Ultimate Grammy Collection; Classic Country

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1King of the Road
recorded in:
Tennessee, Vereinigte Staaten (am 1964-11-03)
Produzent(in):
Jerry Kennedy
vocals:
Roger Miller (US singer/songwriter/actor, “King of the Road”) (am 1964-11-03)
phonographisches Urheberrecht (℗) von:
Smash (in 1965)
recording of:
King of the Road (am 1964-11-03)
Texter:
Roger Miller (US singer/songwriter/actor, “King of the Road”)
Komponist(in):
Roger Miller (US singer/songwriter/actor, “King of the Road”) (in 1964)
publisher:
Burlington Music Co., Ltd.
Roger Miller4.52:27
2Harper Valley P.T.A.
Produzent(in):
Shelby Singleton
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 78)
recording of:
Harper Valley PTA (am 1968-07-26)
Texter und Komponist(in):
Tom T. Hall
publisher:
Unichappell Music, Inc.
Jeannie C. Riley3.753:15
3Stand by Your Man
Produzent(in):
Billy Sherrill (US songwriter/producer/arranger)
Sologesang:
Tammy Wynette (in 1968)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 473)
recording of:
Stand by Your Man (in 1968)
Verfasser(in):
Billy Sherrill (US songwriter/producer/arranger) und Tammy Wynette
publisher:
Al Gallico Music Corp., EMI Al Gallico Music Corp., EMI Blackwood Music Inc. und EMI Music Publishing Ltd. (PRS‐affiliated)
Tammy Wynette42:43
4A Boy Named Sue
recording of:
A Boy Named Sue
Texter und Komponist(in):
Shel Silverstein
Johnny Cash3:48
5Rose Garden
cover recording of:
Rose Garden
Texter und Komponist(in):
Joe South
publisher:
BMG Music Publishing Ltd. und Sony/ATV Songs LLC
Version von:
’k Blijf op je wachten
Lynn Anderson2:56
6For the Good Times
Bassgitarre:
Joe Zinkan (am 1970-03-16)
Gitarre:
Grady Martin (country/rockabilly guitarist) (am 1970-03-16)
Glocken und Vibraphon:
Richard Farrell Morris (am 1970-03-16)
Klavier:
Floyd Cramer (am 1970-03-16)
Schlagzeug:
Willie Ackerman (US studio drummer) (am 1970-03-16)
Steel-Gitarre:
Harold L. "Curly" Chalker (am 1970-03-16) und James C. Day (am 1970-03-16)
vocals:
Ray Price (American country music singer, songwriter, and guitarist) (am 1970-03-16)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
cover recording of:
For the Good Times (am 1970-03-16)
Texter und Komponist(in):
Kris Kristofferson
publisher:
Careers Music, Inc., Careers-BMG Music, Careers‐BMG Music Publishing, Universal Music Publishing International MGB Ltd., Universal Music Publishing MGB Ltd., Valentine Music Ltd. und Universal Music Careers (in 1968)
Ray Price3:51
7If I Were a Carpenter
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1969-08-20)
Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
zusätzlich vocals:
June Carter Cash (American Country singer and songwriter)
Interpret(in):
June Carter Cash (American Country singer and songwriter)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
cover recording of:
If I Were a Carpenter (am 1969-08-20)
Texter und Komponist(in):
Tim Hardin
publisher:
Allen Stanton Productions, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Faithful Virtue Music
Johnny Cash & June Carter42:59
8When You’re Hot, You’re Hot
recording of:
When You’re Hot, You’re Hot
Texter und Komponist(in):
Jerry Reed
Jerry Reed2:20
9The Happiest Girl in the Whole USA
recording of:
The Happiest Girl in the Whole USA (1972 song)
Texter und Komponist(in):
Donna Fargo
Donna Fargo2:32
10Don’t It Make My Brown Eyes Blue
phonographisches Urheberrecht (℗) von:
Capitol Records Nashville (in 1975), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1976), Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1976) und Capitol Nashville (in 1977, in 1979)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 71)
cover recording of:
Don’t It Make My Brown Eyes Blue
Texter und Komponist(in):
Richard Leigh (American country music songwriter and singer)
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI U Catalog Inc. (publisher; do NOT use as release label) und EMI United Partnership Ltd.
Crystal Gayle4.42:38
11Mamas Don’t Let Your Babies Grow Up to Be Cowboys
Bass:
Sherman Hayes (in 1977-11)
Gitarre:
John Hug (in 1977-11), Waylon Jennings (US country musician) (in 1977-11), Chips Moman (in 1977-11), Gordon Payne (in 1977-11), Rance Wasson (in 1977-11) und Reggie Young (guitarist and songwriter) (in 1977-11)
Gitarre [guitar harmony] und Mundharmonika:
Gordon Payne (in 1977-11)
Keyboard und Orgel:
Barny Robertson (in 1977-11)
Schlagzeug:
Richie Albright (in 1977-11)
Steel-Gitarre:
Sherman Hayes (in 1977-11) und Ralph Mooney (in 1977-11)
