Yo-Yo Ma Plays Bach

~ Release by Bach; Yo‐Yo Ma (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Suite for Solo Cello no. 3 in C major, BWV 1009: I. Prélude
cello:
Yo‐Yo Ma (cellist) (from 1994-07-07 until 1997-04-06)
recording of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: I. Prélude (Cello Suite No. 3 in C major, BWV 1009: I. Prélude) (from 1994-07-07 until 1997-04-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009 (Cello Suite No. 3 in C major, BWV 1009)
Johann Sebastian Bach3:19
2Suite for Solo Cello no. 3 in C major, BWV 1009: II. Allemande
cello:
Yo‐Yo Ma (cellist) (from 1994-07-07 until 1997-04-06)
recording of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: II. Allemande (Cello Suite No. 3 in C major, BWV 1009: II. Allemande) (from 1994-07-07 until 1997-04-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009 (Cello Suite No. 3 in C major, BWV 1009)
Johann Sebastian Bach3:35
3Suite for Solo Cello no. 3 in C major, BWV 1009: III. Courante
cello:
Yo‐Yo Ma (cellist) (from 1994-07-07 until 1997-04-06)
recording of:
Suite für Violoncello solo no. 3 C‐Dur, BWV 1009: III. Courante (Cello Suite No. 3 in C major, BWV 1009: III. Courante) (from 1994-07-07 until 1997-04-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009 (Cello Suite No. 3 in C major, BWV 1009)
Johann Sebastian Bach3:01
4Suite for Solo Cello no. 3 in C major, BWV 1009: IV. Sarabande
cello:
Yo‐Yo Ma (cellist) (from 1994-07-07 until 1997-04-06)
recording of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: IV. Sarabande (Cello Suite No. 3 in C major, BWV 1009: IV. Sarabande) (from 1994-07-07 until 1997-04-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009 (Cello Suite No. 3 in C major, BWV 1009)
Johann Sebastian Bach4:46
5Suite for Solo Cello no. 3 in C major, BWV 1009: V. Bourrée
cello:
Yo‐Yo Ma (cellist) (from 1994-07-07 until 1997-04-06)
recording of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: V. Bourrée I & II (Cello Suite No. 3 in C major, BWV 1009: V. Bourrée I & II) (from 1994-07-07 until 1997-04-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009 (Cello Suite No. 3 in C major, BWV 1009)
Johann Sebastian Bach3:20
6Suite for Solo Cello no. 3 in C major, BWV 1009: VI. Gigue
cello:
Yo‐Yo Ma (cellist) (from 1994-07-07 until 1997-04-06)
recording of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: VI. Gigue (Cello Suite No. 3 in C major, BWV 1009: VI. Gigue) (from 1994-07-07 until 1997-04-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009 (Cello Suite No. 3 in C major, BWV 1009)
Johann Sebastian Bach3:04
7Matthäus-Passion, BWV 244: Erbarme dich mein Gott
engineer:
Adriaan Verstijnen (Dutch recording engineer & producer) (in 1998-08)
producer:
Tini Mathot (Dutch classical keyboardist) (in 1998-08)
cello:
Yo‐Yo Ma (cellist) (from 1998-08-16 until 1998-08-21)
harpsichord:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
orchestra:
Amsterdam Baroque Orchestra (from 1998-08-16 until 1998-08-21)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
cello arranger:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
De Stadsgehoorzaal (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 1998-08-16 until 1998-08-21)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (from 1998-08-16 until 1998-08-21)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:24
8Orchestral Suite no. 3 in D major, BWV 1068: II. Air
engineer:
Adriaan Verstijnen (Dutch recording engineer & producer) (in 1998-08)
producer:
Tini Mathot (Dutch classical keyboardist) (in 1998-08)
cello:
Yo‐Yo Ma (cellist) (from 1998-08-16 until 1998-08-21)
harpsichord:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
orchestra:
Amsterdam Baroque Orchestra (from 1998-08-16 until 1998-08-21)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
cello arranger:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
De Stadsgehoorzaal (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 1998-08-16 until 1998-08-21)
recording of:
Suite III, BWV 1068 : “Air on the G String” (for cello and orchestra, Koopman)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Ton Koopman (conductor, organist and harpsichordist)
