ellis (bass player with Survivor)
Gitarre:
Frankie Sullivan (US guitarist and songwriter, member of Survivor)
Keyboard:
Jim Peterik
Schlagzeug:
Marc Droubay (drummer for Survivor)
Hintergrundgesang:
Jim Peterik und Frankie Sullivan (US guitarist and songwriter, member of Survivor)
Sologesang:
Jimi Jamison
phonographisches Urheberrecht (℗) von:
Scotti Brothers Records (in 1984)
aufgenommen bei:
The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
High on You
Verfasser(in):
Jim Peterik und Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Easy Action Music, Rude Music (publisher; do NOT use as release label) und WB Music Corp. (1929–2019)
Survivor54:08
31It Never Rains in Southern California
recording of:
It Never Rains in Southern California (in 1972)
Verfasser(in):
Albert Hammond und Mike Hazlewood
publisher:
April Music Inc. (beendet), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und EMI April Music Inc.
Albert Hammond3.83:51
32Straight Tequila Night
Assistent recording engineer:
Julian King
recording engineer und Mix:
Lynn Peterzell
Produzent(in):
John Anderson (US country music singer-songwriter) und James C. Stroud
assistierende(r) Mix:
Julian King und John Kunz
Editing:
Milan Bogdan
Akustikgitarre:
Mark Casstevens
Bass:
Gary Lunn
Schlagzeug:
James C. Stroud
Steel-Gitarre:
Sonny Garrish
Interpret(in):
John Anderson (US country music singer-songwriter)
aufgenommen bei und edited at:
Masterfonics in Nashville, Tennessee, Vereinigte Staaten
mixed at:
Digital Recorders in Nashville, Tennessee, Vereinigte Staaten
recording of:
Straight Tequila Night
Verfasser(in):
Debbie Hupp und Kent Robbins
John Anderson52:55
33Waiting for a Star to Fall
drum machine-Programmierung:
George Merrill
Produzent(in):
Arif Mardin
assistierende(r) Mix:
Jim Dineen
Mix:
David Leonard (US producer and engineer)
alto saxophone:
Andy Snitzer
Bassgitarre, Klavier und Synthesizer:
George Merrill
Gitarre:
John Goux
Schlagzeug:
Denny Fongheiser und Michael Jochum
Synthesizer [Crowning touch]:
Joe Mardin
vocals:
George Merrill und Shannon Rubicam
zusätzlich vocals:
Susan Boyd
phonographisches Urheberrecht (℗) von:
BMG Music (in 1988) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
mixed at:
The Grey Room in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Waiting for a Star to Fall
Verfasser(in):
George Merrill und Shannon Rubicam
publisher:
Irving Music, Inc., Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Boy Meets Girl Music (vom 1987 bis heute) und Irving Music (BMI) (vom 1987 bis heute)
Boy Meets Girl3.254:33
34Working for the Weekend
assistierende(r) Techniker(in):
Mike Fraser (Canadian record producer, engineer and mixer) und Rob Porter
Techniker(in):
Bob Rock und Keith Stein
Produzent(in):
Paul Dean (Canadian guitarist) und Bruce Fairbairn
Bassgitarre:
Scott Smith (Canadian bassist for Loverboy)
Gitarre und Hintergrundgesang:
Paul Dean (Canadian guitarist)
Keyboard:
Doug Johnson (Canadian keyboardist for Loverboy)
Schlagzeug:
Matt Frenette
Sologesang:
Mike Reno
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Canada Inc. (not for release label use! post-2008 subsidiary of Sony Music Entertainment)
aufgenommen bei:
Mushroom Studios in Vancouver, British Columbia, Kanada
mixed at:
Little Mountain Sound in Vancouver, British Columbia, Kanada
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 100)
recording of:
Working for the Weekend
Verfasser(in):
Paul Dean (Canadian guitarist), Matt Frenette und Mike Reno
Loverboy4.23:44
35Don’t Bring Me Down
Techniker(in):
Mack (German rock producer/engineer Reinhold Mack)
Produzent(in):
Jeff Lynne
Bassgitarre:
Kelly Groucutt (von 1979-03 bis 1979-04)
E-Gitarre und Sologesang:
Jeff Lynne (von 1979-03 bis 1979-04)
Hybrid-Piano und Klarinette:
Richard Tandy (keyboardist for Electric Light Orchestra) (von 1979-03 bis 1979-04)
Klavier und Synthesizer:
Jeff Lynne (von 1979-03 bis 1979-04) und Richard Tandy (keyboardist for Electric Light Orchestra) (von 1979-03 bis 1979-04)
Perkussion und Schlagzeug:
Bev Bevan (English rock drummer) (von 1979-03 bis 1979-04)
Chorgesang:
Kelly Groucutt (von 1979-03 bis 1979-04) und Jeff Lynne (von 1979-03 bis 1979-04)
conductor:
Louis Clark (von 1979-03 bis 1979-04)
Saiteninstrumente arranger und Chorgesang arranger:
Louis Clark, Jeff Lynne und Richard Tandy (keyboardist for Electric Light Orchestra)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1979), Jet Inc. (in 1979), Jet Records (in 1979), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2005)
aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland (von 1979-03 bis 1979-04)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 215)
recording of:
Don’t Bring Me Down (von 1979-03 bis 1979-04)
Texter und Komponist(in):
Jeff Lynne
publisher:
April Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs, EMI Songs Ltd., Jet Music Inc., Jet Music Ltd. (British branch) und Polygon Publishing Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Electric Light Orchestra4.454:03
36When I See You Smile
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989)
recording of:
When I See You Smile
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Universal/MCA Music Ltd. (not for release label use!)
