Jazz Guitar

~ Release by The Jim Hall Trio (see all versions of this release, 3 available)

Tracklist

112" Vinyl
#TitleRatingLength
A1Stompin' at the Savoy
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1957-01)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (in 1957-01)
piano:
Carl Perkins (Jazz pianist from the bop era, west coast) (in 1957-01)
instrumental recording of:
Stompin’ at the Savoy (in 1957-01)
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
4:35
A2Things Ain't What They Used to Be
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1957-01)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (in 1957-01)
piano:
Carl Perkins (Jazz pianist from the bop era, west coast) (in 1957-01)
instrumental recording of:
Things Ain’t What They Used to Be (in 1957-01)
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
5:44
A3This Is Always
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1957-01)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (in 1957-01)
piano:
Carl Perkins (Jazz pianist from the bop era, west coast) (in 1957-01)
instrumental recording of:
This Is Always (in 1957-01)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
WB Music Corp. (1929–2019)
2:46
A4Thanks for the Memory
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1957-01)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (in 1957-01)
piano:
Carl Perkins (Jazz pianist from the bop era, west coast) (in 1957-01)
instrumental recording of:
Thanks for the Memory (in 1957-01)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger
publisher:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Paramount Music Corporation
part of:
The 11th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1938 winner)
5:12
A5Tangerine
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1957-01)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (in 1957-01)
piano:
Carl Perkins (Jazz pianist from the bop era, west coast) (in 1957-01)
instrumental recording of:
Tangerine (1941 song) (in 1957-01)
lyricist:
Johnny Mercer
composer:
Victor Schertzinger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
4:25
B1Stella by Starlight
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1957-01)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (in 1957-01)
piano:
Carl Perkins (Jazz pianist from the bop era, west coast) (in 1957-01)
instrumental recording of:
Stella by Starlight (in 1957-01)
lyricist:
Ned Washington (in 1946)
writer:
Ned Washington and Victor Young (American composer, arranger, violinist & conductor)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The Real Book (compilation of jazz standards, Volume I)
4:54
B29:20 Special
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1957-01)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (in 1957-01)
piano:
Carl Perkins (Jazz pianist from the bop era, west coast) (in 1957-01)
instrumental recording of:
9:20 Special (in 1957-01)
lyricist:
William Engvick (in 1945)
writer:
Jack Palmer (Jazz pianist and composer)
composer:
Earle Warren (in 1941)
5:41
B3Deep in a Dream
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1957-01)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (in 1957-01)
piano:
Carl Perkins (Jazz pianist from the bop era, west coast) (in 1957-01)
instrumental recording of:
Deep in a Dream (in 1957-01)
lyricist:
Eddie DeLange
composer:
Jimmy Van Heusen
publisher:
Chappell Music Ltd., Scarsdale Music Corp. (ASCAP) and Warner Bros. Music (publisher; do NOT use as release label)
4:32
B4Look for the Silver Lining
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1957-01)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (in 1957-01)
piano:
Carl Perkins (Jazz pianist from the bop era, west coast) (in 1957-01)
instrumental recording of:
Look for the Silver Lining (in 1957-01)
lyricist:
Buddy DeSylva
composer:
Jerome Kern
publisher:
Chappell & Co. and T.B. Harms Co.
part of:
Sally (1920 musical)
5:01
B5Seven Come Eleven
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1957-01)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (in 1957-01)
piano:
Carl Perkins (Jazz pianist from the bop era, west coast) (in 1957-01)
recording of:
Seven Come Eleven (in 1957-01)
composer:
Charlie Christian and Benny Goodman (clarinetist and bandleader)
4:25

Credits

Release group

Wikidata:Q25095520 [info]