Annotation

Two disc Complete Original Motion Picture Soundtrack

Disc 1

Tracks 1-23 are The Complete Original Score
Tracks 24-30 contain The Rescored Alternate Cues

Suboptimal Credits

  • Recorded February 20-23, 27 and March 1, 1979 at Anvil Film and Recording Group, Inc., Denham, Bucks, England
  • Executive Producers for Intrada: Douglass Fake and Roger Feigelson
  • Originally released on LP as 20th Century Fox Records T-593
  • Soundtrack Executive for Twentieth Century Fox: Tom Cavanaugh
  • Multi-track transfers by DJ Audio, Studio City, CA
  • Restoration, Mixing and Assembly by Mike Matessino
  • CD Mastered by Douglass Fake at Intrada, Oakland, CA
  • Album Art Direction by Joe Sikoryak, www.designWELL.com
  • Motion Picture Title, Artwork and Photos ©1979 Twentieth Century Fox Film Corporation, All Rights Reserved
  • Additional images courtesy BOB BURNS and PHOTOFEST/JAGARTS
  • Special Thanks to: Ron Fuglsby, Schawn Belston, Ted Spellman, Jon Burlingame, Roger Hunt; Mary Ann Fake, George Champagne, Jeff Johnson, Mark Hammon, and Wendy Kupsaw.

Disc 2

Tracks 1-10 are The Original 1979 Soundtrack Album
Tracks 11-17 contain Bonus Tracks

Suboptimal Credits

  • Recorded February 20-23, 27 and March 1, 1979 at Anvil Film and Recording Group, Inc., Denham, Bucks, England
  • Executive Producers for Intrada: Douglass Fake and Roger Feigelson
  • Originally released on LP as 20th Century Fox Records T-593
  • Soundtrack Executive for Twentieth Century Fox: Tom Cavanaugh
  • Multi-track transfers by DJ Audio, Studio City, CA
  • Restoration, Mixing and Assembly by Mike Matessino
  • CD Mastered by Douglass Fake at Intrada, Oakland, CA
  • Album Art Direction by Joe Sikoryak, www.designWELL.com
  • Motion Picture Title, Artwork and Photos ©1979 Twentieth Century Fox Film Corporation, All Rights Reserved
  • Additional images courtesy BOB BURNS and PHOTOFEST/JAGARTS
  • Special Thanks to: Ron Fuglsby, Schawn Belston, Ted Spellman, Jon Burlingame, Roger Hunt; Mary Ann Fake, George Champagne, Jeff Johnson, Mark Hammon, and Wendy Kupsaw.
Annotation modifiée en dernier le 2023-01-09 20:47 UTC.

