Relaxing Best Bach

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

1▼CD
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1Cantata No.147 `herz Und Mund Und Tat Und Leben` Bwv147: Jesu.joy Of Man`s Desiring
producer:
John Fraser (UK producer)
harpsichord:
Ian Watson (conductor and keyboardist) (from 1983-06-27 until 1983-06-28)
oboe:
Celia Nicklin (oboist) (from 1983-06-27 until 1983-06-28)
orchestra:
Academy of St Martin in the Fields (from 1983-06-27 until 1983-06-28)
conductor:
Sir Neville Marriner (conductor) (from 1983-06-27 until 1983-06-28)
arranger and orchestrator:
Sir Neville Marriner (conductor)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-06-27 until 1983-06-28)
recording of:
Jesu, Joy of Man’s Desiring (from 1983-06-27 until 1983-06-28)
orchestrator:
Leopold Stokowski (conductor)
lyricist:
Robert Bridges (poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
translated version of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) (from 1983-06-27 until 1983-06-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (from 1983-06-27 until 1983-06-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
5:17
2Sheep May Safely Graze From Cantata No.208
producer:
John Fraser (UK producer)
organ:
Ian Watson (conductor and keyboardist) (from 1983-06-27 until 1983-06-28)
orchestra:
Academy of St Martin in the Fields (from 1983-06-27 until 1983-06-28)
conductor:
Sir Neville Marriner (conductor) (from 1983-06-27 until 1983-06-28)
arranger and orchestrator:
Sir Neville Marriner (conductor)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-06-27 until 1983-06-28)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” (orchestrated by Marriner) (from 1983-06-27 until 1983-06-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
4:36
3Suite No.3 In D Major Bwv 1068 (1997 Digital Remaster): Air
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
3:32
4Christmas Oratorio Bwv248.cantata 2: Pastoral Symphony (Sinfonia)
producer:
John Fraser (UK producer)
harpsichord:
Ian Watson (conductor and keyboardist) (from 1983-06-27 until 1983-06-28)
orchestra:
Academy of St Martin in the Fields (from 1983-06-27 until 1983-06-28)
conductor:
Sir Neville Marriner (conductor) (from 1983-06-27 until 1983-06-28)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-06-27 until 1983-06-28)
recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) (from 1983-06-27 until 1983-06-28)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
3:13
5Orchestral Suite No.2 In B Minor Bwv 1067: Ouverture
recording engineer:
Mike Hatch (engineer/editor) (in 2000-09)
producer:
Stephen Johns (producer)
flute:
Emmanuel Pahud (flutist) (in 2000-09)
orchestra:
Berliner Barock Solisten (in 2000-09)
conductor:
Rainer Kussmaul (violinist) (in 2000-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001)
recorded at:
Teldec Studio (Berlin) in Berlin, Germany (in 2000-09)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: I. Ouverture (Orchestral Suite no. 2 in B minor, BWV 1067: I. Overture) (in 2000-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Orchestral Suite no. 2 in B minor, BWV 1067: I. Ouverture (orch. Stokowski)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
6:36
6Orchestral Suite No.2 In B Minor Bwv 1067: Badinerie
recording engineer:
Mike Hatch (engineer/editor) (in 2000-09)
producer:
Stephen Johns (producer)
flute:
Emmanuel Pahud (flutist) (in 2000-09)
orchestra:
Berliner Barock Solisten (in 2000-09)
conductor:
Rainer Kussmaul (violinist) (in 2000-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001)
recorded at:
Teldec Studio (Berlin) in Berlin, Germany (in 2000-09)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (in 2000-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
1:27
7Brandenburg Concerto No.5 In D Bwv1050: 3.allegro
recording engineer:
Mike Hatch (engineer/editor) (in 2000-09)
producer:
Stephen Johns (producer)
flute:
Emmanuel Pahud (flutist) (in 2000-09)
orchestra:
Berliner Barock Solisten (in 2000-09)
conductor:
Rainer Kussmaul (violinist) (in 2000-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001)
recorded at:
Teldec Studio (Berlin) in Berlin, Germany (in 2000-09)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro (in 2000-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: III. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
5:00
8Suites For Cello.suite No.1 In G Bwv 1007: Prelude
cello:
Ralph Kirshbaum (cellist) (in 1993-01)
recorded at:
Saint George’s, Bristol (Brandon Hill) in Bristol, England, United Kingdom (in 1993-01)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude) (in 1993-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
2:37
9Suites For Cello.suite No.3 In C Bwv 1009: Gigue
cello:
Ralph Kirshbaum (cellist) (in 1993-01)
recorded at:
Saint George’s, Bristol (Brandon Hill) in Bristol, England, United Kingdom (in 1993-01)
recording of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: VI. Gigue (Cello Suite No. 3 in C major, BWV 1009: VI. Gigue) (in 1993-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009 (Cello Suite No. 3 in C major, BWV 1009)
3:09
10Harpsichord Concerto In F Minor Bwv1056: 2.largo
producer:
Simon Woods (producer)
editor:
Paul Baily (audio engineer) and Giles Holland (classical engineer, editor)
cello:
Wouter Möller (cellist) (in 1992-10)
harpsichord:
Bob van Asperen (harpsichordist and organist) (in 1992-10)
viola:
Wim ten Have (Classical viola and viol player) (in 1992-10)
violin:
François Fernandez (violinist) (in 1992-10) and Sayuri Yamagata (violinist) (in 1992-10)
violone:
Anthony Woodrow (string player (viola, viol, double bass)) (in 1992-10)
orchestra:
Melante Amsterdam (in 1992-10)
conductor:
Bob van Asperen (harpsichordist and organist) (in 1992-10)
performer:
Melante Amsterdam
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (from 1993 to present)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1992-10)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (in 1992-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
2:35
11Aria From The Goldberg Variations Bwv 988
recording engineer:
Daniel Michel (recording engineer)
producer:
Alain Lanceron
piano:
Maria Tipo (pianist) (from 1986-06-26 until 1986-06-28)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1986-06-26 until 1986-06-28)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (from 1986-06-26 until 1986-06-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
3:06
123 Sonatas And 3 Partitas Bwv1001-1006.partita No.2 In D Minor Bwv1004: 5.chaconne
producer:
Andrew Keener (engineer/editor/producer)
editor:
Andrew Keener (engineer/editor/producer) and John H. West (classical engineer/producer)
violin:
Christian Tetzlaff (violinist) (in 1993-11)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Saint George’s, Bristol (Brandon Hill) in Bristol, England, United Kingdom (in 1993-03, in 1993-11)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: V. Chaconne (in 1993-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1717 until 1723)
part of:
Violin Partita no. 2 in D minor, BWV 1004
12:52
13Mass In B Minor Bwv 232.agnus Dei
producer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
alto vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1988-04)
orchestra:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
recorded at:
Minderbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 1988-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
5:29
14Aria: Erbarme Dich.mein Gott (From St Matthew Passion Bwv244)
producer:
Étienne Collard
harpsichord:
Emmanuelle Haïm (conductor) (from 2000-12-01 until 2000-12-05)
solo mezzo-soprano vocals:
Stephanie Blythe (mezzo-soprano) (from 2000-12-01 until 2000-12-05)
orchestra:
Ensemble orchestral de Paris (from 2000-12-01 until 2000-12-05)
conductor:
John Nelson (American conductor) (from 2000-12-01 until 2000-12-05)
balance engineer:
Hugues Deschaux
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2000-12-01 until 2000-12-05)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (from 2000-12-01 until 2000-12-05)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
6:23
15Cantata No.82.`ich Habe Genug` Bwv82: Aria: Ich Habe Genug
tenor vocals:
Ian Bostridge (tenor) (from 2000-03-25 until 2000-03-30)
orchestra:
Europa Galante (Italian Baroque orchestra) (from 2000-03-25 until 2000-03-30)
conductor:
Fabio Biondi (conductor/violinist) (from 2000-03-25 until 2000-03-30)
recorded at:
La Biblioteca Monumentale dell Abbazia di San Giovanni Evangelista in Parma, Parma, Emilia-Romagna, Italy (from 2000-03-25 until 2000-03-30)
recording of:
Kantate, BWV 82a "Ich habe genug": I. Aria (Soprano) "Ich habe genug" (from 2000-03-25 until 2000-03-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
7:44
16Ave Maria (D`apres Le 1er Prelude Du Clavier Bien Tempere.de J.s.bach)
organ and pipe organ:
Erik Lundkvist (organist)
soprano vocals:
Barbara Hendricks (soprano)
orchestra:
Stockholm Chamber Orchestra
conductor:
Eric Ericson
recording of:
Ave Maria (Bach/Gounod)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
3:16