Sweet Soul Music: 29 Scorching Classics From 1968

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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Nr.TitelKünstlerBewertungLänge
1I Second That Emotion
Gitarre:
Marvin Tarplin (am 1967-09-21)
Instrumente:
The Funk Brothers (am 1967-09-21)
Hintergrundgesang:
Warren “Pete” Moore (am 1967-09-21), Claudette Robinson (am 1967-09-21), Bobby Rogers (am 1967-09-21) und Ronald White (soul singer, founding member of The Miracles) (am 1967-09-21)
Sologesang:
Smokey Robinson (am 1967-09-21)
aufgenommen bei:
Hitsville (Motown Records) in Detroit, Michigan, Vereinigte Staaten (am 1967-09-21)
recording of:
I Second That Emotion (am 1967-09-21)
Verfasser(in):
Al Cleveland (songwriter 1930-1996) und Smokey Robinson
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Smokey Robinson & The Miracles42:45
2I’m in Love
recorded in:
Memphis, Tennessee, Vereinigte Staaten (von 1967-07-01 bis 1967-07-03)
recording engineer:
Tom Dowd (von 1967-07-01 bis 1967-07-03)
Produzent(in):
Jerry Wexler
baritone saxophone:
Floyd Newman (von 1967-07-01 bis 1967-07-03)
Bass [electric bass]:
Tommy Cogbill (von 1967-07-01 bis 1967-07-03)
Gitarre:
Reggie Young (guitarist and songwriter) (von 1967-07-01 bis 1967-07-03)
Gitarre [lead guitar]:
Bobby Womack (von 1967-07-01 bis 1967-07-03)
Klavier:
Bobby Wood (American pianist, keyboard player and songwriter) (von 1967-07-01 bis 1967-07-03)
Orgel:
Bobby Emmons (von 1967-07-01 bis 1967-07-03)
Schlagzeug:
Gene Chrisman (von 1967-07-01 bis 1967-07-03)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (von 1967-07-01 bis 1967-07-03) und King Curtis (saxophonist) (von 1967-07-01 bis 1967-07-03)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (von 1967-07-01 bis 1967-07-03)
vocals:
Wilson Pickett (von 1967-07-01 bis 1967-07-03)
recording of:
I’m in Love (von 1967-07-01 bis 1967-07-03)
Texter und Komponist(in):
Bobby Womack
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) und Pronto Music (publisher)
Wilson Pickett2:30
3(1-2-3-4-5-6-7) Count the Days
recording of:
(1‐2‐3‐4‐5‐6‐7) Count the Days
Verfasser(in):
Charlie Foxx, Brooks O’Dell und Yvonne Williams
Inez & Charlie Foxx2:36
4(Sittin’ on) The Dock of the Bay
Produzent(in):
Jerry Bruckheimer, Steve Cropper und Don Simpson (American film producer, screenwriter, and actor)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (von 1967-11-22 bis 1967-12-07)
Gitarre:
Steve Cropper (von 1967-11-22 bis 1967-12-07)
Keyboard:
Isaac Hayes (von 1967-11-22 bis 1967-12-07) und Booker T. Jones (von 1967-11-22 bis 1967-12-07)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (von 1967-11-22 bis 1967-12-07)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1967-11-22 bis 1967-12-07)
vocals:
Otis Redding (von 1967-11-22 bis 1967-12-07)
whistling:
Otis Redding (von 1967-11-22 bis 1967-12-07)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 44) und Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 45)
recording of:
(Sittin’ on) the Dock of the Bay (von 1967-11-22 bis 1967-12-07)
Verfasser(in):
Steve Cropper und Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
recording of:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
Komponist(in):
Steve Cropper und Otis Redding
arranger:
Oliver Lake
Arrangement von:
(Sittin’ on) the Dock of the Bay
Otis Redding4.452:41
5We’re a Winner
recording of:
We’re a Winner (in 1967)
Texter und Komponist(in):
Curtis Mayfield
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Impressions42:22
6Dance to the Music
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 223)
recording of:
Dance to the Music
Texter, Verfasser(in) und Komponist(in):
Sylvester Stewart
publisher:
Mijac Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
enthalten in:
Dance for Me
Sly & the Family Stone4.152:58
7The End of Our Road
Produzent(in):
Norman Whitfield
aufgenommen bei:
Motown Studios - Hitsville West in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1967-12-14)
recording of:
The End of Our Road (am 1967-12-14)
Verfasser(in):
Roger Penzabene (songwriter, who worked mainly at Motown), Barrett Strong und Norman Whitfield
publisher:
Jobete Music Co., Inc.
