Louis Armstrong at His Very Best

~ Veröffentlichung von Louis Armstrong (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1What a Wonderful World
recorded in:
New York, Vereinigte Staaten (am 1967-08-16)
Techniker(in):
Eddie Brackett und Bob Simpson (US jazz engineer/producer)
Produzent(in):
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
baritone saxophone:
Raymond Stanfield (am 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16), Jerome Richardson (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
Gitarre:
Allen Hanlon (jazz guitarist) (am 1967-08-16), Art Ryerson (am 1967-08-16) und Willard Suyker (am 1967-08-16)
Klarinette:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16) und Jerome Richardson (am 1967-08-16)
Klavier:
Hank Jones (piano) (am 1967-08-16)
Kontrabass:
Russ Savakus (am 1967-08-16)
Perkussion:
Warren Hard (am 1967-08-16)
Posaune:
Urbie Green (am 1967-08-16) und J.J. Johnson (jazz/bop trombonist/session leader) (am 1967-08-16)
Schlagzeug:
Grady Tate (am 1967-08-16)
Tenorsaxophon:
Jerome Richardson (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
Trompete:
Louis Armstrong (am 1967-08-16), Clark Terry (American swing trumpeter) (am 1967-08-16) und Joe Wilder (am 1967-08-16)
Sologesang:
Louis Armstrong (am 1967-08-16)
Orchester:
Louis Armstrong’s Orchestra and Chorus (am 1967-08-16)
conductor und chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (am 1967-08-16)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 171) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 283)
recording of:
What a Wonderful World (am 1967-08-16)
Verfasser(in):
George Douglas (producer & songwriter) und George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. und Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Teil von:
12 Monkeys Soundtrack
Teil von:
Freaky Friday (2003)
Louis Armstrong42:20
2I’m in the Mood for Love
recorded in:
New York, New York, Vereinigte Staaten (am 1935-10-03)
Bass:
George "Pops" Foster (am 1935-10-03)
Gitarre:
Lee Blair (am 1935-10-03)
Klavier:
Luis Russell (am 1935-10-03)
Posaune:
Jimmy Archey (am 1935-10-03) und Harry White (jazz trombonist) (am 1935-10-03)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-10-03), Henry “Moon” Jones (swing era reeds) (am 1935-10-03) und Bingie Madison (am 1935-10-03)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-10-03)
Tenorsaxophon:
Greely Walton (am 1935-10-03)
Trompete:
Gus Aiken (am 1935-10-03), Louis Armstrong (am 1935-10-03), Louis Bacon (am 1935-10-03) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-10-03)
vocals:
Louis Armstrong (am 1935-10-03)
Orchester:
Louis Armstrong & His Orchestra (am 1935-10-03)
recording of:
I’m in the Mood for Love (am 1935-10-03)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) und EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
Louis Armstrong43:10
3Summertime
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-08-18)
Geige / Violine:
Victor Arno (am 1957-08-18)
Gitarre:
Tony Rizzi (am 1957-08-18)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1957-08-18)
Kontrabass:
Joe Mondragon (am 1957-08-18)
Posaune:
Buddy Childers (American jazz trumpeter & composer) (am 1957-08-18)
Schlagzeug:
Alvin Stoller (am 1957-08-18)
Trompete:
Louis Armstrong (am 1957-08-18) und Frank Beach (trombone, trumpet) (am 1957-08-18)
Waldhorn:
Vincent DeRosa (am 1957-08-18)
vocals:
Louis Armstrong (am 1957-08-18) und Ella Fitzgerald (American jazz singer) (am 1957-08-18)
Orchester:
Russ Garcia and His Orchestra (in 1957)
conductor:
Russell Garcia (am 1957-08-18)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 20)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (am 1957-08-18)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Louis Armstrong feat. Ella Fitzgerald3.754:57
