Il barbiere di Siviglia

~ Release by Rossini; Maria Callas, Tito Gobbi, Alva, Carturan, Ollendorff, Zaccaria, Philharmonia Orchestra & Chorus, Alceo Galliera (see all versions of this release, 7 available)

Tracklist

1▶CD
2▼CD
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1Il barbiere di Siviglia: Atto I. Aria: “A un dottor della mia sorte”
producer:
Walter Legge (British classical producer)
bass vocals [Bartolo]:
Fritz Ollendorff (operatic bass) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°8a. Aria “A un dottor della mia sorte” (Bartolo) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:58
2Il barbiere di Siviglia: Atto I. Recitativo: “Finora in questa camera“
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Berta]:
Gabriella Carturan (mezzo-soprano) (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°8b. “Finora in questa camera” (Berta, Conte) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini0:28
3Il barbiere di Siviglia: Atto I. Finale I: “Ehi, di casa, maledetti!“
producer:
Walter Legge (British classical producer)
bass vocals [Bartolo]:
Fritz Ollendorff (operatic bass) (from 1957-02-07 until 1957-02-14)
bass vocals [Basilio]:
Nicola Zaccaria (operatic bass) (from 1957-02-07 until 1957-02-14)
mezzo-soprano vocals [Berta]:
Gabriella Carturan (mezzo-soprano) (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
tenor vocals:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°9a. Finale I “Ehi di casa… buona gente” (Conte, Bartolo, Rosina, Berta, Basilio) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini8:33
4Il barbiere di Siviglia: Atto I. Finale I: “Che cosa accadde”
producer:
Walter Legge (British classical producer)
baritone vocals:
Tito Gobbi (baritone) (from 1957-02-07 until 1957-02-14)
contralto vocals:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
tenor vocals:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
partial recording of:
Il barbiere di Siviglia: Atto I, N°9b. Finale I “Che cosa accadde, signori miei” (Conte, Bartolo, Rosina, Berta, Basilio, Figaro, Coro, Uffiziale) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:07
5Il barbiere di Siviglia: Atto I. Finale I: “Zitti, ché bussano”
producer:
Walter Legge (British classical producer)
baritone vocals:
Tito Gobbi (baritone) (from 1957-02-07 until 1957-02-14)
contralto vocals:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
tenor vocals:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
partial recording of:
Il barbiere di Siviglia: Atto I, N°9b. Finale I “Che cosa accadde, signori miei” (Conte, Bartolo, Rosina, Berta, Basilio, Figaro, Coro, Uffiziale) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini2:34
6Il barbiere di Siviglia: Atto I. Finale I: “Fredda ed immobile”
producer:
Walter Legge (British classical producer)
baritone vocals [Figaro]:
Tito Gobbi (baritone) (from 1957-02-07 until 1957-02-14)
bass vocals [Bartolo]:
Fritz Ollendorff (operatic bass) (from 1957-02-07 until 1957-02-14)
bass vocals [Basilio]:
Nicola Zaccaria (operatic bass) (from 1957-02-07 until 1957-02-14)
mezzo-soprano vocals [Berta]:
Gabriella Carturan (mezzo-soprano) (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°9d. “Fredda ed immobile” (Rosina, Conte, Bartolo, Figaro, Basilio, Berta) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini3:03
7Il barbiere di Siviglia: Atto I. Finale I: “Ma signor...ma un dottor”
producer:
Walter Legge (British classical producer)
baritone vocals [Figaro]:
Tito Gobbi (baritone) (from 1957-02-07 until 1957-02-14)
bass vocals [Bartolo]:
Fritz Ollendorff (operatic bass) (from 1957-02-07 until 1957-02-14)
bass vocals [Basilio]:
Nicola Zaccaria (operatic bass) (from 1957-02-07 until 1957-02-14)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1957-02-07 until 1957-02-14)
mezzo-soprano vocals [Berta]:
Gabriella Carturan (mezzo-soprano) (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
chorus master:
Roberto Benaglio (conductor) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°9e. Finale I “Ma signor… ma un dottor” … “Mi par d'essere con la testa” (Bartolo, Coro, Rosina, Basilio, Berta, Conte, Figaro) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:42
8Il barbiere di Siviglia: Atto II. Recitativo: “Ma vedi il mio destino!”
producer:
Walter Legge (British classical producer)
bass vocals [Bartolo]:
Fritz Ollendorff (operatic bass) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Ma vedi il mio destino!” (Bartolo) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:44
9Il barbiere di Siviglia: Atto II. Duetto: “Pace e gioia sia con voi”
producer:
Walter Legge (British classical producer)
bass vocals [Bartolo]:
Fritz Ollendorff (operatic bass) (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II, No. 10. Duetto: “Pace e gioia sia con voi” (Conte, Bartolo) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:28
10Il barbiere di Siviglia: Atto II. Recitativo: “Insomma, mi signore, chi è lei?”
producer:
Walter Legge (British classical producer)
contralto vocals:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
tenor vocals:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Insomma, mio signore” (Bartolo, Conte, Rosina) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini3:03
11Il barbiere di Siviglia: Atto II. Aria: “Contro un cor che accende amore”
recorded in:
London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
producer:
Walter Legge (British classical producer)
