100 Best Relaxing Classics

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Was mir behagt, ist nur die muntre Jagd, BWV 208 IX. Schafe können sicher weiden
Produzent(in):
John Fraser (UK producer)
Orgel:
Ian Watson (conductor and keyboardist) (von 1983-06-27 bis 1983-06-28)
Orchester:
Academy of St Martin in the Fields (von 1983-06-27 bis 1983-06-28)
conductor:
Sir Neville Marriner (conductor) (von 1983-06-27 bis 1983-06-28)
arranger und Orchestrator(in):
Sir Neville Marriner (conductor)
Tonmeister(in):
Stuart Eltham (engineer)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1983-06-27 bis 1983-06-28)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” (orchestrated by Marriner) (von 1983-06-27 bis 1983-06-28)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Orchestrierung von:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
Johann Sebastian Bach4:39
2Canon and Gigue in D Major, P. 37 I. Canon
Techniker(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
Produzent(in):
Christopher Bishop (conductor/producer)
Geige / Violine:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (von 1973-10-01 bis 1973-10-04)
Orchester:
Academy of St Martin in the Fields (von 1973-10-01 bis 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (von 1973-10-01 bis 1973-10-04)
Tonmeister(in):
Stuart Eltham (engineer)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1973-10-01 bis 1973-10-04)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon und Gigue D-Dur, P37: I. Canon) (von 1973-10-01 bis 1973-10-04)
Komponist(in):
Johann Pachelbel (composer)
Teil von:
Canon and Gigue in D major, P. 37, T. 337 (Canon und Gigue D-Dur, P37)
Johann Pachelbel5:02
3Orchestral Suite No. 3 in D Major, BWV 1068 II. Air
Techniker(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
Produzent(in):
Christopher Bishop (conductor/producer)
Geige / Violine:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (von 1973-10-01 bis 1973-10-04)
Orchester:
Academy of St Martin in the Fields (von 1973-10-01 bis 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (von 1973-10-01 bis 1973-10-04)
Tonmeister(in):
Stuart Eltham (engineer)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1973-10-01 bis 1973-10-04)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (von 1973-10-01 bis 1973-10-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:35
4The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297, Winter II. Largo
Cembalo:
Paul Crocker (harpsichord) (in 1979-12)
Geige / Violine:
Yehudi Menuhin (violinist) (in 1979-12)
Orchester:
Camerata Lysy Gstaad (in 1979-12)
conductor:
Alberto Lysy (violinist and conductor) (in 1979-12)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1979-12)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (in 1979-12)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi2:08
5Serse, HWV 40, Act 1 Ombra mai fù (Serse)
Instrumente:
Il Seminario Musicale (French baroque music ensemble)
Countertenorgesang und Hochgesang:
Gérard Lesne (countertenor)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (von 1737-12-26 bis 1738-01-09)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Serse, HWV 40: Atto I
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Arrangement von:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
George Frideric Handel2:38
6Concerto Grosso in B Minor, HWV 330 III. Larghetto e piano
Orchester:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
recording of:
Concerto grosso in B minor, op. 6 no. 12, HWV 330: III. Aria: larghetto e piano
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Teil von:
Concerto grosso in B minor, op. 6 no. 12, HWV 330
George Frideric Handel4:14
7Herz und Mund und Tat und Leben, BWV 147, Pt. 2 No. 10, Jesus bleibet meine Freude (Chorus)
Produzent(in):
Christopher Bishop (conductor/producer)
Chorgesang:
King’s College Choir, Cambridge
Orchester:
Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields)
conductor:
Sir Neville Marriner (conductor) und Sir David Willcocks (UK composer, organist, choral conductor)
Tonmeister(in):
Neville Boyling (engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich
recording of:
Jesu, Joy of Man’s Desiring
Orchestrator(in):
Leopold Stokowski (conductor)
Texter:
Robert Bridges (poet)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
übersetzte Version von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1723-07-02)
Texter:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
Teil von:
Classic 100: Piano (2025) (Nummer: 15)
Teil von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:31
8Suite No. 4 in D Minor, HWV 437 III. Sarabande
Klavier:
Andrei Gavrilov (Andrei Gawrilow, pianist)
recording of:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande
Komponist(in):
George Frideric Handel (German‐British baroque composer)
basiert auf:
Folia
Teil von:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437
George Frideric Handel3:02
9Keyboard Concerto No. 5 in F Minor, BWV 1056 II. Largo
Produzent(in):
John Fraser (UK producer)
Klavier:
Andrei Gavrilov (Andrei Gawrilow, pianist) (in 1986-04)
Orchester:
Academy of St Martin in the Fields (in 1986-04)
conductor:
Sir Neville Marriner (conductor) (in 1986-04)
Tonmeister(in):
Mark Vigars (engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1986-04)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (in 1986-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach3:28
10Concerto for 2 Mandolins in G Major, RV 532 II. Andante
Techniker(in), Editing und Tonmeister(in):
Alessandra Galleron
leitende(r) Produzent(in):
Alain Lanceron
Produzent(in):
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
Bratsche / Viola:
Ernesto Braucher, Stefano Marcocchi und Diego Mecca (violist)
Cello:
Maurizio Naddeo (cellist)
Cembalo und Orgel:
Sergio Ciomei
Geige / Violine:
Fabio Biondi (conductor/violinist), Robert Brown (Classical music violist), Lorenzo Colitto, Luca Giardini (classical violinist), Carla Marotta, Raffaello Negri, Andrea Rognoni und Renata Spotti (Classical violinist)
Solo-Mandoline:
Sonia Maurer (Italian mandolinist) und Giovanni Scaramuzzino (mandolinist)
theorbo:
Ugo Nastrucci und Giangiacomo Pinardi
Violone:
Francisco Montero (double bassist)
Orchester:
Europa Galante (Italian Baroque orchestra) (von 2001-10-09 bis 2001-10-12)
conductor:
Fabio Biondi (conductor/violinist) (von 2001-10-09 bis 2001-10-12)
aufgenommen bei:
San Giovanni Evangelista in Parma, Parma, Emilia-Romagna, Italien (von 2001-10-09 bis 2001-10-12)
recording of:
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532: II. Andante (von 2001-10-09 bis 2001-10-12)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532
Antonio Vivaldi2:49
11Concerto for 2 Violins in D Minor, BWV 1043 II. Largo ma non tanto
Produzent(in):
Michael Purton
Cembalo:
Sally Heath (British pianist)
Geige / Violine:
Jane Murdoch (violinist) und Jonathan Rees
Orchester:
Scottish Ensemble
conductor:
Jonathan Rees
Tonmeister(in):
Tony Faulkner (recording engineer) und Tony Kime
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1730 bis 1731)
Teil von:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach6:52
12Rinaldo, HWV 7b, Act 2 Lascia ch'io pianga (Almirena)
Mezzosoprangesang:
Marilyn Horne (American operatic mezzo-soprano)
Orchester:
I Solisti Veneti
conductor:
Claudio Scimone (conductor)
recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1711)
Librettist:
Giacomo Rossi
Teil von:
Rinaldo, HWV 7a: Atto II
George Frideric Handel4:34
13Orfeo ed Euridice, Wq. 41, Act 2 Dance of the Blessed Spirits
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
Academy of St Martin in the Fields (am 1976-01-29, am 1976-10-26)
conductor:
Sir Neville Marriner (conductor) (am 1976-01-29, am 1976-10-26)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1976-01-29, am 1976-10-26)
recording of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version) (am 1976-01-29)
Komponist(in):
Christoph Willibald Gluck (composer)
Teil von:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
Teil von:
Orpheus und Eurydike: Akt II (German version)
recording of:
Orfeo ed Euridice: Dance of the Blessed Spirits (Melodie) (catch-all for arrangements) (am 1976-01-29)
Komponist(in):
Christoph Willibald Gluck (composer)
Arrangement von:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
recording of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version) (am 1976-10-26)
Komponist(in):
Christoph Willibald Gluck (composer)
Teil von:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
Teil von:
Orpheus und Eurydike: Akt II (German version)
recording of:
Orfeo ed Euridice: Dance of the Blessed Spirits (Melodie) (catch-all for arrangements) (am 1976-10-26)
Komponist(in):
Christoph Willibald Gluck (composer)
Arrangement von:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
Christoph Willibald Gluck6:19
14Wachet auf, ruft uns die Stimme, BWV 140 IV. Zion hört die Wächter singen (Excerpt)
Chorgesang:
South German Madrigal Choir (von 1967-07-15 bis 1967-07-20)
Orchester:
Consortium Musicum (von 1967-07-15 bis 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (von 1967-07-15 bis 1967-07-20)
Bearbeitung von:
Cantata No. 140, "Wachet auf, ruft uns die Stimme", BWV 140 (BC A166): "Zion hört die Wächter" von South German Madrigal Choir, Theo Altmeyer (German tenor), Consortium Musicum, Wolfgang Gönnenwein (conductor)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen” (von 1967-07-15 bis 1967-07-20)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1731-11-25)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
basiert auf:
Wachet auf, ruft uns die Stimme
Teil von:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach3:28
15Water Music Suite No. 1, HWV 348 VI. Air
Produzent(in):
John Willan (producer)
Cembalo:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (von 1984-04-26 bis 1984-04-28)
flute und recorder:
Hans Wolfgang Dünschede (von 1984-04-26 bis 1984-04-28)
Oboe:
Lothar Koch (oboist) (von 1984-04-26 bis 1984-04-28)
Orchester:
Berliner Philharmoniker (von 1984-04-26 bis 1984-04-28)
conductor:
Riccardo Muti (conductor) (von 1984-04-26 bis 1984-04-28)
Tonmeister(in):
John Kurlander (engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
aufgenommen bei:
Berliner Philharmonie in Mitte, Berlin, Deutschland (von 1984-04-26 bis 1984-04-28)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: V. Air. Presto (von 1984-04-26 bis 1984-04-28)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1717)
Teil von:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel4:45
16Chamber Concerto in D Major, RV 93 II. Largo
Gitarre und klassiche Gitarre:
Sharon Isbin (classical guitarist)
Orchester:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra)
conductor:
Lawrence Foster (conductor)
recording of:
Concerto for Lute in D major, RV 93: II. Largo
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Concerto for Lute in D major, RV 93
recording of:
Concerto for Lute in D major, RV 93: II. Largo (catch-all for arrangements)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Arrangement von:
Concerto for Lute in D major, RV 93: II. Largo
Teil von:
Concerto for Lute in D major, RV 93 (catch-all for arrangements)
recording of:
Concerto for Lute in D major, RV 93: II. Largo (for guitar and strings, arr. Emilio Pujol)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
arranger:
Emilio Pujol (composer)
Arrangement von:
Concerto for Lute in D major, RV 93: II. Largo
Teil von:
Concerto for Lute in D major, RV 93 (arr. for guitar and strings Emilio Pujol)
Antonio Vivaldi6:08
17Sonata for Viola da Gamba No. 3 in G Minor, BWV 1029 II. Adagio (Opening)
Cembalo:
Ton Koopman (conductor, organist and harpsichordist)
viola da gamba:
Jordi Savall (viol player, conductor and composer)
Bearbeitung von:
Viola da Gamba Sonata no. 3 in G minor, BWV 1029: II. Adagio von Jordi Savall (viol player, conductor and composer), Ton Koopman (conductor, organist and harpsichordist)
teilweise recording of:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029: II. Adagio
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029
Johann Sebastian Bach2:33
18Adagio in G Minor (Excerpt)
Orchester:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
teilweise recording of:
Adagio for Strings and Organ in G minor
Komponist(in):
Remo Giazotto
vorher zugeschrieben zu:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni5:52
19Serenade No. 13 in G Major, K. 525 Eine kleine Nachtmusik II. Romanze (Andante)
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
Academy of St Martin in the Fields (am 1976-01-29, am 1976-10-26)
conductor:
Sir Neville Marriner (conductor) (am 1976-01-29, am 1976-10-26)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1976-01-29, am 1976-10-26)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (am 1976-01-29)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (am 1976-10-26)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:44
20Concerto for Flute & Harp in C Major, K. 299297c II. Andantino
flute:
Jean‐Pierre Rampal (flautist)
Harfe:
Lily Laskine (harpist)
Orchester:
Orchestre de chambre Jean‐François Paillard
conductor:
Jean‐François Paillard (French conductor)
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
Teil von:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
Wolfgang Amadeus Mozart9:45
21Così fan tutte, K. 588, Act I Soave sia il vento (Live)
bass-baritone vocals [Don Alfonso]:
José van Dam (Belgian operatic bass-baritone)
Mezzosoprangesang [Dorabella]:
Agnes Baltsa (mezzo-soprano)
Soprangesang [Fiordiligi]:
Margaret Marshall (Scots soprano active in late 20th century)
Orchester:
Vienna Philharmonic Orchestra (Wiener Philharmoniker)
conductor:
Riccardo Muti (conductor)
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:21
22Piano Sonata No. 11 in A Major, K. 331300i, Alla Turca I. Tema con variazoni
Klavier:
Andrei Gavrilov (Andrei Gawrilow, pianist)
recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: I. Tema con variazioni. Andante grazioso
komponiert in:
Paris, Île-de-France, Frankreich (in 1778)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1783)
Teil von:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
Wolfgang Amadeus Mozart1:59
23Così fan tutte, K. 588, Act 1 Un'aura amorosa del nostro tesoro (Ferrando)
Produzent(in):
John Fraser (UK producer)
Tenor-Gesang [Ferrando]:
John Aler (tenor) (in 1986-02)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1986-02)
conductor:
Bernard Haitink (conductor) (in 1986-02)
Tonmeister(in):
Stuart Eltham (engineer) (in 1986-02)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1986-02)
recording of:
Così fan tutte: Atto I. No. 17. Aria “Un’aura amorosa” (Ferrando) (in 1986-02)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:45
24Piano Concerto No. 20 in D Minor, K. 466 II. Romanze (Excerpt)
Klavier:
Annie Fischer (pianist)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir Adrian Boult (conductor)
teilweise recording of:
Concerto for Piano no. 20 in D minor, K. 466: II. Romanze
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1785)
Teil von:
Concerto for Piano no. 20 in D minor, K. 466
Wolfgang Amadeus Mozart6:16
25Le nozze di Figaro, K. 492, Act 3 Sull'aria ... Che soave zeffiretto (Contessa, Susanna)
Soprangesang:
Felicity Lott (soprano) und Gianna Rolandi (American soprano)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Bernard Haitink (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Sull’aria… che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull’aria)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart3:06
26Clarinet Quintet in A Major, K. 581 II. Larghetto
Klarinette:
Sabine Meyer (clarinetist)
Saiteninstrumente:
Wiener Streichsextett (Vienna String Sextet)
recording of:
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": II. Larghetto
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1789)
Teil von:
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet"
Wolfgang Amadeus Mozart6:30
27Ave verum corpus, K. 618
Produzent(in):
James Mallinson (producer)
Chorgesang:
Stockholmer Kammerchor (Stockholm Chamber Choir) (von 1987-02-14 bis 1987-02-15) und Swedish Radio Choir (Swedischer Rundfunkchor) (von 1987-02-14 bis 1987-02-15)
Orchester:
Berliner Philharmoniker (von 1987-02-14 bis 1987-02-15)
conductor:
Riccardo Muti (conductor) (von 1987-02-14 bis 1987-02-15)
chorus master:
Eric Ericson (von 1987-02-14 bis 1987-02-15)
Tonmeister(in):
John Kurlander (engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
aufgenommen bei:
Berliner Philharmonie in Mitte, Berlin, Deutschland (von 1987-02-14 bis 1987-02-15)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ) (von 1987-02-14 bis 1987-02-15)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (bis 1791-06-18)
Teil von:
Köchelverzeichnis (first edition, 1862, K¹) (Nummer: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (Nummer: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (Nummer: K. 618), Köchelverzeichnis (original numbering) (Nummer: 618) und Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (Nummer: K. 618)
Wolfgang Amadeus Mozart3:26
28Serenade in B-Flat Major, K. 361370a, Gran Partita III. Adagio
Instrumente:
London Philharmonic Orchestra Wind Ensemble
recording of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”: III. Adagio
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1781)
Teil von:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”
Wolfgang Amadeus Mozart6:04
29Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2, Moonlight I. Adagio sostenuto (Excerpt)
Klavier:
Dame Moura Lympany (British pianist)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
teilweise recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (Sonate für Klavier Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondscheinsonate": I. Adagio sostenuto)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1801)
Teil von:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight” (Klaviersonate No. 14 in cis-Moll, Op. 27 No. 2 "Mondschein")
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (Sonate für Klavier Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondscheinsonate": I. Adagio sostenuto)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1801)
Teil von:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight” (Klaviersonate No. 14 in cis-Moll, Op. 27 No. 2 "Mondschein")
Ludwig van Beethoven3:57
306 Minuets, WoO 10, No. 2 in G Major
Klavier:
Moura Lympany (British pianist)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
6 Minuets for Piano, WoO 10: No. 2 in G major
Komponist(in):
Ludwig van Beethoven (German composer) (in 1795)
Teil von:
6 Minuets for Piano, WoO 10
Ludwig van Beethoven2:54
31Piano Concerto No. 5 in E-Flat Major, Op. 73, Emperor II. Adagio un poco mosso
Harfe:
Julia Thornton
arranger:
Craig Leon (musician, arranger, composer and producer)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso (catch-all for arrangements)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1809)
Arrangement von:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso
Ludwig van Beethoven7:01
32Piano Sonata No. 8 in C Minor, Op. 13, Pathétique II. Adagio cantabile
Sound-Engineering:
Mike Hatch (engineer/editor)
Produzent(in):
John Fraser (UK producer)
Editing:
Jennifer Howells und Jørn Pedersen
Klavier:
Stephen Kovacevich (classical pianist, aka Stephen Bishop) (in 1997-05)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1997-05)
recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile (Klaviersonate Nr. 8 c-Moll, op. 13 "Sonate pathétique": II. Adagio cantabile) (in 1997-05)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1798)
Teil von:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
Ludwig van Beethoven55:33
33Bagatelle No. 25 in A Minor, WoO 59, Für Elise
Klavier:
Dame Moura Lympany (British pianist)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59)
Komponist(in):
Ludwig van Beethoven (German composer) (von 1808 bis 1810)
Teil von:
Classic 100: Piano (2004) (Nummer: 15), Classic 100: Piano (2025) (Nummer: 17) und Kinsky catalogue (Beethoven WoO works) (Nummer: WoO 59)
Ludwig van Beethoven3:20
34Symphony No. 6 in F Major, Op. 68 Pastoral V. Hirtengesang - Frohe und dankbare Gefühle nach dem Sturm
Orchester:
Philadelphia Orchestra (The Philadelphia Orchestra) und Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
teilweise recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm” (Sinfonie Nr. 6 in F-Dur, Op. 68 "Pastorale": V. "Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm" Allegretto)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1808)
Teil von:
Symphony no. 6 in F major, op. 68 “Pastorale”
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm” (Sinfonie Nr. 6 in F-Dur, Op. 68 "Pastorale": V. "Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm" Allegretto)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1808)
Teil von:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven6:41
35Piano Concerto No. 21 in C Major, K. 467 II. Andante
Klavier:
Stephen Hough (pianist) (in 1987-05)
Orchester:
Hallé Orchestra (in 1987-05)
conductor:
Bryden Thomson (conductor) (in 1987-05)
aufgenommen bei:
Free Trade Hall in Manchester, Greater Manchester, England, Vereinigtes Königreich (in 1987-05)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1987-05)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1785 bis 1785-03-09)
Teil von:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart6:46
36Norma, Act 1 Casta diva (Norma, Chorus)
Produzent(in):
Walter Jellinek (British classical producer) und Walter Legge (British classical producer)
Editing:
Jennifer Howells
Chorgesang:
Coro del Teatro alla Scala di Milano (von 1960-09-05 bis 1960-09-12)
Soprangesang [Norma]:
Maria Callas (soprano) (von 1960-09-05 bis 1960-09-12)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (von 1960-09-05 bis 1960-09-12)
conductor:
Tullio Serafin (conductor) (von 1960-09-05 bis 1960-09-12)
chorus master:
Norberto Mola (chorus master) (von 1960-09-05 bis 1960-09-12)
Tonmeister(in):
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (von 1960-09-05 bis 1960-09-12)
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (von 1960-09-05 bis 1960-09-12)
Komponist(in):
Vincenzo Bellini (Sicilian opera composer) (bis 1831)
Librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (bis 1831)
Teil von:
Norma: Atto I
Vincenzo Bellini5:35
37Goldberg Variations, BWV 988 I. Aria
recording engineer:
Daniel Michel (recording engineer)
Produzent(in):
Alain Lanceron
Klavier:
Maria Tipo (pianist) (von 1986-06-26 bis 1986-06-28)
aufgenommen bei:
Salle Wagram in Paris, Île-de-France, Frankreich (von 1986-06-26 bis 1986-06-28)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (von 1986-06-26 bis 1986-06-28)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 26)
Teil von:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach3:05
38Miserere Opening (Excerpt)
Baritongesang, bass-baritone vocals [cantor], Bass-Gesang [Cantor] und sonstiger Gesang [cantor]:
Gerald Finley (bass-baritone)
Chorgesang:
Choir of King’s College, Cambridge (in 1984)
Diskantstimme:
Timothy Beasley-Murray (treble vocalist) (in 1984)
vocals:
Gerald Finley (bass-baritone) (in 1984)
conductor:
Stephen Cleobury (organist, conductor)
chorus master:
Stephen Cleobury (organist, conductor) (in 1984)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
teilweise recording of:
Miserere mei, Deus
Komponist(in):
Gregorio Allegri (composer)
quotes lyrics from:
Miserere mei (words from Psalm 51)
Gregorio Allegri5:48
39Stabat Mater in F Minor, P. 77 I. Stabat Mater dolorosa (Soprano, Alto)
Produzent(in):
Tolga Kaşif (Tolga Kashif, composer and conductor)
Countertenorgesang:
Robin Blaze (countertenor)
Soprangesang:
Lesley Garrett (soprano)
Orchester:
The London Session Orchestra
conductor:
Paul Daniel (conductor)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa
Komponist(in):
Giovanni Battista Pergolesi (composer)
Teil von:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi3:57
40String Quintet in C Major, D. 956 II. Adagio (Opening)
Cello:
Laszlo Varga (cellist)
Interpret(in):
Hungarian Quartet (1935-1972)
teilweise recording of:
String Quintet in C major, D. 956: II. Adagio
Komponist(in):
Franz Schubert (composer) (in 1828)
Teil von:
String Quintet in C major, D. 956
Franz Schubert4:39
41Clarinet Concerto in A Major, K. 622 II. Adagio
Bassettklarinette:
Sabine Meyer (clarinetist) (von 1990-06-06 bis 1990-06-08)
Orchester:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (von 1990-06-06 bis 1990-06-08)
conductor:
Hans Vonk (conductor) (von 1990-06-06 bis 1990-06-08)
phonographisches Urheberrecht (℗) von:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1990)
aufgenommen bei:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Deutschland (von 1990-06-06 bis 1990-06-08)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Konzert für Klarinette und Orchester A-Dur, KV 622: II. Adagio) (von 1990-06-06 bis 1990-06-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1791-09-28 bis 1791-10-07)
Teil von:
Concerto for Clarinet in A major, K. 622 (Konzert für Klarinette und Orchester A-Dur, KV 622)
Wolfgang Amadeus Mozart6:39
42Piano Concerto No. 2 in C Minor, Op. 18 II. Adagio sostenuto (Opening)
Klavier:
Cécile Ousset (French pianist)
Orchester:
City of Birmingham Symphony Orchestra
conductor:
Simon Rattle (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
teilweise recording of:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Premiere in:
Moscow (Moskau), Russland (am 1900-12-15)
Komponist(in):
Sergei Rachmaninoff (Sergei Rachmaninow, Russian composer) (von 1900 bis 1901-04)
Teil von:
Piano Concerto no. 2 in C minor, op. 18
Sergei Rachmaninoff4:32
43The Deer Hunter No. 1, Cavatina
Gitarre:
Thibaut Garcia (guitarist)
recording of:
Cavatina (theme from The Deer Hunter, for guitar)
Komponist(in):
Stanley Myers
publisher:
EMI Music Publishing (do not use as a release label!), Robbins Music Corp. und Robbins Music Corp. Ltd.
Stanley Myers3:23
44Symphony No. 5 in C-Sharp Minor IV. Adagietto (Conclusion)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Barbirolli (conductor and cellist)
teilweise recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam
Komponist(in):
Gustav Mahler (composer) (von 1901 bis 1902)
Teil von:
Symphony no. 5 (5. Sinfonie)
Gustav Mahler3:07
45Adagio for Strings, Op. 11a
Orchester:
The Philadelphia Orchestra (in 1957, in 1985)
conductor:
Eugene Ormandy (conductor) (in 1957, in 1985)
recording of:
Adagio for Strings (in 1957)
Orchestrator(in):
Samuel Barber (American composer) (in 1938)
Komponist(in):
Samuel Barber (American composer) (in 1936)
uraufgeführt von:
NBC Symphony Orchestra (am 1938-11-05) und Arturo Toscanini (conductor) (am 1938-11-05)
Premiere bei:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) und G. Schirmer Inc.
Arrangement von:
String Quartet, op. 11: II. Molto adagio
teilweise recording of:
Adagio for Strings
Orchestrator(in):
Samuel Barber (American composer) (in 1938)
Komponist(in):
Samuel Barber (American composer) (in 1936)
uraufgeführt von:
NBC Symphony Orchestra (am 1938-11-05) und Arturo Toscanini (conductor) (am 1938-11-05)
Premiere bei:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) und G. Schirmer Inc.
Arrangement von:
String Quartet, op. 11: II. Molto adagio
Samuel Barber36:21
46Suite for Variety Orchestra No. 1, Op. 50b VII. Waltz No. 2
Orchester:
The Philadelphia Orchestra
conductor:
Mariss Jansons (Latvian conductor)
recording of:
Suite for Variety Orchestra: VII. Waltz II. Allegretto poco moderato (formerly thought to be from 2nd Jazz Suite)
Komponist(in):
Дмитрий Дмитриевич Шостакович (Dmitri Dmitrijewitsch Schostakowitsch, composer)
Teil von:
Suite for Variety Orchestra
Dmitri Shostakovich3:44
47Any Other Name (From American Beauty)
recording engineer:
Dennis Sands (American sound engineer)
assistierende(r) Techniker(in):
Tom Hardisty (film score engineer) und David Marquette
Produzent(in):
Bill Bernstein, Nikolaj Bloch, Sally Herbert (violinist, composer, and conductor) und Thomas Newman (American score composer)
Mix:
Tom Hardisty (film score engineer) und Dennis Sands (American sound engineer)
assistierendes Editing:
Jordan Corngold
Editing:
Bill Bernstein
Interpret(in):
Nikolaj Bloch und Sally Herbert (violinist, composer, and conductor)
phonographisches Urheberrecht (℗) von:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records) (, in 1999, in 2000)
mixed at:
Signet Sound Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Any Other Name
Orchestrator(in):
Thomas Pasatieri
Komponist(in):
Thomas Newman (American score composer)
publisher:
Cherry Lane Music und Cherry Lane Music Publishing Company Inc.
Teil von:
American Beauty (1999)
Thomas Newman3.44:08
48Main Theme (From Schindler's List)
Geige / Violine:
Tasmin Little (violinist) (in 1994)
Orchester:
New World Philharmonic (in 1994)
conductor:
Iain Sutherland (British conductor) (in 1994)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1994)
recording of:
Main Theme (Schindler’s List) (in 1994)
Komponist(in):
John Williams (American score composer) (in 1993)
publisher:
Chester Music Ltd., MCA Music Ltd. und Universal/MCA Music (music publisher; do not use as release label!)