4Jeepers Creepers
recorded in:
New York, New York, Vereinigte Staaten (am 1939-01-18)
alto saxophone:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1939-01-18) und Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1939-01-18)
Gitarre:
Lee Blair (am 1939-01-18)
Klavier:
Luis Russell (am 1939-01-18)
Kontrabass:
George "Pops" Foster (am 1939-01-18)
Posaune:
Wilbur de Paris (am 1939-01-18), J.C. Higginbotham (am 1939-01-18) und Bull City Red (aka George Washington) (am 1939-01-18)
Schlagzeug:
Sid Catlett (am 1939-01-18)
Tenorsaxophon:
Bingie Madison (am 1939-01-18) und Albert Nicholas (am 1939-01-18)
Trompete:
Henry “Red” Allen (jazz musician) (am 1939-01-18), Louis Armstrong (am 1939-01-18), Shelton "Scad" Hemphill (am 1939-01-18) und Otis Johnson (trumpet) (am 1939-01-18)
vocals:
Louis Armstrong (am 1939-01-18)
Orchester:
Louis Armstrong & His Orchestra (am 1939-01-18)
Interpret(in):
Louis Armstrong & His Orchestra
spätere Veröffentlichungen:
Jeepers Creepers von Louis Armstrong
recording of:
Jeepers Creepers (am 1939-01-18)
Texter:
Johnny Mercer (in 1938)
Verfasser(in):
Richard A. Whiting
Komponist(in):
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Teil von:
The 11th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1938 nominee)
Louis Armstrong42:44
5Have You Met Miss Jones
recording of:
Have You Met Miss Jones? (I’d Rather Be Right)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Williamson Music Company
Teil von:
I’d Rather Be Right
Louis Armstrong4:39
6Dream a Little Dream
recorded in:
Las Vegas, Nevada, Vereinigte Staaten (am 1968-07-23)
Techniker(in):
Eddie Brackett (am 1968-07-23) und Bob Simpson (US jazz engineer/producer) (am 1968-07-23)
Produzent(in):
Bob Thiele (producer & songwriter)
Gitarre:
Art Ryerson (am 1968-07-23)
Klarinette:
Joe Muranyi (am 1968-07-23)
Klavier:
Marty Napoleon (am 1968-07-23)
Kontrabass:
Buddy Catlett (am 1968-07-23)
Posaune:
Tyree Glenn (am 1968-07-23)
Schlagzeug:
Danny Barcelona (am 1968-07-23)
Trompete und Sologesang:
Louis Armstrong (am 1968-07-23)
recording of:
Dream a Little Dream of Me (am 1968-07-23)
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. (US work publisher) und ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Louis Armstrong43:17
7Let’s Do It (Let’s Fall in Love)
Louis Armstrong8:49
8Gone Fishin’
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1951-04-27)
Gitarre:
Perry Botkin (am 1951-04-27)
Klavier:
Buddy Cole (am 1951-04-27) und Mel Henke (am 1951-04-27)
Kontrabass:
Phil Stephens (bass and tuba player) (am 1951-04-27)
Posaune:
Bill Atkinson (am 1951-04-27), Wendell Mayhew (am 1951-04-27) und Dick Taylor (jazz trombonist) (am 1951-04-27)
Saxophon:
Warren Baker (am 1951-04-27), Matty Matlock (am 1951-04-27), Irving “Babe” Russin (am 1951-04-27) und Philip Shuken (am 1951-04-27)
Schlagzeug:
Nick Fatool (am 1951-04-27)
Trompete:
Ziggy Elman (am 1951-04-27), Bobby Guy (am 1951-04-27) und Red Nichols (am 1951-04-27)
Sologesang:
Louis Armstrong (am 1951-04-27) und Bing Crosby (am 1951-04-27)
Orchester und Interpret(in):
John Scott Trotter and His Orchestra (am 1951-04-27)
conductor:
John Scott Trotter (am 1951-04-27)
arranger:
John Scott Trotter (am 1951-04-27)
phonographisches Urheberrecht (℗) von:
MCA Music Ltd. (in 1951)
recording of:
Gone Fishin’ (am 1951-04-27)
Verfasser(in):
Charles Kenny (songwriter, violinist) und Nick Kenny
publisher:
Bourne Co. (not for release label use, this is a music publisher) und EMI Feist Catalog Inc.
Louis Armstrong feat. Bing Crosby2:32
9That Old Feeling
recording of:
That Old Feeling
Texter:
Lew Brown
Komponist(in):
Sammy Fain
publisher:
Leo Feist, Inc. und Warner Bros. Music Corp.
