Century of the Blues: The Definitive Country Blues Collection

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Key to the Highway
Gitarre:
Big Bill Broonzy (am 1941-05-02)
Mundharmonika:
Jazz Gillum (am 1941-05-02)
washboard:
Washboard Sam (am 1941-05-02)
vocals:
Big Bill Broonzy (am 1941-05-02)
recording of:
Key to the Highway (am 1941-05-02)
Verfasser(in):
Big Bill Broonzy und Charles Segar
publisher:
Duchess Music Corporation (BMI-affiliated), MCA Duchess Music Corporation, Songs of Universal, Inc. (BMI), Universal Duchess Music Corp. und Wabash Music Co. (BMI-affiliated)
Big Bill Broonzy43:04
2Baby Please Don't Go
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1947-07-22)
Gitarre und Sologesang:
Big Joe Williams (American Delta blues guitarist, singer and songwriter) (am 1947-07-22)
Kontrabass [bass]:
Ransom Knowling (am 1947-07-22)
Mundharmonika:
Sonny Boy Williamson (John Lee “Sonny Boy” Williamson, 1914–1948) (am 1947-07-22)
Schlagzeug [drums]:
Judge Lawrence Riley (early blues drummer) (am 1947-07-22)
zusätzliche(r) Interpret(in):
Alfred Elkins und Sonny Boy Williamson (John Lee “Sonny Boy” Williamson, 1914–1948)
recording of:
Baby, Please Don’t Go
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Big Joe Williams (American Delta blues guitarist, singer and songwriter)
publisher:
EMI Full Keel Music, Leeds Music Corp., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd. und Universal/MCA Music Ltd. (not for release label use!)
Version von:
Another Man Done Gone
Big Joe Williams2:49
3Poor Man Blues
Henry Townsend3:01
4You Can't Get That Stuff No More
recorded in:
New York, New York, Vereinigte Staaten (am 1932-02-04, am 1934-04-25)
Gitarre:
Tampa Red (am 1932-02-04, am 1934-04-25)
Klavier:
Georgia Tom (blues and gospel musician aka “Georgia Tom”) (am 1932-02-04) und Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”) (am 1934-04-25)
vocals:
Tampa Red (am 1932-02-04, am 1934-04-25)
Tampa Red3:00
5Worried Life Blues
Gitarre:
Tampa Red (in 1941, am 1941-06-24)
Klavier:
Big Maceo (in 1941, am 1941-06-24)
Kontrabass [string bass]:
Ransom Knowling (am 1941-06-24)
vocals:
Big Maceo (in 1941, am 1941-06-24)
aufgenommen bei:
RCA Studios (Chicago, 1935-1969) in Chicago, Illinois, Vereinigte Staaten (am 1941-06-24)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 1983)
recording of:
Worried Life Blues (am 1941-06-21)
Verfasser(in):
Sleepy John Estes und Maceo Merriweather
publisher:
Duchess Music Corporation (BMI-affiliated), Universal Duchess Music Corp. und Universal/MCA Music Ltd. (not for release label use!)
Version von:
Someday Baby Blues
Big Maceo2:54
6Jockey Blues
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1936-04-03)
Gitarre:
Big Bill Broonzy (am 1936-04-03)
Mundharmonika und Sologesang:
Jazz Gillum (am 1936-04-03)
Jazz Gillium2:51
7That's All Right
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1946-09-06)
Gitarre:
Arthur “Big Boy” Crudup (am 1946-09-06)
Kontrabass:
Ransom Knowling (am 1946-09-06)
Schlagzeug:
Lawrence "Judge" Riley (early blues drummer) (am 1946-09-06)
vocals:
Arthur “Big Boy” Crudup (am 1946-09-06)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2020/2021)
recording of:
That’s All Right (am 1946-09-06)
Texter und Komponist(in):
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music und Unichappell Music, Inc.
Arthur “Big Boy” Crudup4.52:55
8When the Levee Breaks
recorded in:
New York, New York, Vereinigte Staaten (am 1929-06-18)
Gitarre:
Kansas Joe McCoy (am 1929-06-18) und Memphis Minnie (am 1929-06-18)
vocals:
Kansas Joe McCoy (am 1929-06-18)
recording of:
When the Levee Breaks (original country blues song) (am 1929-06-18)
Verfasser(in):
Kansas Joe McCoy und Memphis Minnie
Kansas Joe McCoy3:13
9Me and My Chauffeur
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1941-05-21)
Bass:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
Gitarre:
Little Son Joe (am 1941-05-21) und Memphis Minnie (am 1941-05-21)
vocals:
Memphis Minnie (am 1941-05-21)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2013)
recording of:
Me and My Chauffeur Blues
Verfasser(in):
Memphis Minnie
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
Memphis Minnie2:49
10Guitar Swing
Gitarre und membranophone:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
Steel-Gitarre:
Casey Bill Weldon (blues slide guitar player)
vocals:
Brown Bombers of Swing und Casey Bill Weldon (blues slide guitar player)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
Casey Bill Weldon2:59
11Mama Don't Allow No. 2
Washboard Sam3:06
12Gypsy Woman
recording of:
Gypsy Woman
Texter und Komponist(in):