Gladys Knight & the Pips42:18
8Cowboys to Girls
Produzent(in):
Gamble-Huff
arranger:
Bobby Martin (US soul/R&B producer/arranger)
aufgenommen bei:
Cameo-Parkway Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1967)
recording of:
Cowboys to Girls (in 1967)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Blockbuster Music, Inc., EMI Blackwood Music Inc., Mijac Double Diamond Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Intruders22:38
9I Thank You
Produzent(in):
Isaac Hayes und David Porter (US soul musician, producer & songwriter)
recording of:
I Thank You (am 1968-01-05)
Verfasser(in):
Isaac Lee Hayes und David Porter (US soul musician, producer & songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Cotillion Music Inc. (BMI), Irving Music, Inc., Rondor, Walden Music, Inc., Warner Chappell, WB Music Corp. (1929–2019) und Birdees Music (in 1968)
Sam & Dave2:54
10Tighten Up, Part 1
recording engineer:
Bert Frilot
Produzent(in):
Skipper Lee Frazier
Sologesang:
Archie Bell (vocals, of Archie Bell & the Drells) (in 1967-10)
vocals:
Billy Buttier (in 1967-10), Joe Cross (in 1967-10) und James Wise (singer in Archie Bell & The Drells) (in 1967-10)
Interpret(in):
The TSU Toronadoes (in 1967-10)
aufgenommen bei:
Jones Town Studio in Houston, Texas, Vereinigte Staaten (in 1967-10)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Tighten Up (in 1967-10)
Texter:
Billy Butler (60-70s R&B singer)
Komponist(in):
Archie Bell (vocals, of Archie Bell & the Drells)
Archie Bell & the Drells3:08
11Take Time to Know Her
Produzent(in):
Marlin Greene (’60s teen artist, writer & engineer) und Quin Ivy
recording of:
Take Time to Know Her (am 1968-02-01)
Texter und Komponist(in):
Stephen Allen Davis (American singer-songwriter, born October 4, 1949 in Hendersonville, Tennessee)
Verfasser(in):
Stephen Allen Davis (American singer-songwriter, born October 4, 1949 in Hendersonville, Tennessee) und Al Gallico
Percy Sledge2:53
12Ain’t Nothing Like the Real Thing
Produzent(in):
Nickolas Ashford und Valerie Simpson
Instrumente:
The Funk Brothers (am 1967-10-06)
Hintergrundgesang:
Valerie Simpson (in 1967) und Nickolas Ashford (am 1967-10-06)
Sologesang:
Marvin Gaye (am 1967-10-06) und Tammi Terrell (am 1967-10-06)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1968)
aufgenommen bei:
Hitsville (Motown Records) in Detroit, Michigan, Vereinigte Staaten (am 1967-10-06)
recording of:
Ain’t Nothing Like the Real Thing (am 1967-10-06)
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (UK) Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30), Jobete Music Co., Inc. (vom 1967 bis heute) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Marvin Gaye & Tammi Terrell42:14
13Lover’s Holiday
cover recording of:
Maybe We Can Slip Away
Verfasser(in):
Bob McRee (Producer and songwriter), Cliff Thomas (Sun records artist) und Ed Thomas (US pianist and songwriter)
Peggy Scott & Jo Jo Benson2:46
14(Sweet Sweet Baby) Since You’ve Been Gone
recorded in:
New York, New York, Vereinigte Staaten
recording engineer:
Tom Dowd
Produzent(in):
Jerry Wexler
baritone saxophone:
Henry Haywood (von 1967-12-16 bis 1967-12-17)
Bassgitarre:
Tommy Cogbill (von 1967-12-16 bis 1967-12-17)
Bassposaune:
Tony Studd (von 1967-12-16 bis 1967-12-17)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (von 1967-12-16 bis 1967-12-17) und Bobby Womack (von 1967-12-16 bis 1967-12-17)
Hybrid-Piano:
Spooner Oldham (von 1967-12-16 bis 1967-12-17)
Schlagzeug:
Roger Hawkins (von 1967-12-16 bis 1967-12-17)
Tenorsaxophon:
King Curtis (saxophonist) (von 1967-12-16 bis 1967-12-17), Seldon Powell (von 1967-12-16 bis 1967-12-17) und Frank Wess (von 1967-12-16 bis 1967-12-17)
Trompete:
Bernie Glow (von 1967-12-16 bis 1967-12-17), Melvin Lastie (von 1967-12-16 bis 1967-12-17) und Joe Newman (US jazz trumpeter) (von 1967-12-16 bis 1967-12-17)
Chorgesang:
Carolyn Franklin (von 1967-12-16 bis 1967-12-17), Erma Franklin (von 1967-12-16 bis 1967-12-17) und The Sweet Inspirations (von 1967-12-16 bis 1967-12-17)
vocals:
Aretha Franklin (von 1967-12-16 bis 1967-12-17)
Horn arranger:
Arif Mardin
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1967-12-16 bis 1967-12-17)
cover recording of:
(Sweet, Sweet Baby) Since You’ve Been Gone (von 1967-12-16 bis 1967-12-17)
Verfasser(in):
Aretha Franklin und Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music, Cotillion Music Inc. (BMI), EMI Songs Ltd., Fourteenth Hour Music, Inc., Mijac Music und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Aretha Franklin4.352:23
15Funky Street
Produzent(in):
Tom Dowd
recording of:
Funky Street
Verfasser(in):
Arthur Conley und Earl Simms
Arthur Conley2:27
16Stay in My Corner (single edit)
Bearbeitung von:
Stay in My Corner (1968, Cadet) von The Dells
recording of:
Stay in My Corner (in 1967)
Verfasser(in):
Wade Flemons, Bobby Miller (US songwriter & record producer) und Barrett Strong
publisher:
Conrad Music (publisher; do NOT use as release label)
The Dells3:06
17I’ve Never Found a Girl (To Love Me Like You Do)
Produzent(in):
Steve Cropper
recording of:
I’ve Never Found a Girl (to Love Me Like You Do) (in 1968)
Verfasser(in):
Eddie Floyd, Alvertis Isbell und Booker T. Jones
publisher:
East/Memphis Music, Irving Music, Inc., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Eddie Floyd42:41
18Grazing in the Grass
Produzent(in):
Stewart Levine (record producer and saxophonist)
Klavier:
William Henderson (jazz pianist) (am 1968-03-14)
Kontrabass:
Henry Franklin (American jazz double-bassist) (am 1968-03-14)
Perkussion:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1968-03-14)
Schlagzeug:
Chuck Carter (drums) (am 1968-03-14)
Tenorsaxophon:
Al Abreu (am 1968-03-14)
Trompete:
Hugh Masekela (am 1968-03-14)
Interpret(in):
Bruce Langhorne (am 1968-03-14)
recording of:
Grazing in the Grass (instrumental) (am 1968-03-14)
Komponist(in):
Philemon Hou
Hugh Masekela52:38
19Slip Away
recording engineer und Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1968-04-08)
Gitarre:
Clarence Carter (am 1968-04-08)
Orgel:
Barry Beckett (am 1968-04-08)
Schlagzeug:
Roger Hawkins (am 1968-04-08)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1968-04-08), Andrew Love (am 1968-04-08) und Aaron Varnell (am 1968-04-08)
Trompete:
Gene Miller (American trumpeter) (am 1968-04-08) und Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1968-04-08)
vocals:
Clarence Carter (am 1968-04-08)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1968-04-08)
recording of:
Slip Away (am 1968-04-08)
Verfasser(in):
William Armstrong, Marcus Daniel und Wilbur Terrell
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Clarence Carter4.52:30
20Love Makes a Woman
Produzent(in):
Carl Davis (record producer) und Eugene Record
arranger:
Sonny Sanders
Teil von:
The Downloader’s Music Source Book (Nummer: 135)
recording of:
Love Makes a Woman (am 1968-03-25)
Verfasser(in):
Carl Davis (record producer), Eugene Record, Sonny Sanders und Gerald Sims
publisher:
Chappell & Co., Inc. (USA), Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Barbara Acklin2:56
21Say It Loud - I’m Black and I’m Proud (Part 1)
Produzent(in):
James Brown (The Godfather of Soul)
Sologesang:
James Brown (The Godfather of Soul)
Interpret(in):
James Brown Orchestra
Teil von:
CBC Music: 10 Songs That Have Changed the World, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 305) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 393)
teilweise recording of:
Say It Loud (I’m Black, I’m Proud) (Parts 1 & 2)
Texter und Komponist(in):
James Brown (The Godfather of Soul) und Pee Wee Ellis
James Brown3:02
22Girls Can’t Do What the Guys Do
recording of:
Girls Can’t Do What the Guys Do
Verfasser(in):
Willie Clarke und Clarence Reid
Betty Wright2:05
23Girl Watcher
recording of:
Girl Watcher
Verfasser(in):
Wayne Pittman und Ronald Killette
The O’Kaysions2:34
24The Snake
Produzent(in):
Marc Gordon (soul songwriter, producer, and manager) und Johnny Rivers
cover recording of:
The Snake
Texter und Komponist(in):
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
