The Most Relaxing Classical Album in the World... Ever!

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Suite for Orchestra No. 3 in D major, BWV 1068: II. Air 'on the G string'
Techniker(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
Produzent(in):
Christopher Bishop (conductor/producer)
Geige / Violine:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (von 1973-10-01 bis 1973-10-04)
Orchester:
Academy of St Martin in the Fields (von 1973-10-01 bis 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (von 1973-10-01 bis 1973-10-04)
Tonmeister(in):
Stuart Eltham (engineer)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1973-10-01 bis 1973-10-04)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (von 1973-10-01 bis 1973-10-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:36
2Peer Gynt, Op. 23: No 13, Act 4 Prelude - Morning
Produzent(in):
John Fraser (UK producer)
Orchester:
Academy of St Martin in the Fields (von 1982-07-28 bis 1982-07-30)
conductor:
Sir Neville Marriner (conductor) (von 1982-07-28 bis 1982-07-30)
Tonmeister(in):
Stuart Eltham (engineer)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1982-07-28 bis 1982-07-30)
recording of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning (von 1982-07-28 bis 1982-07-30)
Komponist(in):
Edvard Grieg (composer) (in 1875)
Librettist:
Henrik Ibsen (in 1867)
Teil von:
Peer Gynt, op. 23
Edvard Grieg4:18
3Canon and Gigue for 3 Violins and Basso Continuo in D Major: Canon
Techniker(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
Produzent(in):
Christopher Bishop (conductor/producer)
Geige / Violine:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (von 1973-10-01 bis 1973-10-04)
Orchester:
Academy of St Martin in the Fields (von 1973-10-01 bis 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (von 1973-10-01 bis 1973-10-04)
Tonmeister(in):
Stuart Eltham (engineer)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1973-10-01 bis 1973-10-04)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon und Gigue D-Dur, P37: I. Canon) (von 1973-10-01 bis 1973-10-04)
Komponist(in):
Johann Pachelbel (composer)
Teil von:
Canon and Gigue in D major, P. 37, T. 337 (Canon und Gigue D-Dur, P37)
Johann Pachelbel5:04
4Herz und Mund und Tat und Leben, BWV 147: Jesu Bleibet Meine Freude
Produzent(in):
Christopher Bishop (conductor/producer)
Chorgesang:
King’s College Choir, Cambridge
Orchester:
Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields)
conductor:
Sir Neville Marriner (conductor) und Sir David Willcocks (UK composer, organist, choral conductor)
Tonmeister(in):
Neville Boyling (engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich
recording of:
Jesu, Joy of Man’s Desiring
Orchestrator(in):
Leopold Stokowski (conductor)
Texter:
Robert Bridges (poet)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
übersetzte Version von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1723-07-02)
Texter:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
Teil von:
Classic 100: Piano (2025) (Nummer: 15)
Teil von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:33
5Gymnopédies (3) for Piano: No 1, Lent et Doulourex
Orchester:
City of Birmingham Symphony Orchestra
conductor:
Louis Frémaux (conductor)
recording of:
Gymnopédies: I. Lent et grave (Satie’s Gymnopédie no. 3 orchestrated by Debussy)
Orchestrator(in):
Claude Debussy (French composer) (in 1897)
Komponist(in):
Erik Satie (French composer) (in 1888)
Orchestrierung von:
Troisième Gymnopédie : Lent et grave (Gymnopédie no. 3)
Teil von:
Gymnopédies (orchestrated by Debussy)
recording of:
Gymnopédies: II. Lent et douloureux (Satie’s Gymnopédie no. 1 orchestrated by Debussy)
Orchestrator(in):
Claude Debussy (French composer) (in 1897)
Komponist(in):
Erik Satie (French composer) (in 1888)
Orchestrierung von:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
Teil von:
Gymnopédies (orchestrated by Debussy)
Erik Satie2:52
6Concerto for Piano No. 21 in C major, K. 467 "Elvira Madigan": II. Andante
Klavier:
Stephen Hough (pianist)
Orchester:
Hallé Orchestra
conductor:
Bryden Thomson (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
teilweise recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1785 bis 1785-03-09)
Teil von:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart5:23
7Lakmé: Viens, Malliká... Sous le Dôme épais "Flower Duet"
Chorgesang:
Chœurs du Théâtre National de l’Opéra‐Comique
Mezzosoprangesang:
Danielle Millet (mezzo-soprano) (in 1970)
Soprangesang:
Mady Mesplé (soprano) (in 1970)
Orchester:
National Opera Orchestra und Orchestre du Théâtre National de l’Opéra‐Comique (in 1970)
conductor:
Alain Lombard (conductor) (in 1970)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
Bearbeitung von:
Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika) von Mady Mesplé (soprano), Danielle Millet (mezzo-soprano), Orchestre du Théâtre National de l’Opéra‐Comique, Alain Lombard (conductor)
teilweise recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika) (in 1970)
Komponist(in):
Léo Delibes (French composer)
Librettist:
Philippe Gille und Edmond Gondinet
publisher:
Jenkinsongs Ltd.
