Les Plus Belles Chansons D'Amour Des Années 50, Vol.2

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Earth Angel
registrazione di:
Earth Angel (Will You Be Mine)
autore:
Jesse Belvin, Gaynel Hodge (doo-wop singer and songwriter), Curtis Williams (1950s doo-wop singer, member of The Penguins) e Dootsie Williams (band leader, record producer and record label owne)
editore:
Dootsie Williams Music (publisher) (nel 1986)
parte di:
Back to the Future: the Musical
The Penguins2:49
2Mr Sandman
The Chordettes2:25
3Sixteen Candles
registrazione di:
16 Candles
autore:
Luther Dixon e Allyson R. Khent
editore:
January Music Corp., Little A Music, Mijac Music e Unichappell Music, Inc.
The Crest3.52:52
4The Great Pretender
registrata a:
Chicago, Illinois, Stati Uniti (nel 1955-09)
voce principale:
Tony Williams (lead singer for The Platters)
diritti fonografici (℗) detenuti da:
Elap Music Ltd. (a division of Pickwick Group Ltd. / a division of Carlton Home Entertainment (UK) Ltd.)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 8) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 352)
registrazione di:
The Great Pretender (nel 1955-09)
paroliere e compositore:
Buck Ram
editore:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) e Southern Music Publishing Company Limited
The Platters52:40
5Misty
registrazione cover di:
Misty
paroliere:
Johnny Burke (American lyricist, 1908–1964)
compositore:
Erroll Garner
editore:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) e WB Music Corp. (1929–2019)
si basa su:
Misty (original instrumental work)
Ella Fitzgerald2:53
6Que sera sera
Doris Day1:37
7Come Go With Me
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 441)
registrazione di:
Come Go With Me
editore:
Joseph M. Averbach
paroliere e compositore:
C.E. Quick
editore:
Fee Bee Music Company e Gil Music Corporation
The Del‐Vikings4.52:40
8Unforgettable
registrazione di:
Unforgettable
paroliere e compositore:
Irving Gordon (US songwriter)
editore:
Bourne Co. (not for release label use, this is a music publisher) e Bourne Music Ltd.
Nat King Cole3:15
9Tears on My Pillow
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 30) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 478)
registrazione di:
Tears on My Pillow
paroliere:
Al Lewis (Tin Pan Alley era lyricist)
compositore:
Sylvester Bradford
editore:
Gladys Music (nel 1958), Sovereign Music Co. (nel 1958) e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (nel 1989)
Little Anthony & the Imperials2.52:20
10Wanted
voce:
Perry Como (US pop singer & TV personality, 1912–2001) (il 1953-12-29)
orchestra:
Hugo Winterhalter’s Chorus and Orchestra (il 1953-12-29)
registrazione di:
Wanted
autore:
Jack Fulton (US jazz trombonist, composer & vocalist) e Lois Steele
Perry Como3:06
11Memories Are Made of This
produttore:
Lee Gillette
voce:
Dean Martin (American singer/actor) (nel 1955)
voce di accompagnamento:
The Easy Riders (nel 1955)
orchestra:
Dick Stabile and His Orchestra (nel 1955)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1955)
registrazione cover di:
Memories Are Made of This (il 1955-10-28)
autore:
Richard Dehr (nel 1955), Terry Gilkyson (nel 1955) e Frank Miller (American singer & songwriter) (nel 1955)
editore:
Montclare Music
Dean Martin52:18
12It’s All in the Game
direttore d'orchestra:
Leroy Holmes
arrangiatore:
Leroy Holmes
registrazione cover di:
It’s All in the Game
paroliere:
Carl Sigman (nel 1951)
compositore:
Charles Dawes (nel 1911)
editore:
Campbell Connelly & Co. Ltd., Larry Spier Inc., Majorsongs Ltd., Memory Lane Music Ltd., Music Sales (Japan, subsidiary of Shinko Music Entertainment), Music Sales Corporation (American copyright holder in both popular and classical music), Remick Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Bros., Inc. (not for release label use!), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
si basa su:
Melody in A major (instrumental)
Tommy Edwards42:39
13A Stranger in Paradise
registrazione cover di:
Stranger in Paradise (popular song from the 1953 musical “Kismet”)
paroliere:
George Forrest (American composer and lyricist) e Robert Wright (US stage & screen composer & lyricist)
compositore:
Alexander Borodin (Russian composer), George Forrest (American composer and lyricist) e Robert Wright (US stage & screen composer & lyricist)
editore:
Scheffel Music Corp, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) e Frank Music Co. Ltd. (dal 1953 a oggi)
si basa su:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: II. Gliding Dance of the Maidens: Andantino, 4/4, A major
parte di:
Kismet (full musical)
Tony Bennett3:06
14Come Softly to Me
arrangiatore:
Bonnie Guitar
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1959)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 14)
registrazione di:
Come Softly to Me
autore:
Gretchen Christopher, Barbara Ellis e Gary Troxel
editore:
Chappell Morris, EMI Unart Catalog Inc. e Unart Music Corp. (nel 1958, nel 1959)
The Fleetwoods32:26
15Since I Don’t Have You
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 18)
registrazione di:
Since I Don’t Have You
autore:
Jimmy Beaumont, William King III, Walter Lester, Larry Martin (US songwriter), Joe Rock (US songwriter/band manager), John Taylor (Pittsburgh doo-wop vocalist for The Skyliners), Joseph Verscharen e Janet Vogel
compositore:
Jimmy Beaumont, Joseph Rock (US songwriter/band manager), Walter Lester, Lennie Martin, John Taylor (Pittsburgh doo-wop vocalist for The Skyliners), Joseph Verscharen e Janet Vogel
editore:
Bonneyview Music Corp. (Bonneyview, Bonneyview Music), Bonnyview Music Corp., Calico Publishing Co. e Southern Music Publ. Co. Ltd.