Bad English44:20
37All Out of Love
leitende(r) Produzent(in):
Clive Davis (record producer, A&R executive and music industry chief executive)
Produzent(in):
Robie Porter
assistierende(r) Mix:
Linda Corbin
Mix:
Jim Hilton
Bassgitarre:
Criston Barker
Gitarre [lead guitar]:
David Moyse
Gitarre [rhythm guitar]:
Graham Russell (Air Supply)
Keyboard:
Frank Esler‐Smith und Sam McNally
Schlagzeug:
Ralph Cooper (drummer)
Hintergrundgesang:
Criston Barker, Tommy Dassalo (percussionist and backing vocalist for Air Supply), Russell Hitchcock, Marcy Levy, David Moyse und Graham Russell (Air Supply)
Sologesang:
Russell Hitchcock
vocals:
Graham Russell (Air Supply)
arranger:
Air Supply und Robie Porter
Orchestrator(in):
Frank Esler‐Smith und Robie Porter
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1980), Arista Records, LLC (holding company - file NO releases here!) (in 1980), Big Time Phonograph Recording Co. (in 1980), Big Time Phonograph Recording Co. Pty Ltd. (in 1980) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1980)
aufgenommen bei:
Paradise Studios (Sydney) in Sydney, New South Wales, Australien und Studios 301 (Byron Bay) in Byron Bay, New South Wales, Australien
mixed at:
Larrabee Sound Studios (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California (Kalifornien), Vereinigte Staaten
Teil von:
The Downloader’s Music Source Book (Nummer: 290)
recording of:
All Out of Love
Verfasser(in):
Clive Davis (record producer, A&R executive and music industry chief executive) und Graham Russell (Air Supply)
publisher:
Arista Music, Inc., BMG Music Publishing Ltd., BRM Publishing, Careers–BMG Music Publishing, Inc., DJDMP, Inc., Nottsongs, Riva Music Ltd., Universal Music Careers, Universal Music Publishing MGB Ltd., Warner Chappell Music (publisher as Warner/Chappell Music) und Warner/Chappell Music Ltd. (1996–2019)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Air Supply4.454:02
38Pickup ManJoe Diffie53:37
39Paradise by the Dashboard Light
Techniker(in), Produzent(in) und Mix:
Todd Rundgren
Bass:
Kasim Sultan
Gitarre:
Todd Rundgren
Keyboard und sonstiger Gesang [lascivious effects]:
Jim Steinman
Keyboard und Klavier:
Roy Bittan
Saxophon:
Edgar Winter
Schlagzeug:
Max Weinberg
Synthesizer:
Roger Powell (US musician, programmer, and columnist, band "Utopia")
Hintergrundgesang:
Rory Dodd, Marvin Lee und Todd Rundgren
Hintergrundgesang und Sologesang [featured female vocal]:
Ellen Foley
Sologesang:
Meat Loaf
Sprecher [baseball play-by-play]:
Phil Rizzuto
Interpret(in):
Ellen Foley
arranger:
Todd Rundgren und Jim Steinman
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977)
recording of:
Paradise by the Dashboard Light
Texter und Komponist(in):
Jim Steinman
Meat Loaf4.28:29
40Carry On Wayward Son
assistierende(r) Techniker(in):
Jeff Glixman
Techniker(in):
Bill Evans (Louisiana‐based producer/engineer, aka Bleu Evans)
Produzent(in):
Jeff Glixman
Akustikgitarre:
Rich Williams (guitarist of Kansas) (von 1975 bis 1976)
Bassgitarre:
Dave Hope (von 1975 bis 1976)
Bratsche / Viola und Geige / Violine:
Robby Steinhardt (von 1975 bis 1976)
Clavinet, Moog und Synthesizer [Oberheim synthesizer]:
Kerry Livgren (von 1975 bis 1976)
E-Gitarre:
Kerry Livgren (von 1975 bis 1976) und Richard Williams (guitarist of Kansas) (von 1975 bis 1976)
Klavier:
Kerry Livgren (von 1975 bis 1976) und Steve Walsh (original lead singer of Kansas) (von 1975 bis 1976)
Orgel, Synthesizer und Sologesang:
Steve Walsh (original lead singer of Kansas) (von 1975 bis 1976)
Perkussion und Schlagzeug:
Phil Ehart (von 1975 bis 1976)
Hintergrundgesang:
Robby Steinhardt (von 1975 bis 1976) und Steve Walsh (original lead singer of Kansas) (von 1975 bis 1976)
arranger:
Kansas (US prog rock band)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976, in 2001)
aufgenommen bei und mixed at:
Studio in the Country in Bogalusa, Louisiana, Vereinigte Staaten (von 1975 bis 1976)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 96)
recording of:
Carry On Wayward Son (von 1975 bis 1976)
Texter und Komponist(in):
Kerry Livgren
publisher:
Kirshner CBS Music Publishing, Kirshner-Warner Bros Music Ltd., Don Kirshner Music Inc. (vom 1976 bis heute) und EMI Blackwood Music Inc. (vom 1976 bis heute)
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Kansas3.75:23
41The One I Loved Back Then (The Corvette Song)George Jones52:31
42I Can HelpBilly Swan3:58
43Oh Sherrie
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1984) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Oh Sherrie
Verfasser(in):
Bill Cuomo, Randy Goodrum, Craig Krampf und Steve Perry (former lead singer of Journey)
publisher:
Pants Down Music, Phosphene Music, Randy Goodrum Inc., Round Hill Songs / Randy Goodrum Music und Street Talk Tunes
sub-publisher:
Origin Network Pty Ltd, フジパシフィックミュージック (Fujipacific Music, Inc.) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Steve Perry4.353:52
44Use Me
Techniker(in):
Bob Hughes (engineer) und Phil Sheer
Produzent(in):
Benorce Blackmon (guitarist, producer, writer), Melvin Dunlap, James Gadson (American drummer), Ray Jackson (trombonist, pianist and arranger) und Bill Withers
Akustikgitarre:
Benorce Blackmon (guitarist, producer, writer)
Clavinet und Wurlitzer Electric Piano:
Ray Jackson (trombonist, pianist and arranger)
E-Bass:
Melvin Dunlap
Perkussion und Schlagzeug:
James Gadson (American drummer)
Sologesang:
Bill Withers
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
aufgenommen bei:
Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Use Me
Texter und Komponist(in):
Bill Withers
publisher:
Interior Music Corp. (in 1972)
Bill Withers4.353:48
45You Got It
Techniker(in):
Richard Dodd (mastering engineer, producer and engineer), Phil McDonald (engineer and producer) und Don Smith (producer, engineer and mixer)
Produzent(in):
Jeff Lynne
Akustikgitarre:
Roy Orbison (in 1988-04) und Tom Petty (in 1988-04)
Bassgitarre, E-Gitarre, Keyboard und Klavier:
Jeff Lynne (in 1988-04)
Perkussion und Schlagzeug:
Phil Jones (Percussionist) (in 1988-04)
Hintergrundgesang:
Jeff Lynne (in 1988-04), Roy Orbison (in 1988-04) und Tom Petty (in 1988-04)
Sologesang:
Roy Orbison (in 1988-04)
phonographisches Urheberrecht (℗) von:
Roys Boy’s, LLC (in 1989, in 2014) und Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1989)
aufgenommen bei:
F.P.S.H.O.T. (Friar Park Studio) in Henley-on-Thames, Oxfordshire, England, Vereinigtes Königreich (in 1988-04), M.C. Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1988-04) und Rumbo Recorders in Canoga Park, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1988-04)
recording of:
You Got It (in 1988-04)
Verfasser(in):
Jeff Lynne, Roy Orbison und Tom Petty
publisher:
EMI Songs, Gone Gator Music (ASCAP affiliated), Island Music Ltd., MCA Gilbey, Mushroom Music (Mushroom label’s publishing company) und SBK Songs Ltd.
