Blade Runner 2049

~ Pubblicazione di Hans Zimmer & Benjamin Wallfisch (visualizza tutte le versioni di questa pubblicazione: 7 disponibili)

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#TitoloArtistaValutazioneDurata
1Pilot
programmazione:
Hans Zimmer (German score composer)
tecnico audio:
Howard Scarr e Mark Wherry
tecnico:
Chuck Choi
produttore:
Ashley Culp (producer), Michael Hodges (music producer, heavily involved in works for film and television) e Kayla Morrison
editor:
Clint Bennett (engineer) e Ryan Rubin
chitarra :
Owen Gurry (guitarist)
strumenti:
Chas Smith
violoncello :
Tristan Schulze e Simone Vitucci (cellist)
voce:
Avi Kaplan e Tristan Schulze
mixata presso:
Remote Control Productions in Santa Monica, California, Stati Uniti
registrazione di:
Pilot
compositore:
Benjamin Wallfisch (English score composer) e Hans Zimmer (German score composer)
si basa su:
Pilotfish
parte di:
Blade Runner 2049
Hans Zimmer & Benjamin Wallfisch2:17
2Suspicious Minds
tecnico:
Al Pachucki
produttore:
Felton Jarvis e Chips Moman
basso :
Tommy Cogbill (il 1969-01-23) e Mike Leech (il 1969-01-23)
batteria :
Gene Chrisman (il 1969-01-23)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (il 1969-01-23) e Reggie Young (guitarist and songwriter) (il 1969-01-23)
chitarra steel :
John Hughey (il 1969-01-23)
organo :
Bobby Emmons (il 1969-01-23)
pianoforte :
Bobby Wood (American pianist, keyboard player and songwriter) (il 1969-01-23)
voce:
J.D. Sumner & The Stamps, The Sweet Inspirations e Kathy Westmoreland
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1969-01-22)
arrangiatore:
Mike Leech e Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1969), BMG Music (nel 1969, nel 1973), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1969), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1973) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, Stati Uniti (il 1969-01-23) e United Recording Studios (Las Vegas) in Las Vegas, Nevada, Stati Uniti (il 1969-08-07)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 91) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 363)
registrazione cover di:
Suspicious Minds (dal 1969-01-23 al 1969-08-07)
paroliere e compositore:
Mark James (Francis Zambon, composer of “Suspicious Minds”)
editore:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. e Sony/ATV Songs LLC
Elvis Presley4.14:23
3Can’t Help Falling in Love
armonica (a bocca) :
George Fields (il 1961-03-23)
basso :
Bob Moore (U.S. bassist and bandleader) (il 1961-03-23)
batteria :
Hal Blaine (U.S. studio drummer and percussionist) (il 1961-03-23), D.J. Fontana (il 1961-03-23) e Bernie Mattinson (il 1961-03-23)
celesta [celeste] :
Dudley Brooks (il 1961-03-23)
chitarra :
Hank Garland (il 1961-03-23), Scotty Moore (American guitarist and recording engineer) (il 1961-03-23) e Tiny Timbrell (il 1961-03-23)
chitarra steel :
Alvino Rey (il 1961-03-23)
pianoforte :
Dudley Brooks (il 1961-03-23) e Floyd Cramer (il 1961-03-23)
sassofono :
Boots Randolph (il 1961-03-23)
ukulele :
Bernie Lewis (il 1961-03-23) e Fred Tavares (il 1961-03-23)
voce:
The Jordanaires (southern gospel group) (il 1961-03-23) e The Surfers (a.k.a. The Hawaiian Surfers) (il 1961-03-23)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1961-03-23)
esecutore aggiunto:
The Jordanaires (southern gospel group) (il 1961-03-23)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1961), BMG Music (nel 1961), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1961) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 137)
registrazione di:
Can’t Help Falling in Love (il 1961-03-23)
autore:
Luigi Creatore, Hugo Peretti e George David Weiss
editore:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (German publisher), Luigi Creatore Music (ASCAP) e The Manor Music Co. Ltd.