soprano vocals [Rosina]:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II, No. 11. Aria “Contro un cor” (Rosina, Conte) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini5:54
12Il barbiere di Siviglia: Atto II. Recitativo: “Bella voce! Bravissima!”
producer:
Walter Legge (British classical producer)
bass vocals [Bartolo]:
Fritz Ollendorff (operatic bass) (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Bella voce! Bravissima!” (Conte, Rosina, Bartolo) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:36
13Il barbiere di Siviglia: Atto II. Arietta: “Quando mi sei vicina”
producer:
Walter Legge (British classical producer)
bass vocals [Bartolo]:
Fritz Ollendorff (operatic bass) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II, No. 12. Arietta “Quando mi sei vicina” (Bartolo) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:57
14Il barbiere di Siviglia: Atto II. Recitativo: “Bravo, signor barbiere, ma bravo!”
producer:
Walter Legge (British classical producer)
baritone vocals [Figaro]:
Tito Gobbi (baritone) (from 1957-02-07 until 1957-02-14)
bass vocals [Bartolo]:
Fritz Ollendorff (operatic bass) (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Bravo signor Barbiere” (Bartolo, Figaro, Rosina, Conte) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:43
15Il barbiere di Siviglia: Atto II. Quintetto: “Don Basilio!...”
producer:
Walter Legge (British classical producer)
baritone vocals [Figaro]:
Tito Gobbi (baritone) (from 1957-02-07 until 1957-02-14)
bass vocals [Bartolo]:
Fritz Ollendorff (operatic bass) (from 1957-02-07 until 1957-02-14)
bass vocals [Basilio]:
Nicola Zaccaria (operatic bass) (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
partial recording of:
Il barbiere di Siviglia: Atto II, No. 13. Quintetto “Don Basilio! … Cosa veggo” (Rosina, Conte, Bartolo, Figaro, Basilio) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
recording of:
Il barbiere di Siviglia: Atto II, No. 13. Quintetto “Don Basilio! … Cosa veggo” (Rosina, Conte, Bartolo, Figaro, Basilio) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini4:02
16Il barbiere di Siviglia: Atto II. Quintetto: “Buona sera, mio signore”
producer:
Walter Legge (British classical producer)
baritone vocals:
Tito Gobbi (baritone) (from 1957-02-07 until 1957-02-14)
contralto vocals:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
tenor vocals:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
partial recording of:
Il barbiere di Siviglia: Atto II, No. 13. Quintetto “Don Basilio! … Cosa veggo” (Rosina, Conte, Bartolo, Figaro, Basilio) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini5:17
17Il barbiere di Siviglia: Atto II. Recitativo: “Che vecchio sospettoso!”
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Berta]:
Gabriella Carturan (mezzo-soprano) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II. “Che vecchio sospettoso!” (Berta) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:29
18Il barbiere di Siviglia: Atto II. Aria: “Il vecchietto cerca moglie”
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Berta]:
Gabriella Carturan (mezzo-soprano) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II, No. 14. Aria “Il vecchiotto cerca moglie” (Berta) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini3:21
19Il barbiere di Siviglia: Atto II. Temporale
recorded in:
London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II, No. 15. Temporale (Thunderstorm) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:50
20Il barbiere di Siviglia: Atto II. Recitativo: “Alfine eccoci qua”
producer:
Walter Legge (British classical producer)
baritone vocals [Figaro]:
Tito Gobbi (baritone) (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Alfine eccoci qua” (Figaro, Conte, Rosina) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini1:02
21Il barbiere di Siviglia: Atto II. Terzetto: “Ah, qual colpo inaspettato!”
producer:
Walter Legge (British classical producer)
baritone vocals [Figaro]:
Tito Gobbi (baritone) (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II, No. 16. Terzetto “Ah, qual colpo inaspettato” (Rosina, Conte, Figaro) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini5:47
22Il barbiere di Siviglia: Atto II. Recitativo: “Ah, disgraziati noi!”
producer:
Walter Legge (British classical producer)
baritone vocals:
Tito Gobbi (baritone) (from 1957-02-07 until 1957-02-14)
contralto vocals:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
tenor vocals:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II, No. 16. Recitativo: “Ah, disgraziati noi! come si fa?” (Figaro, Conte, Rosina, Basilio, Bartolo, Ufficiale) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:16
23Il barbiere di Siviglia: Atto II. Finaletto II: “Di sì felice innesto”
producer:
Walter Legge (British classical producer)
baritone vocals [Figaro]:
Tito Gobbi (baritone) (from 1957-02-07 until 1957-02-14)
bass vocals [Bartolo]:
Fritz Ollendorff (operatic bass) (from 1957-02-07 until 1957-02-14)
bass vocals [Basilio]:
Nicola Zaccaria (operatic bass) (from 1957-02-07 until 1957-02-14)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1957-02-07 until 1957-02-14)
mezzo-soprano vocals [Berta]:
Gabriella Carturan (mezzo-soprano) (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
chorus master:
Roberto Benaglio (conductor) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II, No. 19. Finaletto II “Di sì felice innesto” (Rosina, Berta, Conte, Figaro, Bartolo, Basilio, Coro) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:03