Sound of Cinema: The Film Music of Hans Zimmer

~ Veröffentlichung von Hans Zimmer (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Time (arr. guitar) (From "Inception")
recording of:
Time (Inception)
Komponist(in):
Hans Zimmer (German score composer)
Teil von:
Inception (Live in Prague)
Music Lab Collective3:19
2Chevaliers De Sangreal (From The Da Vinci Code Original Motion Picture Soundtrack)
recording engineer:
Geoff Foster (sound engineer)
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Jake Jackson (recording engineer)
Mix:
Al Clay und Alan Meyerson
Editing:
Simon Changer (editor)
Interpret(in):
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
phonographisches Urheberrecht (℗) von:
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) und Universal Music Classical (in 2006)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Chevaliers de Sangreal (The Da Vinci Code)
Komponist(in):
Hans Zimmer (German score composer)
Teil von:
The Da Vinci Code
Hans Zimmer & Richard Harvey34:07
3Now We Are Free (From "Gladiator" Soundtrack)
recording engineer und Mix:
Alan Meyerson
assistierende(r) Techniker(in):
Jake Jackson (recording engineer) und Nick Wollage
Produzent(in):
Klaus Badelt (German score composer) und Hans Zimmer (German score composer)
Orchester:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2000), Dreamworks Productions LLC (in 2000) und Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Now We Are Free (Gladiator)
Texter:
Lisa Gerrard
Komponist(in):
Klaus Badelt (German score composer), Lisa Gerrard und Hans Zimmer (German score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SKG Songs und Universal‐MCA Music Publishing (US)
Teil von:
Gladiator
medley including a cover recording of:
Now We Are Free (Gladiator)
Texter:
Niloofar Rafiei
basiert auf:
Now We Are Free (Gladiator)
Medley von:
Now We Are Free (Gladiator)
Lisa Gerrard, Gavin Greenaway & The Lyndhurst Orchestra54:14
4Gun Barrel (From ''No Time to Die'' Soundtrack)
Assistent recording engineer:
Ashley Andrew-Jones, Alex Ferguson (engineer), Rebecca Hordern (Engineer), Gianluca Massimo (assistant engineer) und Jack Mills (engineer)
recording engineer:
Al clay, Laurence Anslow (UK engineer AIR Studios), Rupert Coulson (sound engineer), Geoff Foster (sound engineer), Stephen Lipson, Marc McCouig und John Prestage (engineer)
Synthesizer-Programmierung:
Hans Zimmer (German score composer)
Techniker(in):
Chuck Choi
Produzent(in):
Stephen Lipson, Steve Mazzaro (Composer, producer and arranger from Los Angeles, USA) und Hans Zimmer (German score composer)
assistierende(r) Mix:
Eva Reistad und Alvin Wee
Mix:
Al clay und Stephen Lipson
Editing:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Adam Miller (engineer)
Altflöte:
Lindsey Ellis, Fiona Fulton und Karen Jones (flautist)
Bratsche / Viola:
Rachel Bolt (violist), Roger Chase (violist), Reiad Chibah (violist), Clive Howard (Violinist), Helen Kamminga (violist), Julia Knight (viola), Peter Lale (violist), Lydia Lowndes-Northcott (violist), Andy Parker (violist), Sue Dench (violist), Edward Vanderspar (violist) und Fiona Winning (violist)
Cello:
