The Best 80s Groove Album in the World... Ever!

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: Disc One
2▶CD: Disc Two
3▼CD: Disc Three
Nr.TitelKünstlerBewertungLänge
1I Can’t Go for That (No Can Do)
recording engineer und Mix:
Neil Kernon
assistierende(r) Techniker(in):
Bruce Buckhhalter (Engineer)
Koproduzent(in):
Neil Kernon
Produzent(in):
Daryl Hall und John Oates
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 6)
recording of:
I Can’t Go for That (No Can Do)
Texter:
Sara Allen, Daryl Hall und John Oates
Komponist(in):
Daryl Hall
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Geomantic Music, Hot Cha Music Co., Primary Wave Brian, Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Daryl Hall & John Oates45:07
2All Around the World
Produzent(in):
Ian Devaney und Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield)
vocals:
Lisa Stansfield
recording of:
All Around the World
Verfasser(in):
Ian Devaney, Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield) und Lisa Stansfield
publisher:
Block & Gilbert, Block & Gilbert Music Ltd. (UK based music publishing company, now dissolved) und BMG Music Publishing Ltd.
Lisa Stansfield54:27
3Looking for a New Love
recording engineer:
Erik Zobler
Produzent(in):
André Cymone und David Z. (producer/engineer David Rivkin)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1986)
aufgenommen bei:
Mama Jo’s in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 3) (Nummer: 5)
recording of:
Looking for a New Love
Verfasser(in):
André Cymone und Jody Watley
publisher:
EMI April Music Inc., Ultrawave Music und Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1986)
Jody Watley53:59
4Girlfriend
Pebbles4:16
5Straight Up
recording of:
Straight Up
Texter und Komponist(in):
Elliot Wolff
publisher:
Elliot Wolff Music und Virgin Music, Inc. (US arm of Virgin’s publishing company)
Paula Abdul4:08
6Tell It to My Heart
Produzent(in):
Ric Wake
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987) und Arista Records, LLC (holding company - file NO releases here!) (in 1987)
recording of:
Tell It to My Heart
Verfasser(in):
Ernie Gold und Seth Swirsky
publisher:
Chappell Music, Inc. (publisher), Goldpoint und Intersong Music
Taylor Dayne3.753:38
7Lessons in Love
Techniker(in) und Mix:
Julian Mendelsohn (Australian record producer and engineer)
assistierende(r) Produzent(in):
Julian Mendelsohn (Australian record producer and engineer)
Produzent(in):
Wally Badarou und Level 42
Gast-Saxophon:
Gary Barnacle
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1986) und Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1986)
recording of:
Lessons in Love
Texter:
Boon Gould
Verfasser(in):
Wally Badarou und Mark King
publisher:
BMG Music Publishing Ltd., Chappell Music Ltd., Findhaven Ltd., Island Visual Arts Ltd., Level 42 Music Ltd. und Ruby Ruby Ltd.
Level 423.64:01
8Sho’ You Right
recording of:
Sho’ You Right
Komponist(in):
Jack Perry (keyboard player/songwriter) und Barry White
Barry White4:33
9Party All the Time
Eddie Murphy3:57
10Get Down on It
recording of:
Get Down on It
Verfasser(in):
Ronald Bell, Kool & the Gang und James “J.T.” Taylor (US R&B vocalist for Kool & the Gang)
publisher:
Delightful Music Publishing Ltd., Double F Music Co., Planetary Nom (London) Ltd., Second Decade Music Co., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und WB Music Corp. (1929–2019)
Kool & the Gang43:31
11I Don’t Believe You Want to Get Up and Dance (Oops Up Side Your Head)
Produzent(in):
Lonnie Simmons (producer, songwriter)
phonographisches Urheberrecht (℗) von:
Phonogram, Inc. (in 1979), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1980)
produced for:
Total Experience Productions
recording of:
I Don’t Believe You Want to Get Up and Dance (Oops!)
Verfasser(in):
Lonnie Simmons (producer, songwriter), Rudy Taylor (vocalist and songwriter), Charlie Wilson (R&B singer), Robert Wilson (US vocalist/bassist, member of Gap Band) und Ronnie Wilson (Gap Band member)
publisher:
Minder Music Ltd., Rachel Music Ltd., Total Experience Music Publ. Co., Leosong (publisher) (in 1979) und Total Experience Music (publisher) (in 1979)
cover recording of:
I Don’t Believe You Want to Get Up and Dance (Oops!)
