The Heart of the Matter: Frank Sinatra Sings About Love

~ Veröffentlichung von Frank Sinatra (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Blue Moon
Produzent(in):
Dave Cavanaugh
Bratsche / Viola:
Alvin Dinkin (am 1960-09-01) und Stan Harris (US big band viola player) (am 1960-09-01)
Cello:
Ossip Giskin (cellist) (am 1960-09-01), Armand Kaproff (am 1960-09-01) und Eleanor Slatkin (US cellist, b. Aller) (am 1960-09-01)
Geige / Violine:
Victor Bay (am 1960-09-01), Alex Beller (am 1960-09-01), Kurt Dieterle (am 1960-09-01), Jacques Gasselin (am 1960-09-01), Joseph Livoti (violinist) (am 1960-09-01), Louis Kaufman (violinist) (am 1960-09-01), Murray Kellner (am 1960-09-01), Mischa Russell (violinist) (am 1960-09-01), Gerald Vinci (American violinist and strings conductor) (am 1960-09-01) und William Weiss (violinist) (am 1960-09-01)
Gitarre:
Al Viola (am 1960-09-01)
Harfe:
Kathryn Julye (am 1960-09-01)
Klavier:
Bill Miller (pianist) (am 1960-09-01)
Perkussion:
Emil Richards (am 1960-09-01)
Posaune:
George Arus (am 1960-09-01), Gail Martin (am 1960-09-01), Tom Shepard (trombonist) (am 1960-09-01) und Tommy Pederson (am 1960-09-01)
Rohrblattinstrumente:
Buddy Collette (am 1960-09-01), Chuck Gentry (am 1960-09-01), William Green (woodwind) (am 1960-09-01), Plas Johnson (am 1960-09-01) und Wilbur Schwartz (am 1960-09-01)
Schlagzeug:
Irving Cottler (am 1960-09-01)
Trompete:
Clarence "Shorty" Sherock (am 1960-09-01), Carroll Lewis (trumpeter) (am 1960-09-01), George Seaberg (am 1960-09-01) und Vito "Mickey" Mangano (am 1960-09-01)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-09-01)
Orchester:
The Nelson Riddle Orchestra (am 1960-09-01)
conductor:
Nelson Riddle (am 1960-09-01)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-09-01)
cover recording of:
Blue Moon (am 1960-09-01)
Texter:
Lorenz Hart (in 1934)
Komponist(in):
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV und Francis Day Editions (SABAM)
Teil von:
New York, New York (1977 musical film soundtrack)
2:52
2Dancing in the Dark
Produzent(in):
Dave Cavanaugh
Gitarre:
Al Hendrickson
Holzblasinstrumente und Saxophon:
Bill Ulyate, Buddy Collette, Fred Falensby, Skeets Herfurt und Irving “Babe” Russin
Klavier:
Bill Miller (pianist)
Kontrabass:
Keith Mitchell (jazz double-bassist, composer and lyricist)
Posaune:
Ed Kusby, Murray McEachern, Pullman “Tommy” Pederson und Si Zentner
Schlagzeug:
Irv Cottler
Trompete:
Pete Candoli, Conrad Gozzo, Manny Klein und Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-12-22)
Orchester:
The Billy May Orchestra (am 1958-12-22)
conductor:
Billy May (am 1958-12-22)
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-12-22)
cover recording of:
Dancing in the Dark (am 1958-12-22)
Texter:
Howard Dietz (librettist)
Komponist(in):
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) und WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Band Wagon (1953 film)
2:27
3Blues in the Night
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
David Sterkin (am 1958-06-24), Alvin Dinkin (am 1958-06-24), Stanley Harris (US big band viola player) (am 1958-06-24) und Paul Robyn (am 1958-06-24)
Cello:
James Arkatov (American cellist and photographer) (am 1958-06-24), Armand Kaproff (am 1958-06-24), Joseph Saxon (am 1958-06-24) und Eleanor Slatkin (US cellist, b. Aller) (am 1958-06-24)
Fagott:
Don Christlieb (am 1958-06-24) und Norman Herzberg (bassoon) (am 1958-06-24)
flute:
Arthur Gleghorn (am 1958-06-24) und Harry Klee (am 1958-06-24)
Geige / Violine:
Israel Baker (American violinist) (am 1958-06-24), Victor Bay (am 1958-06-24), Alex Beller (am 1958-06-24), Arnold Belnick (am 1958-06-24), Daniel Karpilowsky (am 1958-06-24), Emo Neufeld (am 1958-06-24), Ben Gill (am 1958-06-24), Paul Shure (am 1958-06-24), Felix Slatkin (am 1958-06-24), Marshall Sosson (am 1958-06-24), Victor Amo (am 1958-06-24) und Gerald Vinci (American violinist and strings conductor) (am 1958-06-24)
Gitarre:
Al Viola (am 1958-06-24)
Harfe:
Kathryn Julye (am 1958-06-24)
Klarinette:
Sal Franzella (am 1958-06-24), Chuck Gentry (am 1958-06-24) und Morris Bercov (am 1958-06-24)
Klavier:
Bill Miller (pianist) (am 1958-06-24)
Kontrabass:
Joe Comfort (am 1958-06-24) und Eddie Gilbert (am 1958-06-24)
Oboe:
Arnold Koblentz (Oboe player) (am 1958-06-24) und Champ Webb (am 1958-06-24)
Perkussion und Schlagzeug:
Frank Flynn (am 1958-06-24) und Bill Richmond (am 1958-06-24)
Posaune:
Russell Brown (Swing trombonist) (am 1958-06-24), Ray Sims (am 1958-06-24) und Tommy Pederson (am 1958-06-24)
Trompete:
Cappy Lewis (am 1958-06-24)
Ventilposaune:
Juan Tizol (am 1958-06-24)
Waldhorn:
James Decker (French hornist) (am 1958-06-24), Sinclair Lott (french horn) (am 1958-06-24) und George Price (am 1958-06-24)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-06-24)
Orchester:
The Nelson Riddle Orchestra (am 1958-06-24)
conductor:
Nelson Riddle (am 1958-06-24)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-06-24)
cover recording of:
Blues in the Night (My Mama Done Tol’ Me) (am 1958-06-24)
Texter:
Johnny Mercer (in 1941)
Komponist(in):
Harold Arlen (in 1941)
publisher:
Warner Bros., Inc. (not for release label use!) und WB Music Corp. (1929–2019)
Teil von:
The 14th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1941 nominee)
4:45
4I've Got You Under My Skin
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-12) und Wilbur Schwartz (am 1956-01-12)
baritone saxophone:
Morton Friedman (am 1956-01-12)
Bass:
Joe Comfort (am 1956-01-12)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-12)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-12), Maxine Johnson (am 1956-01-12) und Milton Thomas (violist) (am 1956-01-12)
Cello:
Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-12), Edgar Lustgarten (am 1956-01-12) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-12)
Geige / Violine:
Victor Bay (am 1956-01-12), Alex Beller (am 1956-01-12), Walter Edelstein (am 1956-01-12), Henry Hill (Violin player) (am 1956-01-12), Alex Murray (violinist) (am 1956-01-12), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-12), Nathan Ross (am 1956-01-12), Mischa Russell (violinist) (am 1956-01-12), Paul Shure (am 1956-01-12) und Felix Slatkin (am 1956-01-12)
Gitarre:
George van Eps (am 1956-01-12)
Harfe:
Kathryn Julye (am 1956-01-12)
Klavier:
Bill Miller (pianist) (am 1956-01-12)
Posaune:
Milt Bernhart (am 1956-01-12), Jimmy Priddy (am 1956-01-12) und Juan Tizol (am 1956-01-12)
Schlagzeug:
Irving Cottler (am 1956-01-12)
Tenorsaxophon:
Justin Gordon (am 1956-01-12) und James Williamson (Saxophone player) (am 1956-01-12)
Trompete:
Harry “Sweets” Edison (am 1956-01-12), Conrad Gozzo (am 1956-01-12), Manny Klein (am 1956-01-12) und Vito "Mickey" Mangano (am 1956-01-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-12)
Orchester:
The Nelson Riddle Orchestra (am 1956-01-12)
conductor:
Nelson Riddle (am 1956-01-12)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-12)
cover recording of:
I’ve Got You Under My Skin (am 1956-01-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