Roy Orbison4.553:30
46Suddenly
recording of:
Suddenly
Verfasser(in):
Keith Diamond und Billy Ocean
publisher:
Musicpiece Publ., Zomba Enterprises, Inc. und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Billy Ocean33:51
47Dancing in the Dark
recording engineer:
Toby Scott (am 1984-02-14)
assistierende(r) Techniker(in):
John R. Davenport (engineer), Jeff Hendrickson (sound engineer), Bruce Lampcov, Billy Straus und Zoë Yanakas
Produzent(in):
Jon Landau, Little Steven, Chuck Plotkin und Bruce Springsteen
Mix:
Bob Clearmountain (von 1984-02 bis 1984-03-08)
Bassgitarre:
Garry Tallent (am 1984-02-14)
Gitarre und Sologesang:
Bruce Springsteen (am 1984-02-14)
Klavier und Synthesizer:
Roy Bittan (am 1984-02-14)
Orgel:
Danny Federici (am 1984-02-14)
Perkussion und Saxophon:
Clarence Clemons (am 1984-02-14)
Schlagzeug:
Max Weinberg (am 1984-02-14)
phonographisches Urheberrecht (℗) von:
Bruce Springsteen (in 1984)
phonographisches Urheberrecht (℗) von:
Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (am 1984-02-14)
mixed at:
The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 234)
recording of:
Dancing in the Dark (am 1984-02-14)
publisher:
Bruce Springsteen (in 1984)
Texter und Komponist(in):
Bruce Springsteen (in 1984)
publisher:
Bruce Springsteen Music, Jonathan Msc. und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Bruce Springsteen4.44:01
48How Am I Supposed to Live Without You
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989)
recording of:
How Am I Supposed to Live Without You
Verfasser(in):
Michael Bolton und Doug James (Songwriter / Composer / Keyboards)
publisher:
EMI Blackwood Music Inc., EMI Songs Ltd. und Is Hot Music Ltd.
sub-publisher:
フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Michael Bolton44:15
49Forty Hour Week (For a Livin’)Alabama33:22
50When Will I See You Again
recording of:
When Will I See You Again
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gamble Huff Music Ltd., Mighty Three Music, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell (Warner/Chappell Music, Inc.)
The Three Degrees3:00
51One Toke Over the Line
Techniker(in):
Steve Barncard
Produzent(in):
Nick Gravenites
vocals:
Mike Brewer (of Brewer & Shipley/Mastin & Brewer) und Tom Shipley (singer-songwriter, musician, vocals, guitar, bass, banjo)
recording of:
One Toke Over the Line
Texter und Komponist(in):
Mike Brewer (of Brewer & Shipley/Mastin & Brewer) und Tom Shipley (singer-songwriter, musician, vocals, guitar, bass, banjo)
publisher:
Universal Music Careers
Brewer & Shipley53:19
52Who Can It Be Now?
Techniker(in):
Jim Barbour und Peter McIan
zusätzliche(r) Techniker(in):
Paul Ray (70s/80s US engineer)
Produzent(in):
Peter McIan
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981, in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1996)
aufgenommen bei:
Richmond Recorders in Melbourne, Victoria, Australien
recording of:
Who Can It Be Now?
Texter und Komponist(in):
Colin Hay
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd. und EMI Songs Ltd.
Men at Work4.43:23
53Piano Man
Techniker(in):
Ron Malo
Produzent(in):
Michael Stewart (US producer/guitarist from California, 1945–2002)
accordion und Keyboard [keyboards]:
Michael Omartian (in 1973)
E-Bass:
Wilton Felder (in 1973)
Gitarre:
Larry Carlton (in 1973) und Dean Parks (American session guitarist) (in 1973)
Gitarre [guitar overdubs]:
William Bennett (guitarist) (in 1973)
Mundharmonika und Klavier und Sologesang:
Billy Joel (American singer-songwriter and pianist) (in 1973)
Perkussion:
Bobbi Hall (in 1973)
Schlagzeug:
Ron Tutt (drummer) (in 1973)
arranger:
Michael Omartian
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973, in 1975), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
aufgenommen bei:
Devonshire Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1973)
Musikvideos:
Piano Man von Billy Joel (American singer-songwriter and pianist)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 421)
recording of:
Piano Man (in 1973)
Texter und Komponist(in):
Billy Joel (American singer-songwriter and pianist)
publisher:
April Music Ltd., Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Songs Australia Pty. Ltd., Home Grown Music, Inc. (work publisher), Impulsive Music, Tinker Street Tunes, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), CBS Songs Ltd. (in 1973) und Joelsongs (in 1973)
Billy Joel4.355:39
54All the Young Dudes
Produzent(in):
David Bowie (English singer‐songwriter)
Sologesang:
Ian Hunter (Mott the Hoople)
arranger:
David Bowie (English singer‐songwriter)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1972), CBS, Inc. (US broadcasting company; file no releases here!) (in 1972), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1972), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972, in 1976)
Teil von:
Songs banned by the BBC, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 166) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 253)
recording of:
All the Young Dudes
Texter und Komponist(in):
David Bowie (English singer‐songwriter)
publisher:
BMG Blue, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Chrysalis Songs, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Jones Music America, Mainman Ltd., Mainman Saag (New York), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Northern Songs Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Tintoretto Music
sub-publisher:
EMI Music Publishing France, Warner Chappell Music France, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
cover recording of:
All the Young Dudes
Texter und Komponist(in):
David Bowie (English singer‐songwriter)
publisher:
BMG Blue, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Chrysalis Songs, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Jones Music America, Mainman Ltd., Mainman Saag (New York), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Northern Songs Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Tintoretto Music
sub-publisher:
EMI Music Publishing France, Warner Chappell Music France, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Mott the Hoople4.23:32
55Free‐for‐All
Produzent(in):
Cliff Davies (British drummer, songwriter and producer)
recording of:
Free-For-All
Texter und Komponist(in):
Ted Nugent
publisher:
Magicland Music
Ted Nugent4.53:22
56Cowboy Take Me Away
recording engineer:
Billy Sherrill (US songwriter/producer/arranger)
Produzent(in):
Blake Chancey und Paul Worley
Musikvideos:
Cowboy Take Me Away von The Chicks (US country trio, formerly known as the Dixie Chicks)
Teil von:
Billboard Decade End Chart: Country (2000's) (Nummer: 28)
recording of:
Cowboy Take Me Away (in 1999)
Verfasser(in):
Marcus Hummon (in 1999) und Martie Seidel (in 1999)
publisher:
Bug Music (music publishing) (in 1999), Careers BMG Music Publishing, Inc. (in 1999), Floyd's Dream Music (in 1999) und Woolly Puddin’ Music (in 1999)
The Chicks4.854:51
57Shakin’
Techniker(in) und Mix:
Andy Johns
Produzent(in):
Tom Dowd
arranger:
Eddie Money
co-arranger:
Tom Dowd
aufgenommen bei:
Automatt in San Francisco, California (Kalifornien), Vereinigte Staaten (von 1981-12 bis 1982-04), Criteria Studios in Miami, Florida, Vereinigte Staaten (von 1981-12 bis 1982-04) und Wally Heider (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1981-12 bis 1982-04)
recording of:
Shakin’ (von 1981-12 bis 1982-04)
Verfasser(in):
Ralph Carter (heavy metal bassist), Eddie Money und Elizabeth Myers
publisher:
Cashola Music, Elizabeth Myers Music und Three Wise Boys Music LLC
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Eddie Money43:08
58Lovin’, Touchin’, Squeezin’
Techniker(in):
George Tutko (engineer, producer) und Geoff Workman
Produzent(in):
Roy Thomas Baker (producer), Gregg Rolie, Neal Schon, Steve Smith (US drummer most associated with Journey) und Ross Valory
Mix:
Roy Thomas Baker (producer)
Akustikgitarre und E-Gitarre:
Neal Schon (von 1978-10 bis 1979-11)
Bassgitarre:
Ross Valory (von 1978-10 bis 1979-11)
Keyboard:
Gregg Rolie (von 1978-10 bis 1979-11)
Schlagzeug und Perkussion:
Steve Smith (US drummer most associated with Journey) (von 1978-10 bis 1979-11)
Hintergrundgesang:
Greg Werner (von 1978-10 bis 1979-11)
Sologesang:
Steve Perry (former lead singer of Journey) (von 1978-10 bis 1979-11)
vocals:
Gregg Rolie (von 1978-10 bis 1979-11), Neal Schon (von 1978-10 bis 1979-11) und Ross Valory (von 1978-10 bis 1979-11)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1979)
aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1978-10 bis 1979-11)
Musikvideos:
Lovin’, Touchin’, Squeezin’ (music video) von Journey (American rock band)
recording of:
Lovin’, Touchin’, Squeezin’ (von 1978-10 bis 1979-11)
Texter und Komponist(in):
Steve Perry (former lead singer of Journey)
publisher:
Lacey Boulevard Music und Weedhigh‐Nightmare Music
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Journey33:53
59Summertime Blues
recording engineer und Mix:
John Kelton
zusätzlich recording engineer:
Steve Lowery (Engineer, based in Nashville, TN)
Techniker(in):
Paula Montondo (Mixing & recording engineer)
Produzent(in):
Keith Stegall (American country singer / songwriter and record producer)
Hintergrundgesang und Sologesang:
Alan Jackson (US country singer/songwriter)
aufgenommen bei:
Eleven Eleven Sound in Nashville, Tennessee, Vereinigte Staaten und The Castle (Castle Recording Studios) in Franklin, Tennessee, Vereinigte Staaten
mixed at:
The Castle (Castle Recording Studios) in Franklin, Tennessee, Vereinigte Staaten
cover recording of:
Summertime Blues
Verfasser(in):
Jerry Capehart und Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
American Music (publisher), Cinephonic Music Co., Ltd., Edition Wilhelm Hansen, Elvis Presley Music, Gallo Music Publishers, Gladys Music, Hill and Range Songs, Inc. (publisher), Rightsong Music, Viva Music, Inc, Warner Bros. Music (publisher; do NOT use as release label) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Alan Jackson4.53:12
60One on One
recording of:
One on One (in 1981-12)
Texter und Komponist(in):
Daryl Hall
publisher:
Hot Cha Music Co., Intersong Music Ltd. und Unichappell Music, Inc.