Teil von:
Schindler's List
Teil von:
Three Pieces from Schindler’s List
John Williams5:06
49Gabriel's Oboe (From The Mission)
recording of:
Gabriel’s Oboe (The Mission, main theme)
publisher:
Ennio Morricone (Italian classical and score composer)
Orchestrator(in) und Komponist(in):
Ennio Morricone (Italian classical and score composer)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) und Virgin Music (Publishers) Ltd.
Teil von:
The Mission
Ennio Morricone3:42
50Tárrega Recuerdos de la Alhambra
recording engineer:
Hugues Deschaux (von 2016-04-08 bis 2016-04-14)
Produzent(in):
Hugues Deschaux
klassiche Gitarre:
Thibaut Garcia (guitarist) (von 2016-04-08 bis 2016-04-14)
phonographisches Urheberrecht (℗) von:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2016)
aufgenommen bei:
Maladrerie Saint-Lazare de Voisinlieu in Beauvais, Oise, Hauts-de-France, Frankreich (von 2016-04-08 bis 2016-04-14)
recording of:
Recuerdos de la Alhambra (Memories of the Alhambra) (von 2016-04-08 bis 2016-04-14)
Komponist(in):
Francisco Tárrega (Spanish composer and guitarist)
Francisco Tárrega4:12
51My Heart Will Go On (Love Theme from Titanic)
Geige / Violine:
David Abel (violinist/violist)
Orchester:
Shearman Orchestra
conductor:
David Abel (conductor)
arranger:
James Shearman (conductor, orchestrator, composer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
instrumental recording of:
My Heart Will Go On
Texter:
Will Jennings
Komponist(in):
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (bis 2014-12-31) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (vom 2015-01-01 bis heute)
Teil von:
The 70th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1997 winner)
Teil von:
Titanic
James Horner and Will Jennings4:22
52Carmen, WD 31, Act 3 Entr'acte
Orchester:
Orchestre national de France (Französisches Nationalorchester, RTF / ORTF / Radio France)
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
Komponist(in):
Georges Bizet (French composer)
Librettist:
Ludovic Halévy (French librettist) und Henri Meilhac
Teil von:
Carmen : Acte III
Teil von:
Carmen: Act III (english lyrics)
Teil von:
Carmen: Akt 3 (German translation, Julius Hopp)
Teil von:
Carmen: Atto III (italian lyrics)
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III)
Komponist(in):
Georges Bizet (French composer)
basiert auf:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
Teil von:
Carmen Suite no. 1
Georges Bizet2:35
53Thaïs, Act 2 Méditation
Jules Massenet5:02
54Cantique de Jean Racine, Op. 11. Andante (Version with Organ)
Orgel:
Stephen Farr (British organist) (von 1996-06-17 bis 1996-07-02)
Chorgesang:
Winchester Cathedral Choir (von 1996-06-17 bis 1996-07-02)
conductor:
David Hill (British organist and conductor) (von 1996-06-17 bis 1996-07-02)
aufgenommen bei:
Winchester Cathedral in Winchester, Hampshire, England, Vereinigtes Königreich (von 1996-06-17 bis 1996-07-02)
recording of:
Cantique de Jean Racine, op. 11 (for choir and piano or organ) (von 1996-06-17 bis 1996-07-02)
Texter:
Jean Racine (French dramatist)
Komponist(in):
Gabriel Fauré (French composer) (in 1865)
gewidmet:
César Franck (Belgian‐born French composer)
Teil von:
Works of Gabriel Fauré by opus number (Nummer: op. 11)
Gabriel Fauré5:48
55A Midsummer Night's Dream, Op. 61, MWV M 13 No. 7, Notturno (Con moto tranquillo)
Orchester:
Orchestra of the Age of Enlightenment
conductor:
Charles Mackerras (Australian conductor)
recording of:
Ein Sommernachtstraum, op. 61: 7. Notturno. Con moto tranquillo
Komponist(in):
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (in 1842)
Teil von:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn5:52
56Requiem, Op. 48 VII. In Paradisum
Produzent(in):
Christopher Bishop (conductor/producer)
Orgel [organ]:
John Wells (concert organist and composer)
Baritongesang [baritone]:
John Carol Case (English baritone)
Chorgesang:
Choir of King’s College, Cambridge
Diskantstimme [treble]:
Robert Chilcott
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
David Willcocks (UK composer, organist, choral conductor)
Tonmeister(in):
Neville Boyling (engineer)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version)
Komponist(in):
Gabriel Fauré (French composer) (von 1886 bis 1900)
publisher:
Éditions Durand (1947–present)
enthalten in:
28 Days Later
Teil von:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:47
57Le Carnaval des Animaux, R. 125 XIII. Le Cygne (Andantino grazioso)
Harfe:
Aline Brewer (harpist)
Solo-Cello:
Han‐na Chang (South Korean conductor and cellist)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leonard Slatkin (conductor)
arranger:
Chris Hazell
recording of:
Le Carnaval des animaux: XIII. Le Cygne (catch-all for arrangements)
Komponist(in):
Camille Saint‐Saëns (composer)
Arrangement von:
Le Carnaval des animaux : XIII. Le Cygne (Der Karneval der Tiere: XIII. Der Schwan, part of orig. Carnival of the Animals, for cello and dual piano)
Teil von:
Le Carnaval des animaux (catch-all for arrangements)
Camille Saint‐Saëns3:18
58Cello Concerto in E Minor, Op. 85 III. Adagio
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Cello:
Jacqueline du Pré (cellist) (am 1965-08-19)
Orchester:
London Symphony Orchestra (am 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1965-08-19)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1965-08-19)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: III. Adagio (am 1965-08-19)
Komponist(in):
Edward Elgar (composer) (von 1918 bis 1919)
Teil von:
Cello Concerto in E minor, op. 85
Edward Elgar5:18
59Violin Concerto No. 1 in G Minor, Op. 26 II. Adagio (Opening)
Geige / Violine:
Yehudi Menuhin (violinist)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Walter Süsskind (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
teilweise recording of:
Violin Concerto no. 1 in G minor, op. 26: II. Adagio (Konzert für Violine und Orchester Nr. 1 g-Moll, Op. 26: II. Adagio)
Komponist(in):
Max Bruch (composer and conductor) (von 1866 bis 1867)
Teil von:
Violin Concerto no. 1 in G minor, op. 26
recording of:
Violin Concerto no. 1 in G minor, op. 26: II. Adagio (Konzert für Violine und Orchester Nr. 1 g-Moll, Op. 26: II. Adagio)
Komponist(in):
Max Bruch (composer and conductor) (von 1866 bis 1867)
Teil von:
Violin Concerto no. 1 in G minor, op. 26
Max Bruch4:25
60Peer Gynt Suite No. 1, Op. 46 No. 1, Morning Mood
Produzent(in):
John Fraser (UK producer)
Orchester:
Academy of St Martin in the Fields (von 1982-07-28 bis 1982-07-30)
conductor:
Sir Neville Marriner (conductor) (von 1982-07-28 bis 1982-07-30)
Tonmeister(in):
Stuart Eltham (engineer)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1982-07-28 bis 1982-07-30)
recording of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning (von 1982-07-28 bis 1982-07-30)
Komponist(in):
Edvard Grieg (composer) (in 1875)
Librettist:
Henrik Ibsen (in 1867)
Teil von:
Peer Gynt, op. 23
Edvard Grieg4:17
61Pavane in F-Sharp Minor, Op. 50 (Orchestral Version)
Produzent(in):
Christopher Bishop (conductor/producer)
flute:
Gareth Morris (British flautist) (in 1968)
Chorgesang:
Choir of King’s College, Cambridge
Orchester:
NPO (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1968)
conductor:
David Willcocks (UK composer, organist, choral conductor) (in 1968)
Tonmeister(in):
Neville Boyling (engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recording of:
Pavane, op. 50 (catch-all for arrangements and unknown versions)
Komponist(in):
Gabriel Fauré (French composer)
Arrangement von:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré6:50
62Violin Concerto No. 2 in E Minor, Op. 64 II. Andante (Excerpt)
Geige / Violine:
Yehudi Menuhin (violinist)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Efrem Kurtz (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
teilweise recording of:
Violinkonzert in e-Moll, op. 64: II. Andante (Concerto for Violin and Orchestra in E minor, op. 64: II. Andante)
Komponist(in):
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (von 1838 bis 1844-09-16)
überarbeitet von:
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (in 1845)
Teil von:
Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)
Felix Mendelssohn4:30
63Lakmé, Act 1 Dôme épais, le jasmin (Lakmé, Mallika)
Mezzosoprangesang:
Danielle Millet (mezzo-soprano) (von 1970-09-17 bis 1970-12-21)
Soprangesang:
Mady Mesplé (soprano) (von 1970-09-17 bis 1970-12-21)
Orchester:
Orchestre du Théâtre National de l’Opéra‐Comique (von 1970-09-17 bis 1970-12-21)
conductor:
Alain Lombard (conductor) (von 1970-09-17 bis 1970-12-21)
phonographisches Urheberrecht (℗) von:
EMI France (in 1971)
Bearbeitung von:
Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika) von Mady Mesplé (soprano), Danielle Millet (mezzo-soprano), Orchestre du Théâtre National de l’Opéra‐Comique, Alain Lombard (conductor)
teilweise recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika) (von 1970-09-17 bis 1970-12-21)
Komponist(in):
Léo Delibes (French composer)
Librettist:
Philippe Gille und Edmond Gondinet
publisher:
Jenkinsongs Ltd.