Hintergrundgesang:
Barny Robertson (in 1977-11), Gordon Payne (in 1977-11), Carter Robertson (in 1977-11), Rance Wasson (in 1977-11) und Becky Williams (country vocals) (in 1977-11)
Sologesang:
Waylon Jennings (US country musician) (in 1977-11) und Willie Nelson (in 1977-11)
vocals:
Waylon Jennings (US country musician) (in 1977-11) und Willie Nelson (in 1977-11)
Interpret(in):
Waylon Jennings (US country musician)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1977), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1978) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2003)
aufgenommen bei:
American Studios in Nashville, Tennessee, Vereinigte Staaten (in 1977-11)
cover recording of:
Mammas Don’t Let Your Babies Grow Up to Be Cowboys (in 1977-11)
Verfasser(in):
Ed Bruce (American country music songwriter, singer and actor) und Patsy Bruce
publisher:
Tree Publishing Inc.
Version von:
Mama Don't Let Your Cowboys Grow Up to Be Babies
Waylon Jennings & Willie Nelson42:34
12The Gambler
Techniker(in):
Billy Sherrill (US songwriter/producer/arranger)
Produzent(in):
Larry Butler (US country music producer, songwriter & pianist)
Sologesang:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
phonographisches Urheberrecht (℗) von:
Liberty Records, Inc. (in 1978) und Capitol Records Nashville (in 2006)
aufgenommen bei:
Jack Clement Recording Studio in Nashville, Tennessee, Vereinigte Staaten
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 21)
cover recording of:
The Gambler
Verfasser(in) und Komponist(in):
Don Schlitz
publisher:
Sony/ATV Cross Keys Publishing und Writer's Night Music
Kenny Rogers4.53:33
13The Devil Went Down to Georgia
recording of:
The Devil Went Down to Georgia
Verfasser(in):
Charlie Daniels, Joel "Taz" DiGregorio, Fred Edwards (drummer and songwriter), Charlie Hayward (Member of The Charlie Daniels Band), John Crain und James W. Marshall
publisher:
Songs of Universal, Inc. (BMI) und Hat Band Music (in 1979)
The Charlie Daniels Band3:39
14He Stopped Loving Her Today
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1980-02-06)
Gitarre:
Phil Baugh (am 1980-02-06), Billy R. Sanford (guitar) (am 1980-02-06) und Pete Wade (am 1980-02-06)
Klavier:
Hargus Robbins (am 1980-02-06)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1980-02-06)
Saiteninstrumente und Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1980-02-06)
Schlagzeug:
Jerry Carrigan (US drummer) (am 1980-02-06)
Steel-Gitarre:
Pete Drake (steel guitar player) (am 1980-02-06)
vocals:
George Jones (US country music vocalist) (am 1980-02-06)
Teil von:
Rolling Stone: 40 Saddest Country Songs of All Time (2019 re-issued) (Nummer: 4), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 142) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 270)
recording of:
He Stopped Loving Her Today (am 1980-02-06)
Texter und Komponist(in):
Bobby Braddock und Claude “Curly” Putman, Jr.
George Jones53:17
159 to 5
recording of:
9 to 5
Texter und Komponist(in):
Dolly Parton
publisher:
Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Canada Ltd. (Canadian publisher), Fox Fanfare Music, Screen Gems–EMI Music und Velvet Apple Music
Teil von:
The 53rd Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1980 nominee)
Dolly Parton4.53:01
16Always on My Mind
Produzent(in):
Chips Moman
Bass:
Mike Leech (am 1981-10-11)
Gitarre:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician) (am 1981-10-11), Willie Nelson (am 1981-10-11) und Reggie Young (guitarist and songwriter) (am 1981-10-11)
Keyboard:
Bobby Woods (American pianist, keyboard player and songwriter) (am 1981-10-11) und Bobby Emmons (am 1981-10-11)
Mundharmonika:
Mickey Raphael (am 1981-10-11)
Schlagzeug:
Gene Chrisman (am 1981-10-11)
vocals:
Willie Nelson (am 1981-10-11)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981, in 1982, in 2003) und CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1982)
aufgenommen bei:
Moman's Recording Studio in Nashville, Tennessee, Vereinigte Staaten (am 1981-10-11)
recording of:
Always on My Mind (am 1981-10-11)
Verfasser(in):
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician), Mark James (Francis Zambon, composer of “Suspicious Minds”) und Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Sebanine Music
sub-publisher:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) und Screen Gems–EMI Music Ltd.
Willie Nelson4.653:31

Nennungen

Veröffentlichungsgruppe

Teil von:Ultimate Grammy Collection (Reihenfolge: 5)