Sounds of the Eighties: The Early ’80s, Take Two

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Love Stinks
recording of:
Love Stinks
Verfasser(in):
Seth Justman und Peter Wolf (US rock vocalist, member of J. Geils Band)
The J. Geils Band3:39
2Heart and Soul
recording engineer:
Jim Gaines
Produzent(in):
Huey Lewis and the News (American pop rock band)
Mix:
Bob Clearmountain
Bassgitarre:
Mario Cipollina
Gitarre [lead]:
Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
Keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
Schlagzeug:
Bill Gibson (US drummer for Huey Lews & the News)
Sologesang:
Huey Lewis
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1983) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2013)
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
cover recording of:
Heart and Soul
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
Huey Lewis and the News4.254:14
3Church of the Poison Mind
Techniker(in):
Simon Humphrey, Gordon Milne (engineer) und Mike Ross‐Trevor (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist) (in 1983)
E-Sitars, Gitarre und Klavier:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
Mundharmonika:
Judd Lander
Orgel:
Phil Pickett (songwriter, producer, keyboard player)
Perkussion und Schlagzeug:
Jon Moss (in 1983)
Saxophon:
Steve Grainger (saxophonist)
Trompete:
Terry Bailey (trumpeter)
Hintergrundgesang:
Helen Terry (UK singer)
Sologesang:
Boy George (in 1983)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (vom 1983 bis heute, in 1983, in 2003) und Virgin Records (imprint + company, only for releases with Virgin RECORDS logo) (in 1983)
produced for:
Do Not Erase Productions
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (in 1983) und Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1983)
Musikvideos:
Church of the Poison Mind von Culture Club (English pop group)
recording of:
Church of the Poison Mind (in 1983)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
publisher:
J. Albert & Son Pty. Ltd. und Virgin Music (Publishers) Ltd. (vom 1983 bis heute)
Culture Club3.53:32
4It’s a Mistake
Techniker(in) und Produzent(in):
Peter McIan
Bass:
John Rees
Schlagzeug:
Jerry Speiser (drummer for Men at Work)
phonographisches Urheberrecht (℗) von:
CBS Productions Pty. Limited (in 1983), CBS, Inc. (US broadcasting company; file no releases here!) (in 1983) und Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1996)
recording of:
It’s a Mistake
Texter und Komponist(in):
Colin Hay
publisher:
EMI Music (do not use as release label! this is a music publisher) und EMI Songs Australia Pty. Ltd.
Men at Work44:34
5While You See a Chance
recording of:
While You See a Chance
Texter und Komponist(in):
Will Jennings und Steve Winwood
publisher:
Blue Sky Rider Songs, F.S. Music Ltd., Fantasy Songs Ltd., Irving Music, Inc., Rondor Music Ltd. (publisher), Warner Bros. Music Co., Ltd. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Steve Winwood4:09
6Saved by Zero
Techniker(in):
Stephen W. Tayler (UK engineer)
Produzent(in):
Rupert Hine
Bass:
Alfie Agius
Gitarre:
Jamie West‐Oram
Keyboard:
Rupert Greenall
Schlagzeug:
Adam Woods (drummer)
vocals:
Cy Curnin
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990)
aufgenommen bei:
Farmyard Studios in Amersham, Buckinghamshire, England, Vereinigtes Königreich
recording of:
Saved by Zero
Verfasser(in) und Komponist(in):
Alfie Agius, Cy Curnin, Rupert Greenall, Jamie West‐Oram und Adam Woods (drummer)
The Fixx43:41
7Sexy Eyes
Produzent(in):
Ron Haffkine
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979)
recording of:
Sexy Eyes
Verfasser(in):
R.J. Mather, Keith Stegall (American country singer / songwriter and record producer) und Chris Waters (Country music singer and songwriter)
publisher:
EMI April Music Inc., EMI Blackwood Music Inc. und EMI Songs Ltd.
cover recording of:
Sexy Eyes
Verfasser(in):
R.J. Mather, Keith Stegall (American country singer / songwriter and record producer) und Chris Waters (Country music singer and songwriter)
publisher:
EMI April Music Inc., EMI Blackwood Music Inc. und EMI Songs Ltd.