Teil von:
Lakmé : Acte I
Léo Delibes4:21
8Requiem, Op. 48: In Paradisum
Produzent(in):
Christopher Bishop (conductor/producer)
Orgel [organ]:
John Wells (concert organist and composer)
Baritongesang [baritone]:
John Carol Case (English baritone)
Chorgesang:
Choir of King’s College, Cambridge
Diskantstimme [treble]:
Robert Chilcott
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
David Willcocks (UK composer, organist, choral conductor)
Tonmeister(in):
Neville Boyling (engineer)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version)
Komponist(in):
Gabriel Fauré (French composer) (von 1886 bis 1900)
publisher:
Éditions Durand (1947–present)
enthalten in:
28 Days Later
Teil von:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:49
9Suite Bergamasque: 3rd Movement, Clair de Lune
Klavier:
Dame Moura Lympany (British pianist) (in 1988)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
Komponist(in):
Claude Debussy (French composer) (von 1890 bis 1905)
Teil von:
Classic 100: Piano (2004) (Nummer: 3)
Teil von:
Suite bergamasque, L. 75, CD 82 (for piano)
Claude Debussy4:59
10Violin Concerto in E minor, Op. 64: II. Andante
Geige / Violine:
Yehudi Menuhin (violinist)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Efrem Kurtz (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
teilweise recording of:
Violinkonzert in e-Moll, op. 64: II. Andante (Concerto for Violin and Orchestra in E minor, op. 64: II. Andante)
Komponist(in):
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (von 1838 bis 1844-09-16)
überarbeitet von:
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (in 1845)
Teil von:
Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)
Felix Mendelssohn4:32
11Carnival of the Animals: No 13, the Swan
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Cello:
Jacqueline du Pré (cellist) (am 1962-07-21)
Harfe:
Osian Ellis (Welsh harpist and composer) (am 1962-07-21)
Tonmeister(in):
Neville Boyling (engineer) (am 1962-07-21)
phonographisches Urheberrecht (℗) von:
Warner Classics (in 1995) und Warner Music UK Ltd. (not for release label use!) (in 1995)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1962-07-21)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (catch-all for arrangements) (am 1962-07-21)
Komponist(in):
Camille Saint‐Saëns (composer)
Arrangement von:
Le Carnaval des animaux : XIII. Le Cygne (Der Karneval der Tiere: XIII. Der Schwan, part of orig. Carnival of the Animals, for cello and dual piano)
Teil von:
Le Carnaval des animaux (catch-all for arrangements)
Camille Saint‐Saëns2:55
12Symphony No 3, Op. 36 "Symphony of Sorrowful Songs": 2nd Movement
Soprangesang:
Zofia Kilanowicz (Polish soprano) (in 1993)
Orchester:
Kraków Symphony Orchestra (in 1993)
conductor:
Jacek Kaspszyk (Polish conductor) (in 1993)
aufgenommen bei:
Wratislava Cantans (1993) (28th International Oratorio-Cantata Festival)
phonographisches Urheberrecht (℗) von:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1995)
live teilweise recording of:
Symphony no. 3, op. 36 "Symphony of Sorrowful Songs": II. Lento e largo: Tranquillissimo - Cantabilissimo - Dolcissimo - Legatissimo (in 1993)
Texter:
Helena Wanda Błażusiakówna
Komponist(in):
Henryk Mikołaj Górecki (Henryk Mikolaj Gorecki, Polish composer) (in 1976)
Teil von:
Symphony no. 3, op. 36 "Symphony of Sorrowful Songs"
Henryk Mikołaj Górecki4:34
13Sinfonia Concertante in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino
flute:
James Galway (flautist)
Harfe:
Fritz Helmis (harpist)
Orchester:
Berliner Philharmoniker