Adrian Bradbury (British cellist), Ian Burdge (cellist), Jonny Byers (cellist), Ben Chappell, Nick Cooper (UK cellist), Caroline Dale (cellist), Dave Daniels (cellist), Caroline Dearnley (cellist), Morwenna Del Mar (cellist), James Douglas (cellist), Tim Gill (cellist), Sophie Harris (cellist), John Heley (cellist), Jacky Thomas (British cellist), Danny Keane (jazz piano/cello), Paul Kegg (cellist), Ashok Klouda (British cellist), Joely Koos (cellist), David Lale (British cellist, born 1981), Rachael Lander, Tony Lewis (cellist), Vicky Matthews (cellist), Ben Rogerson, Max Ruisi (cellist), Frank Schaefer (cellist), Hannah Sloane (cellist), Jonathan Tunnell (cellist), Rachel van der Tang (Classical cellist), Božidar Vukotić (cellist), Juliet Welchman (Cellist), Will Schofield (cellist), Jonathan Williams (cellist), Tony Woollard und Chris Worsey (cellist)
E-Gitarre:
Johnny Marr
Fagott:
Gordon Laing (bassoonist), Gavin McNaughton (basoonist) und Rachel Simms (bassoonist)
flute:
David Cuthbert, Paul Edmund-Davies (flautist), Andy Findon, Tom Hancox (Flautist), Helen Keen (flautist), Anna Noakes (flautist) und Rowland Sutherland
Geige / Violine:
Mark Berrow (violinist), Daniel Bhattacharya, Natalia Bonner (violinist), Thomas Bowes (violinist), Emil Chakalov (violinist), Dai Emanuel (violin), Jonathan Evans‐Jones (violinist), Peter Hanson (violinist), Ian Humphries (violinist), Jackie Hartley (violinist), Magnus Johnston (violinist), Patrick Kiernan (violinist), Boguslaw Kostecki (violinist), Gabrielle Lester (orchestra leader and violinist), Rita Manning (violinist), Dorina Markoff (violinist), Lorraine McAslan (violinist), John Mills (violinist), Perry Montague‐Mason (violinist), Steve Morris (violinist), Everton Nelson (violinist), Tom Pigott‐Smith (violinist), Pippa Ibbotson (violinist), Debbie Preece (violinist), Jackie Shave, Cathy Thompson (violinist), Clare Thompson (violinist), Chris Tombling (violinist), Debbie Widdup (violinist), Paul Willey (violinist) und Warren Zielinski (violinist)
Gitarre:
Amir John Haddad (german-spanish multi instrumentalist)
Harfe:
Skaila Kanga (harpist)
Holzblasinstrumente [Woodwinds]:
Pedro Eustache
Klarinette:
Alan Andrews (clarinetist), Duncan Ashby (clarinetist / saxophonist), Jon Carnac (clarinetist), David Fuest (clarinet), Max Welford (Clarinetist), Anthony Pike (clarinetist), Paul Richards (clarinetist) und Martin Robertson (saxophonist & clarinetist)
Kontrabass:
Paul Kimber, Roger Linley (double bassist), Steve Mair (bass player), Andy Marshall (double bassist), Andy Pask, Richard Pryce (double bassist), Mary Scully (double bassist), Lucy Shaw (double bassist), Allen Walley (double bassist) und Steve Williams (double bassist)
Perkussion:
Paul Clarvis (percussionist), Luís Jardim, Gary Kettel (percussionist) und Frank Ricotti (percussionist)
Posaune:
Dudley Bright (British trombone player and composer), Barry Clements (bass trombonist), Mark Frost (trombone), Tracy Holloway (trombonist), Dan Jenkins (trombonist), Lyndon Meredith (trombonist), Pete Moore (trombonist), Mark Nightingale (trombonist), Dave Stewart (trombonist), Ed Tarrant (trombone player), Helen Vollam (Trombonist) und Andy Wood (trombonist)
Schlagzeug:
Jason Bonham
Trompete:
Andy Crowley (trumpet player), Louis Dowdeswell, Mike Lovatt, Tom Rees‐Roberts, Arturo Sandoval (Cuban-American jazz trumpeter, pianist & composer) und Tom Walsh (UK brass player)
Tuba:
Owen Slade (tuba player)
Waldhorn:
Richard Bissill (British horn player and composer), Nigel Black (horn player), Laurence Davies (hornist), Anna Douglass (Hornist), Tim Jones (classical horn player), Mike Kidd, Andrew Littlemore, Mike Thompson (British horn player and conductor), Nick Korth (horn player), Martin Owen (horn player), Phillip Eastop (horn player), Simon Rayner (French horn), Hugh Sisley (British hornist), Phillippa Slack (Hornist), John Thurgood (hornist), Alexei Watkins, Richard Watkins (hornist), Jonathan Williams (cellist) und Phil Woods (French hornist from the UK)
