The Essential Collection: Ella Fitzgerald - The Great American Songbook

~ Veröffentlichung von Ella Fitzgerald (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1I Could Write a Book
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass:
Joe Mondragon (am 1956-08-30)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-30)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-30) und Edgar Lustgarten (am 1956-08-30)
Englischhorn [English horn] und Oboe:
Bob Cooper (US jazz saxophonist) (am 1956-08-30)
Flügelhorn:
Vince DeRosa (am 1956-08-30)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-30)
Gitarre:
Barney Kessel (am 1956-08-30)
Harfe:
Corky Hale (am 1956-08-30)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-30)
Schlagzeug:
Alvin Stoller (am 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-30)
conductor:
Buddy Bregman (am 1956-08-30)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios, Studio B in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-30)
cover recording of:
I Could Write a Book (am 1956-08-30)
Texter:
Lorenz Hart
Komponist(in):
Richard Rodgers (composer)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Pal Joey
43:39
2Blue Room
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bassklarinette und Fagott:
Chuck Gentry (in 1956)
flute:
Jule Kinzler (in 1956)
Gitarre:
Barney Kessel (in 1956)
Klarinette:
Abe Most (in 1956)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (in 1956)
Kontrabass:
Joe Mondragon (in 1956)
Oboe:
Arnold Koblentz (Oboe player) (in 1956)
Schlagzeug:
Alvin Stoller (in 1956)
Waldhorn:
Vincent DeRosa (in 1956)
vocals:
Ella Fitzgerald (American jazz singer) (in 1956)
conductor:
Buddy Bregman (in 1956)
arranger:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
aufgenommen bei:
Capitol Studios, Studio A in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-31)
cover recording of:
Blue Room (in 1956)
Texter:
Lorenz Hart (in 1926)
Komponist(in):
Richard Rodgers (composer) (in 1926)
2:30
3My Funny Valentine
3:52
4Bewitched, Bothered and Bewildered
cover recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
Texter:
Lorenz Hart (in 1940)
Komponist(in):
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (beendet), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und Williamson Music Company
Teil von:
Pal Joey
7:01
5Mountain Greenery
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
baritone saxophone:
Chuck Gentry (am 1956-08-28)
Bass:
Joe Mondragon (am 1956-08-28)
Bassposaune:
George Roberts (american bass trombone) (am 1956-08-28)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-28)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-28) und Edgar Lustgarten (am 1956-08-28)
Gitarre:
Barney Kessel (am 1956-08-28)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1956-08-28), Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-28), Bud Shank (am 1956-08-28) und Maurice Stein (American jazz saxophonist) (am 1956-08-28)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-28)
Posaune:
Milt Bernhart (am 1956-08-28), Joe Howard (american trombone player) (am 1956-08-28) und Lloyd Ulyate (am 1956-08-28)
Schlagzeug:
Alvin Stoller (am 1956-08-28)
Trompete:
Pete Candoli (am 1956-08-28), Maynard Ferguson (am 1956-08-28), Conrad Gozzo (am 1956-08-28) und Ray Linn (am 1956-08-28)
Waldhorn:
Vince DeRosa (am 1956-08-28)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-28)
conductor:
Buddy Bregman (am 1956-08-28)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (am 1956-08-28)
aufgenommen bei:
Capitol Studios, Studio B in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-28)
cover recording of:
Mountain Greenery (am 1956-08-28)
Texter:
Lorenz Hart (in 1926)
Komponist(in):
Richard Rodgers (composer) (in 1926)
2:14
6Wait Till You See Her (Wait Till You See Him)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1956-08-21 bis 1956-08-31)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
baritone saxophone:
Chuck Gentry (von 1956-08-21 bis 1956-08-31)
Bass:
Joe Mondragon (von 1956-08-21 bis 1956-08-31)
Bassposaune:
George Roberts (american bass trombone) (von 1956-08-21 bis 1956-08-31)
Flügelhorn:
Vince DeRosa (von 1956-08-21 bis 1956-08-31)
flute und Saxophon:
Bob Cooper (US jazz saxophonist) (von 1956-08-21 bis 1956-08-31), Ted Nash (40s-80s US swing reedman, uncle of the other) (von 1956-08-21 bis 1956-08-31), Bud Shank (von 1956-08-21 bis 1956-08-31) und Maurice Stein (American jazz saxophonist) (von 1956-08-21 bis 1956-08-31)
Gitarre:
Barney Kessel (von 1956-08-21 bis 1956-08-31)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (von 1956-08-21 bis 1956-08-31)
Posaune:
Milt Bernhart (von 1956-08-21 bis 1956-08-31), Joe Howard (american trombone player) (von 1956-08-21 bis 1956-08-31) und Lloyd Ulyate (von 1956-08-21 bis 1956-08-31)
Schlagzeug:
Alvin Stoller (von 1956-08-21 bis 1956-08-31)
Trompete:
Pete Candoli (von 1956-08-21 bis 1956-08-31), Maynard Ferguson (von 1956-08-21 bis 1956-08-31), Conrad Gozzo (von 1956-08-21 bis 1956-08-31) und Ray Linn (von 1956-08-21 bis 1956-08-31)
vocals:
Ella Fitzgerald (American jazz singer) (von 1956-08-21 bis 1956-08-31)
conductor:
Buddy Bregman (von 1956-08-21 bis 1956-08-31)
arranger:
Buddy Bregman
cover recording of:
Wait Till You See Her (von 1956-08-21 bis 1956-08-31)
Texter:
Lorenz Hart (in 1942)
Verfasser(in):
Lorenz Hart und Richard Rodgers (composer)
Komponist(in):
Richard Rodgers (composer) (in 1942)
1:29
7Lover
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1956-08-21 bis 1956-08-31)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
baritone saxophone:
Chuck Gentry (von 1956-08-21 bis 1956-08-31)
Bass:
Joe Mondragon (von 1956-08-21 bis 1956-08-31)
Bassposaune:
George Roberts (american bass trombone) (von 1956-08-21 bis 1956-08-31)
Flügelhorn:
Vince DeRosa (von 1956-08-21 bis 1956-08-31)
flute und Saxophon:
Bob Cooper (US jazz saxophonist) (von 1956-08-21 bis 1956-08-31), Ted Nash (40s-80s US swing reedman, uncle of the other) (von 1956-08-21 bis 1956-08-31), Bud Shank (von 1956-08-21 bis 1956-08-31) und Maurice Stein (American jazz saxophonist) (von 1956-08-21 bis 1956-08-31)
Gitarre:
Barney Kessel (von 1956-08-21 bis 1956-08-31)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (von 1956-08-21 bis 1956-08-31)
Posaune:
Milt Bernhart (von 1956-08-21 bis 1956-08-31), Joe Howard (american trombone player) (von 1956-08-21 bis 1956-08-31) und Lloyd Ulyate (von 1956-08-21 bis 1956-08-31)
Schlagzeug:
Alvin Stoller (von 1956-08-21 bis 1956-08-31)
Trompete:
Pete Candoli (von 1956-08-21 bis 1956-08-31), Maynard Ferguson (von 1956-08-21 bis 1956-08-31), Conrad Gozzo (von 1956-08-21 bis 1956-08-31) und Ray Linn (von 1956-08-21 bis 1956-08-31)
vocals:
Ella Fitzgerald (American jazz singer) (von 1956-08-21 bis 1956-08-31)
conductor:
Buddy Bregman (von 1956-08-21 bis 1956-08-31)
arranger:
Buddy Bregman
cover recording of:
Lover (von 1956-08-21 bis 1956-08-31)
Texter:
Lorenz Hart (in 1932)
Komponist(in):
Richard Rodgers (composer) (in 1932)
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:15
8Isn’t It Romantic?
