Manilow

~ Release by Barry Manilow (see all versions of this release, 18 available)

Tracklist

112" Vinyl
#TitleArtistRatingLength
A1I’m Your Man
assistant recording engineer:
Dave Eaton (US engineer and producer), Steve Hirsch and Julie Last
additional engineer:
John Arrias (engineer)
engineer:
John Boghosian
producer:
Barry Manilow and Howie Rice
assistant mixer:
Julie Last
mixer:
Michael Delugg
additional synthesizer:
John P. Shenale
bass synthesizer [bass]:
Howie Rice
drum machine [drums] and keyboard:
Barry Manilow and Howie Rice
drums (drum set):
John Robinson (session drummer)
grand piano:
Raymond Crossley
percussion:
Terral Santiel
background vocals:
Billy Hughes (soft rock/AOR vocalist), Jon Lind and Jason Scheff
lead vocals [eight lead vocals]:
Barry Manilow
phonographic copyright (℗) by:
RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1985)
recorded at:
Cherokee Recording in Hollywood, Los Angeles, California, United States, Studio 55 in Los Angeles, California, United States and Village Recorders (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
mixed at:
Larrabee Recording (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
recording of:
I’m Your Man
lyricist:
Allan Rich
composer:
Barry Manilow and Howie Rice
publisher:
Limited Funds Music, Nelana Music, Songs of Universal, Inc. (BMI), Universal Music Careers and Universal Texas City Music Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック (Fujipacific Music, Inc.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Barry Manilow34:53
A2It’s All Behind Us Now
assistant recording engineer:
Dave Eaton (US engineer and producer)
engineer and mixer:
John Arrias (engineer)
producer:
Barry Manilow and Howie Rice
assistant mixer:
Julie Last and Kraig Miller
bass guitar [bass]:
Neil Stubenhaus
drums (drum set):
Rick Shlosser (drummer)
grand piano and lead vocals:
Barry Manilow
keyboard:
Howie Rice
background vocals:
Billy Hughes (soft rock/AOR vocalist), Jon Lind, Jason Scheff, Luther Waters and Oren Waters
strings arranger:
Barry Fasman and Howie Rice
phonographic copyright (℗) by:
RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1985)
recorded at:
Cherokee Recording in Hollywood, Los Angeles, California, United States, Studio 55 in Los Angeles, California, United States and Village Recorders (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
mixed at:
Studio 55 in Los Angeles, California, United States
recording of:
It’s All Behind Us Now
lyricist:
Allan Rich
composer:
Barry Manilow and Howie Rice
publisher:
Limited Funds Music, Nelana Music, Songs of Universal, Inc. (BMI), Townsway Music, Universal Music Careers, Universal Texas City Music Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Barry Manilow44:08
A3In Search of Love
assistant recording engineer:
Dave Eaton (US engineer and producer)
additional engineer:
Glen Holguin (engineer)
engineer and mixer:
John Arrias (engineer)
producer:
Barry Manilow and Howie Rice
assistant mixer:
Julie Last and Kraig Miller
bass synthesizer [bass], guitar and keyboard:
Howie Rice
drums (drum set):
John Robinson (session drummer)
percussion:
Terral Santiel
background vocals:
Billy Hughes (soft rock/AOR vocalist), Jon Lind, Jason Scheff, Luther Waters and Oren Waters
lead vocals:
Barry Manilow
strings arranger:
Barry Fasman and Howie Rice
phonographic copyright (℗) by:
RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1985)
recorded at:
Cherokee Recording in Hollywood, Los Angeles, California, United States
mixed at:
Studio 55 in Los Angeles, California, United States
recording of:
In Search of Love
lyricist:
Allan Rich
composer:
Barry Manilow and Howie Rice
publisher:
Limited Funds Music, Nelana Music, Songs of Universal, Inc. (BMI), Universal Music Careers, Universal Texas City Music Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック (Fujipacific Music, Inc.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Barry Manilow34:08
A4He Doesn’t Care (but I Do)
drum machine programming:
Bud Harner (executive; drummer)
synclavier programming:
Kevin Jones (keyboard & synth)
synthesizer [Oberheimer] programming:
Ron Pedley
assistant engineer:
Khaliq Glover and Bruce Smith (engineer)
engineer:
Joe Marciano and Tommy Vicari
producer:
Kevin DiSimone and Barry Manilow
mixer:
Tommy Vicari
additional bass guitar [bass]:
Marc Levine (bassist)