Al Wilson3:26
25Hey, Western Union Man
Produzent(in):
Gamble & Huff
arranger:
Bobby Martin (US soul/R&B producer/arranger)
recording of:
Hey Western Union Man
Verfasser(in):
Jerry Butler (soul singer), Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Melody und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Jerry Butler2:43
26Soulful Strut
Produzent(in):
Carl Davis (record producer) und Eugene Record
Klavier:
Ken Chaney (jazz pianist and composer) (in 1968)
Saiteninstrumente:
Eldee Young (in 1968)
Schlagzeug:
Red Holt (in 1968)
arranger:
Sonny Sanders
recording of:
Soulful Strut (in 1968)
Komponist(in):
Eugene Record und Sonny Sanders
publisher:
Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Version von:
Am I the Same Girl
Young–Holt Unlimited4.52:58
27Who’s Making Love
Produzent(in):
Donald Davis (American record producer) und Al Jackson, Jr. (Booker T & The MGs drummer)
Bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1968)
Gitarre:
Steve Cropper (in 1968)
Klavier:
Isaac Hayes (in 1968) und Allen Jones (producer/songwriter/musician/engineer) (in 1968)
membranophone:
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1968)
Orgel und Hintergrundgesang:
Booker T. Jones (in 1968)
Sologesang:
Johnnie Taylor (in 1968)
recording of:
Who’s Making Love? (in 1968)
Verfasser(in):
Homer Banks (soul singer and songwriter), Bettye Crutcher, Don Davis (American record producer) und Raymond Jackson (songwriter, guitarist and producer)
Johnnie Taylor2:48
28Cloud Nine
Produzent(in):
Norman Whitfield
Sologesang:
Dennis Edwards (US soul & R’n’B singer), Eddie Kendricks und Paul Williams (member of The Temptations)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1968)
aufgenommen bei:
Motown Studios - Hitsville West in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1968-10-02)
recording of:
Cloud Nine (am 1968-10-02)
Verfasser(in):
Barrett Strong und Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music und Stone Agate Music Division
The Temptations3.53:31
29I Heard It Through the Grapevine
Produzent(in):
Norman Whitfield
Bass [1962 Fender Precision Bass]:
James Jamerson (von 1967-02-03 bis 1967-04-10)
Conga und Tamburin:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (von 1967-02-03 bis 1967-04-10)
Gitarre [1964 Gibson Firebird III]:
Eddie Willis (von 1967-02-03 bis 1967-04-10)
Gitarre [Fender Telecaster with Jazzmaster Neck]:
Joe Messina (von 1967-02-03 bis 1967-04-10)
Hammond-Orgel [B-3]:
Earl Van Dyke (von 1967-02-03 bis 1967-04-10)
Instrumente:
The Funk Brothers (von 1967-02-03 bis 1967-04-10)
Schlagzeug:
Uriel Jones (von 1967-02-03 bis 1967-04-10)
Tom Tom:
Richard "Pistol" Allen (von 1967-02-03 bis 1967-04-10)
Waldhorn:
Don Ozga (von 1967-02-03 bis 1967-04-10) und Edwin Jones (von 1967-02-03 bis 1967-04-10)
Wurlitzer Electric Piano:
Johnny Griffith (von 1967-02-03 bis 1967-04-10)
Hintergrundgesang:
The Andantes (von 1967-02-03 bis 1967-04-10), Marlene Barrow (von 1967-02-03 bis 1967-04-10), Louvain Demps (von 1967-02-03 bis 1967-04-10) und Jackie Hicks (von 1967-02-03 bis 1967-04-10)
Sologesang:
Marvin Gaye (von 1967-02-03 bis 1967-04-10)
Orchester:
Detroit Symphony Orchestra (von 1967-02-03 bis 1967-04-10)
Saiteninstrumente arranger:
Paul Riser (von 1967-02-03 bis 1967-04-10)
Orchestrator(in):
Paul Riser (von 1967-02-03 bis 1967-04-10)
phonographisches Urheberrecht (℗) von:
Motown Record Company (company credits only; do NOT use as release label) (in 1968)
aufgenommen bei und mixed at:
Hitsville (Motown Records) in Detroit, Michigan, Vereinigte Staaten (von 1967-02-03 bis 1967-04-10)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 80), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 119) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 307)
cover recording of:
I Heard It Through the Grapevine (von 1967-02-03 bis 1967-04-10)
Verfasser(in):
Barrett Strong und Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye4.053:15

Nennungen

Veröffentlichungsgruppe

Teil von:Sweet Soul Music (Bear Family) (Reihenfolge: 8)