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Skyliners2:39
16Don’t
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1957-09-05 al 1957-09-07)
batteria :
D.J. Fontana (, dal 1957-09-05 al 1957-09-07)
chitarra :
Scotty Moore (American guitarist and recording engineer) (dal 1957-09-05 al 1957-09-07) e Elvis Presley (“The King of Rock and Roll”) (dal 1957-09-05 al 1957-09-07)
contrabbasso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo)
pianoforte :
Dudley Brooks (dal 1957-09-05 al 1957-09-07)
voce:
The Jordanaires (southern gospel group) (dal 1957-09-05 al 1957-09-07) e Millie Kirkham (dal 1957-09-05 al 1957-09-07)
voce di accompagnamento aggiuntiva e esecutore aggiunto:
The Jordanaires (southern gospel group)
voce principale:
Elvis Presley (“The King of Rock and Roll”)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1957, nel 1958), BMG Entertainment (nel 1958), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1958) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (dal 1957-09-05 al 1957-09-07)
registrazione cover di:
Don’t (dal 1957-09-05 al 1957-09-07)
paroliere:
Jerry Leiber
compositore:
Mike Stoller
editore:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) e Sony/ATV Songs LLC
Elvis Presley32:50
17Who’s Sorry Now
voce:
Connie Francis (American former actress and chart-topping singer)
diritti fonografici (℗) detenuti da:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1958)
registrazione cover di:
Who’s Sorry Now? (1923 song)
paroliere:
Bert Kalmar (nel 1923) e Harry Ruby (nel 1923)
compositore:
Ted Snyder (nel 1923)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), Waterson, Berlin & Snyder (il 1923-03-07) e Mills Music Corporation (nel 1929)
Connie Francis42:20
18True Love Ways
produttore:
Dick Jacobs (arranger, musician and bandleader)
arpa :
Doris Johnson (harpist) (il 1958-10-21)
batteria :
Cliff Leeman (il 1958-10-21)
chitarra :
Al Caiola (il 1958-10-21)
chitarra basso :
Sanford Bloch (Bass player) (il 1958-10-21)
pianoforte :
Ernest Hayes (American pianist, organist and arranger) (il 1958-10-21)
sassofono tenore :
Abraham “Boomie” Richman (il 1958-10-21)
violino :
Herbert Bourne (il 1958-10-21), Ray Free (il 1958-10-21), Julius Held (il 1958-10-21), Leo Kruczek (il 1958-10-21), Leonard Posner (il 1958-10-21), Sylvia Shulman (il 1958-10-21), Irving Spice (violinist, concertmaster and strings) (il 1958-10-21) e Paul Winter (violin) (il 1958-10-21)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1958-10-21)
orchestra:
Dick Jacobs & His Orchestra (il 1958-10-21)
direttore d'orchestra:
Dick Jacobs (arranger, musician and bandleader) (il 1958-10-21)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1960) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1960)
registrata presso:
Pythian Temple in Lincoln Square, New York, New York, Stati Uniti (il 1958-10-21)
registrazione di:
True Love Ways (il 1958-10-21)
autore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
McCartney Music, Melody Lane Publications Inc., Peermusic (UK) Ltd. e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Buddy Holly4.52:53
19Devoted to You
registrazione di:
Devoted to You
paroliere e compositore:
Boudleaux Bryant
editore:
Acuff-Rose (BMI)
The Everly Brothers2:27
20Love Is a Many Splendored Thing
orchestra:
Jack Pleiss’ Orchestra
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1955)
registrazione di:
Love Is a Many‐Splendored Thing
paroliere:
Paul Francis Webster
compositore:
Sammy Fain
editore:
EMI Miller Catalog, Inc., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Miller Music (publisher) e WC Music Corp.
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1955 winner)
The Four Aces32:59