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass:
Joe Mondragon (am 1956-08-31)
Bassklarinette und Fagott:
Chuck Gentry (am 1956-08-31)
Englischhorn [English horn]:
Bob Cooper (US jazz saxophonist) (am 1956-08-31)
flute:
Jule Kinzler (am 1956-08-31)
Gitarre:
Barney Kessel (am 1956-08-31)
Klarinette:
Abe Most (am 1956-08-31)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-31)
Oboe:
Arnold Koblentz (Oboe player) (am 1956-08-31)
Schlagzeug:
Alvin Stoller (am 1956-08-31)
Waldhorn:
Vince DeRosa (am 1956-08-31)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-31)
conductor:
Buddy Bregman (am 1956-08-31)
arranger:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
aufgenommen bei:
Capitol Studios, Studio A in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-31)
cover recording of:
Isn’t It Romantic? (from 1932 film “Love Me Tonight”) (am 1956-08-31)
Texter:
Lorenz Hart (in 1932)
Komponist(in):
Richard Rodgers (composer) (in 1932)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) und Sony/ATV Harmony
3:00
9Here in My Arms
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass:
Joe Mondragon (am 1956-08-31)
Bassklarinette und Fagott:
Chuck Gentry (am 1956-08-31)
Bassposaune:
George Roberts (american bass trombone) (am 1956-08-31)
Englischhorn [English horn]:
Bob Cooper (US jazz saxophonist) (am 1956-08-31)
flute:
Jule Kinzler (am 1956-08-31)
Gitarre:
Barney Kessel (am 1956-08-31)
Klarinette:
Abe Most (am 1956-08-31)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-31)
Oboe:
Arnold Koblentz (Oboe player) (am 1956-08-31)
Schlagzeug:
Alvin Stoller (am 1956-08-31)
Waldhorn:
Vince DeRosa (am 1956-08-31)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-31)
conductor:
Buddy Bregman (am 1956-08-31)
arranger:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
aufgenommen bei:
Capitol Studios, Studio A in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-31)
cover recording of:
Here in My Arms (am 1956-08-31)
Texter:
Lorenz Hart (in 1925)
Komponist(in):
Richard Rodgers (composer) (in 1925)
1:53
10Blue Moon
cover recording of:
Blue Moon
Texter:
Lorenz Hart (in 1934)
Komponist(in):
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV und Francis Day Editions (SABAM)
Teil von:
New York, New York (1977 musical film soundtrack)
3:12
11My Heart Stood Still
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass:
Joe Mondragon (am 1956-08-30)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-30)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-30) und Edgar Lustgarten (am 1956-08-30)
Englischhorn [English horn] und Oboe:
Bob Cooper (US jazz saxophonist) (am 1956-08-30)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-30)
Gitarre:
Barney Kessel (am 1956-08-30)
Harfe:
Corky Hale (am 1956-08-30)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-30)
Schlagzeug:
Alvin Stoller (am 1956-08-30)
Waldhorn:
Vince DeRosa (am 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-30)
conductor:
Buddy Bregman (am 1956-08-30)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios, Studio B in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-30)
cover recording of:
My Heart Stood Still (am 1956-08-30)
Texter:
Lorenz Hart (in 1927)
Komponist(in):
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: file NO releases), Warner Bros., Inc. (not for release label use!) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
One Dam Thing After Another
3:06
12I’ve Got Five Dollars
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Bud Shank (am 1956-08-21) und Maurice Stein (American jazz saxophonist) (am 1956-08-21)
baritone saxophone:
Chuck Gentry (am 1956-08-21)
Bass:
Joe Mondragon (am 1956-08-21)
Bassposaune:
George Roberts (american bass trombone) (am 1956-08-21)
Gitarre:
Barney Kessel (am 1956-08-21)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-21)
Posaune:
Milt Bernhart (am 1956-08-21), Joe Howard (american trombone player) (am 1956-08-21) und Lloyd Ulyate (am 1956-08-21)
Schlagzeug:
Alvin Stoller (am 1956-08-21)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-08-21) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-21)
Trompete:
Pete Candoli (am 1956-08-21), Maynard Ferguson (am 1956-08-21), Conrad Gozzo (am 1956-08-21) und Ray Linn (am 1956-08-21)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-21)
conductor:
Buddy Bregman (am 1956-08-21)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios, Studio A in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-21)
cover recording of:
I’ve Got Five Dollars (am 1956-08-21)
Texter:
Lorenz Hart (in 1931)
Komponist(in):
Richard Rodgers (composer) (in 1931)
2:43
13It Might as Well Be Spring
recorded in:
New York, New York, Vereinigte Staaten (am 1955-04-01)
vocals:
Ella Fitzgerald (American jazz singer) (am 1955-04-01)
Orchester:
André Previn and His Orchestra (am 1955-04-01)
conductor:
André Previn (pianist, conductor, composer, arranger) (am 1955-04-01)
cover recording of:
It Might as Well Be Spring (State Fair) (am 1955-04-01)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
Komponist(in):
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1945 winner)
Teil von:
State Fair (1945 film soundtrack)
Teil von:
State Fair (1962 film soundtrack)
Teil von:
State Fair
2:39
14People Will Say We’re in Love
recorded in:
New York, New York, Vereinigte Staaten (am 1954-03-29)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins (am 1954-03-29)
vocals:
Ella Fitzgerald (American jazz singer) (am 1954-03-29)
cover recording of:
People Will Say We’re in Love (am 1954-03-29)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company und Williamson Music, Inc.