drum machine [Linn drums], grand piano [Yamaha grand piano], keyboard, synclavier and synthesizer [Yamaha DX-7, Roland Super Jupiter]:
Kevin DiSimone
drums (drum set):
Bud Harner (executive; drummer)
guitar:
John Pondel
background vocals:
Kevin DiSimone and Barry Manilow
lead vocals:
Barry Manilow
arranger:
Kevin DiSimone
phonographic copyright (℗) by:
RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1985)
recorded at:
Lionshare Recording in Los Angeles, California, United States and Media Sound in New York, New York, United States
recording of:
He Doesn’t Care (but I Do)
lyricist:
Robin Grean
composer:
Kevin DiSimone
publisher:
Cityscape Music (US work publisher), DiSimone Music, Townsway Music, Universal Music Careers and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Barry Manilow4:16
A5Some Sweet Day
drum machine programming:
Pete Moshay
engineer:
Michael Delugg
producer:
Michael Delugg and Barry Manilow
bass guitar [bass]:
Will Lee (US jazz/rock bassist) and Marc Levine (bassist)
drums (drum set):
Bud Harner (executive; drummer)
guitar:
John Pondel
keyboard:
Kevin DiSimone, Randy Kerber, Ron Pedley and Victor Vanacore
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
Kevin DiSimone, Barry Hirschberg, James Jolis, Tom Kelly (songwriter) and Tom Funderburk
lead vocals:
Barry Manilow
strings arranger:
Alan Foust
phonographic copyright (℗) by:
RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1985)
recorded at:
Ambience Sound (Michigan) in Farmington Hills, Michigan, United States, Lionshare Recording in Los Angeles, California, United States, Sheffield Recording in Baltimore, Maryland, United States, Sigma Sound Studios (New York) in New York, New York, United States and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Some Sweet Day
lyricist:
Adrienne Anderson
composer:
Barry Manilow
publisher:
Townsway Music, Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Barry Manilow35:06
B1At the Dance
drum machine programming:
Pete Moshay
engineer:
Michael Delugg
producer:
Michael Delugg and Barry Manilow
bass guitar [bass]:
Will Lee (US jazz/rock bassist) and Marc Levine (bassist)
drums (drum set):
Bud Harner (executive; drummer)
guitar:
John Pondel
keyboard:
Kevin DiSimone, John P. Shenale, Ron Pedley and Victor Vanacore
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
Kevin DiSimone, Barry Hirschberg, James Jolis, Tom Kelly (songwriter) and Tom Funderburk
lead vocals:
Barry Manilow
strings arranger:
Alan Foust
phonographic copyright (℗) by:
RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1985)
recorded at:
Ambience Studios (Michigan) in Farmington Hills, Michigan, United States, Lionshare Recording in Los Angeles, California, United States, Sheffield Recording in Baltimore, Maryland, United States, Sigma Sound Studios (New York) in New York, New York, United States and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
At the Dance
lyricist:
Adrienne Anderson
composer:
Charles Fearing and Barry Manilow
publisher:
Chazzee Music, Townsway Music, Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Barry Manilow33:55
B2If You Were Here With Me Tonight
assistant recording engineer:
Mitch Gibson (engineer)
assistant engineer:
Khaliq Glover
engineer:
Tommy Vicari and Erik Zobler
producer:
George Duke
mixer:
Tommy Vicari
acoustic guitar and electric guitar [rhythm guitar]:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
bass guitar [bass]:
“Ready” Freddy Washington (US session bassist)
drums (drum set):
John Robinson (session drummer)
electric guitar [lead guitar]:
Michael Landau
piano [acoustic piano] and synthesizer [Yamaha TX-8]:
Randy Kerber
synclavier [Synclavier II]:
George Duke
lead vocals:
Barry Manilow
strings arranger:
George Del Barrio
phonographic copyright (℗) by:
RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1985)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (strings), Le Gonks West in Los Angeles, California, United States and Lionshare Recording in Los Angeles, California, United States
mixed at:
Lionshare Recording in Los Angeles, California, United States
recording of:
If You Were Here With Me Tonight
lyricist:
Eric Borenstein and Lisa Sennett Thomas
composer:
Eric Borenstein and Barry Manilow
publisher:
BMG Songs, Inc., Cityscape Music (US work publisher), Townsway Music, Universal Music Careers, Universal Music–MGB Songs and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Barry Manilow44:55
B3Sweet Heaven (I’m in Love Again)
assistant recording engineer:
Jimmy Preziosi
recording engineer:
Anthony V. D’Amico
drum machine programming:
Pete Moshay
programming:
John P. Shenale
producer:
Bob Gaudio and Barry Manilow
assistant mixer:
Daniel Reed (engineer)
mixer:
Michael Delugg
bass guitar [bass]:
Neil Stubenhaus
drums (drum set):
Bud Harner (executive; drummer)
guitar:
John Pondel
piano:
Randy Kerber
saxophone:
Joel C. Peskin
synthesizer:
John P. Shenale
background vocals:
Bob Carlisle (US contemporary Christian singer & songwriter), Steve George (US keyboardist for Mr. Mister & Pages) and Tom Kelly (songwriter)
lead vocals:
Barry Manilow
conductor:
Victor Vanacore
arranger:
Artie Butler, Bob Gaudio and Barry Manilow
orchestrator:
Artie Butler
phonographic copyright (℗) by:
RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1985)
recorded at:
Sound Labs in Hollywood, Los Angeles, California, United States
mixed at:
Larrabee Recording (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
recording of:
Sweet Heaven (I’m in Love Again)
lyricist:
Jack Feldman and Bruce Sussman
composer:
Barry Manilow
publisher:
Appoggiatura Music, Inc., Camp Songs Music, Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Copacabana (1985 TV film soundtrack)
part of:
Copacabana (1994 stage musical)
Barry Manilow44:05
B4Ain’t Nothing Like the Real Thing
assistant recording engineer:
Dave Eaton (US engineer and producer)
additional engineer:
Glen Holguin (engineer)
engineer and mixer:
John Arrias (engineer)
producer:
Barry Manilow and Howie Rice
assistant mixer:
Julie Last and Kraig Miller
bass guitar [bass]:
Lequeint “Duke” Jobe
drum machine:
Kerry Ashby and Howie Rice
guitar:
Howie Rice
keyboard:
Jon Gilutin and Howie Rice
percussion:
Terral Santiel
background vocals:
Billy Hughes (soft rock/AOR vocalist), Jon Lind, Jason Scheff, Luther Waters and Oren Waters
lead vocals:
Muffy Hendrix and Barry Manilow
strings arranger:
Barry Fasman and Howie Rice
phonographic copyright (℗) by:
RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1985)
additionally recorded at:
Capitol Recording Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
recorded at:
Cherokee Recording in Hollywood, Los Angeles, California, United States
mixed at:
Studio 55 in Los Angeles, California, United States
cover recording of:
Ain’t Nothing Like the Real Thing
writer:
Nickolas Ashford and Valerie Simpson
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (UK) Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30), Jobete Music Co., Inc. (from 1967 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Barry Manilow with Muffy Hendrix33:13
B5It’s a Long Way Up
assistant recording engineer:
Dave Eaton (US engineer and producer)
drum machine programming:
Pete Moshay
additional engineer:
Bruce Robb
engineer:
John Arrias (engineer)
producer:
Barry Manilow and Howie Rice
assistant mixer:
Julie Last and Kraig Miller
mixer:
Michael Delugg
bass synthesizer [bass], guitar and keyboard:
Howie Rice
drums (drum set):
Bud Harner (executive; drummer)
percussion:
Terral Santiel
piano:
Ron Pedley
background vocals:
Billy Hughes (soft rock/AOR vocalist), Jon Lind, Jason Scheff, Luther Waters and Oren Waters
lead vocals:
Barry Manilow
phonographic copyright (℗) by:
RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1985)
recorded at:
Cherokee Recording in Hollywood, Los Angeles, California, United States
mixed at:
Studio 55 in Los Angeles, California, United States
recording of:
It’s a Long Way Up
writer:
John Annesi and Barry Manilow
publisher:
Cityscape Music (US work publisher), Townsway Music and Universal Music Careers
sub-publisher:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Barry Manilow43:30

Credits

Release

art direction:Ria Lawerke (art direction, design)
photography:Matthew Rolston
executive producer:Eric Borenstein
mastering:Brian Gardner (mastering engineer “Big Bass Brian”)
design:Sue Reilly (graphic designer)
copyrighted (©) by:RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1985)
STILETTO Ltd. (in 1985)
mastered at:Bernie Grundman Mastering (Los Angeles) in Hollywood, Los Angeles, California, United States
Discogs:https://www.discogs.com/release/3552200 [info]