Chorgesang:
London Voices
conductor:
John Altman und Matt Dunkley
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
arranger:
Steven Doar (production music)
Orchestrator(in):
Òscar Senén
phonographisches Urheberrecht (℗) von:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 2021) und Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) (in 2021)
recording of:
Gun Barrel
Komponist(in):
Hans Zimmer (German score composer)
Teil von:
No Time To Die
Hans Zimmer0:56
5Earth (From "Gladiator" Soundtrack)
Gavin Greenaway & The Lyndhurst Orchestra3:02
6Main Theme [Rain Man] (Edit)
Hans Zimmer4:49
7Path 19 (yet frailest)
Ben Russell & Max Richter7:51
8Elysium (From "Gladiator" Soundtrack)
Lisa Gerrard, Gavin Greenaway & The Lyndhurst Orchestra2:41
9Honor Him (From "Gladiator" Soundtrack)
recording engineer und Mix:
Alan Meyerson
assistierende(r) Techniker(in):
Jake Jackson (recording engineer) und Nick Wollage
Produzent(in):
Klaus Badelt (German score composer) und Hans Zimmer (German score composer)
Orchester:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Honor Him (Gladiator)
Komponist(in):
Hans Zimmer (German score composer)
Teil von:
Gladiator
Gavin Greenaway & The Lyndhurst Orchestra1:20
10Progeny (From "Gladiator" Soundtrack)
Lisa Gerrard, Gavin Greenaway & The Lyndhurst Orchestra2:14
11Nuvole Bianche
recording engineer:
Ludovico Einaudi (Italian composer and pianist) und Michael Seberich (Italian engineer and producer)
Produzent(in):
Ludovico Einaudi (Italian composer and pianist)
Mix:
Michael Seberich (Italian engineer and producer)
Klavier:
Ludovico Einaudi (Italian composer and pianist)
produced at:
Piccolo Teatro Milan in Milano (Milan), Milano, Lombardia, Italien (in 2004-06)
recording of:
Nuvole bianche
Komponist(in):
Ludovico Einaudi (Italian composer and pianist)
Ludovico Einaudi4.355:58
12The Wheat (From "Gladiator" Soundtrack)
Lisa Gerrard, Gavin Greenaway & The Lyndhurst Orchestra1:03
13The Battle (From "Gladiator" Soundtrack)
recording engineer und Mix:
Alan Meyerson
assistierende(r) Techniker(in):
Jake Jackson (recording engineer) und Nick Wollage
Produzent(in):
Klaus Badelt (German score composer) und Hans Zimmer (German score composer)
Orchester:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
The Battle (Gladiator)
Komponist(in):
Hans Zimmer (German score composer)
Teil von:
Gladiator
Lisa Gerrard, Gavin Greenaway & The Lyndhurst Orchestra310:02
14Sorrow (From "Gladiator" Soundtrack)
Lisa Gerrard, Gavin Greenaway & The Lyndhurst Orchestra1:26
15To Zuccabar (From "Gladiator" Soundtrack)
Gavin Greenaway & The Lyndhurst Orchestra3:16
16Patricide (From "Gladiator" Soundtrack)
Gavin Greenaway & The Lyndhurst Orchestra4:08
17The Emperor Is Dead (From "Gladiator" Soundtrack)
Lisa Gerrard, Gavin Greenaway & The Lyndhurst Orchestra1:22
18The Might of Rome (From "Gladiator" Soundtrack)
Lisa Gerrard, Gavin Greenaway & The Lyndhurst Orchestra5:18
19Strength and Honor (From "Gladiator" Soundtrack)
Gavin Greenaway & The Lyndhurst Orchestra2:10
20Reunion (From "Gladiator" Soundtrack)
recording engineer und Mix:
Alan Meyerson
assistierende(r) Techniker(in):
Jake Jackson (recording engineer) und Nick Wollage