Liste de pistes

1CD : The Complete Original Score
noTitreArtisteÉvaluationDurée
1Main Title
aussi ingénieur du son :
Alan Snelling
ingénieur du son :
Eric A. Tomlinson (British recording engineer)
monteur :
Bob Hathaway
orchestre :
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor :
Lionel Newman
recording of :
Main Title (Alien)
orchestrateur :
Arthur Morton
compositeur :
Jerry Goldsmith (American score composer)
éditeur :
Fox Fanfare Music Inc.
Jerry Goldsmith4:12
2Hyper Sleep
aussi ingénieur du son :
Alan Snelling
ingénieur du son :
Eric A. Tomlinson (British recording engineer)
monteur :
Bob Hathaway
orchestre :
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor :
Lionel Newman
recording of :
Hyper Sleep
orchestrateur :
Arthur Morton
compositeur :
Jerry Goldsmith (American score composer)
Jerry Goldsmith2:46
3The Landing
aussi ingénieur du son :
Alan Snelling
ingénieur du son :
Eric A. Tomlinson (British recording engineer)
monteur :
Bob Hathaway
orchestre :
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor :
Lionel Newman
recording of :
The Landing
orchestrateur :
Arthur Morton
compositeur :
Jerry Goldsmith (American score composer)
Jerry Goldsmith4:31
4The Terrain
aussi ingénieur du son :
Alan Snelling
ingénieur du son :
Eric A. Tomlinson (British recording engineer)
monteur :
Bob Hathaway
orchestre :
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor :
Lionel Newman
recording of :
The Terrain
orchestrateur :
Arthur Morton
compositeur :
Jerry Goldsmith (American score composer)
Jerry Goldsmith2:21
5The Craft
aussi ingénieur du son :
Alan Snelling
ingénieur du son :
Eric A. Tomlinson (British recording engineer)
monteur :
Bob Hathaway
orchestre :
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor :
Lionel Newman
recording of :
The Craft
orchestrateur :
Arthur Morton
compositeur :
Jerry Goldsmith (American score composer)
Jerry Goldsmith1:00
6The Passage
aussi ingénieur du son :
Alan Snelling
ingénieur du son :
Eric A. Tomlinson (British recording engineer)
monteur :
Bob Hathaway
orchestre :
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor :
Lionel Newman
recording of :
The Passage
orchestrateur :
Arthur Morton
compositeur :
Jerry Goldsmith (American score composer)
Jerry Goldsmith1:49
7The Skeleton
aussi ingénieur du son :
Alan Snelling
ingénieur du son :
Eric A. Tomlinson (British recording engineer)
monteur :
Bob Hathaway
orchestre :
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor :
Lionel Newman
recording of :
The Skeleton
orchestrateur :
Arthur Morton
compositeur :
Jerry Goldsmith (American score composer)
Jerry Goldsmith2:30
8A New Face
aussi ingénieur du son :
Alan Snelling
ingénieur du son :
Eric A. Tomlinson (British recording engineer)
monteur :
Bob Hathaway
orchestre :
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor :
Lionel Newman
recording of :
A New Face (~2:35)
orchestrateur :
Arthur Morton
compositeur :
Jerry Goldsmith (American score composer)
Jerry Goldsmith2:35
9Hanging On
aussi ingénieur du son :
Alan Snelling
ingénieur du son :
Eric A. Tomlinson (British recording engineer)
monteur :
Bob Hathaway
orchestre :
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor :
Lionel Newman
recording of :
Hanging On
orchestrateur :
Arthur Morton
compositeur :
Jerry Goldsmith (American score composer)
Jerry Goldsmith3:39
10The Lab
aussi ingénieur du son :
Alan Snelling
ingénieur du son :
Eric A. Tomlinson (British recording engineer)
monteur :
Bob Hathaway
orchestre :
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor :
Lionel Newman
recording of :
The Lab
orchestrateur :
Arthur Morton
compositeur :
Jerry Goldsmith (American score composer)
Jerry Goldsmith1:05
11Drop Out
aussi ingénieur du son :
Alan Snelling
ingénieur du son :
Eric A. Tomlinson (British recording engineer)
monteur :
Bob Hathaway
orchestre :
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor :
Lionel Newman
recording of :
Drop Out
orchestrateur :
Arthur Morton
compositeur :
Jerry Goldsmith (American score composer)
Jerry Goldsmith0:57
12Nothing to Say
aussi ingénieur du son :
Alan Snelling
ingénieur du son :
Eric A. Tomlinson (British recording engineer)
monteur :
Bob Hathaway
orchestre :
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor :
Lionel Newman
recording of :
Nothing to Say
orchestrateur :
Arthur Morton
compositeur :
Jerry Goldsmith (American score composer)
Jerry Goldsmith1:52
13Cat Nip
aussi ingénieur du son :
Alan Snelling
ingénieur du son :
Eric A. Tomlinson (British recording engineer)
monteur :
Bob Hathaway
orchestre :
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor :
Lionel Newman
recording of :
Cat Nip
orchestrateur :
Arthur Morton
compositeur :
Jerry Goldsmith (American score composer)
Jerry Goldsmith1:01
14Here Kitty
aussi ingénieur du son :
Alan Snelling
ingénieur du son :
Eric A. Tomlinson (British recording engineer)
monteur :
Bob Hathaway
orchestre :
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor :
Lionel Newman
recording of :
Here Kitty
orchestrateur :
Arthur Morton
compositeur :
Jerry Goldsmith (American score composer)
Jerry Goldsmith2:08
15The Shaft
aussi ingénieur du son :
Alan Snelling
ingénieur du son :
Eric A. Tomlinson (British recording engineer)
monteur :
Bob Hathaway
orchestre :
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor :
Lionel Newman
recording of :
The Shaft
orchestrateur :
Arthur Morton
compositeur :
Jerry Goldsmith (American score composer)
Jerry Goldsmith4:31
16It’s a Droid
aussi ingénieur du son :
Alan Snelling
ingénieur du son :
Eric A. Tomlinson (British recording engineer)
monteur :