43:43
5Old Devil Moon
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-16) und Wilbur Schwartz (am 1956-01-16)
baritone saxophone:
Morton Friedman (am 1956-01-16)
Bass:
Joe Comfort (am 1956-01-16)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-16)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-16), Maxine Johnson (am 1956-01-16) und Milton Thomas (violist) (am 1956-01-16)
Cello:
Cy Bernard (am 1956-01-16), Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-16) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-16)
Geige / Violine:
Victor Bay (am 1956-01-16), Alex Beller (am 1956-01-16), Harold Dicterow (am 1956-01-16), David Frisina (am 1956-01-16), Henry Hill (Violin player) (am 1956-01-16), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-16), Mischa Russell (violinist) (am 1956-01-16), Paul Shure (am 1956-01-16), Felix Slatkin (am 1956-01-16) und Marshall Sosson (am 1956-01-16)
Gitarre:
George van Eps (am 1956-01-16)
Harfe:
Kathryn Julye (am 1956-01-16)
Klavier:
William (Bill) Miller (pianist) (am 1956-01-16)
Perkussion:
Frank Flynn (am 1956-01-16)
Posaune:
Milt Bernhart (am 1956-01-16), Jim Priddy (am 1956-01-16) und Juan Tizol (am 1956-01-16)
Schlagzeug:
Irv Cottler (am 1956-01-16)
Tenorsaxophon:
Justin Gordon (am 1956-01-16) und James Williamson (Saxophone player) (am 1956-01-16)
Trompete:
Harry “Sweets” Edison (am 1956-01-16), Conrad Gozzo (am 1956-01-16), Manny Klein (am 1956-01-16) und Mickey Mangano (am 1956-01-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-16)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1956-01-16)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-16)
cover recording of:
Old Devil Moon (from “Finian’s Rainbow”) (am 1956-01-16)
Texter:
Yip Harburg
Komponist(in):
Burton Lane
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) und Victoria Music Ltd.
adaptations:
Old Devil Moon / Stari vražji mesec
Teil von:
Finian’s Rainbow (1947 Broadway musical)
3:56
6I Love Paris
Produzent(in):
Dave Cavanaugh, Voyle Gilmore und Bill Miller (US producer at Capitol Records)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-04-13)
Orchester:
The Nelson Riddle Orchestra (am 1960-04-13)
conductor:
Nelson Riddle (am 1960-04-13)
arranger:
Nelson Riddle
cover recording of:
I Love Paris (Can-Can [Pistache, Company]) (am 1960-04-13)
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
Can‐Can
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
1:52
7In the Wee Small Hours of the Morning
recording engineer:
John Palladino
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Paul Robyn und Dave Sterkin
Cello:
Ray Kramer, Edgar Lustgarten, Kurt Reher (cellist) und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, David Frisina, Henry Hill (Violin player), Erno Neufeld, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin und Marshall Sosson
Gitarre:
George van Eps
Harfe:
Kathryn Julye
Klavier:
Bill Miller (pianist)
Kontrabass:
Morty Corb (bass, USA) und Meyer "Mike" Rubin (US bassist 1930s - 1960s)
Schlagzeug:
Louis Singer (percussionist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-02-17)
Orchester:
The Nelson Riddle Orchestra (am 1955-02-17)
conductor:
Nelson Riddle (am 1955-02-17)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-02-17)
recording of:
In the Wee Small Hours of the Morning (am 1955-02-17)
Texter:
Bob Hilliard
Komponist(in):
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company und Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
3:01