Produzent(in):
Klaus Badelt (German score composer) und Hans Zimmer (German score composer)
Orchester:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Reunion (Gladiator)
Komponist(in):
Klaus Badelt (German score composer) und Lisa Gerrard
recording of:
Reunion
Lisa Gerrard, Gavin Greenaway & The Lyndhurst Orchestra41:14
21Slaves to Rome (From "Gladiator" Soundtrack)
Gavin Greenaway & The Lyndhurst Orchestra1:00
22Barbarian Horde (From "Gladiator" Soundtrack)
Gavin Greenaway & The Lyndhurst Orchestra10:33
23Am I Not Merciful? (From "Gladiator" Soundtrack)
Gavin Greenaway & The Lyndhurst Orchestra6:33
24Duduk of the North (From "Gladiator" Soundtrack)
recording engineer und Mix:
Alan Meyerson
assistierende(r) Techniker(in):
Jake Jackson (recording engineer) und Nick Wollage
Techniker(in):
Kevin Globerman und Gregg Silk
Produzent(in):
Klaus Badelt (German score composer), Alan Meyerson und Hans Zimmer (German score composer)
conductor:
Gavin Greenaway
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, in 2001)
aufgenommen bei:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
remixed at:
Lectroluv Studio in East Village, New York, New York, Vereinigte Staaten
recording of:
Duduk of the North
Komponist(in):
Hans Zimmer (German score composer)
Hans Zimmer, Lisa Gerrard, Gavin Greenaway & The Lyndhurst Orchestra5:33
25Homecoming (From "Gladiator" Soundtrack)
Hans Zimmer, Gavin Greenaway & The Lyndhurst Orchestra3:36
26The General Who Became a Slave (From "Gladiator" Soundtrack)
Hans Zimmer, Gavin Greenaway & The Lyndhurst Orchestra3:03
27The Slave Who Became a Gladiator (From "Gladiator" Soundtrack)
Hans Zimmer, Lisa Gerrard, Gavin Greenaway & The Lyndhurst Orchestra6:12
28Secrets (From "Gladiator" Soundtrack)
Hans Zimmer, Gavin Greenaway & The Lyndhurst Orchestra1:59
29Rome Is the Light (From "Gladiator" Soundtrack)
recording engineer und Mix:
Alan Meyerson
assistierende(r) Techniker(in):
Jake Jackson (recording engineer) und Nick Wollage
Techniker(in):
Kevin Globerman und Gregg Silk
Produzent(in):
Klaus Badelt (German score composer), Alan Meyerson und Hans Zimmer (German score composer)
conductor:
Gavin Greenaway
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, in 2001)
aufgenommen bei:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
remixed at:
Lectroluv Studio in East Village, New York, New York, Vereinigte Staaten
recording of:
Rome Is the Light
Komponist(in):
Klaus Badelt (German score composer), Lisa Gerrard und Hans Zimmer (German score composer)
Hans Zimmer, Lisa Gerrard, Gavin Greenaway & The Lyndhurst Orchestra2:44
30All That Remains (From "Gladiator" Soundtrack)
recording engineer und Mix:
Alan Meyerson
assistierende(r) Techniker(in):
Jake Jackson (recording engineer) und Nick Wollage
Techniker(in):
Kevin Globerman und Gregg Silk
Produzent(in):
Klaus Badelt (German score composer), Alan Meyerson und Hans Zimmer (German score composer)
conductor:
Gavin Greenaway
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, in 2001)
aufgenommen bei:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
remixed at:
Lectroluv Studio in East Village, New York, New York, Vereinigte Staaten
recording of:
All That Remains
Komponist(in):
Hans Zimmer (German score composer)
Hans Zimmer, Gavin Greenaway & The Lyndhurst Orchestra0:55
31Maximus (From "Gladiator" Soundtrack)
Heitor Pereira, Gavin Greenaway & The Lyndhurst Orchestra1:09
