Die Zauberflöte

~ Release by Mozart; Rita Streich, Maria Stader, Ernst Haefliger, Dietrich Fischer‐Dieskau, Josef Greindl, RIAS Symphonie‐Orchester Berlin, Ferenc Fricsay (see all versions of this release, 5 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Die Zauberflöte: Act II. Nr. 9 Marsch der Priester / »Ihr, in dem Weisheitstempel« (Sarastro, Sprecher, Zweiter Priester)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
spoken vocals [Sarastro]:
Walter Franck (in 1955-06)
spoken vocals [Zweiter Priester]:
Howard Vandenburg (tenor) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
arrangement of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (catch-all for arrangements)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:15
2Die Zauberflöte: Act II. Nr. 10 Arie mit Chor: »O Isis und Osiris« (Sarastro, Chor) / »Eine schreckliche Nacht!« (Tamino, Papageno, Zweiter Priester, Sprecher)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
bass vocals [Sarastro]:
Josef Greindl (operatic bass) (in 1955-06)
choir vocals:
Berliner Motettenchor (in 1955-06) and RIAS-Kammerchor (German chamber choir) (in 1955-06)
spoken vocals [Papageno]:
Walter Bluhm (actor and voice actor) (in 1955-06)
spoken vocals [Tamino]:
Sebastian Fischer (actor, voice actor and dubbing speaker) (in 1955-06)
spoken vocals [Zweiter Priester]:
Howard Vandenburg (tenor) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
chorus master:
Günther Arndt (choral conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:45
3Die Zauberflöte: Act II. Nr. 11 Duett: »Bewahret euch vor Weibertücken« (Erster Priester, Zweiter Priester) / »He! Die Lichter her!« (Papageno, Tamino)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
spoken vocals [Papageno]:
Walter Bluhm (actor and voice actor) (in 1955-06)
spoken vocals [Tamino]:
Sebastian Fischer (actor, voice actor and dubbing speaker) (in 1955-06)
tenor vocals [Erster Priester]:
Wilhelm Borchert (actor and dubbing speaker) (in 1955-06)
tenor vocals [Zweiter Priester]:
Howard Vandenburg (tenor) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 11 Duett „Bewahret euch vor Weibertücken” (zwei Priester) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:08
4Die Zauberflöte: Act II. Nr. 12 Quintett: »Wie? Wie? Wie? Ihr an diesem Schreckensort?« (Die drei Damen, Papageno, Tamino) / »Tamino! Deine Standhaftigkeit hat gesiegt« (Sprecher, Zweiter Priester, Papageno)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1955-06)
mezzo-soprano vocals [Dritte Dame der Königin]:
Margarete Klose (alto) (in 1955-06)
soprano vocals [Erste Dame der Königin]:
Marianne Schech (soprano) (in 1955-06)
soprano vocals [Zweite Dame der Königin]:
Liselotte Losch (soprano) (in 1955-06)
spoken vocals [Papageno]:
Walter Bluhm (actor and voice actor) (in 1955-06)
spoken vocals [Zweiter Priester]:
Howard Vandenburg (tenor) (in 1955-06)
tenor vocals [Tamino]:
Ernst Haefliger (tenor) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. Dialog „Heil dir, Jüngling! Dein standhaft männliches Betragen” (Sprecher, 2. Priester, Papageno, Tamino) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. No. 12 Quintett „Wie? Wie? Wie? Ihr an diesem Schreckensort?” (Drei Damen, Papageno, Tamino, Priester) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:34
5Die Zauberflöte: Act II. Nr. 13 Arie: »Alles fühlt der Liebe Freuden« (Monostatos) / »O weh! Da ist die Königin der Nacht« (Monostatos, Pamina, Königin der Nacht)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
spoken vocals [Königin der Nacht]:
Rita Streich (soprano) (in 1955-06)
spoken vocals [Monostatos]:
Wolfgang Spier (actor, voice actor, dubbing artist) (in 1955-06)
spoken vocals [Pamina]:
Ruth Hellberg (actress and dubbing speaker) (in 1955-06)
tenor vocals [Monostatos]:
Martin Vantin (tenor) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 13 Arie „Alles fühlt der Liebe Freuden” (Monostatos) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:57
