Oh Boy: This Is Buddy Holly

~ Veröffentlichung von Buddy Holly (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Peggy Sue
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (am 1957-07-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01) und Niki Sullivan (am 1957-07-01)
Schlagzeug:
Jerry Allison (am 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-07-01)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 194) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 370)
recording of:
Peggy Sue (von 1957-06-29 bis 1957-07-01)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH, Peermusic (UK) Limited, Southern Music (publisher) und Wren Music Co.
4.52:31
2Not Fade Away
recording of:
Not Fade Away
Verfasser(in):
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) und Norman Petty
publisher:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited und Wren Music
2:20
3Maybe Baby
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (am 1957-09-29)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-09-29) und Niki Sullivan (am 1957-09-29)
Schlagzeug:
Jerry Allison (am 1957-09-29)
Hintergrundgesang:
Bob Lapham (von 1957-10-12 bis 1957-10-14), Bill Pickering (von 1957-10-12 bis 1957-10-14) und John Pickering (vocalist and leader of The Picks) (von 1957-10-12 bis 1957-10-14)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-09-29)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Officers Club (Tinker Air Force Base) in Oklahoma City, Oklahoma, Vereinigte Staaten (am 1957-09-29) und Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1957-10-12 bis 1957-10-14)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 14)
recording of:
Maybe Baby (von 1957-09-29 bis 1957-10-14)
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Melody Lane Pub und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
3.752:03
4That’ll Be the Day
recording of:
That’ll Be the Day
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. und MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
2:17
5Send Me Some Lovin’
cover recording of:
Send Me Some Lovin’
Texter:
Leo Price
Komponist(in):
John Marascalco
publisher:
ATV Music Corp., Robin Hood Music Co. und Sony/ATV Songs LLC
2:37
6Oh, Boy
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (am 1957-07-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
Schlagzeug:
Jerry Allison (am 1957-07-01)
Hintergrundgesang:
Bob Lapham (am 1957-08-18), Bill Pickering (am 1957-08-18) und John Pickering (vocalist and leader of The Picks) (am 1957-08-18)
Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-06-29 bis 1957-07)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-07-01, am 1957-08-18)
recording of:
Oh, Boy! (von 1957-07-01 bis 1957-08-18)
Verfasser(in):
Norman Petty, Bill Tilghman (songwriter) und Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) und Wren Music Co.
42:08
7Every Day
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (am 1957-05-29)
Celesta:
Vi Petty (am 1957-05-29)
Gitarre und Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-29)
Perkussion [cardboard box percussion]:
Jerry Allison (am 1957-05-29)
Hintergrundgesang:
Jerry Allison (am 1957-05-29), Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-29) und Niki Sullivan (am 1957-05-29)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-29)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-05-29)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 236)
recording of:
Everyday (am 1957-05-27)
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Peer International Corporation (BMI) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
4.852:09
8It’s Too Late
cover recording of:
It’s Too Late
Texter und Komponist(in):
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter)
publisher:
Chuck Willis Music Corp., Sony/ATV Songs LLC, Tideland Music Publishing Corp. und Unichappell Music, Inc.