32Marrakesh Marketplace (From "Gladiator" Soundtrack)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2001)
recording of:
Marrakesh Marketplace
Komponist(in):
Jeff Rona
Hans Zimmer, Gavin Greenaway & The Lyndhurst Orchestra0:42
33The Gladiator Waltz (From "Gladiator" Soundtrack)
Hans Zimmer, Gavin Greenaway & The Lyndhurst Orchestra8:25
34Figurines (From "Gladiator" Soundtrack)
recording engineer und Mix:
Alan Meyerson
assistierende(r) Techniker(in):
Jake Jackson (recording engineer) und Nick Wollage
Techniker(in):
Kevin Globerman und Gregg Silk
Produzent(in):
Klaus Badelt (German score composer), Alan Meyerson und Hans Zimmer (German score composer)
conductor:
Gavin Greenaway
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (, in 2001)
aufgenommen bei:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
remixed at:
Lectroluv Studio in East Village, New York, New York, Vereinigte Staaten
recording of:
Figurines
Komponist(in):
Lisa Gerrard
Lisa Gerrard1:02
35The Mob (From "Gladiator" Soundtrack)
Hans Zimmer, Lisa Gerrard, Gavin Greenaway & The Lyndhurst Orchestra2:23
36Busy Little Bee (From "Gladiator" Soundtrack)
Hans Zimmer, Lisa Gerrard, Gavin Greenaway & The Lyndhurst Orchestra3:48
37Death Smiles at All of Us (From "Gladiator" Soundtrack)
Hans Zimmer, Gavin Greenaway & The Lyndhurst Orchestra2:29
38Not Yet (From "Gladiator" Soundtrack)
Hans Zimmer, Lisa Gerrard, Gavin Greenaway & The Lyndhurst Orchestra1:33
39L'Esprit Des Gabriel
Hans Zimmer & Richard Harvey2:49
40The Paschal Spiral
Hans Zimmer & Richard Harvey2:49
41Fructus Gravis
Hans Zimmer & Richard Harvey2:50
42Ad Arcana
recording engineer:
Geoff Foster (sound engineer)
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Jake Jackson (recording engineer)
Mix:
Al Clay und Alan Meyerson
Editing:
Simon Changer (editor)
phonographisches Urheberrecht (℗) von:
Universal Music Classics Group (pre-Oct 2013, a division of UMG Recordings, Inc.) und Universal Music Classical (in 2006)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Ad arcana (The Da Vinci Code)
Komponist(in):
Hans Zimmer (German score composer)
Teil von:
The Da Vinci Code
Hans Zimmer & Richard Harvey36:07
43Malleus Maleficarum
Hans Zimmer & Richard Harvey2:19
44Salvete Virgines
Hans Zimmer & Richard Harvey3:15
45Daniel's 9th Cipher
Hans Zimmer & Richard Harvey9:31
46Poisoned Chalice
Hans Zimmer & Richard Harvey6:20
47The Citrine Cross
Hans Zimmer & Richard Harvey5:22
48Rose of Arimathea
Hans Zimmer & Richard Harvey8:12
49Beneath Alrischa
Hans Zimmer & Richard Harvey4:23
50Kyrie for the Magdalene
Richard Harvey3:55
51Hunger
recording engineer:
Al Clay, Malcolm Luker, Alan Meyerson und Greg Townley (producer/mixer)
assistierende(r) Techniker(in):
Kevin Globerman, Gregg Silk, T.J. Lingren und Jason Wormer (american engineer)
Produzent(in):
Bob Badami, Pietro Scalia und Hans Zimmer (German score composer)
Mix:
Big Al Clay und Alan Meyerson
assistierendes Editing:
Del Spiva
Editing:
Marc Streitenfeld (German score composer)
vocals:
Baaba Maal
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
Hans Zimmer6:36
52Vale of Plenty
recording engineer:
Al Clay, Malcolm Luker, Alan Meyerson und Greg Townley (producer/mixer)
assistierende(r) Techniker(in):
Kevin Globerman, Gregg Silk, T.J. Lingren und Jason Wormer (american engineer)
Produzent(in):
Bob Badami, Pietro Scalia und Hans Zimmer (German score composer)
Mix:
Big Al Clay und Alan Meyerson
assistierendes Editing:
Del Spiva
Editing:
Marc Streitenfeld (German score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Vale Of Plenty
Komponist(in):
Hans Zimmer (German score composer)
Hans Zimmer2:28
53Chant
recording engineer:
Al Clay, Malcolm Luker, Alan Meyerson und Greg Townley (producer/mixer)
assistierende(r) Techniker(in):
Kevin Globerman, Gregg Silk, T.J. Lingren und Jason Wormer (american engineer)
Produzent(in):
Bob Badami, Pietro Scalia und Hans Zimmer (German score composer)
Mix:
Big Al Clay und Alan Meyerson
assistierendes Editing:
Del Spiva
Editing:
Marc Streitenfeld (German score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Chant (Black Hawk Down)
Komponist(in):
Hans Zimmer (German score composer)
Hans Zimmer2:34
54Still
recording engineer:
Al Clay, Malcolm Luker, Alan Meyerson und Greg Townley (producer/mixer)
assistierende(r) Techniker(in):
Kevin Globerman, Gregg Silk, T.J. Lingren und Jason Wormer (american engineer)
Produzent(in):
Bob Badami, Pietro Scalia und Hans Zimmer (German score composer)
Mix:
Big Al Clay und Alan Meyerson
assistierendes Editing:
Del Spiva
Editing:
Marc Streitenfeld (German score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Still (Black Hawk Down)
Komponist(in):
Hans Zimmer (German score composer)
Hans Zimmer4:48
55Mogadishu Blues
recording engineer:
Al Clay, Malcolm Luker, Alan Meyerson und Greg Townley (producer/mixer)
assistierende(r) Techniker(in):
Kevin Globerman, Gregg Silk, T.J. Lingren und Jason Wormer (american engineer)
Produzent(in):
Bob Badami, Pietro Scalia und Hans Zimmer (German score composer)
Mix:
Big Al Clay und Alan Meyerson
assistierendes Editing:
Del Spiva
Editing:
Marc Streitenfeld (German score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Mogadishu Blues
Komponist(in):
Hans Zimmer (German score composer)
Hans Zimmer2:54
56Synchrotone (From "Black Hawk Down" Soundtrack)
recording engineer:
Al Clay, Malcolm Luker, Alan Meyerson und Greg Townley (producer/mixer)
assistierende(r) Techniker(in):
Kevin Globerman, Gregg Silk, T.J. Lingren und Jason Wormer (american engineer)
Produzent(in):
Bob Badami, Pietro Scalia und Hans Zimmer (German score composer)
Mix:
Big Al Clay und Alan Meyerson
assistierendes Editing:
Del Spiva
Editing:
Marc Streitenfeld (German score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Synchrotone (Black Hawk Down)
Komponist(in):
Hans Zimmer (German score composer)
Hans Zimmer8:55
57Bakara
recording engineer:
Al Clay, Malcolm Luker, Alan Meyerson und Greg Townley (producer/mixer)
assistierende(r) Techniker(in):
Kevin Globerman, Gregg Silk, T.J. Lingren und Jason Wormer (american engineer)
Produzent(in):
Bob Badami, Pietro Scalia und Hans Zimmer (German score composer)
Mix:
Big Al Clay und Alan Meyerson
assistierendes Editing:
Del Spiva
Editing:
Marc Streitenfeld (German score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Bakara (Black Hawk Down)
Komponist(in):
Hans Zimmer (German score composer)
Hans Zimmer3:12
58Of the Earth
recording engineer:
Al Clay, Malcolm Luker, Alan Meyerson und Greg Townley (producer/mixer)
assistierende(r) Techniker(in):
Kevin Globerman, Gregg Silk, T.J. Lingren und Jason Wormer (american engineer)
Produzent(in):
Bob Badami, Pietro Scalia und Hans Zimmer (German score composer)
Mix:
Big Al Clay und Alan Meyerson
assistierendes Editing:
Del Spiva
Editing:
Marc Streitenfeld (German score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Of the Earth
Komponist(in):
Hans Zimmer (German score composer)