6Die Zauberflöte: Act II. Nr. 14 Arie: »Der Hölle Rache kocht in meinem Herzen« / (Königin der Nacht) / »Morden soll ich?« (Pamina, Monostatos, Sarastro)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
soprano vocals [Königin der Nacht]:
Rita Streich (soprano) (in 1955-06)
spoken vocals [Monostatos]:
Wolfgang Spier (actor, voice actor, dubbing artist) (in 1955-06)
spoken vocals [Pamina]:
Ruth Hellberg (actress and dubbing speaker) (in 1955-06)
spoken vocals [Sarastro]:
Walter Franck (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:03
7Die Zauberflöte: Act II. Nr. 15 Arie: »In diesen heil’gen Hallen« (Sarastro) / »Hier seid ihr beide euch allein überlassen« (Sprecher, Papageno, Tamino, Weib)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
bass vocals [Sarastro]:
Josef Greindl (operatic bass) (in 1955-06)
spoken vocals [Papagena]:
Lisa Otto (soprano) (in 1955-06)
spoken vocals [Papageno]:
Walter Bluhm (actor and voice actor) (in 1955-06)
spoken vocals [Tamino]:
Sebastian Fischer (actor, voice actor and dubbing speaker) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil'gen Hallen” (Sarastro) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart6:53
8Die Zauberflöte: Act II. Nr. 16 Terzett: »Seid uns zum zweitenmal willkommen« (Die drei Knaben) / »Tamino, Tamino, wollen wir nicht speisen?« (Papageno, Pamina)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
mezzo-soprano vocals [Dritter Knabe]:
Diana Eustrati (mezzo-soprano) (in 1955-06)
soprano vocals [Erster Knabe]:
Margot Guilleaume (German soprano) (in 1955-06)
soprano vocals [Zweiter Knabe]:
Maria Reith (soprano) (in 1955-06)
spoken vocals [Pamina]:
Ruth Hellberg (actress and dubbing speaker) (in 1955-06)
spoken vocals [Papageno]:
Walter Bluhm (actor and voice actor) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 16 Trio „Seid uns zum zweiten Mal willkommen” (Drei Knaben) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:53
9Die Zauberflöte: Act II. Nr. 17 Arie: »Ach, ich fühl’s, es ist verschwunden« (Pamina)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
choir vocals:
Berliner Motettenchor (in 1955-06) and RIAS Kammerchor (German chamber choir) (in 1955-06)
soprano vocals [Pamina]:
Maria Stader (soprano) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden“ (Pamina) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:04
10Die Zauberflöte: Act II. Nr. 18 Chor der Priester: »O Isis und Osiris« (Chor) / »Tamino, deine Haltung war bisher standhaft« (Sarastro, Pamina)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
choir vocals:
Berliner Motettenchor (in 1955-06) and RIAS-Kammerchor (German chamber choir) (in 1955-06)
spoken vocals [Pamina]:
Ruth Hellberg (actress and dubbing speaker) (in 1955-06)
spoken vocals [Sarastro]:
Walter Franck (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
chorus master:
Günther Arndt (choral conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:03
11Die Zauberflöte: Act II. Nr. 19 Terzett: »Soll ich dich, Teurer, nicht mehr sehn?« (Pamina, Sarastro, Tamino) / »Tamino! Tamino! Willst du mich denn gänzlich verlassen?« (Papageno, Sprecher)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
bass vocals [Sarastro]:
Josef Greindl (operatic bass) (in 1955-06)
soprano vocals [Pamina]:
Maria Stader (soprano) (in 1955-06)
spoken vocals [Papageno]:
Walter Bluhm (actor and voice actor) (in 1955-06)
tenor vocals [Tamino]:
Ernst Haefliger (tenor) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 19 Trio „Soll ich dich, Teurer, nicht mehr sehn?” (Pamina, Sarastro, Tamino) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:37
12Die Zauberflöte: Act II. Nr. 20 Arie: »Ein Mädchen oder Weibchen wünscht Papageno sich« (Papageno) / »Da bin ich schon, mein Engel« (Weib, Papageno, Sprecher)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1955-06)
spoken vocals [Papagena]:
Lisa Otto (soprano) (in 1955-06)
spoken vocals [Papageno]:
Walter Bluhm (actor and voice actor) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1955)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:52