McKinley Morganfield (blues musician)
Muddy Waters2:36
13Moanin' at Midnight
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1951-05-14)
Gitarre:
Willie Johnson (American electric blues guitarist) (am 1951-05-14)
Mundharmonika:
Howlin’ Wolf (am 1951-05-14)
Schlagzeug:
Willie Steele (am 1951-05-14)
vocals:
Howlin’ Wolf (am 1951-05-14)
recording of:
Moanin’ at Midnight (am 1951-05-14)
Verfasser(in):
Chester Arthur Burnett
Howlin’ Wolf2:56
14Good Morning Little Schoolgirl
recorded in:
Aurora, Illinois, Vereinigte Staaten (am 1937-05-05)
Gitarre:
Robert Lee McCoy (am 1937-05-05) und Big Joe Williams (American Delta blues guitarist, singer and songwriter) (am 1937-05-05)
Mundharmonika und Sologesang:
Sonny Boy Williamson (John Lee “Sonny Boy” Williamson, 1914–1948) (am 1937-05-05)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 1990)
recording of:
Good Morning, School Girl (am 1937-05-05)
Texter:
Sonny Boy Williamson (John Lee “Sonny Boy” Williamson, 1914–1948)
Komponist(in):
Sonny Boy Williamson (John Lee “Sonny Boy” Williamson, 1914–1948) (in 1937)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Georgia Music Corp. und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Sonny Boy Williamson3:01
15Eyesight to the Blind
recorded in:
Jackson, Mississippi, Vereinigte Staaten (am 1951-03-12)
recording engineer:
Bill Holford (am 1951-03-12)
Produzent(in):
Lillian McMurry
Gitarre:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
Klavier:
Willie Love (American Delta blues pianist) (am 1951-03-12)
Kontrabass:
Henry Reed (US blues bassist) (am 1951-03-12)
Mundharmonika:
Sonny Boy Williamson (Aleck “Sonny Boy Williamson” Miller, 1912–1965) (am 1951-03-12)
Schlagzeug:
Joe Dyson (US blues drummer and bandleader) (am 1951-03-12)
vocals:
Sonny Boy Williamson (Aleck “Sonny Boy Williamson” Miller, 1912–1965) (am 1951-03-12)
recording of:
Eyesight to the Blind (am 1951-03-12)
Texter und Komponist(in):
Sonny Boy Williamson (Aleck “Sonny Boy Williamson” Miller, 1912–1965)
publisher:
Algonquin Music Inc., Arc Music Corp. (U.S. rock & blues publisher), EMI Music Publishing Ltd. (PRS‐affiliated) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Sonny Boy Williamson3:04
16Evans Shuffle
Little Walter2:14
17This Train
Sister Rosetta Tharpe2:53
18Prowling Nighthawk
Robert Nighthawk3:06
19Ain't Nobody's Business
recording of:
Ain’t Nobody’s Business (Jimmy Witherspoon song)
Texter:
Jimmy Witherspoon
Komponist(in):
Richard Henry Grisham und Jimmy Witherspoon
Jimmy Witherspoon2:57
20Dust My Broom
recording of:
Dust My Broom
Texter und Komponist(in):
Elmore James
zusätzlicher Texter und zusätzliche(r) Komponist(in):
Robert Johnson (1930s blues legend)
publisher:
ARC Music (world and ethnic music label), Flair Publishing und MPCA King of Spades
Version von:
I Believe I’ll Dust My Broom
Elmore James2:47
21B.B. Boogie
Produzent(in):
Sam Phillips (founder of Sun Records)
Gitarre:
B.B. King (in 1950-07)
Klavier:
Phineas Newborn, Jr. (American jazz pianist) (in 1950-07)
vocals:
B.B. King (in 1950-07)
phonographisches Urheberrecht (℗) von:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1950) und P‐VINE RECORDS (record label — add releases here) (in 1950)
aufgenommen bei:
Memphis Recording and Sound Service in Memphis, Tennessee, Vereinigte Staaten (in 1950-07)
recording of:
B.B. Boogie (in 1950-07)
Verfasser(in):
B.B. King und Jules Taub
B.B. King3:15
22Three O'Clock Blues
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1951-09)
Bass:
Tuff Green (in 1951-09)
Gitarre:
B.B. King (in 1951-09)
Klavier:
Johnny Ace (1950s rhythm & blues) (in 1951-09)
Saxophon:
Adolph "Billy" Duncan (in 1951-09) und Richard Sanders (saxophonist) (in 1951-09)
Schlagzeug:
Earl Forest (in 1951-09)
vocals:
B.B. King (in 1951-09)
cover recording of:
Three O’Clock Blues (First recorded in 1946) (in 1951-09)
Verfasser(in):
Lowell Fulson
publisher:
Careers–BMG Music Publishing, Inc. und Powerforce Music
recording of:
Three O’Clock Blues (First recorded in 1946)
Verfasser(in):
Lowell Fulson
publisher:
Careers–BMG Music Publishing, Inc. und Powerforce Music
B.B. King3:04
23Everyday I Have the Blues
Lowell Fulson2:33
24Mean Old World
E-Gitarre:
T‐Bone Walker (US blues musician & songwriter, 1910–1975)
vocals:
T‐Bone Walker (US blues musician & songwriter, 1910–1975)
recording of:
Mean Old World
Texter und Komponist(in):
T‐Bone Walker (US blues musician & songwriter, 1910–1975)
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
T‐Bone Walker2:56
25Call It Stormy Monday
T‐Bone Walker3:02

Nennungen

Veröffentlichungsgruppe

Allmusic:https://www.allmusic.com/album/mw0000379648 [Info]