Opera Highlights

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1The Marriage of Figaro: Overture
orchestra:
Berlin Symphony Orchestra (almost certainly a Scholz fake artist), Hamburger Symphoniker, London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonic Orchestra (Alfred Scholz pseudonym) and Philharmonia Slovanica Orchester (Alfred Scholz pseudonym)
conductor:
Pietro di la Corona (fictitious conductor, Alfred Scholz pseudonym), Laurence Gordon Siegel (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Le nozze di Figaro, K. 492: Sinfonia
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
44:21
2The Marriage of Figaro: "Non più andrai", Figaro's Aria
bass vocals [Figaro]:
Michele Pertusi (operatic bass)
orchestra:
Berlin Radio Symphony Orchestra (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Roberto Paternostro (Austrian conductor)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
3:55
3The Magic Flute: "Dies Bildnis ist bezaubernd schön", Tamino's Aria
tenor vocals:
Josef Protschka (tenor)
orchestra:
Munich Radio Orchestra (The Munich Radio Orchestra)
conductor:
Kurt Eichhorn (conductor)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
4:40
4The Magic Flute: "Ein Mädchen oder Weibchen" Papageno's Aria
baritone vocals:
Hermann Prey (baritone) (in 1983-01)
choir vocals:
Chor der Philharmonie Bratislava (Slovak Philharmonic Choir) (in 1983-01)
orchestra:
Orchester der Philharmonie Bratislva (Slovak Philharmonic) (in 1983-01)
conductor:
Kurt Wöss (conductor) (in 1983-01)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
4:26
5The Magic Flute: "O Isis und Osiris", The Priests' Chorus
choir vocals:
Национален филхармоничен хор „Светослав Обретенов“ (National Philharmonic Choir “Svetoslav Obretenov”)
orchestra:
Sofia Philharmonic Orchestra (Sofia Philharmonic)
conductor:
Georgi Robev (conductor)
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
3:12
6Don Giovanni: Ouvertüre
engineer:
Bernd Runge
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Hans Vonk (conductor)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Don Giovanni: Ouvertura
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Il dissoluto punito, ossia il Don Giovanni, K. 527
6:12
7Don Giovanni: "Là ci darem la mano", Duet Zerlina - Don Giovanni
instruments and performer:
NHK Chamber Soloists
baritone vocals [Don Giovanni]:
Renato Bruson (baritone)
soprano vocals [Zerlina]:
Sona Ghazarian (soprano)
conductor:
Roberto Paternostro (Austrian conductor)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
3:29
8Don Giovanni: "Singt dem großen Bassa Lieder", March and Chorus of the Janissaries
choir vocals:
RIAS Chamber Chorus (German chamber choir)
orchestra:
Berlin Radio Symphony Orchestra (East Berlin, 1923–)
conductor:
Hanns‐Martin Schneidt (harpsichordist, organist, conductor)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VI. No. 5b Chor de Janitscharen "Singt dem grossen Bassa Lieder" (Chor und Solisten der Janitscharen)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
3:16
9Entführung aus dem Serail: "Wenn der Freude Tränen flieben", Belmonte's Aria
tenor vocals:
Josef Protschka (tenor)
orchestra:
Munich Radio Orchestra (The Munich Radio Orchestra)
conductor:
Kurt Eichhorn (conductor)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 15 Arie "Wenn der Freude Tränen fließen" (Belmonte)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
4:24
10Così fan tutte: Overture
engineer:
Bernd Runge
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Hans Vonk (conductor)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Così fan tutte: Ouvertura
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1790)
part of:
Così fan tutte ossia La scuola degli amanti, K. 588
4:47
11Così fan tutte: "Un'aura amorosa", Frerrando's Aria
tenor vocals and tenor vocals [Ferrando]:
Josef Protschka (tenor)
orchestra:
Munich Radio Symphony Orchestra (The Munich Radio Orchestra)
conductor:
Kurt Eichhorn (conductor)
recording of:
Così fan tutte: Atto I. No. 17. Aria “Un’aura amorosa” (Ferrando)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
4:51
12The Impresario: Overture
engineer:
Bernd Runge
orchestra:
Dresden Staatskapelle (Dresden Symphonic Orchestra)
conductor:
Hans Vonk (conductor)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Der Schauspieldirektor, K. 486: Ouvertüre
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Johann Gottlieb Stephanie ('The Younger')
part of:
Der Schauspieldirektor, K. 486
5:00
13The Magic Flute: "Der Hölle Rache", Queen of the Night's Aria
soprano vocals and soprano vocals [Die Königin der Nacht]:
Sumi Jo (soprano)
orchestra:
Radio–Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Roberto Paternostro (Austrian conductor)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
3:07
14The Magic Flute: Overture
orchestra:
London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), London Philharmonic Orchestra (Alfred Scholz pseudonym), Mozart Festival Orchestra (an Alfred Scholz pseudonym), South German Philharmonic Orchestra (an Alfred Scholz pseudonym) and Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Cesare Cantieri (an Alfred Scholz pseudonym), Herbert Kraus (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz and Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
7:20