Verfasser(in):
Lonnie Simmons (producer, songwriter), Rudy Taylor (vocalist and songwriter), Charlie Wilson (R&B singer), Robert Wilson (US vocalist/bassist, member of Gap Band) und Ronnie Wilson (Gap Band member)
publisher:
Minder Music Ltd., Rachel Music Ltd., Total Experience Music Publ. Co., Leosong (publisher) (in 1979) und Total Experience Music (publisher) (in 1979)
The Gap Band3:25
12Carribean Queen (No More Love on the Run)
phonographisches Urheberrecht (℗) von:
Jive Records (may or may not be the company behind the Jive imprint; not for release label use!) (in 1984)
recording of:
Caribbean Queen
Verfasser(in):
Keith Diamond und Billy Ocean
Billy Ocean44:02
13Stay With Me Tonight
recording of:
Stay With Me Tonight
Verfasser(in):
Raymond Jones
Jeffrey Osborne34:56
14Lovely Day
Produzent(in):
Clarence McDonald und Bill Withers
Bassgitarre:
Jerry Knight (in 1977)
Gitarre:
Ray Parker (in 1977)
Keyboard:
Clarence McDonald (in 1977)
Perkussion:
Ralph MacDonald (in 1977)
Schlagzeug und shakers:
Russell Kunkel (session drummer) (in 1977)
Sologesang:
Bill Withers (in 1977)
arranger:
Clarence McDonald
concertmaster:
Charles Veal (violinist, conductor and arranger) (in 1977)
phonographisches Urheberrecht (℗) von:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1977), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) und Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1977)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 402)
recording of:
Lovely Day (in 1977)
Verfasser(in):
Skip Scarborough und Bill Withers
publisher:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers4.64:14
15Every Little Step
Assistent recording engineer:
Don Emerson und John Guggenheim
recording engineer und Editing:
Jon Gass
Produzent(in):
Babyface (R&B musician Kenny Edmonds) und L.A.
assistierende(r) Mix:
Toni Greene (engineer) und Fred Howard (engineer)
Mix:
Babyface (R&B musician Kenny Edmonds), Jon Gass und L.A.
Instrumente:
Babyface (R&B musician Kenny Edmonds) und L.A.
Hintergrundgesang:
Babyface (R&B musician Kenny Edmonds), Bobby Brown (R&B singer, New Edition member), Kayo (Kevin Roberson), Daryl Simmons und Karyn White
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1988)
produced for:
LaFace Inc. (production company)
aufgenommen bei:
Silverlake Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Elumba Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Every Little Step
Verfasser(in):
Antonio “L.A.” Reid und Babyface (R&B musician Kenny Edmonds)
publisher:
Chappell Music Ltd., Hip Trip Music (publisher) und Kear Music (publisher)
Bobby Brown33:56
16The Lover in Me
assistierende(r) Techniker(in):
Andy "Opie" Batwinas (Aufgabe: mixing), Don Sullivan (engineer), Toni Greene (engineer) und Fred Howard (engineer)
Techniker(in):
Jon Gass und Jon Gass (Aufgabe: mixing)
Produzent(in):
L.A. & Babyface (US R&B songwriting/production duo)
Mix:
Babyface (R&B musician Kenny Edmonds) und L.A. Reid
Keyboard [keyboards]:
Babyface (R&B musician Kenny Edmonds) und Kayo (Kevin Roberson)
Perkussion und Schlagzeug [drums]:
L.A. Reid
Solo-Saxophon:
Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
Hintergrundgesang:
Babyface (R&B musician Kenny Edmonds), Sheena Easton, Daryl Simmons und Karyn White
produced for:
La'Face, Inc. (production company)
aufgenommen bei:
Elumba Recording Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Galaxy Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Larrabee Sound (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California (Kalifornien), Vereinigte Staaten
remixed at:
Elumba Recording Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
instrumental versions:
The Lover in Me (instrumental) von Sheena Easton, The Lover in Me (instrumental) von Sheena Easton und The Lover in Me (instrumental) von Sheena Easton
recording of:
The Lover in Me
Verfasser(in):
Antonio M. Reid, Kenneth Edmonds (R&B musician Kenny Edmonds) und Daryl Simmons
publisher:
Green Skirt Music (publisher), Hip Trip Music (publisher) und Kear Music (publisher)
Sheena Easton5:01
17Roses
Haywoode3:46
18Once Bitten, Twice Shy
The Smooth Jazz All Stars3:34
19Say Yeah
The Limit4:24
20If You Let Me Stay
recording engineer und Mix:
Phil Legg
zusätzliche(r) Techniker(in):
Michael Brauer (engineer)
Produzent(in):
Howard Gray (UK producer, engineer, and electronic musician)
Bass:
Sean Oliver
Gitarre:
Pete Glenister
Keyboard:
Nick Plytas
Perkussion:
Terence Trent D’Arby (now known as Sananda Maitreya) und Frank Ricotti (percussionist)
Schlagzeug:
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
Hintergrundgesang:
Lance Ellington (Strictly Come Dancing) und Tony Jackson (British funk / soul musician, singer / songwriter, producer and arranger)
Hintergrundgesang und Sologesang:
Terence Trent D’Arby (now known as Sananda Maitreya)
remixer:
Michael Brauer (engineer)
arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1987)
recording of:
If You Let Me Stay
Texter und Komponist(in):
Terence Trent D’Arby (now known as Sananda Maitreya)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!), Virgin Music (Publishers) Ltd. und Young Terence Music (Publisher)
Terence Trent D’Arby3.153:14