The Ultimate Tony Bennett

~ Release by Tony Bennett (see all versions of this release, 2 available)

Tracklist

1▼SACD
#TitleRatingLength
1I Left My Heart in San Francisco
producer:
Ernie Altschuler
vocals:
Tony Bennett (US jazz/standards vocalist) (on 1962-01-23)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1962)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 485)
cover recording of:
I Left My Heart in San Francisco (on 1962-01-23)
lyricist:
Douglass Cross (US songwriter)
composer:
George Cory
publisher:
Colgems-EMI Music Inc., Dash Music Co. Ltd. and EMI April Music Inc.
32:52
2Because of You
vocals:
Tony Bennett (US jazz/standards vocalist)
conductor:
Percy Faith
cover recording of:
Because of You (on 1951-04-04)
writer:
Arthur Hammerstein and Dudley Wilkinson
publisher:
Julian Stearns Arena Music, Inc
42:58
3Rags to Riches
recording of:
Rags to Riches
writer:
Richard Adler (musical composer/lyricist) and Jerry Ross (musical composer/lyricist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Saunders Publications Inc. (from 1953 until 2010), J & J Ross Co. (from 2011 to present) and Lakshmi Puja Music Ltd. (from 2011 to present)
2:50
4Just in Time
recording of:
Just in Time (Bells Are Ringing)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Bells Are Ringing (stage musical)
2:35
5Stranger in Paradise
cover recording of:
Stranger in Paradise (popular song from the 1953 musical “Kismet”)
lyricist:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
composer:
Alexander Borodin (Russian composer), George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
publisher:
Scheffel Music Corp, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Frank Music Co. Ltd. (from 1953 to present)
is based on:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: II. Gliding Dance of the Maidens: Andantino, 4/4, A major
part of:
Kismet (full musical)
3:07
6The Boulevard of Broken Dreams
cover recording of:
Boulevard of Broken Dreams
lyricist:
Al Dubin (in 1933)
composer:
Harry Warren (US composer and lyricist) (in 1933)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019) and 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch)
part of:
42nd Street (full musical)
2:32
7I Wanna Be Around
engineer:
Ted Brosnan and Frank Laico
piano:
Ralph Sharon (on 1962-10-19)
vocals:
Tony Bennett (US jazz/standards vocalist) (on 1962-10-19)
conductor:
Marty Manning (on 1962-10-19)
arranger:
Ralph Burns and Marty Manning
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1962-10-19)
cover recording of:
I Wanna Be Around (on 1962-10-19)
lyricist:
Johnny Mercer and Sadie Vimmerstedt
composer:
Johnny Mercer
publisher:
Commander Publications
2:11
8The Good Life
piano:
John Bunch (jazz pianist) and Ralph Sharon
vocals:
Tony Bennett (US jazz/standards vocalist)
cover recording of:
The Good Life
lyricist:
Jack Reardon (American songwriter)
composer:
Sacha Distel (in 1962)
publisher:
Intersong USA, Inc. (publisher) and Prosadis
version of:
Marina
42:16
9The Shadow of Your Smile
cover recording of:
The Shadow of Your Smile (Love Theme from “The Sandpiper”)
lyricist:
Paul Francis Webster
composer:
Johnny Mandel (American composer and arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc., EMI United Partnership Ltd., Marissa Music, Miller Music Corp. and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 38th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1965 winner)
3:39
10Put on a Happy Face
vocals:
Tony Bennett (US jazz/standards vocalist)
cover recording of:
Put On a Happy Face (Bye Bye Birdie)
lyricist:
Lee Adams (US musical theatre lyricist & librettist)
composer:
Charles Strouse
publisher:
Edwin H. Morris & Company (a division of MPL Communications Inc.)
part of:
Bye Bye Birdie