13Die Zauberflöte: Act II. Nr. 21 Finale: »Bald prangt, den Morgen zu verkünden« (Die drei Knaben, Pamina)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
mezzo-soprano vocals [Dritter Knabe]:
Diana Eustrati (mezzo-soprano) (in 1955-06)
soprano vocals [Erster Knabe]:
Margot Guilleaume (German soprano) (in 1955-06)
soprano vocals [Pamina]:
Maria Stader (soprano) (in 1955-06)
soprano vocals [Zweiter Knabe]:
Maria Reith (soprano) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 21 Finale „Bald prangt, den Morgen zu verkünden” … „Du also bist mein Bräutigam” (Drei Knaben, Pamina) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:27
14Die Zauberflöte: Act II. Nr. 21 Finale: »Der, welcher wandert diese Straße voll Beschwerden« (Die Geharnischten, Tamino, Pamina)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
bass vocals [Zweiter geharnischter Mann]:
Kim Borg (operatic bass) (in 1955-06)
soprano vocals [Pamina]:
Maria Stader (soprano) (in 1955-06)
tenor vocals [Erster geharnischter Mann]:
Howard Vandenburg (tenor) (in 1955-06)
tenor vocals [Tamino]:
Ernst Haefliger (tenor) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. „Der, welcher wandelt diese Straße voll Beschwerden” (Zwei Geharnischte, Tamino, Pamina) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:41
15Die Zauberflöte: Act II. Nr. 21 Finale: »Tamino mein! O welch ein Glück!« (Pamina, Tamino, Chor)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
choir vocals:
Berliner Motettenchor (in 1955-06) and RIAS-Kammerchor (German chamber choir) (in 1955-06)
soprano vocals [Pamina]:
Maria Stader (soprano) (in 1955-06)
tenor vocals [Tamino]:
Ernst Haefliger (tenor) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
chorus master:
Günther Arndt (choral conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. „Tamino mein! O welch Glück!” (Pamina, Tamino) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart6:41
16Die Zauberflöte: Act II. Nr. 21 Finale: »Papagena, Papagena, Papagena! Weibchen! Täubchen!« (Papageno, Die drei Knaben, Papagena)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1955-06)
mezzo-soprano vocals [Dritter Knabe] and soprano vocals [Dritter Knabe]:
Diana Eustrati (mezzo-soprano) (in 1955-06)
soprano vocals [Erster Knabe]:
Margot Guilleaume (German soprano) (in 1955-06)
soprano vocals [Papagena]:
Lisa Otto (soprano) (in 1955-06)
soprano vocals [Zweiter Knabe]:
Maria Reith (soprano) (in 1955-06)
orchestra:
RIAS-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. „Papagena! Weibchen! Täubchen!” … „Klinget, Glöckchen, klinget!” (Papageno, Drei Knaben, Papagena) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart7:13
17Die Zauberflöte: Act II. Nr. 21 Finale: »Nur stille, stille, stille, stille!« (Monostatos, Königin der Nacht, Die drei Damen)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
mezzo-soprano vocals [Dritte Dame der Königin]:
Margarete Klose (alto) (in 1955-06)
soprano vocals [Erste Dame der Königin]:
Marianne Schech (soprano) (in 1955-06)
soprano vocals [Königin der Nacht]:
Rita Streich (soprano) (in 1955-06)
soprano vocals [Zweite Dame der Königin]:
Liselotte Losch (soprano) (in 1955-06)
tenor vocals [Monostatos]:
Martin Vantin (tenor) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. „Nur stille, stille, stille!” (Monostatos, Königin, Damen) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:34
18Die Zauberflöte: Act II. Nr. 21 Finale: »Die Strahlen der Sonne vertreiben die Nacht« (Sarastro, Chor)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
bass vocals [Sarastro]:
Josef Greindl (operatic bass) (in 1955-06)
choir vocals:
Berliner Motettenchor (in 1955-06) and RIAS-Kammerchor (German chamber choir) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
chorus master:
Günther Arndt (choral conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. „Die Strahlen der Sonne vertreiben die Nacht” (Sarastro) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:49

Credits

Release

part of:Dokumente (Deutsche Grammophon) (order: 7)
ASIN:UK: B000001GGF [info]