Daryl Hall & John Oates4:20
61Wham Bam Shang‐A‐Lang
Produzent(in):
Clive Davis (record producer, A&R executive and music industry chief executive) und Tom Sellers (US musician, producer, arranger and songwriter)
Bassgitarre:
Tom Leadon
Gitarre:
John Batdorf (singer, songwriter) und Greg Collier
Keyboard:
Brent Mydland
Schlagzeug:
Harry Stinson
vocals:
John Batdorf (singer, songwriter), Greg Collier, Tom Leadon, Brent Mydland und Harry Stinson
arranger:
Silver (70s US country rock band “Wham Bam”) und Tom Sellers (US musician, producer, arranger and songwriter)
recording of:
Wham Bam Shang‐A‐Lang
Texter und Komponist(in):
Rick Giles (US country musician)
publisher:
Colgems-EMI Music Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Silver3.13:34
62Roll With the Changes
Techniker(in):
Paul Grupp
zusätzliche(r) Techniker(in):
Gary Lubow
Produzent(in):
Kevin Cronin, Paul Grupp und Gary Richrath
Akustikgitarre, Klavier und Sologesang:
Kevin Cronin
Bassgitarre:
Bruce Hall (US bassist for REO Speedwagon)
Gitarre [lead guitars]:
Gary Richrath
Hammond-Orgel:
Neal Doughty
Schlagzeug [drums]:
Alan Gratzer
arranger:
Kevin Cronin
aufgenommen bei und mixed at:
Sound City in Van Nuys, California (Kalifornien), Vereinigte Staaten
recording of:
Roll With the Changes (in 1977-10)
Texter und Komponist(in):
Kevin Cronin
publisher:
Fate Music, Roliram Music und 大洋音楽 (Taiyō Music)
REO Speedwagon35:36
63Everything You Want
recording of:
Everything You Want
Verfasser(in):
Matthew Scannell
Vertical Horizon54:15
64She’s So High
Produzent(in):
Bob Rock
Bassgitarre [bass]:
Chris Wyse
E-Gitarre, Klavier, Lap-Steel-Gitarre und Sologesang:
Tal Bachman
Moog und Wurlitzer Electric Piano [Wurlitzer]:
Buck Johnson
Schlagzeug [drums]:
Lance Porter (Drummer)
Hintergrundgesang:
Tal Bachman und Buck Johnson
recording of:
She's So High
Verfasser(in):
Tal Bachman
Tal Bachman53:42
65Islands in the Stream
Produzent(in):
Albhy Galuten, Barry Gibb und Karl Richardson
vocals:
Dolly Parton und Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1983)
produced for:
Karlbhy Productions
recording of:
Islands in the Stream
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Crompton Songs, Gibb Brothers Music, Screen Gems–EMI Music, Summerhill Songs, Unichappel Music, Universal Music Publishing International MGB Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Dolly Parton & Kenny Rogers44:10
66Rock and Roll, Hoochie Koo
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1973)
recording of:
Rock and Roll, Hoochie Koo
Texter und Komponist(in):
Rick Derringer
publisher:
Universal Music Careers
Rick Derringer33:44
67(Don’t Fear) The Reaper
recording engineer:
Andy Abrams (in 1976-03) und Shelly Yakus (in 1976-03)
Techniker(in):
Andy Abrams und Shelly Yakus
Produzent(in):
Murray Krugman, David Lucas (US producer, composer & engineer) und Sandy Pearlman
Mix:
Andy Abrams (von 1975 bis 1976) und Shelly Yakus (von 1975 bis 1976)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (in 1976-03)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1975 bis 1976)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 55)
recording of:
(Don’t Fear) The Reaper (in 1976-03)
Texter und Komponist(in):
Donald Roeser
publisher:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC und Sony/ATV Tunes LLC (ASCAP) (in 1976)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Öyster Cult4.555:08
68Your Love
Produzent(in):
William Wittman
Mix:
John Agnello (engineer & producer) und William Wittman
Bassgitarre und Sologesang:
Tony Lewis (lead vocalist, bassist in The Outfield)
Gitarre:
John Spinks
Keyboard:
Reg Webb (piano)
Schlagzeug:
Alan Jackman
vocals:
John Spinks
aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
Musikvideos:
Your Love von The Outfield
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 59) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 450)
recording of:
Your Love
Texter und Komponist(in):
John Frederick Spinks
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Universal‐MCA Music Publishing (US) und Warning Tracks Ltd.
The Outfield43:34
69The Way It Is
Techniker(in):
Elliot Scheiner
Produzent(in):
Bruce Hornsby und Elliot Scheiner
Klavier und Synthesizer:
Bruce Hornsby
Perkussion und Schlagzeug:
John Molo
vocals:
Bruce Hornsby
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead), BMG Entertainment (in 1986), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1986) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1986)
produced for:
Trackman, Inc.
recording of:
The Way It Is
Texter und Komponist(in):
B.R. Hornsby
publisher:
BMG Music Ltd., Bob‐a‐Lew Songs (ASCAP), Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) und Zappo Music (vom 1986 bis heute)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bruce Hornsby & the Range4.054:58
70Burning Love
Produzent(in):
Felton Jarvis
Bass:
Emory Gordy (von 1972-02-27 bis 1972-02-29)
Gitarre:
Charlie Hodge (von 1972-02-27 bis 1972-02-29), Dennis Linde (von 1972-02-27 bis 1972-02-29), John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (von 1972-02-27 bis 1972-02-29) und James Burton (guitarist) (von 1972-03-27 bis 1972-03-29)
Klavier:
Glen D. Hardin (von 1972-02-27 bis 1972-02-29)
Perkussion:
Jerry Carrigan (US drummer) (von 1972-02-27 bis 1972-02-29)
Schlagzeug:
Ronnie Tutt (drummer) (von 1972-02-27 bis 1972-02-29)
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
J.D. Sumner & The Stamps (von 1972-02-27 bis 1972-02-29)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1972) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Victor, Studio C in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1972-03-27 bis 1972-03-29, am 1972-03-28)
cover recording of:
Burning Love (von 1972-02-27 bis 1972-02-29)
Texter und Komponist(in):
Dennis Linde
publisher:
Combine Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. und Sony/ATV Songs LLC
live cover recording of:
Burning Love (am 1972-03-28)
Texter und Komponist(in):
Dennis Linde
publisher:
Combine Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. und Sony/ATV Songs LLC
cover recording of:
Burning Love (am 1972-03-28)
Texter und Komponist(in):
Dennis Linde
publisher:
Combine Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. und Sony/ATV Songs LLC
Elvis Presley3.42:50
71Paper Bag
recording engineer:
Rich Costey
assistierende(r) Techniker(in):
Tom Banghart, Rob Brill, Greg Collins (engineer), Steve Mixdorf und John Tyree (engineer)
Produzent(in):
Jon Brion
Mix:
Jon Brion und Rich Costey
Bassgitarre:
Mike Elizondo
Horn:
Jean Martinelli, Wendell Kelly, Paul Loredo, John Noreyko und Don Sweeney (horninst)
Klavier:
Fiona Apple (singer-songwriter and pianist)
Schlagzeug:
Matt Chamberlain (American drummer)
vocals:
Fiona Apple (singer-songwriter and pianist)
Orchestrator(in):
John Bainbridge
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 2002)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 382)
recording of:
Paper Bag
Texter und Komponist(in):
Fiona Apple (singer-songwriter and pianist)
Fiona Apple4.453:39
72Living in America (from “Rocky IV” soundtrack)
assistierende(r) Techniker(in):
Jeff Lord‐Alge
Techniker(in):
Chris Lord‐Alge
Produzent(in):
Dan Hartman
Bassgitarre:
T.M. Stevens (US bass player Thomas Michael Stevens)
Gitarre:
Dan Hartman und Stevie Ray Vaughan
Horn:
Crispin Cioe, Bob Funk (trombonist, trumpet player), Arno Hecht (American saxophonist), Hollywood Paul Litteral und The Uptown Horns (US horn section, formed in 1980)
Keyboard:
Dan Hartman
membranophone:
Ray Marchica
Hintergrundgesang:
Dan Hartman und T.M. Stevens (US bass player Thomas Michael Stevens)
Sologesang:
James Brown (The Godfather of Soul)
recording of:
Living in America
Verfasser(in):
Dan Hartman und Charlie Midnight
publisher:
April Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Janiceps Music, Second Nature Music, Inc., UA Music Inc. und United Lion Music Inc.
