A Portrait of Fred Astaire

~ Veröffentlichung von Fred Astaire (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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Nr.TitelBewertungLänge
1The Piccolino
recorded in:
New York, New York, Vereinigte Staaten (am 1935-07-15)
vocals:
Fred Astaire (am 1935-07-15)
Orchester:
Leo Reisman and His Orchestra (am 1935-07-15)
recording of:
The Piccolino (from “Top Hat”) (am 1935-07-15)
Komponist(in):
Irving Berlin
Teil von:
Top Hat (1935 film)
3:19
2I’d Rather Lead a Band
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-01-30)
vocals:
Fred Astaire (am 1936-01-30)
Orchester:
Johnny Green and His Orchestra (am 1936-01-30)
recording of:
I’d Rather Lead a Band (from “Follow the Fleet”) (am 1936-01-30)
Texter und Komponist(in):
Irving Berlin (in 1936)
2:31
3I’m Building Up an Awful Let-Down
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-01-30)
vocals:
Fred Astaire (am 1936-01-30)
Orchester:
Johnny Green and His Orchestra (am 1936-01-30)
recording of:
I'm Building Up to an Awful Letdown (am 1936-01-30)
Verfasser(in):
Fred Astaire und Johnny Mercer
3:06
4I’m Putting All My Eggs in One Basket
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-01-30)
vocals:
Fred Astaire (am 1936-01-30)
Orchester:
Johnny Green and His Orchestra (am 1936-01-30)
recording of:
I’m Putting All My Eggs in One Basket (from “Follow the Fleet”) (am 1936-01-30)
Texter und Komponist(in):
Irving Berlin (in 1936)
2:49
5Let Yourself Go
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-01-30)
vocals:
Fred Astaire (am 1936-01-30)
Orchester:
Johnny Green and His Orchestra with Chorus (am 1936-01-30)
recording of:
Let Yourself Go (from “Follow the Fleet”) (am 1936-01-30)
Texter und Komponist(in):
Irving Berlin (in 1936)
2:38
6Let’s Face the Music and Dance
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-01-30)
vocals:
Fred Astaire (am 1936-01-30)
Orchester:
Johnny Green and His Orchestra (am 1936-01-30)
recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”) (am 1936-01-30)
Texter und Komponist(in):
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. und Williamson Music Company
Teil von:
Follow the Fleet (1936 film)
2:29
7We Saw the Sea
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-01-30)
vocals:
Fred Astaire (am 1936-01-30)
Orchester:
Johnny Green and His Orchestra with Chorus (am 1936-01-30)
recording of:
We Saw the Sea (from “Follow the Fleet”) (am 1936-01-30)
Texter und Komponist(in):
Irving Berlin
2:23
8Never Gonna Dance
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-07-26)
vocals:
Fred Astaire (am 1936-07-26)
Orchester:
Johnny Green and His Orchestra (am 1936-07-26)
recording of:
Never Gonna Dance (from “Swing Time”) (am 1936-07-26)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jerome Kern
Teil von:
Swing Time (film)
3:13
9Pick Yourself Up
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-07-26)
vocals:
Fred Astaire (am 1936-07-26)
Orchester:
Johnny Green and His Orchestra (am 1936-07-26)
recording of:
Pick Yourself Up (from “Swing Time”) (am 1936-07-26)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jerome Kern
Teil von:
Swing Time (film)
2:59
10The Way You Look Tonight
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-07-26)
vocals:
Fred Astaire (am 1936-07-26)
Orchester:
Johnny Green and His Orchestra (am 1936-07-26)
recording of:
The Way You Look Tonight (from “Swing Time”) (am 1936-07-26)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1936 winner)
Teil von:
Swing Time (film)
3:12
11A Fine Romance
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-07-28)
vocals:
Fred Astaire (am 1936-07-28)
Orchester:
Johnny Green and His Orchestra (am 1936-07-28)
recording of:
A Fine Romance (from “Swing Time”) (am 1936-07-28)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
2:55
12Bojangles of Harlem
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-07-28)
vocals:
Fred Astaire (am 1936-07-28)
Orchester:
Johnny Green and His Orchestra (am 1936-07-28)
recording of:
Bojangles of Harlem (from “Swing Time”) (am 1936-07-28)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jerome Kern