8That Old Black Magic Thing
4:04
9I Thought About You
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-09) und Wilbur Schwartz (am 1956-01-09)
baritone saxophone:
Mort Friedman (am 1956-01-09)
Bass:
Joe Comfort (am 1956-01-09)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-09)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-09), Maxine Johnson (am 1956-01-09) und Milton Thomas (violist) (am 1956-01-09)
Cello:
Cy Bernard (am 1956-01-09), Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-09) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-09)
Geige / Violine:
Victor Bay (am 1956-01-09), Alex Beller (am 1956-01-09), Harry Bluestone (am 1956-01-09), Harold Dicterow (am 1956-01-09), David Frisina (am 1956-01-09), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-09), Mischa Russell (violinist) (am 1956-01-09), Paul Shure (am 1956-01-09), Felix Slatkin (am 1956-01-09) und Marshall Sosson (am 1956-01-09)
Gitarre:
George van Eps (am 1956-01-09)
Harfe:
Kathryn Julye (am 1956-01-09)
Klavier:
Bill Miller (pianist) (am 1956-01-09)
Posaune:
Milt Bernhart (am 1956-01-09), Francis Howard (trombone) (am 1956-01-09) und Juan Tizol (am 1956-01-09)
Schlagzeug:
Frank Flynn (am 1956-01-09) und Alvin Stoller (am 1956-01-09)
Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-01-09) und Irving “Babe” Russin (am 1956-01-09)
Trompete:
Harry “Sweets” Edison, Conrad Gozzo (am 1956-01-09), Manny Klein (am 1956-01-09) und Mickey Mangano (am 1956-01-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-09)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1956-01-09)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-01-09)
cover recording of:
I Thought About You (am 1956-01-09)
Texter:
Johnny Mercer
Komponist(in):
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke & Van Heusen, Jerry Leiber Music, Lewis Music Publishing Co., Inc., Range Road Music Inc., Silver Seahorse Music LLC, Twentieth Century Music Corp., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
2:30
10Too Marvelous for Words
recording of:
Too Marvelous for Words
Texter:
Johnny Mercer (in 1937)
Komponist(in):
Richard A. Whiting (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) und Harms, Inc. (am 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:29
11Let's Get Away From It All
Produzent(in):
Voyle Gilmore
Gitarre:
Al Hendrickson
Harfe:
Verlye Mills
Holzblasinstrumente:
Buddy Collette, Fred Falensby, Skeets Herfurt, Jules Jacob (US jazz woodwind player) und Ted Nash (40s-80s US swing reedman, uncle of the other)
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Mondragon
Perkussion:
Frank Flynn
Posaune:
Joe Howard (american trombone player), Murray McEachern, Pullman “Tommy” Pederson und Si Zentner
Schlagzeug:
Alvin Stoller
Trompete:
Pete Candoli, Conrad Gozzo, Manny Klein und Shorty Sherock
Tuba:
J.H. Washburne
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1957-10-01)
Orchester:
The Billy May Orchestra (am 1957-10-01)
conductor:
Billy May (am 1957-10-01)
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-01)
cover recording of:
Let’s Get Away From It All (am 1957-10-01)
Texter:
Tom Adair
Komponist(in):
Matt Dennis (American singer, pianist, band leader)
publisher:
Dorsey Brothers Music
42:11
12You'd Be So Nice to Come Home To
Produzent(in):
Voyle Gilmore
alto saxophone:
Skeets Herfurt und Harry Klee
baritone saxophone:
Joe Koch
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Maxine Johnson und Dave Sterkin
Cello:
Cy Bernard, Ennio Bolognini (Argentine-American cellist and composer) und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Arno, Victor Bay, Alex Beller, David Frisina, Jacques Gasselin, Erno Neufeld, Eudice Shapiro (Violinist), Paul Shure, Felix Slatkin und Marshall Sosson
Gitarre:
Nick Bonney (guitarist)
Harfe:
Kathryn Julye
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Posaune:
Dick Nash und Pullman “Tommy” Pederson
Schlagzeug:
Alvin Stoller
Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) und James Williamson (Saxophone player)
Trompete:
Pete Candoli, Harry “Sweets” Edison, Ray Linn und Shorty Sherock
Ventilposaune:
Juan Tizol
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
Orchestrator(in):
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1956-04, am 1956-11-26)
cover recording of:
You’d Be So Nice to Come Home To (am 1956-11-28)
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
2:05
13Ebb Tide
Produzent(in):
Voyle Gilmore
accordion:
Dominic Frontiere (am 1958-05-29)
Bassklarinette:
Charles Butler (am 1958-05-29) und Chuck Gentry (am 1958-05-29)
Bassposaune:
Ken Shroyer (trombonist) (am 1958-05-29)
Bratsche / Viola:
Alvin Dinkin (am 1958-05-29), Stanley Harris (US big band viola player) (am 1958-05-29), Paul Robyn (am 1958-05-29) und Dave Sterkin (am 1958-05-29)
Cello:
James Arkatov (American cellist and photographer) (am 1958-05-29), Armand Kaproff (am 1958-05-29), Kurt Reher (cellist) (am 1958-05-29) und Eleanor Slatkin (US cellist, b. Aller) (am 1958-05-29)
Fagott:
Don Christlieb (am 1958-05-29) und Jack Marsh (am 1958-05-29)
flute:
Arthur Gleghorn (am 1958-05-29) und Harry Klee (am 1958-05-29)
Geige / Violine:
Israel Baker (American violinist) (am 1958-05-29), Alex Beller (am 1958-05-29), Arnold Belnick (am 1958-05-29), Daniel Karpilowsky (am 1958-05-29), Emo Neufeld (am 1958-05-29), David Frisina (am 1958-05-29), James Getzoff (American concertmaster and violinist) (am 1958-05-29), Henry Hill (Violin player) (am 1958-05-29), Paul Shure (am 1958-05-29), Marshall Sosson (am 1958-05-29) und Victor Amo (am 1958-05-29)
Gitarre:
George van Eps (am 1958-05-29) und Al Viola (am 1958-05-29)
Harfe:
Kathryn Julye (am 1958-05-29)
Instrumente:
Victor Bay (am 1958-05-29)
Klarinette:
Mahlon Clark (am 1958-05-29) und Mitchell Lurie (clarinetist) (am 1958-05-29)
Klavier:
Bill Miller (pianist) (am 1958-05-29) und Harry Sukman (am 1958-05-29)
Kontrabass:
Joe Comfort (am 1958-05-29) und Mike Rubin (US bassist 1930s - 1960s) (am 1958-05-29)
Oboe:
Arnold Koblentz (Oboe player) (am 1958-05-29) und Champ Webb (am 1958-05-29)
Perkussion:
Frank Flynn (am 1958-05-29) und Bill Richmond (am 1958-05-29)
Posaune:
Milt Bernhart (am 1958-05-29) und Tommy Pederson (am 1958-05-29)
Waldhorn:
John Cave (french horn) (am 1958-05-29), James Decker (French hornist) (am 1958-05-29) und Vincent DeRosa (am 1958-05-29)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-05-29)
Orchester:
The Nelson Riddle Orchestra (am 1958-05-29)
conductor:
Nelson Riddle (am 1958-05-29)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-05-29)
cover recording of:
Ebb Tide (am 1958-05-29)
Texter:
Carl Sigman
Komponist(in):
Robert Maxwell (US harpist, songwriter and teacher)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., France Mélodie, Robbins Music (publishing company owned by EMI Music Publishing Ltd.), Robbins Music Corp., SBK Robbins Catalog, Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Arrangement von:
Ebb Tide (original instrumental version)
3:16

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