James Brown3.354:44
73Man in the Box
recording engineer, Produzent(in) und Mix:
Dave Jerden
A&R-Management:
Nick Terzo
assistierende(r) Techniker(in):
Leslie Ann Jones (recording engineer)
zusätzliche(r) Techniker(in):
Ron Champagne
assistierende(r) Mix:
Bob Lacivita
E-Bass [bass]:
Michael Starr (Alice in Chains)
E-Gitarre [guitar] und Hintergrundgesang [backing vocals]:
Jerry Cantrell
Perkussion und Schlagzeug:
Sean Kinney
Sologesang [voals]:
Layne Staley
zusätzlich Hintergrundgesang [backing hacking]:
Jerry Cantrell, Sean Kinney, Kevin Shuss und Mike Starr (Alice in Chains)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (vom 1990 bis heute) und CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
aufgenommen bei:
Capitol Recording Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und London Bridge Studios in Seattle, Washington, Vereinigte Staaten
mixed at:
Soundcastle (Interactive Studios) in Santa Monica, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Man in the Box von Alice in Chains
recording of:
Man in the Box
Texter:
Layne Staley
Komponist(in):
Jerry Cantrell
publisher:
Buttnugget Publishing (vom 1990 bis heute) und Jack Lord Music (vom 1990 bis heute)
Alice in Chains4.254:44
74Cool Drink of Water
Produzent(in):
Don Cook (US country producer/songwriter) und Scott Hendricks (producer)
Mix:
Scott Hendricks (producer)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1991)
mixed at:
Castle Recording Studios in Franklin, Tennessee, Vereinigte Staaten
recording of:
Cool Drink of Water
Verfasser(in):
Kix Brooks und Don Cook (US country producer/songwriter)
Brooks & Dunn43:07
75Got to Get You Into My Life
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (vom 1978 bis heute)
cover recording of:
Got to Get You Into My Life
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
Earth, Wind & Fire34:11
76Take Me Home, Country Roads (original version)
recording engineer:
Ray Hall (engineer)
assistierende(r) Produzent(in):
Jean Kaplow
Produzent(in):
Milt Okun
Akustikgitarre [6-string guitar] und Sologesang:
John Denver
Banjo und Pedal-Steel-Gitarre:
Eric Weissberg
Gitarre:
Bill Danoff und Michael Taylor (Guitarist & former member of the John Denver Band)
Klavier:
Frank Owens (American pianist)
Kontrabass:
Dick Kniss
membranophone:
Gary Chester (studio drummer and educator)
Hintergrundgesang:
Bill Danoff, Taffy Nivert und Starland Vocal Band
vocals:
John Denver
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 94) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 358)
recording of:
Take Me Home, Country Roads (am 1971-02-04)
Nationalhymne von:
West Virginia, Vereinigte Staaten
Verfasser(in):
Bill Danoff, John Denver und Taffy Nivert
publisher:
BMG Ruby Songs, Dino Park Publishing, JD Legacy Publishing, My Pop’s Songs, Reservoir Media Music und Cherry Lane Music Publishing Company Inc. (in 1971)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
John Denver4.33:13
77Killing in the Name
Assistent recording engineer:
Jeff Sheehan
recording engineer:
GGGarth (Canadian music producer and engineer) und Stan Katayama
zusätzlich Assistent recording engineer:
Craig Doubet (recording engineer)
Produzent(in):
GGGarth (Canadian music producer and engineer) und Rage Against the Machine
Mix:
Andy Wallace (engineer)
E-Bass:
Tim Commerford
E-Gitarre:
Tom Morello
Schlagzeug:
Brad Wilk
Sologesang:
Zack de la Rocha
arranger:
Rage Against the Machine
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1992) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1992)
aufgenommen bei:
Scream Studios in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten und Sound City Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten
mixed at:
Quantum Sound Studios in Jersey City, New Jersey, Vereinigte Staaten
Musikvideos:
Killing in the Name (music video) von Rage Against the Machine
Teil von:
Fuck tha Police: 20 Songs Against Police Brutality (Nummer: 8), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 32), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 38) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 207)
recording of:
Killing in the Name
Texter:
Zack de la Rocha
Komponist(in):
Tim Commerford, Tom Morello, Zack de la Rocha und Brad Wilk
Rage Against the Machine4.255:14
78Drinkin’ My Baby Goodbye
The Charlie Daniels Band3:40
79HeavenWarrant3:58
80This Is the Day
recording of:
This Is the Day
Texter und Komponist(in):
Matt Johnson (English singer/songwriter for “The The”)
publisher:
Complete Music Ltd. und Kobalt Songs Music Publishing (USA, ASCAP affiliated)
The The4:56
81Save Tonight
Eagle‐Eye Cherry4:03
82Love My Way
Techniker(in):
Chris Andersen und Todd Rundgren
Produzent(in):
Todd Rundgren
Bass:
Tim Butler (co‐founder of The Psychedelic Furs)
Cello:
Ann Sheldon
Gitarre:
John Ashton
Horn:
Donn Adams und Gary Windo
Keyboard:
Todd Rundgren
Schlagzeug und Perkussion:
Vince Ely
Hintergrundgesang:
Howard Kaylan und Mark Volman
vocals:
Richard Butler (singer)
arranger:
The Psychedelic Furs
recording of:
Love My Way
Texter und Komponist(in):
John Ashton, Richard Butler (singer), Tim Butler (co‐founder of The Psychedelic Furs) und Vince Ely
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Blackwood Music Inc., EMI Songs Ltd. und EMI Songs Musikverlag GmbH
The Psychedelic Furs3.93:33
83When You Say Nothing at All
recording of:
When You Say Nothing at All (vom 1988 bis heute)
Verfasser(in):
Paul Overstreet (country singer and songwriter) und Don Schlitz
Keith Whitley4.353:41
84(Ghost) Riders in the Sky
Produzent(in):
Brian Ahern
Banjo [banjo-lute] und Mandocello:
Bob Johnson (American banjo player from Chattanooga, Tennessee) (von 1979-02 bis 1979-04)
E-Bass:
Marshall Grant (von 1979-02 bis 1979-04)