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
Louis Armstrong2:45
10C’est si bon (live)
live recording of:
C’est si bon (It's So Good, English version)
Texter:
André Hornez (in 1947)
Komponist(in):
Henri Betti (songwriter and pianist) (in 1947)
Übersetzer:
Jerry Seelen (screenwriter, lyricist. songwriter) (in 1949)
publisher:
Éditions Beuscher Arpège
übersetzte Version von:
C’est si bon (original French version)
Louis Armstrong2:22
11When the Saints Go Marching In
recorded in:
New York, New York, Vereinigte Staaten (am 1938-05-13)
alto saxophone:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1938-05-13) und Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1938-05-13)
Gitarre:
Lee Blair (am 1938-05-13)
Klavier:
Luis Russell (am 1938-05-13)
Kontrabass:
George "Pops" Foster (am 1938-05-13)
Posaune:
J.C. Higginbotham (am 1938-05-13)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1938-05-13)
Tenorsaxophon:
Bingie Madison (am 1938-05-13)
Trompete:
Louis Armstrong (am 1938-05-13) und Shelton "Scad" Hemphill (am 1938-05-13)
vocals:
Louis Armstrong (am 1938-05-13)
Orchester:
Louis Armstrong & His Orchestra (am 1938-05-13)
recording of:
When the Saints Go Marching In (Louis Armstrong’s version) (am 1938-05-13)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Louis Armstrong
Version von:
When the Saints Go Marching In
Louis Armstrong2:42
12Blueberry Hill
cover recording of:
Blueberry Hill
Texter:
Al Lewis (Tin Pan Alley era lyricist) und Larry Stock
Komponist(in):
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company und Victoria Music Publishing Co. Ltd.
Teil von:
12 Monkeys Soundtrack
Louis Armstrong2:53
13Gee, Baby, Ain’t I Good to You?
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-07-23)
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-07-23)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-07-23)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-07-23)
Schlagzeug:
Louie Bellson (am 1957-07-23)
Trompete:
Louis Armstrong (am 1957-07-23)
vocals:
Louis Armstrong (am 1957-07-23) und Ella Fitzgerald (American jazz singer) (am 1957-07-23)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-07-23)
cover recording of:
Gee, Baby Ain’t I Good to You (am 1957-07-23)
Texter:
Andy Razaf
Komponist(in):
Don Redman
publisher:
Michael H. Goldsen Inc. und Razaf Music
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Louis Armstrong feat. Ella Fitzgerald4:13
14You Go to My Head
recording of:
You Go to My Head
Texter:
Haven Gillespie (in 1938)
Komponist(in):
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) und Warner Bros. Music Corp.
Louis Armstrong6:27
15When Your Lover Has Gone
recording of:
When Your Lover Has Gone
Texter und Komponist(in):
Einar Aaron Swan
publisher:
Remick Music Corp. und Warner Bros., Inc. (Warner Bros. Music Division)
Louis Armstrong4:40
16Stompin’ at the Savoy
Interpret(in):
Ella Fitzgerald (American jazz singer)
cover recording of:
Stompin’ at the Savoy
Texter:
Andy Razaf
Komponist(in):
Benny Goodman (clarinetist and bandleader), Edgar Sampson und Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Louis Armstrong feat. Ella Fitzgerald5:14
17Tenderly
Gitarre:
Herb Ellis (jazz guitarist) (am 1956-08-16)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1956-08-16)
Kontrabass:
Ray Brown (jazz bassist) (am 1956-08-16)
Schlagzeug:
Buddy Rich (am 1956-08-16)
Trompete:
Louis Armstrong (am 1956-08-16)
vocals:
Louis Armstrong (am 1956-08-16) und Ella Fitzgerald (American jazz singer) (am 1956-08-16)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-16)
cover recording of:
Tenderly (am 1956-08-16)
Texter:
Jack Lawrence (US songwriter) (in 1946)
Komponist(in):
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music und Range Road Music
Louis Armstrong feat. Ella Fitzgerald45:08
18When You’re Smiling (the Whole World Smiles With You)
Louis Armstrong4:03
19Baby, It’s Cold Outside (live)
live cover recording of:
Baby, It’s Cold Outside (1948 song by Frank Loesser)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Teil von:
The 22nd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1949 winner)
Louis Armstrong feat. Velma Middleton5:44
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