The Very Best of Nat King Cole

~ Veröffentlichung von Nat King Cole (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelBewertungLänge
1Sweet Lorraine
recording of:
Sweet Lorraine
Texter:
Mitchell Parish (in 1928)
Komponist(in):
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. und Mills Music, Inc.
2:57
2(Get Your Kicks on) Route 66
Gitarre:
Oscar Moore (am 1946-03-15)
Instrumente:
The Nat King Cole Trio (in 1946)
Klavier:
Nat King Cole (am 1946-03-15)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-03-15)
Sologesang:
King Cole
vocals:
Nat King Cole (in 1946, am 1946-03-15)
Interpret(in):
The Nat King Cole Trio (am 1946-03-15)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2000)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1946-03-15)
recording of:
(Get Your Kicks on) Route 66 (am 1946-03-15)
Texter und Komponist(in):
Bobby Troup
publisher:
Chappell Morris Ltd., E. H. Morris, LondonTown Music, Inc., Troup-London, LLC, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und Burke-Van Heusen, Inc. (am 1946-04-22)
3:02
3(I Love You) For Sentimental Reasons
Gitarre:
Oscar Moore (am 1946-08-22)
Klavier:
Nat King Cole (am 1946-08-22)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-08-22)
vocals:
Nat King Cole (am 1946-08-22)
Interpret(in):
The Nat King Cole Trio (am 1946-08-22)
aufgenommen bei:
WMCA Studios in New York, New York, Vereinigte Staaten (am 1946-08-22)
cover recording of:
(I Love You) for Sentimental Reasons (am 1946-08-22)
Texter:
Ivory “Deek” Watson (Singer, guitarist, and songwriter)
Komponist(in):
William “Pat” Best
publisher:
MCA Duchess Music Corporation und Peter Maurice Music Co. Ltd.
42:54
4It's Only a Paper Moon
cover recording of:
It’s Only a Paper Moon
Texter:
E.Y. Harburg (in 1933) und Billy Rose (lyricist and Broadway producer) (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. und Warner Bros. Music (publisher; do NOT use as release label)
2:56
5Straighten Up and Fly Right
recording of:
Straighten Up and Fly Right
Verfasser(in):
Nat King Cole und Irving Mills
publisher:
American Academy of Music, Inc., EMI Mills Music (ASCAP-affiliated) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
sub-publisher:
Mills Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30)
2:27
6Gee Baby, Ain't I Good to You
Gitarre:
Oscar Moore (am 1943-11-30)
Klavier:
Nat King Cole (am 1943-11-30)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1943-11-30)
vocals:
Nat King Cole (am 1943-11-30)
aufgenommen bei:
C. P. MacGregor Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1943-11-30)
cover recording of:
Gee, Baby Ain’t I Good to You (am 1943-11-30)
Texter:
Andy Razaf
Komponist(in):
Don Redman
publisher:
Michael H. Goldsen Inc. und Razaf Music
Teil von:
The Real Book (compilation of jazz standards, Volume I)
2:56
7The Firm Fram Sauce
recording of:
The Frim‐Fram Sauce
Texter:
Redd Evans (in 1945)
Komponist(in):
Joe Ricardel (in 1945)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
3:18
8You Call It Madness (But I Call It Love)
Gitarre:
Oscar Moore (am 1946-05-01)
Klavier:
Nat King Cole (am 1946-05-01)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-05-01)
vocals:
Nat King Cole (am 1946-05-01)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1946-05-01)
recording of:
You Call It Madness (But I Call It Love) (am 1946-05-01)
Verfasser(in):
Russ Columbo (American singer, songwriter, violinist and actor), Con Conrad, Gladys DuBois und Paul Gregory (Songwriter)
Teil von:
Going Hollywood (1933 film)
3:05
9Don't Blame Me
recording of:
Don’t Blame Me
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
EMI Robbins Catalog Inc. (ASCAP) und Ireneadele Publishing
3:25
10Exactly Like You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1949-07-26)
Bongos und Conga und membranophone:
Jack Costanzo (am 1949-07-26)
Gitarre:
Irving Ashby (am 1949-07-26)
Instrumente:
The Nat King Cole Trio (in 1949)
Klavier:
Nat King Cole (am 1949-07-26)
Kontrabass:
Joe Comfort (am 1949-07-26)
vocals:
Nat King Cole (am 1949-07-26)
recording of:
Exactly Like You (am 1949-07-26)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1930)
Verfasser(in):
Fritz Löhner-Beda (librettist, lyricist, writer)
Komponist(in):
Jimmy McHugh (songwriter) (in 1930)
2:42
11Put 'em in a Box, Tie It With a Ribbon
2:40
12Lost April
recorded in:
New York, New York, Vereinigte Staaten (am 1947-12-20)
Gitarre:
Irving Ashby (am 1947-12-20)
Klavier:
Nat King Cole (am 1947-12-20)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1947-12-20)
vocals:
Nat King Cole (am 1947-12-20)
recording of:
Lost April (am 1947-12-20)
Verfasser(in):
Eddie DeLange, Emil Newman und Herbert W. Spencer (composer and orchestrator)
2:57
13Meet Me at No Special Place (and I'll Be There at No Particular Time)
3:12
14Harmony
recording of:
Harmony
Verfasser(in):
Johnny Burke (American lyricist, 1908–1964) und Jimmy Van Heusen
2:57
15Jet
recording of:
Jet
Texter:
Bennie Benjamin und George David Weiss
Komponist(in):
Harry Revel (British-born American composer)
2:49
16Red Sails in the Sunset
recording of:
Red Sails in the Sunset
Texter:
James B. Kennedy (Irish songwriter)
Komponist(in):
Hugh Williams (aka Hugh Williams)
publisher:
Peter Maurice Music Co. Ltd., Redwood Music Ltd. (Carlin) und Shapiro, Bernstein & Co., Inc.