sub-editore:
日音 (NICHION INC.) (conclusa), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e 日音 Synch事業部 (NICHION, INC. Synch Division)
si basa su:
Plaisir d’amour (Romance du chevrier)
Elvis Presley & The Jordanaires4.13:03
4One for My Baby (And One More for the Road)
produttore:
Voyle Gilmore
arpa :
Kathryn Julye (il 1958-06-25)
batteria e percussione :
Frank Flynn (il 1958-06-25) e Bill Richmond (il 1958-06-25)
chitarra :
Al Hendrickson (il 1958-06-25) e Al Viola (il 1958-06-25)
clarinetto :
Gus Bivona (il 1958-06-25), Sal Franzella (il 1958-06-25), Chuck Gentry (il 1958-06-25) e Morris Bercov (il 1958-06-25)
contrabbasso :
Joe Comfort (il 1958-06-25) e Eddie Gilbert (il 1958-06-25)
corno francese :
James Decker (French hornist) (il 1958-06-25), James McGee (il 1958-06-25) e George Price (il 1958-06-25)
fagotto :
Don Christlieb (il 1958-06-25) e Norman Herzberg (bassoon) (il 1958-06-25)
flauto :
Arthur Gleghorn (il 1958-06-25) e Harry Klee (il 1958-06-25)
oboe :
Arnold Koblentz (Oboe player) (il 1958-06-25) e Champ Webb (il 1958-06-25)
pianoforte :
Bill Miller (pianist) (il 1958-06-25)
tromba :
Cappy Lewis (il 1958-06-25)
trombone :
Milt Bernhart (il 1958-06-25), Russell Brown (Swing trombonist) (il 1958-06-25), Ray Sims (il 1958-06-25) e Tommy Pederson (il 1958-06-25)
viola :
Alvin Dinkin (il 1958-06-25), Stanley Harris (US big band viola player) (il 1958-06-25), Paul Robyn (il 1958-06-25) e Dave Sterkin (il 1958-06-25)
violino :
Israel Baker (American violinist) (il 1958-06-25), Victor Bay (il 1958-06-25), Alex Beller (il 1958-06-25), Arnold Belnick (il 1958-06-25), Daniel Karpilowsky (il 1958-06-25), Emo Neufeld (il 1958-06-25), Ben Gill (il 1958-06-25), Paul Shure (il 1958-06-25), Felix Slatkin (il 1958-06-25), Marshall Sosson (il 1958-06-25), Victor Amo (il 1958-06-25) e Gerald Vinci (American violinist and strings conductor) (il 1958-06-25)
violoncello :
James Arkatov (American cellist and photographer) (il 1958-06-25), Armand Kaproff (il 1958-06-25), Joseph Saxon (il 1958-06-25) e Eleanor Slatkin (US cellist, b. Aller) (il 1958-06-25)
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1958-06-25)
orchestra:
The Nelson Riddle Orchestra (il 1958-06-25)
direttore d'orchestra:
Nelson Riddle (il 1958-06-26)
arrangiatore:
Nelson Riddle
registrata presso:
Capitol Tower in Hollywood, Los Angeles, California, Stati Uniti (il 1958-06-25)
registrazione cover di:
One for My Baby (and One More for the Road) (il 1958-06-26)
paroliere:
Johnny Mercer (nel 1943)
compositore:
Harold Arlen (nel 1943)
editore:
Chappell/Morris Ltd. e Harwin Music
parte di:
The Sky’s the Limit (1943 film)
Frank Sinatra34:25
5Hijack
programmazione:
Hans Zimmer (German score composer)
tecnico audio:
Howard Scarr e Mark Wherry
tecnico:
Chuck Choi
produttore:
Ashley Culp (producer), Michael Hodges (music producer, heavily involved in works for film and television) e Kayla Morrison
editor:
Clint Bennett (engineer) e Ryan Rubin
chitarra :
Owen Gurry (guitarist)
strumenti:
Chas Smith
violoncello :
Tristan Schulze e Simone Vitucci (cellist)
voce:
Avi Kaplan e Tristan Schulze
mixata presso:
Remote Control Productions in Santa Monica, California, Stati Uniti
registrazione di:
Hijack
compositore:
Benjamin Wallfisch (English score composer) e Hans Zimmer (German score composer)
si basa su:
Crushing Joi
si basa su:
K Rescued
parte di:
Blade Runner 2049
Hans Zimmer & Benjamin Wallfisch5:32
6That’s Why We Believe
programmazione:
Hans Zimmer (German score composer)
tecnico audio:
Howard Scarr e Mark Wherry
tecnico:
Chuck Choi
produttore:
Ashley Culp (producer), Michael Hodges (music producer, heavily involved in works for film and television) e Kayla Morrison
editor:
Clint Bennett (engineer) e Ryan Rubin
chitarra :
Owen Gurry (guitarist)
strumenti:
Chas Smith
violoncello :
Tristan Schulze e Simone Vitucci (cellist)
voce:
Avi Kaplan e Tristan Schulze
mixata presso:
Remote Control Productions in Santa Monica, California, Stati Uniti
registrazione di:
That’s Why We Believe
compositore:
Benjamin Wallfisch (English score composer) e Hans Zimmer (German score composer)
si basa su:
Must Protect the Child
si basa su:
You Imagined It Was You
parte di:
Blade Runner 2049
Hans Zimmer & Benjamin Wallfisch3:36
7Her Eyes Were Green
programmazione:
Hans Zimmer (German score composer)
tecnico audio:
Howard Scarr e Mark Wherry
tecnico:
Chuck Choi
produttore:
Ashley Culp (producer), Michael Hodges (music producer, heavily involved in works for film and television) e Kayla Morrison