2:27
9You’ve Got Love
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (von 1957-09-27 bis 1957-09-28)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-09-27 bis 1957-09-28) und Niki Sullivan (von 1957-09-27 bis 1957-09-28)
Schlagzeug:
Jerry Allison (von 1957-09-27 bis 1957-09-28)
Hintergrundgesang:
The Picks (American vocal Quartet that backed Buddy Holly) (von 1957-09-28 bis 1957-11-27)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-09-27 bis 1958-09-28)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957)
aufgenommen bei:
Tinker Air Force Base (Tinker Air Force Base) in Oklahoma City, Oklahoma, Vereinigte Staaten (von 1957-09-27 bis 1957-09-28) und Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1957-09-28 bis 1957-11-27)
recording of:
You’ve Got Love (von 1957-09-27 bis 1957-11-27)
Verfasser(in):
Roy Orbison, Norman Petty und Johnny Wilson (aka Johnny A. Wilson & Peanuts Wilson)
42:08
10Rock Me My Baby
recording of:
Rock Me My Baby
Verfasser(in):
Susan Heather und Shorty Long (1950s country/rockabilly artist)
publisher:
Wren Music
1:51
11Tell Me How
recording of:
Tell Me How
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
BMG Platinum Songs US und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:01
12Rock Around With Ollie Vee
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1956-07-22)
Produzent(in):
Owen Bradley
Bass:
Don Guess (best known for his association with Buddy Holly) (am 1956-07-22)
Gitarre:
Sonny Curtis (am 1956-07-22) und Buddy Holly (1950s rock & roll singer‐songwriter) (am 1956-07-22)
Schlagzeug:
Jerry Allison (am 1956-07-22)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1956-07-22)
recording of:
Rock Around With Ollie Vee (am 1956-07-22)
Verfasser(in):
Sonny Curtis
publisher:
Palace Music, Skol Music (BMI-affiliated) und Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
52:14
13Love Me
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1956-01-26)
Produzent(in):
Owen Bradley
Bass:
Don Guess (best known for his association with Buddy Holly) (am 1956-01-26)
Gitarre [lead guitar]:
Sonny Curtis (am 1956-01-26)
Gitarre [rhythm guitar]:
Grady Martin (country/rockabilly guitarist) (am 1956-01-26)
Perkussion:
Doug Kirkham (am 1956-01-26)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1956-01-26)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1956) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1956)
recording of:
Love Me (Buddy Holly Song) (am 1956-01-26)
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Sue Parrish
publisher:
BMG Platinum Songs US, Cedarwood Pub. Co., Inc., Southern Music (publisher) und Universal Cedarwood Publishing
2:08
14I’m Changing All Those Changes
recording of:
I’m Changing All These Changes
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
Cedarwood Music und Cedarwood Pub. Co., Inc.
2:16
15It’s So Easy
recording of:
It’s So Easy
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Melody Lane Publications Inc., Wren Music Co. und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1958)
2:12
16Well All Right
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (am 1958-02-12)
Becken:
Jerry Allison (am 1958-02-12)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-02-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-02-12)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1958-02-12)
recording of:
Well… All Right (am 1958-02-12)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) und MPL Music Publishing Inc.
42:15
17I’m Looking for Someone to Love
recorded in:
Clovis, New Mexico, Vereinigte Staaten (am 1957-02-25)
Bass:
Larry Welborn (am 1957-02-25)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-02-25)
Schlagzeug:
Jerry Allison (am 1957-02-25)
Hintergrundgesang:
June Clark (background vocals for The Crickets) (am 1957-02-25), Niki Sullivan (am 1957-02-25), Gary Tollett (am 1957-02-25) und Ramona Tollett (am 1957-02-25)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-02-25)
recording of:
I’m Lookin’ for Someone to Love (am 1957-02-25)
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) und Wren Music Co.
1:58
18Ready Teddy
cover recording of:
Ready Teddy
Texter und Komponist(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Aberbach Ltd. (publisher), ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Robin Hood Music Co., Songs of Kobalt Music Publishing, Sony/ATV Songs LLC und Venice Music, Inc.
1:33
19Rave On
recorded in:
New York, New York, Vereinigte Staaten (am 1958-01-25)
Produzent(in):
Milton DeLugg, Norman Petty und Bob Thiele (producer & songwriter)
Bass:
Joe B. Mauldin (am 1958-01-25, am 1958-01-26)
Gitarre:
Donald Amone (am 1958-01-25), Al Caiola (am 1958-01-25) und Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-01-26)
Klavier:
Norman Petty (am 1958-01-25, am 1958-01-26)
Schlagzeug:
Jerry Allison (am 1958-01-25, am 1958-01-26)
Hintergrundgesang:
Robert Bollinger (am 1958-01-25), Robert Harter (am 1958-01-25), Abby Hoffer (am 1958-01-25), William Marine (am 1958-01-25) und Merril Ostrus (am 1958-01-25)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-01-25, am 1958-01-26)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1958-01-26)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 154)
cover recording of:
Rave On (am 1958-01-26)
Verfasser(in):
Norman Petty, Bill Tilghman (songwriter) und Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Nor-Va-Jak Music, Southern Music (publisher) und Wren Music Co.