arrangement of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Johann Sebastian Bach5:06
9Herz und Mund und Tat und Leben, BWV 147: 10. Chorale, Jesus bleibet meine Freude
engineer:
Adriaan Verstijnen (Dutch recording engineer & producer) (in 1998-08)
producer:
Tini Mathot (Dutch classical keyboardist) (in 1998-08)
cello:
Yo‐Yo Ma (cellist) (from 1998-08-16 until 1998-08-21)
harpsichord:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
orchestra:
Amsterdam Baroque Orchestra (from 1998-08-16 until 1998-08-21)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
cello arranger:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
De Stadsgehoorzaal (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 1998-08-16 until 1998-08-21)
recording of:
Jesu, Joy of Man's Desiring, BWV 147 (for cello and orchestra, arr. Koopman) (from 1998-08-16 until 1998-08-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Ton Koopman (conductor, organist and harpsichordist)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach2:48
10Sonata no. 1 in G major for Cello and Harpsichord, BWV 1027: I. Adagio
engineer:
Sydney Davis (engineer) (from 1981 until 1982) and Tom Lazarus (from 1981 until 1982)
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (from 1981 until 1982)
harpsichord:
Kenneth Cooper (American harpsichordist, pianist, conductor) (from 1981 until 1982)
recorded at:
O'Shaughnessy Hall (gymnasium at St. Thomas University) in Saint Paul, Minnesota, United States (from 1981 until 1982)
recording of:
Sonate für Viola da Gamba und Cembalo G-Dur, BWV 1027: I. Adagio (from 1981 until 1982)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Viola da Gamba und Cembalo G-Dur, BWV 1027
Johann Sebastian Bach3:51
11Sonata no. 1 in G major for Cello and Harpsichord, BWV 1027: II. Allegro ma non tanto
engineer:
Sydney Davis (engineer) (from 1981 until 1982) and Tom Lazarus (from 1981 until 1982)
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (from 1981 until 1982)
harpsichord:
Kenneth Cooper (American harpsichordist, pianist, conductor) (from 1981 until 1982)
recorded at:
O'Shaughnessy Hall (gymnasium at St. Thomas University) in Saint Paul, Minnesota, United States (from 1981 until 1982)
recording of:
Sonate für Viola da Gamba und Cembalo G-Dur, BWV 1027: II. Allegro ma non tanto (from 1981 until 1982)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Viola da Gamba und Cembalo G-Dur, BWV 1027
Johann Sebastian Bach3:18
12Sonata no. 1 in G major for Cello and Harpsichord, BWV 1027: III. Andante
engineer:
Sydney Davis (engineer) (from 1981 until 1982) and Tom Lazarus (from 1981 until 1982)
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (from 1981 until 1982)
harpsichord:
Kenneth Cooper (American harpsichordist, pianist, conductor) (from 1981 until 1982)
recorded at:
O'Shaughnessy Hall (gymnasium at St. Thomas University) in Saint Paul, Minnesota, United States (from 1981 until 1982)
recording of:
Sonate für Viola da Gamba und Cembalo G-Dur, BWV 1027: III. Andante (from 1981 until 1982)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Viola da Gamba und Cembalo G-Dur, BWV 1027
Johann Sebastian Bach3:00
13Sonata no. 1 in G major for Cello and Harpsichord, BWV 1027: IV. Allegro moderato
engineer:
Sydney Davis (engineer) (from 1981 until 1982) and Tom Lazarus (from 1981 until 1982)
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (from 1981 until 1982)
harpsichord:
Kenneth Cooper (American harpsichordist, pianist, conductor) (from 1981 until 1982)
recorded at:
O'Shaughnessy Hall (gymnasium at St. Thomas University) in Saint Paul, Minnesota, United States (from 1981 until 1982)
recording of:
Sonate für Viola da Gamba und Cembalo G-Dur, BWV 1027: IV. Allegro moderato (from 1981 until 1982)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Viola da Gamba und Cembalo G-Dur, BWV 1027
Johann Sebastian Bach3:03
14Wachet auf, ruft uns die Stimme, BWV 645
engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
cello:
Yo‐Yo Ma (cellist) (from 1998-08-16 until 1998-08-21)
orchestra:
Amsterdam Baroque Orchestra (from 1998-08-16 until 1998-08-21)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
recorded at:
De Stadsgehoorzaal (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 1998-08-16 until 1998-08-21)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645 (catch-all for arrangements) (from 1998-08-16 until 1998-08-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645
Johann Sebastian Bach3:52
15Goldberg Variations, BWV 988: Aria (arr. for cello and piano)
engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
cello:
Yo‐Yo Ma (cellist) (from 1998-08-16 until 1998-08-21)
organ:
Ton Koopman (conductor, organist and harpsichordist)
orchestra:
Amsterdam Baroque Orchestra (from 1998-08-16 until 1998-08-21)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
recorded at:
De Stadsgehoorzaal (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 1998-08-16 until 1998-08-21)
recording of:
Goldberg-Variationen, BWV 988: Aria (catch-all for arrangements) (from 1998-08-16 until 1998-08-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1841)
arrangement of:
Goldberg-Variationen, BWV 988: Aria (opening)
part of:
Goldberg-Variationen, BWV 988 (catch-all for arrangements)
Johann Sebastian Bach4:45
16Schafe können sicher weiden, BWV 208
engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
cello:
Yo‐Yo Ma (cellist) (from 1998-08-16 until 1998-08-21)
orchestra:
Amsterdam Baroque Orchestra (from 1998-08-16 until 1998-08-21)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
recorded at:
De Stadsgehoorzaal (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 1998-08-16 until 1998-08-21)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. “Schafe können sicher weiden” (catch-all for arrangements) (from 1998-08-16 until 1998-08-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
Johann Sebastian Bach3:42
17Ave Maria
recording engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007) (from 2015-03-28 until 2015-03-31)
producer:
Steven Epstein (classical music producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
cello:
Yo‐Yo Ma (cellist) (from 2015-03-28 until 2015-03-31)
piano:
Kathryn Stott (pianist) (from 2015-03-28 until 2015-03-31)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 2015-03-28 until 2015-03-31)
instrumental recording of:
Ave Maria (catch-all for arrangements of the Bach / Gounod work) (from 2015-03-28 until 2015-03-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer)
publisher:
Lam Larghetto Music (from 1993 to present)
arrangement of:
Ave Maria (Bach/Gounod)
recording of:
Ave Maria (catch-all for arrangements of the Bach / Gounod work)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer)
publisher:
Lam Larghetto Music (from 1993 to present)
arrangement of:
Ave Maria (Bach/Gounod)
Johann Sebastian Bach / Charles Gounod2:45
18Suite for Cello no. 6 in D major, BWV 1012: Sarabande
engineer:
Tom Lazarus
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (on 1982-05-12)
recorded at:
Vanguard Studios (23rd Street, New York) in New York, New York, United States (on 1982-05-12)
recording of:
Suite für Violoncello solo no. 6 D-Dur, BWV 1012: IV. Sarabande (Cello Suite No. 6 in D major, BWV 1012: IV. Sarabande) (on 1982-05-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 6 D-Dur, BWV 1012 (Cello Suite No. 6 in D major, BWV 1012)
Johann Sebastian Bach4:33
19Orchestral Suite no. 3 in D major, BWV 1068: Air
recording engineer:
Chris Tergesen (from 1991-08-22 until 1991-08-25)
producer:
Steven Epstein (classical music producer) and Bobby McFerrin
mixer:
Chris Tergesen
cello:
Yo‐Yo Ma (cellist) (from 1991-08-22 until 1991-08-25)
vocals:
Bobby McFerrin (from 1991-08-22 until 1991-08-25)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1992)
recorded at:
Dreamland Recording Studios in Hurley, New York, United States (from 1991-08-22 until 1991-08-25)
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) (from 1991-08-22 until 1991-08-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Johann Sebastian Bach5:14
20Fancy on a Bach Air
cello:
Yo‐Yo Ma (cellist)
recording of:
Fancy on a Bach Air
composer:
John Corigliano (American composer) (in 1996)
is based on:
Goldberg-Variationen, BWV 988: Aria (opening)
part of:
New Goldberg Variations (six compositions commissioned by Judith and Robert Goldberg)
John Corigliano6:58