Teil von:
Swing Time (film)
3:08
13They Can’t Take That Away From Me
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1937-03-14)
vocals:
Fred Astaire (am 1937-03-14)
Orchester:
Johnny Green and His Orchestra (am 1937-03-14)
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (am 1937-03-14)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
3:05
14They All Laughed
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1937-03-18)
vocals:
Fred Astaire
2:47
15(I’ve Got) Beginners Luck
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1937-03-18)
vocals:
Fred Astaire (am 1937-03-18)
Orchester:
Johnny Green and His Orchestra (am 1937-03-18)
recording of:
(I’ve Got) Beginner’s Luck (from “Shall We Dance”) (am 1937-03-18)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Shall We Dance (1937 film soundtrack)
2:52
16Let’s Call the Whole Thing Off
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1937-03-03)
vocals:
Fred Astaire (am 1937-03-03)
Orchester:
Johnny Green and His Orchestra (am 1937-03-03)
recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”) (am 1937-03-03)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
übersetzte Version von:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
Teil von:
Shall We Dance (1937 film soundtrack)
3:14
17Shall We Dance
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1937-03-21)
vocals:
Fred Astaire (am 1937-03-21)
Orchester:
Johnny Green and His Orchestra (am 1937-03-21)
recording of:
Shall We Dance (am 1937-03-21)
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer)
publisher:
Gershwin Publishing Corp (in 1937)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
2:32
18Slap That Base
vocals:
Fred Astaire
recording of:
Slap That Bass (from “Shall We Dance”) (am 1937-03-21)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
2:56
19A Foggy Day
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1937-10-17)
vocals:
Fred Astaire (am 1937-10-17)
Orchester:
Ray Noble & His Orchestra (am 1937-10-17)
recording of:
A Foggy Day (in London Town) (am 1937-10-17)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
A Damsel in Distress (1937 film score)
2:55
20Things Are Looking Up
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1937-10-17)
vocals:
Fred Astaire (am 1937-10-17)
Orchester:
Ray Noble and His Orchestra (am 1937-10-17)
recording of:
Things Are Looking Up (A Damsel in Distress) (am 1937-10-17)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
Teil von:
A Damsel in Distress (1937 film score)
Teil von:
Crazy for You (1992 musical)
3:12
21I Can’t Be Bothered Now
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1937-10-19)
vocals:
Fred Astaire (am 1937-10-19)
Orchester:
Ray Noble and His Orchestra with Chorus (am 1937-10-19)
recording of:
I Can’t Be Bothered Now (am 1937-10-19)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
Teil von:
A Damsel in Distress (1937 film score)
Teil von:
Crazy for You (1992 musical)
Teil von:
My One and Only (1983 Broadway musical)
2:25
22Nice Work If You Can Get It
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1937-10-19)
vocals:
Fred Astaire (am 1937-10-19)
Orchester:
Ray Noble and His Orchestra (am 1937-10-19)
recording of:
Nice Work If You Can Get It (am 1937-10-19)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Gershwin Publishing Corp (in 1937)
Teil von:
A Damsel in Distress (1937 film score)
Teil von:
Crazy for You (1992 musical)
Teil von:
My One and Only (1983 Broadway musical)
2:43
23I Used to Be Colour Blind
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1938-03-24)
vocals:
Fred Astaire (am 1938-03-24)
Orchester:
Ray Noble and His Orchestra (am 1938-03-24)
recording of:
I Used to Be Color Blind (from "Carefree") (am 1938-03-24)
Texter und Komponist(in):
Irving Berlin (in 1938)
3:01
24The Yam
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1938-03-26)
vocals:
Fred Astaire (am 1938-03-26)
Orchester:
Ray Noble and His Orchestra with Chorus (am 1938-03-26)
recording of:
The Yam (from "Carefree") (am 1938-03-26)
Texter und Komponist(in):
Irving Berlin
2:41

Nennungen