Dr. Hook3.53:01
8Misunderstanding
Techniker(in):
David Hentschel
assistierende(r) Produzent(in):
David Bascombe
Produzent(in):
Genesis (English rock band) und David Hentschel
Bassgitarre und Gitarre:
Mike Rutherford (von 1979-11-12 bis 1979-12)
Keyboard:
Tony Banks (Genesis) (von 1979-11-12 bis 1979-12)
Schlagzeug und Sologesang:
Phil Collins (of Genesis) (von 1979-11-12 bis 1979-12)
phonographisches Urheberrecht (℗) von:
Charisma Records Ltd. (vom 1980 bis heute) und Virgin Records Ltd. (not for release label use! for company relationships only) (vom 1994 bis heute)
aufgenommen bei:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Schweden (von 1979-11-12 bis 1979-12)
mixed at:
Maison Rouge in London (Greater London), England, Vereinigtes Königreich
recording of:
Misunderstanding (von 1979-11 bis 1979-12)
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Hit & Run Music (Publishing) Ltd, Imagem und Philip Collins Ltd.
Genesis4.753:14
9Sukiyaki
recording of:
Sukiyaki
Texter:
Janice Marie Johnson (Member of "A Taste of Honey")
Komponist(in):
中村八大 (Hachidai Nakamura)
Version von:
上を向いて歩こう
cover recording of:
Sukiyaki
Texter:
Janice Marie Johnson (Member of "A Taste of Honey")
Komponist(in):
中村八大 (Hachidai Nakamura)
Version von:
上を向いて歩こう
A Taste of Honey3:44
10Our Lips Are Sealed
Assistent recording engineer:
Ted Blechta und John Terelle
recording engineer und Mix:
Rob Freeman (engineer)
zusätzlich Assistent recording engineer:
James Ball, Eric Kortee und Darroll Gustamachio
Produzent(in):
Rob Freeman (engineer) und Richard Gottehrer (American songwriter and music executive)
assistierende(r) Mix:
Gray Russell
Bassgitarre und Gitarre:
Kathy Valentine
Gitarre [lead guitar] und Keyboard:
Charlotte Caffey
Gitarre [rhythm guitar]:
Jane Wiedlin
Perkussion und Schlagzeug:
Gina Schock
Sologesang:
Belinda Carlisle
vocals:
Charlotte Caffey und Jane Wiedlin
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981) und I.R.S., Inc. (in 1981)
aufgenommen bei:
Pennylane Studios in New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Sound Mixers Studio in New York, New York, Vereinigte Staaten und The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Sound Mixers Studio in New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 25), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 317) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 477)
recording of:
Our Lips Are Sealed
Verfasser(in):
Go‐Go’s (all-female American rock band formed in 1978), Terence Edward Hall und Jane Wiedlin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gotown Music und Plangent Visions Music
The Go‐Go’s4.52:47
11Just Between You and Me
recording engineer:
Howard Gray (UK producer, engineer, and electronic musician)
Techniker(in):
Adam Moseley und Mike Stone (producer and engineer, 1960s–80s)
Produzent(in):
Myles Goodwyn und Mike Stone (producer and engineer, 1960s–80s)
Mix:
Adam Moseley
Bass:
Steve Lang (Canadian bassist for April Wine & Mashmakhan)
Gitarre:
Myles Goodwyn, Brian Greenway und Gary Moffet
Schlagzeug:
Gerry Mercer
Hintergrundgesang:
Brian Greenway
Sologesang:
Myles Goodwyn
recording of:
Just Between You and Me
Texter und Komponist(in):
Myles Goodwyn
publisher:
Northern Goody Two-Tunes Inc.
