Sinatra Swings (mono)

~ Release by Frank Sinatra (see all versions of this release, 12 available)

Tracklist

112" Vinyl
#TitleRatingLength
1Falling in Love With Love
recorded in:
Los Angeles, California, United States (on 1961-05-19)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
drums (drum set):
John Markham
guitar:
Al Viola
harp:
Verlye Mills
percussion:
Emil Richards
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee and Wilbur Schwartz
trombone:
Joe Howard (american trombone player), Ed Kusby and Pullman “Tommy” Pederson
trumpet:
Conrad Gozzo, Vito N. Mangano, Shorty Sherock and Jimmy Zito
tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-19)
conductor:
Billy May
arranger:
Billy May
cover recording of:
Falling in Love With Love (on 1961-05-19)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
part of:
The Boys From Syracuse
part of:
The Real Book (compilation of jazz standards, Volume I)
1:53
2The Curse of an Aching Heart
recorded in:
Los Angeles, California, United States (on 1961-05-18)
bass:
Joe Comfort
bass trombone:
George Roberts (american bass trombone)
drums (drum set):
John Markham
guitar:
Al Viola
percussion:
Emil Richards
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee and Ted Nash (40s-80s US swing reedman, uncle of the other)
trombone:
Milt Bernhart, Joe Howard (american trombone player) and Pullman “Tommy” Pederson
trumpet:
Frank Beach (trombone, trumpet), Conrad Gozzo, Vito N. Mangano and Shorty Sherock
tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-18)
conductor:
Billy May
arranger:
Billy May
cover recording of:
The Curse of an Aching Heart (on 1961-05-18)
lyricist:
Henry Fink
composer:
Al Piantadosi
publisher:
EMI Feist Catalog Inc.
2:09
3Don't Cry Joe
recorded in:
Los Angeles, California, United States (on 1961-05-23)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
cello:
Justin Ditullio, Ossip Giskin (cellist), Armand Kaproff and Margaret Aue-Van Wyck (Cellist)
drums (drum set):
Irv Cottler
guitar:
Al Viola
harp:
Verlye Mills
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist)
saxophone and woodwind:
Gene Cipriano, Buddy Collette, Chuck Gentry, Harry Klee and Ted Nash (40s-80s US swing reedman, uncle of the other)
trombone:
Joe Howard (american trombone player), Ed Kusby and Pullman “Tommy” Pederson
trumpet:
Frank Beach (trombone, trumpet), Conrad Gozzo, Vito N. Mangano and Shorty Sherock
tuba:
Phil Stephens (bass and tuba player)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Lou Klass, Marvin Limonick, Leonard Malarsky, Nathan Ross, Marshall Sosson, Arnold Sukonick (violinist) and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-23)
conductor:
Billy May
arranger:
Billy May
recording of:
Don’t Cry Joe (Let Her Go, Let Her Go, Let Her Go) (on 1961-05-23)
lyricist and composer:
Joe Marsala
publisher:
Harms, Inc. (in 1949)
3:08
4Please Don't Talk About Me When I'm Gone
recorded in:
Los Angeles, California, United States (on 1961-05-18)
bass:
Joe Comfort
bass trombone:
George Roberts (american bass trombone)
drums (drum set):
John Markham
guitar:
Al Viola
percussion:
Emil Richards
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee and Ted Nash (40s-80s US swing reedman, uncle of the other)
trombone:
Milt Bernhart, Joe Howard (american trombone player) and Pullman “Tommy” Pederson
trumpet:
Frank Beach (trombone, trumpet), Conrad Gozzo, Vito N. Mangano and Shorty Sherock
tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-18)
conductor:
Billy May
arranger:
Billy May
cover recording of:
Please Don’t Talk About Me When I’m Gone (on 1961-05-18)
lyricist:
Sidney Clare
composer:
Sam H. Stept
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Remick Music Corp.
