Clair de lune: Debussy Favourites

~ Release by Debussy (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Clair de lune (orchestral version)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1955-10)
conductor:
Ernest Ansermet (conductor) (in 1955-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1955-10)
recording of:
Clair de lune from Suite bergamasque (orch. Stokowski) (in 1955-10)
orchestrator:
Leopold Stokowski (conductor)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
orchestration of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
Claude Debussy4:15
2La terrasse des audiences du clair de lune (for piano)
engineer:
Cees Heijkoop (recording engineer)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) and Hermine Sterringa
piano:
Zoltán Kocsis (pianist, conductor) (in 1997-02)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1998)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (in 1997-02)
recording of:
Préludes, Livre II, L. 123: VII. La terrasse des audiences du clair de lune. Lent (Préludes, Book II: 7. La Terrasse des audiences du clair de lune) (in 1997-02)
composer:
Claude Debussy (French composer) (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
Claude Debussy4:25
3Serenade for the Doll (for piano)
engineer:
Cees Heijkoop (recording engineer)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) and Hermine Sterringa
piano:
Zoltán Kocsis (pianist, conductor) (in 1996-03)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1998)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (in 1996-03)
recording of:
Children’s Corner, L. 113: III. Serenade for the Doll (original piano version) (in 1996-03)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:32
4The Snow is Dancing (for piano)
engineer:
Cees Heijkoop (recording engineer)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) and Hermine Sterringa
piano:
Zoltán Kocsis (pianist, conductor) (in 1996-03)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1998)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (in 1996-03)
recording of:
Children’s Corner, L. 113: IV. The Snow is Dancing (original piano version) (in 1996-03)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:14
5Golliwogg's Cake-Walk (for piano)
engineer:
Cees Heijkoop (recording engineer)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) and Hermine Sterringa
piano:
Zoltán Kocsis (pianist, conductor) (in 1996-03)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1998)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (in 1996-03)
recording of:
Children’s Corner, L. 113: VI. Golliwogg’s Cake‐Walk (original piano version) (in 1996-03)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:40
6Nocturne (for piano)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) and Hermine Sterringa
piano:
Zoltán Kocsis (pianist, conductor) (in 1997-02)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1998)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (in 1997-02)
recording of:
Nocturne, L. 82, CD 89 (for piano) (in 1997-02)
composer:
Claude Debussy (French composer) (in 1892)
publisher:
Paul Dupont (in 1892), Le Figaro musical (in 1892-08) and Société nouvelle d'éditions musicales (in 1903)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 82) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 89)
Claude Debussy7:24
7String Quartet: 3rd movement
string quartet:
Quatuor Ysaÿe (Ysaÿe Quartet, French string quartet, active 1984-2014)
recording of:
Quatuor à cordes en sol mineur, op. 10, L. 85, CD 91 : III. Andantino, doucement expressif (String Quartet in G minor, op. 10: III. Andantino, doucement expressif)
composer:
Claude Debussy (French composer) (from 1892 until 1893)
part of:
Quatuor à cordes en sol mineur, op. 10, L. 85, CD 91 (String Quartet in G minor, Op. 10, L. 85, CD 91)
Claude Debussy8:03
8La plus que lente (orchestral version)
producer:
Christopher Pope (producer)
editor:
Matthew Hutchinson (engineer / editor)
cimbalom:
James Earl Barnes (in 1994-05)
hammered dulcimer:
James Earl Barnes
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1994-05)
conductor:
Charles Dutoit (conductor) (in 1994-05)
balance engineer:
John Dunkerley (engineer) (in 1994-05) and Philip Siney (sound engineer) (in 1994-05)
recording of:
La plus que lente, L. 121 (pour orchestre) (in 1994-05)
orchestrator and composer:
Claude Debussy (French composer) (in 1910)
arrangement of:
La plus que lente, L. 121, CD 128 (pour piano solo)
Claude Debussy5:19
9Danse sacrée et danse profane (orchestral version): I. Danse sacrée
harp:
Vera Badings (Dutch harpist) (in 1977-12)
orchestra:
Royal Concertgebouw Orchestra (in 1977-12)
conductor:
Bernard Haitink (conductor) (in 1977-12)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1978)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1977-12)
recording of:
Deux danses pour Harpe et Orchestre, L. 103: Danse sacrée (in 1977-12)
composer:
Claude Debussy (French composer) (from 1904-04 until 1904-05)
part of:
Deux danses pour Harpe et Orchestre, L. 103, CD 113
Claude Debussy4:37
10Danse sacrée et danse profane (orchestral version): II. Danse profane
harp:
Vera Badings (Dutch harpist) (in 1977-12)
orchestra:
Royal Concertgebouw Orchestra (in 1977-12)
conductor:
Bernard Haitink (conductor) (in 1977-12)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1978)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1977-12)
recording of:
Deux danses pour Harpe et Orchestre, L. 103: Danse profane (in 1977-12)
composer:
Claude Debussy (French composer) (from 1904-04 until 1904-05)
part of:
Deux danses pour Harpe et Orchestre, L. 103, CD 113
Claude Debussy4:34
11La cathédrale engloutie (orchestral version)
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1965-09-11)
conductor:
Leopold Stokowski (conductor) (on 1965-09-11)
balance engineer:
Arthur Lilley (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-09-11)
recording of:
La Cathédrale engloutie (orch. Stokowski) (on 1965-09-11)
orchestrator:
Leopold Stokowski (conductor)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
orchestration of:
Préludes, Livre I, L. 117, CD 125: X. La cathédrale engloutie. Profondément calme
Claude Debussy6:37
12La Mer (for orchestra): I. De l'aube à midi sur la mer
producer:
Ray Minshull (record producer)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1989-05)
conductor:
Charles Dutoit (conductor) (in 1989-05)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1989-05)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. “De l’aube à midi sur la mer” (in 1989-05)
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy8:49
13La Mer (for orchestra): II. Jeux de vagues
producer:
Ray Minshull (record producer)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1989-05)
conductor:
Charles Dutoit (conductor) (in 1989-05)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1989-05)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: II. “Jeux de vagues” (in 1989-05)
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy6:11
14La Mer (for orchestra): III. Dialogue du vent et de la mer
producer:
Ray Minshull (record producer)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1989-05)
conductor:
Charles Dutoit (conductor) (in 1989-05)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1989-05)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: III. “Dialogue du vent et de la mer” (in 1989-05)
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy8:02