conductor:
Herbert von Karajan (conductor)
teilweise recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
Teil von:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
Teil von:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
Wolfgang Amadeus Mozart4:02
14Concert for Violin in F Minor, Op. 8 No 4/RV 297 "L'Inverno": 2nd Movement
Cembalo:
Paul Crocker (harpsichord) (in 1979-12)
Geige / Violine:
Yehudi Menuhin (violinist) (in 1979-12)
Orchester:
Camerata Lysy Gstaad (in 1979-12)
conductor:
Alberto Lysy (violinist and conductor) (in 1979-12)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1979-12)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (in 1979-12)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi2:10
15Variations on an Original Theme, Op. 36 "Enigma": Variation 9, Nimrod
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
London Symphony Orchestra (von 1970-08-04 bis 1970-08-06)
conductor:
Sir Adrian Boult (conductor) (von 1970-08-04 bis 1970-08-06)
Tonmeister(in):
Michael Gray (UK classical recording engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971) und Warner Classics (in 2002)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1970-08-04 bis 1970-08-06)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (von 1970-08-04 bis 1970-08-06)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
Komponist(in):
Edward Elgar (composer) (in 1899)
gewidmet:
Augustus J. Jaeger
Teil von:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar3:59
16Song to the Moon (Rusalka)
Soprangesang:
Lucia Popp (soprano)
Orchester:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Stefan Soltész (conductor)
recording of:
Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) (Rusalka, op. 114, B. 203: Act 1. "Song to the Moon", Song to the Moon)
Komponist(in):
Antonín Dvořák (composer) (von 1900-04-21 bis 1900-11-27)
Teil von:
Rusalka, op. 114, B. 203: 1. jednání
Antonín Dvořák5:04
17Rhapsody on a Theme of Paganini, Op. 43: Variation 18
Produzent(in):
John Fraser (UK producer) (von 1984-05-03 bis 1984-05-04)
Klavier:
Cécile Ousset (French pianist) (von 1984-05-03 bis 1984-05-04)
Orchester:
City of Birmingham Symphony Orchestra (von 1984-05-03 bis 1984-05-04)
conductor:
Simon Rattle (conductor) (von 1984-05-03 bis 1984-05-04)
Tonmeister(in):
Michael Sheady (engineer) (von 1984-05-03 bis 1984-05-04)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
aufgenommen bei:
Warwick Arts Centre: Butterworth Hall in Coventry, West Midlands, England, Vereinigtes Königreich (von 1984-05-03 bis 1984-05-04)
recording of:
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile (von 1984-05-03 bis 1984-05-04)
Komponist(in):
Sergei Rachmaninoff (Sergei Rachmaninow, Russian composer) (von 1934-07-03 bis 1934-08-18)
Teil von:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
Сергей Васильевич Рахманинов3:02
18Pavane, Op. 50
Produzent(in):
Christopher Bishop (conductor/producer)
flute:
Gareth Morris (British flautist) (in 1968)
Chorgesang:
Choir of King’s College, Cambridge
Orchester:
NPO (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1968)
conductor:
David Willcocks (UK composer, organist, choral conductor) (in 1968)
Tonmeister(in):
Neville Boyling (engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recording of:
Pavane, op. 50 (catch-all for arrangements and unknown versions)
Komponist(in):
Gabriel Fauré (French composer)
Arrangement von:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré6:47
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