E-Gitarre:
Bob Wootton (von 1979-02 bis 1979-04)
Fiddle:
Ricky Skaggs (von 1979-02 bis 1979-04)
Gitarre:
Johnny Cash (country music legend) (von 1979-02 bis 1979-04), Jack Clement (von 1979-02 bis 1979-04), Jerry Hensley (von 1979-02 bis 1979-04) und Jack Routh (von 1979-02 bis 1979-04)
Hackbrett:
Alisa Jones (US hammered dulcimer player) (von 1979-02 bis 1979-04)
Klavier:
Earl Poole Ball (US country pianist) (von 1979-02 bis 1979-04)
Perkussion:
Mark Morris (drummer & percussionist) (von 1979-02 bis 1979-04)
Schlagzeug:
W.S. Holland (von 1979-02 bis 1979-04)
Trompete:
Jack Hale (trombone) (von 1979-02 bis 1979-04), Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1979-02 bis 1979-04) und Bob Lewin (von 1979-02 bis 1979-04)
Waldhorn:
Jack Hale (trombone) (von 1979-02 bis 1979-04) und Bob Lewin (von 1979-02 bis 1979-04)
vocals:
The Carter Family (later generations of the family after 1943) (von 1979-02 bis 1979-04), Johnny Cash (country music legend) (von 1979-02 bis 1979-04) und Jan Howard (von 1979-02 bis 1979-04)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
cover recording of:
(Ghost) Riders in the Sky: A Cowboy Legend (von 1979-02 bis 1979-04)
Texter und Komponist(in):
Stan Jones (US songwriter and actor “(Ghost) Riders in the Sky”) (am 1948-06-05)
publisher:
Prophecies Publishing, Revega Music und WB Music Corp. (1929–2019)
Version von:
Spookrijder in de nacht
Johnny Cash4.253:46
85Everything’s the Same (Ain’t Nothing Changed)
recording of:
Everything's The Same (Ain't Nothing Changed)
Texter und Komponist(in):
Billy Swan
Billy Swan2:31
86Foreplay / Long Time
assistierende(r) Techniker(in):
Bruce Hensal, Deni King (engineer) und Doug Rider
Techniker(in):
Warren Dewey und Tom Scholz
Produzent(in):
John Boylan und Tom Scholz
assistierende(r) Mix:
Steve Hodge (engineer and producer)
Akustikgitarre [on Foreplay], Bassgitarre [on Long Time], Clavinet, Gitarre, Gitarre [lead guitar on Foreplay] und Orgel:
Tom Scholz (von 1975 bis 1976)
Bassgitarre [on Foreplay]:
Fran Sheehan (von 1975 bis 1976)
Gitarre [lead guitar on Long Time] und Gitarre [rhythm guitar]:
Barry Goudreau (von 1975 bis 1976)
Perkussion und Schlagzeug:
Sib Hashian (von 1975 bis 1976)
Sologesang und Sologesang [Harmony]:
Brad Delp (von 1975 bis 1976)
arranger:
Brad Delp und Tom Scholz
co-arranger:
Jim Masdea
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
aufgenommen bei:
Foxglove Studios in Watertown, Massachusetts, Vereinigte Staaten (in 1975), Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1976) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1976)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
medley including a recording of:
Foreplay (von 1975 bis 1976)
Komponist(in):
Tom Scholz
publisher:
Screen Gems–EMI Music Ltd. und Pure Songs (in 1978)
medley including a recording of:
Long Time (von 1975 bis 1976)
Texter und Komponist(in):
Tom Scholz
publisher:
Screen Gems–EMI Music Ltd. und Pure Songs (in 1978)
Boston4.257:48
87Two Dozen Roses
Shenandoah33:44
88American Heartbeat
assistierende(r) Techniker(in):
Hill Swimmer
Techniker(in):
Phil Bonnano und Mike Clink
Produzent(in):
Jim Peterik und Frankie Sullivan (US guitarist and songwriter, member of Survivor)
phonographisches Urheberrecht (℗) von:
Volcano Entertainment III, L.L.C. (in 1982) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2016)
aufgenommen bei:
Rumbo Recorders in Canoga Park, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
American Heartbeat
Verfasser(in):
Jim Peterik und Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Figs. D Music, Rude Music (publisher; do NOT use as release label), Sony/ATV Harmony UK und Sony/ATV Melody
Survivor3.54:09
89Highwayman
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1984-10-03)
assistierende(r) Techniker(in):
Ken Criblez und Larry Greenhill
Techniker(in):
David Cherry und Chips Moman
Produzent(in):
Chips Moman
Bass:
Mike Leech (am 1984-10-03) und Jimmy Tittle (am 1984-10-03)
Gitarre:
Paul Davis (American singer) (am 1984-10-03), Waylon Jennings (US country musician) (am 1984-10-03), Kris Kristofferson (am 1984-10-03), Chips Moman (am 1984-10-03), Willie Nelson (am 1984-10-03) und Johnny Rodriguez (country singer & songwriter) (am 1984-10-03)
Keyboard:
Paul Davis (American singer) (am 1984-10-03), Bobby Emmons (am 1984-10-03) und Bobby Wood (American pianist, keyboard player and songwriter) (am 1984-10-03)
Mandoline:
Marty Stuart (am 1984-10-03)
Mundharmonika:
Mickey Raphael (am 1984-10-03)
Schlagzeug:
Gene Chrisman (am 1984-10-03)
Hintergrundgesang:
Johnny Cash (country music legend) (am 1984-10-03), Paul Davis (American singer) (am 1984-10-03), Waylon Jennings (US country musician) (am 1984-10-03), Kris Kristofferson (am 1984-10-03), Chips Moman (am 1984-10-03), Willie Nelson (am 1984-10-03) und Johnny Rodriguez (country singer & songwriter) (am 1984-10-03)
vocals:
Johnny Cash (country music legend) (am 1984-10-03), Waylon Jennings (US country musician) (am 1984-10-03), Kris Kristofferson (am 1984-10-03) und Willie Nelson (am 1984-10-03)
Interpret(in):
Johnny Cash (country music legend), Waylon Jennings (US country musician), Kris Kristofferson und Willie Nelson
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1985), CBS, Inc. (US broadcasting company; file no releases here!) (in 1985), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1985), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1985) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985, in 2003)
aufgenommen bei:
Moman's Recording Studio in Nashville, Tennessee, Vereinigte Staaten (am 1984-10-03) und Woodland Sound Studios in Nashville, Tennessee, Vereinigte Staaten (am 1984-10-03)
Teil von:
Grammy Award: Best Country Performance by a Duo or Group nominees (Nummer: 1986)
cover recording of:
The Highwayman (am 1984-10-03)
Texter und Komponist(in):
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
White Oak Songs
recording of:
The Highwayman
Texter und Komponist(in):
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
White Oak Songs
The Highwaymen, Willie Nelson, Johnny Cash, Waylon Jennings & Kris Kristofferson4.453:02
90We Danced
recording of:
We Danced
Verfasser(in):
Chris DuBois (US country songwriter and music publisher) und Brad Paisley
publisher:
Sea Gayle Music LLC
Brad Paisley4.353:45
91This Is the One (remastered)
The Stone Roses4:59
92You’ve Got Another Thing Coming
Techniker(in):
Louis Austin (engineering)
Produzent(in):
Tom Allom
E-Bass:
Ian Hill (UK bassist for Judas Priest) (in 1982)
E-Gitarre:
Kenneth Downing (in 1982) und Glenn Tipton (in 1982)
Schlagzeug:
Dave Holland (British rock drummer) (in 1982)
Sologesang:
Rob Halford (in 1982)
aufgenommen bei:
Ibiza Sound Studio in Ibiza Town (Ibiza-Stadt), Illes Balears (Balearische Inseln), Spanien (in 1982)
mixed at:
Bayshore Recording Studios in Coconut Grove, Miami, Florida, Vereinigte Staaten und Beejay Recording Studios in Orlando, Florida, Vereinigte Staaten
Musikvideos:
You’ve Got Another Thing Comin’ (music video) von Judas Priest
recording of:
You’ve Got Another Thing Comin’ (in 1982)
Verfasser(in):
Kenneth Downing, Rob Halford und Glenn Tipton
Judas Priest4.355:09
93Meet Virginia
recording of:
Meet Virginia
Verfasser(in):
Train (US pop rock band)
Train4.353:55
94How Forever Feels
recording of:
How Forever Feels
Verfasser(in):
Wendell Mobley (American country music songwriter) und Tony Mullins
Komponist(in):
Skip Ewing (American country singer/songwriter and producer)
Kenny Chesney43:07
95Break My Stride
Schlagzeug-Programmierung:
John Gilston (in 1983)
Produzent(in):
Peter Bunetta, Rick Chudacoff und Bill Elliott (keyboardist/composer)
Analoger Synthesizer [Prophet-5]:
Bill Elliott (keyboardist/composer) (in 1983) und Matthew Wilder (in 1983)
drum machine [Oberheim DMX], Perkussion und Schlagzeug:
Peter Bunetta (in 1983)
Gitarre:
Dennis Herring (in 1983)
Hintergrundgesang:
Greg Prestopino (in 1983), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (in 1983) und Matthew Wilder (in 1983)
Sologesang:
Matthew Wilder (in 1983)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment Inc. (in 1983) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983)
aufgenommen bei:
Pasha Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1983)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 39)
recording of:
Break My Stride (in 1983)
Verfasser(in):
Greg Prestopino und Matthew Wilder
publisher:
Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music of Windswept, Universal Studios, Inc. (formerly known as MCA Inc.), WB Music Corp. (1929–2019), Wilder Kingdom Music, Big Ears Music (publisher) (in 1983), No Ears Music (in 1983) und Streetwise Music (US publisher) (in 1983)
Matthew Wilder3.43:02
96Born Country
recording of:
Born Country
Verfasser(in):
Byron Hill und John Sweers
Komponist(in):
Byron Hill und John Schweers
Alabama43:17
97John Deere Green
Joe Diffie34:33
98Stranglehold
recording of:
Stranglehold
Texter und Komponist(in):
Ted Nugent
zusätzliche(r) Verfasser(in):
Rob Grange
publisher:
Magicland Music
Parodieversion von:
Strangest Folks
Ted Nugent4.258:24
99There’s Your Trouble
Assistent recording engineer:
Chip Matthews und Mike Wruck
recording engineer:
Eric Legg
Produzent(in):
Blake Chancey und Paul Worley
zusätzliche(r) Produzent(in):
Jim Burnett, Mark Capps (recording engineer), Tony Castle (engineer), Erik Hellerman, Clarke Schleicher (American producer, engineer and mixing engineer.) und Ed Simonton
assistierende(r) Mix:
Christopher Rowe und Shawn Simpson
Mix:
John Guess
Editing:
Jim Burnett, Don Cobb und Carlos Grier
Akustikgitarre:
Mark Casstevens, Billy Crain, Billy Joe Walker, Jr., Paul Worley und Emily Erwin (von 1997-03 bis 1997-08)
Banjo und Resonatorgitarre [dobro]:
Emily Erwin (von 1997-03 bis 1997-08)
Bass:
Joe Chemay und Michael Rhodes
Conga [conga], shakers [shaker] und Tamburin:
Tom Roady
E-Gitarre:
George Marinelli, Billy Joe Walker, Jr. und Paul Worley
Fiddle und Mandoline:
Martie Seidel (von 1997-03 bis 1997-08)
Hammond-Orgel [B-3 organ] und Klavier:
Matt Rollings (American composer, musician and record producer)
Schlagzeug [drums]:
Greg Morrow (session drummer)
Steel-Gitarre:
Lloyd Maines
Sologesang:
Natalie Maines (von 1997-03 bis 1997-08)
vocals:
Emily Erwin (von 1997-03 bis 1997-08) und Martie Seidel (von 1997-03 bis 1997-08)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
aufgenommen bei:
Westwood Studio
mixed at:
The Workstation
edited at:
Georgetown Masters in Nashville, Tennessee, Vereinigte Staaten
additionally produced at:
Sound Stage Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Soundshop (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten, The Money Pit in Nashville, Tennessee, Vereinigte Staaten und Westwood Studio
Teil von:
Grammy Award: Best Country Performance by a Duo or Group nominees (Nummer: 1999 winner)
recording of:
There’s Your Trouble (von 1997-03 bis 1997-08)
Verfasser(in):
Mark Selby und Tia Sillers
The Chicks4.653:13
100Chasin’ That Neon Rainbow
recording of:
Chasin' That Neon Rainbow
Verfasser(in):
Alan Jackson (US country singer/songwriter) und Jim McBride (US country songwriter)
Alan Jackson43:05
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phonographisches Urheberrecht (℗) von:Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2024)
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Streaming-Seite:Amazon Music UK [Info]
https://music.apple.com/us/album/1739876482 [Info]