Hans Zimmer2:19
59Ashes to Ashes
recording engineer:
Al Clay, Malcolm Luker, Alan Meyerson und Greg Townley (producer/mixer)
assistierende(r) Techniker(in):
Kevin Globerman, Gregg Silk, T.J. Lingren und Jason Wormer (american engineer)
Produzent(in):
Bob Badami, Pietro Scalia und Hans Zimmer (German score composer)
Mix:
Big Al Clay und Alan Meyerson
assistierendes Editing:
Del Spiva
Editing:
Marc Streitenfeld (German score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
Hans Zimmer4:43
60Tribal War (From "Black Hawk Down" Soundtrack)
recording engineer:
Al Clay, Malcolm Luker, Alan Meyerson und Greg Townley (producer/mixer)
assistierende(r) Techniker(in):
Kevin Globerman, Gregg Silk, T.J. Lingren und Jason Wormer (american engineer)
Produzent(in):
Bob Badami, Pietro Scalia und Hans Zimmer (German score composer)
Mix:
Big Al Clay und Alan Meyerson
assistierendes Editing:
Del Spiva
Editing:
Marc Streitenfeld (German score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Tribal War
Komponist(in):
Hans Zimmer (German score composer)
Hans Zimmer2:39
61Leave No Man Behind
recording engineer:
Al Clay, Malcolm Luker, Alan Meyerson und Greg Townley (producer/mixer)
assistierende(r) Techniker(in):
Kevin Globerman, Gregg Silk, T.J. Lingren und Jason Wormer (american engineer)
Produzent(in):
Bob Badami, Pietro Scalia und Hans Zimmer (German score composer)
Mix:
Big Al Clay und Alan Meyerson
assistierendes Editing:
Del Spiva
Editing:
Marc Streitenfeld (German score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Leave No Man Behind (Black Hawk Down)
Komponist(in):
Hans Zimmer (German score composer)
Hans Zimmer6:19
62Minstrel Boy (Film Verson)
Joe Strummer & the Mescaleros5:37
63Still Reprise (From "Black Hawk Down" Soundtrack)
recording engineer:
Al Clay, Malcolm Luker, Alan Meyerson und Greg Townley (producer/mixer)
assistierende(r) Techniker(in):
Kevin Globerman, Gregg Silk, T.J. Lingren und Jason Wormer (american engineer)
Produzent(in):
Bob Badami, Pietro Scalia und Hans Zimmer (German score composer)
Mix:
Big Al Clay und Alan Meyerson
assistierendes Editing:
Del Spiva
Editing:
Marc Streitenfeld (German score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Still (Black Hawk Down)
Komponist(in):
Hans Zimmer (German score composer)
Hans Zimmer2:12
64The Well
Hans Zimmer, Henning Lohner, Martin Tillman & Fiachra Trench11:25
65Before You Die You See the Ring
Hans Zimmer, Henning Lohner, Martin Tillman & Fiachra Trench7:09
66This Is Going to Hurt
Hans Zimmer, Henning Lohner, Martin Tillman & Fiachra Trench2:47
67Burning Tree
Hans Zimmer, Henning Lohner, Martin Tillman & Fiachra Trench10:14
68Not Your Mommy
Hans Zimmer, Henning Lohner, Martin Tillman & Fiachra Trench4:00
69Shelter Mountain
Hans Zimmer, Henning Lohner, Martin Tillman & Fiachra Trench4:11
70The Ferry
recording of:
The Ferry (The Ring)
Hans Zimmer, Henning Lohner, Martin Tillman & Fiachra Trench3:15
71I'll Follow Your Voice
Hans Zimmer, Henning Lohner, Martin Tillman & Fiachra Trench6:28
72She Never Sleeps
Hans Zimmer, Henning Lohner, Martin Tillman & Fiachra Trench2:17
73Let the Dead Get In
Hans Zimmer, Henning Lohner, Martin Tillman & Fiachra Trench3:59
74Seven Days
Hans Zimmer, Henning Lohner, Martin Tillman & Fiachra Trench3:24
75Television
Hans Zimmer, Henning Lohner, Martin Tillman & Fiachra Trench4:01
76Dies Mercurii I Martius (From The Da Vinci Code Original Motion Picture Soundtrack)
Hans Zimmer & Richard Harvey6:03