editor:
Clint Bennett (engineer) e Ryan Rubin
chitarra :
Owen Gurry (guitarist)
strumenti:
Chas Smith
violoncello :
Tristan Schulze e Simone Vitucci (cellist)
voce:
Avi Kaplan e Tristan Schulze
mixata presso:
Remote Control Productions in Santa Monica, California, Stati Uniti
registrazione di:
Her Eyes Were Green
compositore:
Benjamin Wallfisch (English score composer) e Hans Zimmer (German score composer)
parte di:
Blade Runner 2049
Hans Zimmer & Benjamin Wallfisch6:11
8Sea Wall
programmazione:
Hans Zimmer (German score composer)
tecnico audio:
Howard Scarr e Mark Wherry
tecnico:
Chuck Choi
produttore:
Ashley Culp (producer), Michael Hodges (music producer, heavily involved in works for film and television) e Kayla Morrison
editor:
Clint Bennett (engineer) e Ryan Rubin
chitarra :
Owen Gurry (guitarist)
strumenti:
Chas Smith
violoncello :
Tristan Schulze e Simone Vitucci (cellist)
voce:
Avi Kaplan e Tristan Schulze
mixata presso:
Remote Control Productions in Santa Monica, California, Stati Uniti
registrazione di:
Sea Wall
compositore:
Benjamin Wallfisch (English score composer) e Hans Zimmer (German score composer)
parte di:
Blade Runner 2049
Hans Zimmer & Benjamin Wallfisch9:52
9All the Best Memories Are Hers
programmazione:
Hans Zimmer (German score composer)
tecnico audio:
Howard Scarr e Mark Wherry
tecnico:
Chuck Choi
produttore:
Ashley Culp (producer), Michael Hodges (music producer, heavily involved in works for film and television) e Kayla Morrison
editor:
Clint Bennett (engineer) e Ryan Rubin
chitarra :
Owen Gurry (guitarist)
strumenti:
Chas Smith
violoncello :
Tristan Schulze e Simone Vitucci (cellist)
voce:
Avi Kaplan e Tristan Schulze
mixata presso:
Remote Control Productions in Santa Monica, California, Stati Uniti
registrazione di:
All the Best Memories Are Hers
compositore:
Benjamin Wallfisch (English score composer) e Hans Zimmer (German score composer)
parte di:
Blade Runner 2049
Hans Zimmer & Benjamin Wallfisch3:22
10Tears in the Rain
programmazione:
Hans Zimmer (German score composer)
tecnico audio:
Howard Scarr e Mark Wherry
tecnico:
Chuck Choi
produttore:
Ashley Culp (producer), Michael Hodges (music producer, heavily involved in works for film and television) e Kayla Morrison
editor:
Clint Bennett (engineer) e Ryan Rubin
chitarra :
Owen Gurry (guitarist)
strumenti:
Chas Smith
violoncello :
Tristan Schulze e Simone Vitucci (cellist)
voce:
Avi Kaplan e Tristan Schulze
mixata presso:
Remote Control Productions in Santa Monica, California, Stati Uniti
registrazione cover di:
Farewell (Tears in Rain)
compositore:
Vangelis (Greek composer of electronic, new age and classical)
editore:
Spheric B.V. e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
parte di:
Blade Runner
parte di:
Blade Runner 2049
Hans Zimmer & Benjamin Wallfisch2:10
11Blade Runner
programmazione:
Hans Zimmer (German score composer)
tecnico audio:
Howard Scarr e Mark Wherry
tecnico:
Chuck Choi
produttore:
Ashley Culp (producer), Michael Hodges (music producer, heavily involved in works for film and television) e Kayla Morrison
editor:
Clint Bennett (engineer) e Ryan Rubin
chitarra :
Owen Gurry (guitarist)
strumenti:
Chas Smith
violoncello :
Tristan Schulze e Simone Vitucci (cellist)
voce:
Avi Kaplan e Tristan Schulze
mixata presso:
Remote Control Productions in Santa Monica, California, Stati Uniti
registrazione di:
Blade Runner
compositore:
Benjamin Wallfisch (English score composer) e Hans Zimmer (German score composer)
si basa su:
Blade Runner
si basa su:
Main on Ends
parte di:
Blade Runner 2049
Hans Zimmer & Benjamin Wallfisch10:05
12Almost Human
programmazione:
Scott “Fritzy” Fritz (engineer) e Gerald Trottman
programmazione aggiuntiva:
Michael Hodges (music producer, heavily involved in works for film and television) e Ghian Wright
produttore:
Michael Hodges (music producer, heavily involved in works for film and television) e Kayla Morrison
tecnico di missaggio:
Ghian Wright
pianoforte a coda e tastiera :
Gerald Trottman (nel 2017)
voce:
Lauren Daigle (nel 2017)
voce di accompagnamento:
Lauren Daigle (nel 2017) e Michael Hodges (music producer, heavily involved in works for film and television) (nel 2017)
registrazione di:
Almost Human (nel 2017)
autore:
Lauren Daigle, Michael Hodges (music producer, heavily involved in works for film and television), Kayla Morrison, Gerald Trottman e Ghian Wright
editore:
Alcon Sleeping Giant
parte di:
Blade Runner 2049
Lauren Daigle3:22