2:59
5Love Walked In
recorded in:
Los Angeles, California, United States (on 1961-05-18)
bass:
Joe Comfort
bass trombone:
George Roberts (american bass trombone)
drums (drum set):
John Markham
guitar:
Al Viola
percussion:
Emil Richards
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee and Ted Nash (40s-80s US swing reedman, uncle of the other)
trombone:
Milt Bernhart, Joe Howard (american trombone player) and Pullman “Tommy” Pederson
trumpet:
Frank Beach (trombone, trumpet), Conrad Gozzo, Vito N. Mangano and Shorty Sherock
tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-18)
conductor:
Billy May
arranger:
Billy May
cover recording of:
Love Walked In (on 1961-05-18)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell & Co Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
2:22
6Granada
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
bass:
Joe Comfort (, on 1961-05-23)
bass trombone:
Ken Shroyer (trombonist) (, on 1961-05-23)
cello:
Justin Ditullio (, on 1961-05-23), Ossip Giskin (cellist) (, on 1961-05-23), Armand Kaproff (, on 1961-05-23) and Margaret Aue-Van Wyck (Cellist) (, on 1961-05-23)
drums (drum set):
Irv Cottler (, on 1961-05-23)
guitar:
Al Viola (, on 1961-05-23)
harp:
Verlye Mills (, on 1961-05-23)
percussion:
Larry Bunker (, on 1961-05-23) and Emil Richards (, on 1961-05-23)
piano:
Bill Miller (pianist) (, on 1961-05-23)
saxophone:
Gene Cipriano, Buddy Collette, Chuck Gentry, Harry Klee and Ted Nash (40s-80s US swing reedman, uncle of the other)
trombone:
Joe Howard (american trombone player) (, on 1961-05-23), Ed Kusby (, on 1961-05-23) and Pullman “Tommy” Pederson (, on 1961-05-23)
trumpet:
Frank Beach (trombone, trumpet) (, on 1961-05-23), Conrad Gozzo (, on 1961-05-23), Vito N. Mangano (, on 1961-05-23) and Shorty Sherock (, on 1961-05-23)
tuba:
Phil Stephens (bass and tuba player) (, on 1961-05-23)
viola:
Alvin Dinkin (, on 1961-05-23), Stanley Harris (US big band viola player) (, on 1961-05-23), Alexander Neiman (violist) (, on 1961-05-23) and Paul Robyn (, on 1961-05-23)
violin:
Victor Arno (, on 1961-05-23), Israel Baker (American violinist) (, on 1961-05-23), Herman Clebanoff (, on 1961-05-23), Jacques Gasselin (, on 1961-05-23), James Getzoff (American concertmaster and violinist) (, on 1961-05-23), Lou Klass (, on 1961-05-23), Marvin Limonick (, on 1961-05-23), Leonard Malarsky (, on 1961-05-23), Nathan Ross (, on 1961-05-23), Marshall Sosson (, on 1961-05-23), Arnold Sukonick (violinist) (, on 1961-05-23) and Gerald Vinci (American violinist and strings conductor) (, on 1961-05-23)
woodwind:
Gene Cipriano (, on 1961-05-23), Buddy Collette (, on 1961-05-23), Chuck Gentry (, on 1961-05-23), Harry Klee (, on 1961-05-23) and Ted Nash (40s-80s US swing reedman, uncle of the other) (, on 1961-05-23)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-23)
conductor:
Billy May (, on 1961-05-23)
arranger:
Billy May
recorded at:
United Recording Studios in Hollywood, Los Angeles, California, United States (on 1961-05-23)
cover recording of:
Granada (English version, lyrics by Dorothy Dodd) (on 1961-05-23)
lyricist:
Dorothy Dodd
composer:
Agustín Lara
publisher:
Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
translated version of:
Granada (original Spanish version)
3:41
7I Never Knew
recorded in:
Los Angeles, California, United States (on 1961-05-19)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
drums (drum set):
John Markham
guitar:
Al Viola
harp:
Verlye Mills
percussion:
Emil Richards
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee and Wilbur Schwartz
trombone:
Joe Howard (american trombone player), Ed Kusby and Pullman “Tommy” Pederson
trumpet:
Conrad Gozzo, Vito N. Mangano, Shorty Sherock and Jimmy Zito
tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-19)
conductor:
Billy May
arranger:
Billy May
cover recording of:
I Never Knew (on 1961-05-19)
lyricist:
Gus Kahn
composer:
Ted Fio Rito
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Gilbert Keyes Music Company
recording of:
I Never Knew (on 1961-05-19)
lyricist:
Gus Kahn
composer:
Ted Fio Rito
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Gilbert Keyes Music Company
2:18
8Don't Be That Way
recorded in:
Los Angeles, California, United States (on 1961-05-19)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
drums (drum set):
John Markham
guitar:
Al Viola
harp:
Verlye Mills
percussion:
Emil Richards
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee and Wilbur Schwartz
trombone:
Joe Howard (american trombone player), Ed Kusby and Pullman “Tommy” Pederson