Teil von:
Oklahoma! (Rodgers & Hammerstein musical)
3:08
15Someone to Watch Over Me
recorded in:
New York, New York, Vereinigte Staaten (am 1950-09-12)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins
vocals:
Ella Fitzgerald (American jazz singer) (am 1950-09-12)
cover recording of:
Someone to Watch Over Me (Oh, Kay!) (am 1950-09-12)
Texter:
Ira Gershwin (in 1926)
Komponist(in):
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28), Harms, Inc. (in 1926) und WC Music Corp. (von 2019-05-28 bis 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Crazy for You (1992 musical)
Teil von:
Oh, Kay! (1926 musical)
3:12
16My One and Only
recorded in:
New York, New York, Vereinigte Staaten (am 1950-09-11)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins
vocals:
Ella Fitzgerald (American jazz singer) (am 1950-09-11)
cover recording of:
My One and Only (from “Funny Face”) (am 1950-09-11)
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
3:13
17But Not for Me
recorded in:
New York, New York, Vereinigte Staaten (am 1950-09-12)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins
vocals:
Ella Fitzgerald (American jazz singer) (am 1950-09-12)
cover recording of:
But Not for Me (am 1950-09-12)
Texter:
Ira Gershwin (in 1930)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (bis 2019-05-28), New World Music Co. (in 1930) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
3:11
18Looking for a Boy
recorded in:
New York, New York, Vereinigte Staaten (am 1950-09-11)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins (am 1950-09-11)
vocals:
Ella Fitzgerald (American jazz singer) (am 1950-09-11)
cover recording of:
Looking for a Boy (am 1950-09-11)
Texter:
Ira Gershwin (in 1925)
Komponist(in):
George Gershwin (composer) (in 1925)
publisher:
WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis ????)
Teil von:
Tip-Toes
3:06
19I’ve Got a Crush on You
recorded in:
New York, New York, Vereinigte Staaten (am 1950-09-11)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins
vocals:
Ella Fitzgerald (American jazz singer) (am 1950-09-11)
cover recording of:
I’ve Got a Crush on You (am 1950-09-11)
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (beendet), Warner Bros. Music Corp. (beendet), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Treasure Girl (1928 musical)
3:12
20Nice Work If You Can Get It
recorded in:
New York, New York, Vereinigte Staaten (am 1954-03-30)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins (am 1954-03-30)
vocals:
Ella Fitzgerald (American jazz singer) (am 1954-03-30)
cover recording of:
Nice Work If You Can Get It (am 1954-03-30)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Gershwin Publishing Corp (in 1937)
Teil von:
A Damsel in Distress (1937 film score)
Teil von:
Crazy for You (1992 musical)
Teil von:
My One and Only (1983 Broadway musical)
2:36
21How Long Has This Been Going On?
recorded in:
New York, New York, Vereinigte Staaten (am 1950-09-11)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins
vocals:
Ella Fitzgerald (American jazz singer) (am 1950-09-11)
cover recording of:
How Long Has This Been Going On? (Funny Face, 1957 film) (am 1950-09-11)
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
Teil von:
My One and Only (1983 Broadway musical)
Teil von:
Rosalie
3:13
22Soon
recorded in:
New York, New York, Vereinigte Staaten (am 1950-09-12)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins (am 1950-09-12)
vocals:
Ella Fitzgerald (American jazz singer) (am 1950-09-12)
cover recording of:
Soon (am 1950-09-12)
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co Ltd. und New World Music Corp. (in 1929)
Teil von:
My One and Only (1983 Broadway musical)
Teil von:
Strike up the Band (1927 Gershwin musical)
2:44
23Maybe
recorded in:
New York, New York, Vereinigte Staaten (am 1950-09-12)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins (am 1950-09-12)
vocals:
Ella Fitzgerald (American jazz singer) (am 1950-09-12)
cover recording of:
Maybe (am 1950-09-12)
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer)
publisher:
New World Music Corp. (in 1926)
Teil von:
Oh, Kay! (1926 musical)
3:24

Nennungen