3:18
17I Almost Lost My Mind
3:02
18Lillette
3:02
19For You My Love
recording of:
For You My Love
Texter und Komponist(in):
Paul Gayten (US R&B)
2:26
20What'll I Do
recording of:
What’ll I Do?
Texter und Komponist(in):
Irving Berlin (in 1923)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Wilhelm Hansen und Williamson Music Company
3:05
21Little Girl
cover recording of:
Little Girl (1931 song)
Verfasser(in):
Francis Henry (in 1931) und Madeline Hyde (in 1931)
2:26
22Those Things Money Can't Buy
recording of:
Those Things Money Can’t Buy
Verfasser(in):
Al Goodhart und Ruth Poll
2:50
23Angel Eyes
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (am 1953-01-14)
Bass:
Jack Agee (am 1953-01-14) und Ralph Peña (am 1953-01-14)
Bongos und Conga:
Jack Costanzo (am 1953-01-14)
Gitarre:
John Collins (US jazz guitarist) (am 1953-01-14)
Klarinette und Saxophon:
Bob Dawes (am 1953-01-14) und Charles Deremo (am 1953-01-14)
Klavier:
Cliff Fishback (am 1953-01-14)
Posaune:
Karl DeKarske (am 1953-01-14), Dick Nash (am 1953-01-14), Robert Reisiger (am 1953-01-14) und Si Zentner (am 1953-01-14)
Schlagzeug:
John Markham (am 1953-01-14)
Tenorsaxophon:
Richard Clay (am 1953-01-14) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1953-01-14)
Trompete:
Tony Facciuto (am 1953-01-14), Conrad Gozzo (am 1953-01-14), Jack H. Laubach (trumpeter) (am 1953-01-14), Robert McKinzie (am 1953-01-14) und Andy Peele (40s jazz trumpeter) (am 1953-01-14)
vocals:
Nat King Cole (am 1953-01-14)
Orchester:
Billy May & His Orchestra (am 1953-01-14)
conductor:
Billy May (am 1953-01-14)
arranger:
Billy May
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-01-14)
cover recording of:
Angel Eyes (1946 jazz standard) (am 1953-01-14)
Texter:
Earl Brent (in 1946)
Komponist(in):
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music), Onyx Music Corporation und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:15
24Almost Like Being in Love
Bongos:
Jack Costanzo (am 1953-01-28)
Gitarre:
John Collins (US jazz guitarist) (am 1953-01-28)
Klavier:
Buddy Cole (am 1953-01-28) und Nat King Cole (am 1953-01-28)
Kontrabass:
Charlie Harris (jazz bassist) (am 1953-01-28)
Posaune:
Milt Bernhart (am 1953-01-28), Ed Kusby (am 1953-01-28), Jimmy Priddy (am 1953-01-28) und Si Zentner (am 1953-01-28)
Saxophon:
Jack Dumont (am 1953-01-28), Skeets Herfurt (am 1953-01-28), Joe Koch (am 1953-01-28), Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1953-01-28) und Buck Skalak (am 1953-01-28)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1953-01-28)
Trompete:
Pete Candoli (am 1953-01-28), Manny Klein (am 1953-01-28), Shorty Sherock (am 1953-01-28) und Rubin "Zeke" Zarchy (am 1953-01-28)
vocals:
Nat King Cole (am 1953-01-28)
Orchester:
Nelson Riddle and His Orchestra (am 1953-01-28)
conductor:
Nelson Riddle (am 1953-01-28)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-01-28)
recording of:
Almost Like Being in Love (from “Brigadoon”) (am 1953-01-28)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
Brigadoon (complete musical)
1:53
25This Can't Be Love
recording of:
This Can’t Be Love
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.)
2:31

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