trumpet:
Conrad Gozzo, Vito N. Mangano, Shorty Sherock and Jimmy Zito
tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-19)
conductor:
Billy May
arranger:
Billy May
cover recording of:
Don’t Be That Way (on 1961-05-19)
lyricist:
Mitchell Parish
composer:
Benny Goodman (clarinetist and bandleader) and Edgar Sampson
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation and The Songwriters Guild
part of:
New York, New York (1977 musical film soundtrack)
2:45
9Moonlight on the Ganges
recorded in:
Los Angeles, California, United States (on 1961-05-23)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
cello:
Justin Ditullio, Ossip Giskin (cellist), Armand Kaproff and Margaret Aue-Van Wyck (Cellist)
drums (drum set):
Irv Cottler
guitar:
Al Viola
harp:
Verlye Mills
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist)
saxophone and woodwind:
Gene Cipriano, Buddy Collette, Chuck Gentry, Harry Klee and Ted Nash (40s-80s US swing reedman, uncle of the other)
trombone:
Joe Howard (american trombone player), Ed Kusby and Pullman “Tommy” Pederson
trumpet:
Frank Beach (trombone, trumpet), Conrad Gozzo, Vito N. Mangano and Shorty Sherock
tuba:
Phil Stephens (bass and tuba player)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Lou Klass, Marvin Limonick, Leonard Malarsky, Nathan Ross, Marshall Sosson, Arnold Sukonick (violinist) and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-23)
conductor:
Billy May
arranger:
Billy May
cover recording of:
Moonlight on the Ganges (on 1961-05-23)
lyricist:
Huntley Trevor and Chester Wallace
composer:
Sherman Myers
publisher:
Campbell Connelly Inc. (ASCAP affiliated)
3:23
10It's a Wonderful World
recorded in:
Hollywood, Los Angeles, California, United States (in 1961-05)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
drums (drum set):
John Markham
guitar:
Al Viola
harp:
Verlye Mills
percussion:
Emil Richards
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee and Wilbur Schwartz
trombone:
Joe Howard (american trombone player), Ed Kusby and Pullman “Tommy” Pederson
trumpet:
Conrad Gozzo, Vito N. Mangano, Shorty Sherock and Jimmy Zito
tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
conductor:
Billy May
recording of:
It’s a Wonderful World (on 1961-05-19)
lyricist:
Harold Adamson
composer:
Jan Savitt (in 1939) and John Kluczko Watson (in 1939)
publisher:
EMI Robbins Catalog Inc. (ASCAP) and Robbins Music Corporation
part of:
New York, New York (1977 musical film soundtrack)
2:26
11Have You Met Miss Jones?
recorded in:
Los Angeles, California, United States (on 1961-05-18)
bass:
Joe Comfort
bass trombone:
George Roberts (american bass trombone)
drums (drum set):
John Markham
guitar:
Al Viola
percussion:
Emil Richards
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee and Ted Nash (40s-80s US swing reedman, uncle of the other)
trombone:
Milt Bernhart, Joe Howard (american trombone player) and Pullman “Tommy” Pederson
trumpet:
Frank Beach (trombone, trumpet), Conrad Gozzo, Vito N. Mangano and Shorty Sherock
tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-18)
conductor:
Billy May
arranger:
Billy May
cover recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (on 1961-05-18)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
2:35
12You're Nobody 'til Somebody Loves You
recorded in:
Los Angeles, California, United States (on 1961-05-23)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
cello:
Justin Ditullio, Ossip Giskin (cellist), Armand Kaproff and Margaret Aue-Van Wyck (Cellist)
drums (drum set):
Irv Cottler
guitar:
Al Viola
harp:
Verlye Mills
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist)
saxophone and woodwind:
Gene Cipriano, Buddy Collette, Chuck Gentry, Harry Klee and Ted Nash (40s-80s US swing reedman, uncle of the other)
trombone:
Joe Howard (american trombone player), Ed Kusby and Pullman “Tommy” Pederson
trumpet:
Frank Beach (trombone, trumpet), Conrad Gozzo, Vito N. Mangano and Shorty Sherock
tuba:
Phil Stephens (bass and tuba player)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Lou Klass, Marvin Limonick, Leonard Malarsky, Nathan Ross, Marshall Sosson, Arnold Sukonick (violinist) and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-23)
conductor:
Billy May
arranger:
Billy May
cover recording of:
You’re Nobody Till Somebody Loves You (on 1961-05-23)
writer:
James Cavanaugh, Russ Morgan (Big Band orchestra leader) and Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
part of:
The Real Book (compilation of jazz standards, Volume I)
4:11