Bob Hathaway
orchestre :
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor :
Lionel Newman
recording of :
It's a Droid
orchestrateur :
Arthur Morton
compositeur :
Jerry Goldsmith (American score composer)
Jerry Goldsmith3:28
17Parker’s Death
aussi ingénieur du son :
Alan Snelling
ingénieur du son :
Eric A. Tomlinson (British recording engineer)
monteur :
Bob Hathaway
orchestre :
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor :
Lionel Newman
recording of :
Parker's Death
orchestrateur :
Arthur Morton
compositeur :
Jerry Goldsmith (American score composer)
Jerry Goldsmith1:51
18The Eggs
aussi ingénieur du son :
Alan Snelling
ingénieur du son :
Eric A. Tomlinson (British recording engineer)
monteur :
Bob Hathaway
orchestre :
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor :
Lionel Newman
recording of :
The Eggs
orchestrateur :
Arthur Morton
compositeur :
Jerry Goldsmith (American score composer)
Jerry Goldsmith2:24
19Sleepy Alien
aussi ingénieur du son :
Alan Snelling
ingénieur du son :
Eric A. Tomlinson (British recording engineer)
monteur :
Bob Hathaway
orchestre :
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor :
Lionel Newman
recording of :
Sleepy Alien
orchestrateur :
Arthur Morton
compositeur :
Jerry Goldsmith (American score composer)
Jerry Goldsmith1:04
20To Sleep
aussi ingénieur du son :
Alan Snelling
ingénieur du son :
Eric A. Tomlinson (British recording engineer)
monteur :
Bob Hathaway
orchestre :
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor :
Lionel Newman
recording of :
To Sleep
orchestrateur :
Arthur Morton
compositeur :
Jerry Goldsmith (American score composer)
Jerry Goldsmith1:56
21The Cupboard
aussi ingénieur du son :
Alan Snelling
ingénieur du son :
Eric A. Tomlinson (British recording engineer)
monteur :
Bob Hathaway
orchestre :
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor :
Lionel Newman
recording of :
The Cupboard
orchestrateur :
Arthur Morton
compositeur :
Jerry Goldsmith (American score composer)
Jerry Goldsmith3:05
22Out the Door
aussi ingénieur du son :
Alan Snelling
ingénieur du son :
Eric A. Tomlinson (British recording engineer)
monteur :
Bob Hathaway
orchestre :
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor :
Lionel Newman
recording of :
Out the Door
orchestrateur :
Arthur Morton
compositeur :
Jerry Goldsmith (American score composer)
Jerry Goldsmith3:13
23End Title
aussi ingénieur du son :
Alan Snelling
ingénieur du son :
Eric A. Tomlinson (British recording engineer)
monteur :
Bob Hathaway
orchestre :
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor :
Lionel Newman
recording of :
End Title (Alien)
orchestrateur :
Arthur Morton
compositeur :
Jerry Goldsmith (American score composer)
partie de :
Alien (film soundtrack)
Jerry Goldsmith3:09
24Main Title (rescored alternate cue)
aussi ingénieur du son :
Alan Snelling
ingénieur du son :
Eric A. Tomlinson (British recording engineer)
monteur :
Bob Hathaway
orchestre :
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor :
Lionel Newman
recording of :
Main Title (alternate)
orchestrateur :
Arthur Morton
compositeur :
Jerry Goldsmith (American score composer)
Jerry Goldsmith4:11
25Hyper Sleep (rescored alternate cue)
aussi ingénieur du son :
Alan Snelling
ingénieur du son :
Eric A. Tomlinson (British recording engineer)
monteur :
Bob Hathaway
orchestre :
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor :
Lionel Newman
recording of :
Hyper Sleep (alternate)
orchestrateur :
Arthur Morton
compositeur :
Jerry Goldsmith (American score composer)
Jerry Goldsmith2:45
26The Terrain (rescored alternate cue)
aussi ingénieur du son :
Alan Snelling
ingénieur du son :
Eric A. Tomlinson (British recording engineer)
monteur :
Bob Hathaway
orchestre :
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor :
Lionel Newman
recording of :
The Terrain (alternate)
orchestrateur :
Arthur Morton
compositeur :
Jerry Goldsmith (American score composer)
Jerry Goldsmith0:58
27The Skeleton (rescored alternate cue)
aussi ingénieur du son :
Alan Snelling
ingénieur du son :
Eric A. Tomlinson (British recording engineer)
monteur :
Bob Hathaway
orchestre :
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor :
Lionel Newman
recording of :
The Skeleton (alternate)
orchestrateur :
Arthur Morton
compositeur :
Jerry Goldsmith (American score composer)
Jerry Goldsmith2:31
28Hanging On (rescored alternate cue)
aussi ingénieur du son :
Alan Snelling
ingénieur du son :
Eric A. Tomlinson (British recording engineer)
monteur :
Bob Hathaway
orchestre :
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor :
Lionel Newman
recording of :
Hanging On (alternate)
orchestrateur :
Arthur Morton
compositeur :
Jerry Goldsmith (American score composer)
Jerry Goldsmith3:08
29The Cupboard (rescored alternate cue)
aussi ingénieur du son :
Alan Snelling
ingénieur du son :
Eric A. Tomlinson (British recording engineer)
monteur :
Bob Hathaway
orchestre :
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor :
Lionel Newman
recording of :
The Cupboard (alternate)
orchestrateur :
Arthur Morton
compositeur :
Jerry Goldsmith (American score composer)
Jerry Goldsmith3:12
30Out the Door (rescored alternate cue)
aussi ingénieur du son :
Alan Snelling
ingénieur du son :
Eric A. Tomlinson (British recording engineer)
monteur :
Bob Hathaway
orchestre :
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor :
Lionel Newman
recording of :
Out the Door (alternate)
orchestrateur :
Arthur Morton
compositeur :
Jerry Goldsmith (American score composer)
Jerry Goldsmith3:02
2CD : The Original 1979 Soundtrack Album