April Wine3.53:57
12Working for the Weekend
assistierende(r) Techniker(in):
Mike Fraser (Canadian record producer, engineer and mixer) und Rob Porter
Techniker(in):
Bob Rock und Keith Stein
Produzent(in):
Paul Dean (Canadian guitarist) und Bruce Fairbairn
Bassgitarre:
Scott Smith (Canadian bassist for Loverboy)
Gitarre und Hintergrundgesang:
Paul Dean (Canadian guitarist)
Keyboard:
Doug Johnson (Canadian keyboardist for Loverboy)
Schlagzeug:
Matt Frenette
Sologesang:
Mike Reno
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Canada Inc. (not for release label use! post-2008 subsidiary of Sony Music Entertainment)
aufgenommen bei:
Mushroom Studios in Vancouver, British Columbia, Kanada
mixed at:
Little Mountain Sound in Vancouver, British Columbia, Kanada
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 100)
recording of:
Working for the Weekend
Verfasser(in):
Paul Dean (Canadian guitarist), Matt Frenette und Mike Reno
Loverboy4.23:44
13The Stroke
Assistent recording engineer:
Garry Rindfuss
recording engineer:
Mack (German rock producer/engineer Reinhold Mack)
Produzent(in):
Mack (German rock producer/engineer Reinhold Mack) und Billy Squier
Gitarre und Sologesang:
Billy Squier
Schlagzeug:
Bobby Chouinard
Hintergrundgesang:
Mark Clarke (Rock, UK) und Alan St. Jon
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland
mixed at:
Musicland Studios (Munich) in München, Bayern, Deutschland
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 59)
recording of:
The Stroke
Texter und Komponist(in):
Billy Squier
publisher:
Songs of the Knight
Billy Squier3.753:41
14Heartbreaker
Produzent(in):
Mike Chapman (Australian producer and songwriter) und Peter Coleman
Bassgitarre:
Roger Capps
E-Gitarre [lead guitar], Keyboard und Slide-Gitarre:
Neil Giraldo
E-Gitarre [rhythm guitar]:
Scott St. Clair Sheets
Schlagzeug:
Glen Alexander Hamilton
Hintergrundgesang:
Pat Benatar, Roger Capps und Neil Giraldo
Sologesang:
Pat Benatar
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) und Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1979)
aufgenommen bei:
MCA Whitney Recording Studios in Glendale, California (Kalifornien), Vereinigte Staaten (von 1979-06 bis 1979-07)
mixed at:
MCA Whitney Recording Studios in Glendale, California (Kalifornien), Vereinigte Staaten
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 72)
cover recording of:
Heartbreaker
Verfasser(in):
Geoff Gill und Cliff Wade
publisher:
DJM Music
Pat Benatar4.23:30
15Angel of the Morning
cover recording of:
Angel of the Morning
Texter und Komponist(in):
Chip Taylor (US singer/songwriter)
publisher:
April Music, EMI Blackwood, EMI Songs Ltd. und Unichappell Music
Juice Newton3:59
16Making Love Out of Nothing at All
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1983) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1983)
recording of:
Making Love out of Nothing at All
Texter und Komponist(in):
Jim Steinman
publisher:
BMG Platinum Songs US, BMG VM Music Ltd., Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), EMI Virgin Songs, Inc. und Lost Boys Music (BMI affiliated)
Air Supply5:02
17’65 Love Affair
Produzent(in):
Paul Davis (American singer) und Ed Seay
vocals:
Paul Davis (American singer)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1981)
aufgenommen bei und mixed at:
Web IV Recording Studio in Atlanta, Georgia, Vereinigte Staaten
recording of:
’65 Love Affair
Texter und Komponist(in):
Paul Davis (American singer)
publisher:
Paul and Jonathan Songs, Sony/ATV Songs LLC, Web IV Music Inc. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Paul Davis53:54
18Baby, Come to Me
Gast vocals:
Patti Austin
recording of:
Baby, Come to Me
Texter und Komponist(in):
Rod Temperton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rodsongs (publisher) und Rondor Music (London) Ltd.
Patti Austin & James Ingram3:36