4.21:51
20Baby, I Don’t Care
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (am 1957-12-19)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-12-19)
Schlagzeug:
Jerry Allison (am 1957-12-19)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-12-19)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-12-19)
cover recording of:
(You’re So Square) Baby I Don’t Care (am 1957-12-19)
Texter:
Jerry Leiber (in 1957)
Komponist(in):
Mike Stoller (in 1957)
publisher:
Belinda (London) Ltd. (publisher), Carlin Music Corporation, Elvis Presley Music Inc., Gladys Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC und WB Music Corp. (1929–2019)
51:38
21I’m Gonna Love You Too
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (am 1957-07-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
Schlagzeug:
Jerry Allison (am 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-07-01)
recording of:
I’m Gonna Love You Too (von 1957-06-29 bis 1957-07-01)
Verfasser(in):
Joe B. Mauldin, Norman Petty und Niki Sullivan
publisher:
MPL (Paul McCartney-related) (beendet), Peermusic (UK) Ltd., Southern Music Publishing Company Limited, Wren Music Co. und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1957, in 1958)
4.52:15
22Heartbeat
Produzent(in):
Norman Petty
Bass:
George Atwood (von 1958-05-25 bis 1958-05-26)
Gitarre:
Tommy Allsup (von 1958-05-25 bis 1958-05-26) und Buddy Holly (1950s rock & roll singer‐songwriter) (von 1958-05-25 bis 1958-05-26)
Schlagzeug:
Jerry Allison (von 1958-05-25 bis 1958-05-26)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1958-05-25 bis 1958-05-26)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1958-05-25 bis 1958-05-26)
recording of:
Heartbeat (von 1958-05-25 bis 1958-05-26)
Verfasser(in):
Bob Montgomery und Norman Petty
publisher:
Melody Lane Publications Inc. und Peermusic (UK) Limited
4.652:11
23Peggy Sue Got Married
recorded in:
New York, New York, Vereinigte Staaten (am 1958-12-05, am 1959-06-30)
Produzent(in):
Jack Hansen
Akustikgitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-12-05)
Bass:
Sanford Bloch (Bass player) (am 1959-06-30)
Gitarre:
Donald Amone (am 1959-06-30)
Klavier:
Andrew Ackers (am 1959-06-30)
Schlagzeug:
Panama Francis (US swing jazz drummer) (am 1959-06-30)
Hintergrundgesang:
The Ray Charles Singers (am 1959-06-30)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-12-05)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1959) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1959)
recording of:
Peggy Sue Got Married (von 1958-12-05 bis 1959-06-30)
Komponist(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
2:07
24Brown‐Eyed Handsome Man
recording engineer:
Norman Petty (von 1956-12 bis 1957-01)
Produzent(in):
Norman Petty
Bass:
Larry Welborn (von 1956-12 bis 1957-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1956-12 bis 1957-01)
Schlagzeug:
Jerry Allison (von 1956-12 bis 1957-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1956-12 bis 1957-01)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1963) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1963)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1956-12 bis 1957-01)
cover recording of:
Brown Eyed Handsome Man (von 1956-12 bis 1957-01)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
3.352:06
25Reminiscing
recording of:
Reminiscing
Texter und Komponist(in):
King Curtis (saxophonist)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) und Nor-Va-Jak Music, Inc
1:59

Nennungen

Veröffentlichung

gedruckt in:Europa
Discogs:https://www.discogs.com/release/2030356 [Info]
ASIN:DE: B00008MLRW [Info]