The Best of the Song Books

~ Veröffentlichung von Ella Fitzgerald (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Anmerkung

Notes

One of the best introduction to the genius Songbooks serie of Ella's releases.
Perfect for newcomers, or these who can't afford the mammouth complete boxset.

Anmerkung zuletzt geändert am 2007-11-22 02:44 UTC.

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Something’s Gotta Give
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (von 1964-10-19 bis 1964-10-21)
Instrumente:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (von 1964-10-19 bis 1964-10-21)
Klarinette:
Buddy DeFranco (von 1964-10-19 bis 1964-10-21)
Tenorsaxophon:
Plas Johnson (von 1964-10-19 bis 1964-10-21)
Vibraphon:
Frank Flynn (von 1964-10-19 bis 1964-10-21)
Sologesang:
Ella Fitzgerald (American jazz singer) (von 1964-10-19 bis 1964-10-21)
conductor:
Nelson Riddle (von 1964-10-19 bis 1964-10-21)
Interpret(in):
Nelson Riddle and His Orchestra (in 1964)
arranger:
Nelson Riddle
cover recording of:
Something’s Gotta Give (from “Daddy Long Legs”) (in 1964)
Texter und Komponist(in):
Johnny Mercer (in 1954)
publisher:
WB Music Corp. (1929–2019)
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
2:36
2Love Is Here to Stay
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (American jazz singer) (in 1959)
conductor:
Nelson Riddle (in 1959)
Interpret(in):
Nelson Riddle and His Orchestra (in 1959)
arranger:
Nelson Riddle
cover recording of:
Love Is Here to Stay (in 1959)
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Gershwin Publishing Corp (in 1938) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Goldwyn Follies
3:55
3Bewitched, Bothered, and Bewildered
cover recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
Texter:
Lorenz Hart (in 1940)
Komponist(in):
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (beendet), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und Williamson Music Company
Teil von:
Pal Joey
7:04
4I’ve Got My Love to Keep Me Warm
Techniker(in):
Val Valentin (am 1958-03-18)
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1958-03-18)
vocals:
Ella Fitzgerald (American jazz singer) (am 1958-03-18)
conductor:
Paul Weston (am 1958-03-18)
Interpret(in):
Paul Weston and His Orchestra (am 1958-03-18)
arranger:
Paul Weston (in 1958)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1958-03-18)
cover recording of:
I’ve Got My Love to Keep Me Warm (am 1958-03-18)
Texter und Komponist(in):
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
2:59
5The Lady Is a Tramp
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Bud Shank (am 1956-08-21) und Maurice Stein (American jazz saxophonist) (am 1956-08-21)
baritone saxophone:
Chuck Gentry (am 1956-08-21)
Bass:
Joe Mondragon (am 1956-08-21)
Bassposaune:
George Roberts (american bass trombone) (am 1956-08-21)
Gitarre:
Barney Kessel (am 1956-08-21)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-21)
Posaune:
Milt Bernhart (am 1956-08-21), Joe Howard (american trombone player) (am 1956-08-21) und Lloyd Ulyate (am 1956-08-21)
Schlagzeug:
Alvin Stoller (am 1956-08-21)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-08-21) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-21)
Trompete:
Pete Candoli (am 1956-08-21), Maynard Ferguson (am 1956-08-21), Conrad Gozzo (am 1956-08-21) und Ray Linn (am 1956-08-21)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-21)
conductor:
Buddy Bregman (am 1956-08-21)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios, Studio A in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-21)
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”) (am 1956-08-21)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Babes in Arms (full musical)
Teil von:
Pal Joey
4.53:24
6I Got It Bad (and That Ain’t Good)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Johnny Hodges (von 1957-06-25 bis 1957-06-27)
alto saxophone und Klarinette:
Russell Procope (von 1957-06-25 bis 1957-06-27)
Bassklarinette und Klarinette:
Harry Carney (von 1957-06-25 bis 1957-06-27)
Klarinette und Tenorsaxophon:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (von 1957-06-25 bis 1957-06-27)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (von 1957-06-25 bis 1957-06-27)
Kontrabass:
Jimmy Woode (von 1957-06-25 bis 1957-06-27)
Posaune:
Quentin Jackson (von 1957-06-25 bis 1957-06-27), John Sanders (US jazz trombonist) (von 1957-06-25 bis 1957-06-27) und Britt Woodman (von 1957-06-25 bis 1957-06-27)
Schlagzeug:
Sam Woodyard (von 1957-06-25 bis 1957-06-27)
Tenorsaxophon:
Frank Foster (saxophonist) (von 1957-06-25 bis 1957-06-27) und Paul Gonsalves (von 1957-06-25 bis 1957-06-27)
Trompete:
William “Cat” Anderson (von 1957-06-25 bis 1957-06-27), Willie Cook (US jazz trumpeter) (von 1957-06-25 bis 1957-06-27) und Clark Terry (American swing trumpeter) (von 1957-06-25 bis 1957-06-27)
Trompete und Geige / Violine:
Ray Nance (von 1957-06-25 bis 1957-06-27)
Sologesang:
Ella Fitzgerald (American jazz singer) (von 1957-06-25 bis 1957-06-27)
Interpret(in):
Duke Ellington and His Orchestra (von 1957-06-25 bis 1957-06-27)
cover recording of:
I Got It Bad (and That Ain’t Good) (von 1957-06-25 bis 1957-06-27)
Texter:
Paul Francis Webster (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony und Webster Music Co.
Teil von:
The Real Book (compilation of jazz standards, Volume I)
6:16
7Miss Otis Regrets
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-07)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-07)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-07)
cover recording of:
Miss Otis Regrets (am 1956-02-07)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1934)
33:03
8’S Wonderful
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1959-07-16)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Ronnie Lang (am 1959-07-16)
baritone saxophone:
Chuck Gentry (am 1959-07-16)
Bass:
Joe Comfort (am 1959-07-16)
Bassposaune:
George Roberts (american bass trombone) (am 1959-07-16)
Bratsche / Viola:
Alvin Dinkin (am 1959-07-16), Lou Kievman (violist) (am 1959-07-16), Ralph Lane (viola) (am 1959-07-16) und Barbara Simons (am 1959-07-16)
Cello:
Armand Kaproff (am 1959-07-16), Edgar Lustgarten (am 1959-07-16) und Kurt Reher (cellist) (am 1959-07-16)
Geige / Violine:
Victor Bay (am 1959-07-16), Alex Beller (am 1959-07-16), Ben Gill (am 1959-07-16), Jacques Gasselin (am 1959-07-16), Joseph Livoti (violinist) (am 1959-07-16), Dan Lube (am 1959-07-16), Misha Russell (am 1959-07-16), Paul Shure (am 1959-07-16), Marshall Sosson (am 1959-07-16) und Gerald Vinci (American violinist and strings conductor) (am 1959-07-16)
Gitarre:
Herb Ellis (jazz guitarist) (am 1959-07-16)
Holzblasinstrumente:
Buddy Collette (am 1959-07-16), Harry Klee (am 1959-07-16) und Champ Webb (am 1959-07-16)
Klavier:
Lou Levy (am 1959-07-16)
Perkussion:
Frank Flynn (am 1959-07-16)
Posaune:
James Priddy (am 1959-07-16), Richard Noel (trombonist) (am 1959-07-16) und Tommy Pederson (am 1959-07-16)
Schlagzeug:
Alvin Stoller (am 1959-07-16)
Trompete:
Pete Candoli (am 1959-07-16), Cappy Lewis (am 1959-07-16), Dale McMickle (am 1959-07-16) und Shorty Sherock (am 1959-07-16)
Tuba:
Red Callender (am 1959-07-16)
vocals:
Ella Fitzgerald (American jazz singer) (am 1959-07-16)
conductor:
Nelson Riddle (am 1959-07-16)
Interpret(in):
Nelson Riddle and His Orchestra (am 1959-07-16)
arranger:
Nelson Riddle
cover recording of:
’S Wonderful (am 1959-07-16)
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
cover recording of:
It’s Wonderful
Texter:
Mitchell Parish (in 1937)
Komponist(in):
Stuff Smith (jazz violinist) (in 1937)
3:30
9Between the Devil and the Deep Blue Sea
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1961-01-16)
conductor:
Billy May (am 1961-01-16)
Interpret(in):
Billy May & His Orchestra (am 1961-01-16)
arranger:
Billy May
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1961-01-16)
cover recording of:
Between the Devil and the Deep Blue Sea (am 1961-01-16)
Texter:
Ted Koehler
Komponist(in):
Harold Arlen
publisher:
Mills Music, S.A. Music Co. und Ted Koehler Music Co.
2:24
10Love for Sale
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Herb Geller (am 1956-02-08) und Bud Shank (am 1956-02-08)
baritone saxophone:
Chuck Gentry (am 1956-02-08)
Bassposaune:
George Roberts (american bass trombone) (am 1956-02-08)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-02-08) und Edgar Lustgarten (am 1956-02-08)
Gitarre:
Barney Kessel (am 1956-02-08)
Harfe:
Corky Hale (am 1956-02-08)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-08)