2:40
11If I Ruled the World
cover recording of:
If I Ruled the World (Pickwick)
lyricist:
Leslie Bricusse
composer:
Cyril Ornadel
publisher:
Delfont Music
part of:
Pickwick
3:02
12Smile
piano:
Tommy Flanagan
lead vocals:
Tony Bennett (US jazz/standards vocalist)
vocals:
Tony Bennett (US jazz/standards vocalist)
conductor:
Johnny Mandel (American composer and arranger)
arranger:
Al Cohn
cover recording of:
Smile (song version w/ lyrics)
lyricist:
Geoffrey Parsons (lyricist) and John Turner (lyricist)
composer:
Charlie Chaplin (filmmaker)
publisher:
Bourne France Éditions Musicale, Bourne Music Ltd., Bourne, Inc. and Bourne Co. (not for release label use, this is a music publisher) (in 1954)
sub-publisher:
Editions Vedette Sprl and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Smile (Modern Times; original instrumental version)
part of:
Chaplin
3:34
13Night and Day
engineer:
Frank Laico
executive producer:
Danny Bennett
producer:
Andre Fischer (US drummer and funk/soul/pop producer)
bass:
Paul Langosch
drums (drum set):
Joe LaBarbera
piano:
Ralph Sharon
vocals:
Tony Bennett (US jazz/standards vocalist)
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
3:36
14How Do You Keep the Music Playing
producer:
Danny Bennett
mixer:
Paul Mufson
bass:
Paul Langosch (in 1986)
drums (drum set):
Joe LaBarbera (in 1986)
piano:
Ralph Sharon (in 1986)
vocals:
Tony Bennett (US jazz/standards vocalist) (in 1986)
cover recording of:
How Do You Keep the Music Playing?
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Michel Legrand
publisher:
Warner Olive Music LLC and WB Music Corp. (1929–2019) (in 1982)
part of:
The 55th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1982 nominee)
4:21
15Mood Indigo
recording engineer and mixer:
Joel Moss
bass:
Paul Langosch
guitar:
Gray Sargent
membranophone:
Clayton Cameron
piano:
Ralph Sharon
trombone:
Al Grey (trombone)
trumpet:
Wynton Marsalis
vocals:
Tony Bennett (US jazz/standards vocalist)
cover recording of:
Mood Indigo (1930 jazz composition and song)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The Real Book (compilation of jazz standards, Volume I)
4:36
16Blue Velvet
vocals:
Tony Bennett (US jazz/standards vocalist)
orchestra:
Percy Faith & His Orchestra (Faith’s orchestra before his death in 1976)
cover recording of:
Blue Velvet (on 1951-07-17)
writer:
Lee Morris (US songwriter) and Bernie Wayne
publisher:
Bernie Wayne Music Co., Chappell/Morris Ltd., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:02
17Steppin' Out With My Baby
executive producer:
Danny Bennett
producer:
David Kahne
mixer:
David Leonard (US producer and engineer)
double bass:
Doug Richeson
membranophone:
Clayton Cameron
piano:
Ralph Sharon
vocals:
Tony Bennett (US jazz/standards vocalist)
cover recording of:
Steppin’ Out With My Baby (Easter Parade)
lyricist and composer:
Irving Berlin (in 1948)
publisher:
Irving Berlin Music and Universal Music Publishing (use ONLY if no country‐specific information is available)
part of:
Easter Parade (full musical)
2:54
18When Joanna Loved Me
recording of:
When Joanna Loved Me
lyricist:
Robert Wells (songwriter)
composer:
Jack Segal (US songwriter)
3:07
19When Do the Bells Ring for Me?
producer:
Danny Bennett
piano:
Ralph Sharon
vocals:
Tony Bennett (US jazz/standards vocalist)
recorded at:
Master Sound Astoria in Astoria, New York, New York, United States (on 1989-05-18)
recording of:
When Do the Bells Ring for Me
lyricist and composer:
Charles DeForest
publisher:
Benedetto Music
2:59
20The Best Is Yet to Come
cover recording of:
The Best Is Yet to Come
lyricist:
Carolyn Leigh (in 1959)
composer:
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Notable Music, Notable Music Co., Inc. and WB Music Corp. (1929–2019)
2:33