Kontrabass:
Joe Mondragon (am 1956-02-08)
Posaune:
Milt Bernhart (am 1956-02-08), Joe Howard (american trombone player) (am 1956-02-08) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-02-08)
Schlagzeug:
Alvin Stoller (am 1956-02-08)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-02-08) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-02-08)
Trompete:
Pete Candoli (am 1956-02-08), Harry “Sweets” Edison (am 1956-02-08), Maynard Ferguson (am 1956-02-08) und Conrad Gozzo (am 1956-02-08)
Sologesang:
Ella Fitzgerald (American jazz singer) (in 1956, am 1956-02-08)
conductor:
Buddy Bregman (in 1956, am 1956-02-08)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-08)
cover recording of:
Love for Sale (am 1956-02-08)
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. und Warner Bros., Inc. (not for release label use!)
5:55
11They Can’t Take That Away From Me
Produzent(in):
Norman Granz
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1959-01-05 bis 1959-07-17)
cover recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (von 1959-01-05 bis 1959-07-17)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
3:12
12Midnight Sun
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (von 1964-10-19 bis 1964-10-21)
Instrumente:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (von 1964-10-19 bis 1964-10-21)
Klarinette:
Buddy DeFranco (von 1964-10-19 bis 1964-10-21)
Tenorsaxophon:
Plas Johnson (von 1964-10-19 bis 1964-10-21)
Vibraphon:
Frank Flynn (von 1964-10-19 bis 1964-10-21)
Sologesang:
Ella Fitzgerald (American jazz singer) (von 1964-10-19 bis 1964-10-21)
conductor:
Nelson Riddle (von 1964-10-19 bis 1964-10-21)
arranger:
Nelson Riddle
cover recording of:
Midnight Sun
Texter:
Johnny Mercer (in 1954)
Komponist(in):
Johnny Mercer, Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1947) und Lionel Hampton (in 1947)
4:54
13Hooray for Love
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (American jazz singer) (in 1960)
conductor:
Billy May (in 1960)
Interpret(in):
Billy May & His Orchestra (in 1960)
arranger:
Billy May
cover recording of:
Hooray for Love (in 1960)
Texter:
Leo Robin (US composer, lyricist & songwriter) (in 1948)
Komponist(in):
Harold Arlen (in 1948)
2:45
14Why Was I Born?
cover recording of:
Why Was I Born?
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1929)
Komponist(in):
Jerome Kern (in 1929)
3:47
15Cotton Tail
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Geige / Violine:
Stuff Smith (jazz violinist) (von 1957-09-04 bis 1957-09-16)
Gitarre:
Barney Kessel (von 1957-09-04 bis 1957-09-16)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (von 1957-09-04 bis 1957-09-16)
Kontrabass:
Joe Mondragon (von 1957-09-04 bis 1957-09-16)
Schlagzeug:
Alvin Stoller (von 1957-09-04 bis 1957-09-16)
Tenorsaxophon:
Ben Webster (von 1957-09-04 bis 1957-09-16)
Sologesang:
Ella Fitzgerald (American jazz singer) (von 1957-09-04 bis 1957-09-16)
cover recording of:
Cotton Tail (von 1957-09-04 bis 1957-09-16)
Texter und Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
3:27
16Ev’ry Time We Say Goodbye
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Celesta und Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-07)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-02-07) und Edgar Lustgarten (am 1956-02-07)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-02-07)
Gitarre:
Barney Kessel (am 1956-02-07)
Harfe:
Corky Hale (am 1956-02-07)
Kontrabass:
Joe Mondragon (am 1956-02-07)
Oboe:
Bob Cooper (US jazz saxophonist) (am 1956-02-07)
Schlagzeug:
Alvin Stoller (am 1956-02-07)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-07)
Orchester:
Buddy Bregman Orchestra (am 1956-02-07)
conductor:
Buddy Bregman (am 1956-02-07)
arranger:
Buddy Bregman
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1956)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-07)
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (am 1956-02-07)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3.53:32

Nennungen

Veröffentlichungsgruppe

Teil von:The Best of the Song Books (Selected from The Complete Ella Fitzgerald Song Books) (Nummer: 1) (Reihenfolge: 1)
Discogs:https://www.discogs.com/master/397952 [Info]
Allmusic:https://www.allmusic.com/album/mw0000103940 [Info]