Teil von:
Lakmé : Acte I
Léo Delibes3:30
64Symphony No. 9 in E Minor, Op. 95, B. 178 From the New World II. Largo (Opening)
Orchester:
Oslo Philharmonic Orchestra (Oslo Philharmonic)
conductor:
Mariss Jansons (Latvian conductor)
teilweise recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt": II. Largo)
Komponist(in):
Antonín Dvořák (composer) (von 1893-01-10 bis 1893-05-24)
Teil von:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt")
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt": II. Largo)
Komponist(in):
Antonín Dvořák (composer) (von 1893-01-10 bis 1893-05-24)
Teil von:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt")
Antonín Dvořák4:47
65Les Contes d'Hoffmann, Act 4 Belle nuit, ô nuit d'amour (Barcarolle) [Nicklausse, Giulietta, Chorus]
Produzent(in):
David R. Murray
Chorgesang:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Théâtre Royal de la Monnaie, Chorus of the Belgian National Opera) (in 1988-06)
Mezzosoprangesang [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
Soprangesang [Giulietta]:
Jessye Norman (soprano) (in 1988-06)
Orchester:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
Tonmeister(in):
Michael Gray (UK classical recording engineer)
aufgenommen bei:
Palais des Beaux-Arts (Centre for Fine Arts) in Brussels (Region Brüssel-Hauptstadt), Belgien (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités) (in 1988-06)
Komponist(in):
Jacques Offenbach (German-French composer, cellist and impresario)
Teil von:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach4:23
66Variations on an Original Theme, Op. 36, Enigma IX. Nimrod (Adagio)
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
London Symphony Orchestra (von 1970-08-04 bis 1970-08-06)
conductor:
Sir Adrian Boult (conductor) (von 1970-08-04 bis 1970-08-06)
Tonmeister(in):
Michael Gray (UK classical recording engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971) und Warner Classics (in 2002)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1970-08-04 bis 1970-08-06)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (von 1970-08-04 bis 1970-08-06)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
Komponist(in):
Edward Elgar (composer) (in 1899)
gewidmet:
Augustus J. Jaeger
Teil von:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar3:57
67Rusalka, Op. 114, B. 203, Act 1 Mesicku na nebi hlubokém (Rusalka)
Soprangesang:
Lesley Garrett (soprano) und Lucia Popp (soprano)
Soprangesang [Rusalka]:
Lucia Popp (soprano)
Orchester:
Munich Radio Symphony Orchestra (The Munich Radio Orchestra) und Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Andrew Greenwood (conductor) und Stefan Soltész (conductor)
recording of:
Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) (Rusalka, op. 114, B. 203: Act 1. "Song to the Moon", Song to the Moon)
Komponist(in):
Antonín Dvořák (composer) (von 1900-04-21 bis 1900-11-27)
Teil von:
Rusalka, op. 114, B. 203: 1. jednání
Antonín Dvořák35:55
68Cavalleria rusticana Intermezzo
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1979)
conductor:
Riccardo Muti (conductor) (in 1979)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1980)
recording of:
Cavalleria rusticana: Intermezzo (in 1979)
Komponist(in):
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
Teil von:
Cavalleria rusticana
Teil von:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:43
69Rhapsody on a Theme of Paganini, Op. 43 Variation XVIII (Andante cantabile)
Produzent(in):
John Fraser (UK producer) (von 1984-05-03 bis 1984-05-04)
Klavier:
Cécile Ousset (French pianist) (von 1984-05-03 bis 1984-05-04)
Orchester:
City of Birmingham Symphony Orchestra (von 1984-05-03 bis 1984-05-04)
conductor:
Simon Rattle (conductor) (von 1984-05-03 bis 1984-05-04)
Tonmeister(in):
Michael Sheady (engineer) (von 1984-05-03 bis 1984-05-04)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
aufgenommen bei:
Warwick Arts Centre: Butterworth Hall in Coventry, West Midlands, England, Vereinigtes Königreich (von 1984-05-03 bis 1984-05-04)
recording of:
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile (von 1984-05-03 bis 1984-05-04)
Komponist(in):
Sergei Rachmaninoff (Sergei Rachmaninow, Russian composer) (von 1934-07-03 bis 1934-08-18)
Teil von:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
Sergei Rachmaninoff3:06
70Dolly Suite, Op. 56 I. Berceuse (For Piano 4-Hands)
Klavier:
Jean‐Philippe Collard (French classical pianist) und Bruno Rigutto (pianist)
aufgenommen bei:
Salle Wagram in Paris, Île-de-France, Frankreich (von 1970 bis 1983)
recording of:
Dolly, op. 56 : I. Berceuse (for piano four hands)
Komponist(in):
Gabriel Fauré (French composer) (von 1894 bis 1897)
Teil von:
Dolly, op. 56 (for piano four hands)
Gabriel Fauré2:37
713 Nocturnes, Op. 9 No. 2 in E-Flat Major
Klavier:
John Ogdon (pianist and composer)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1968-06-14 bis 1968-06-16)
recording of:
Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (von 1830 bis 1832)
Teil von:
Classic 100: Piano (2025) (Nummer: 3) und Classic 100: Piano (2004) (Nummer: 18)
Teil von:
Nocturnes, op. 9 (original for piano)
Fryderyk Chopin5:18
723 Liebesträume, S. 541 No. 3 in A-Flat Major
Klavier:
John Ogdon (pianist and composer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recording of:
Liebesträume, S. 541: No. 3 Liebestraum As‐Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano)
Komponist(in):
Franz Liszt (Hungarian composer, pianist and conductor) (in 1850)
Klavier arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
Arrangement von:
O lieb, so lang du lieben kannst, S. 298/2 (second version)
Teil von:
Liebesträume, S. 541
Franz Liszt4:30
73Berceuse in D-Flat Major, Op. 57
Klavier:
Peter Donohoe (British classical pianist)
recording of:
Berceuse in D‐flat major, op. 57
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer)
gewidmet:
Elise Gavard
Teil von:
Works of Fryderyk Chopin by opus number (Nummer: op. 57)
Fryderyk Chopin4:24
74Piano Concerto in A Minor, Op. 16 II. Adagio
Produzent(in):
John Fraser (UK producer)
Klavier:
Cécile Ousset (French pianist) (in 1984-07)
Orchester:
London Symphony Orchestra (in 1984-07)
conductor:
Sir Neville Marriner (conductor) (in 1984-07)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1984-07)
recording of:
Concerto in A minor for Piano and Orchestra, op. 16: II. Adagio (in 1984-07)
Komponist(in):
Edvard Grieg (composer) (in 1868)
Teil von:
Concerto in A minor for Piano and Orchestra, op. 16
Edvard Grieg6:28
75Kinderszenen, Op. 15 VII. Träumerei
Klavier:
Dame Moura Lympany (British pianist)
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano)
Komponist(in):
Robert Schumann (German classical composer) (in 1838)
Teil von:
Classic 100: Piano (2004) (Nummer: 17)
Teil von:
Kinderszenen, op. 15
Robert Schumann2:39
7612 Etudes, Op. 10 No. 3 in E Major, Tristesse
Klavier:
John Ogdon (pianist and composer)
recording of:
Étude in E major, op. 10 no. 3: Lento ma non troppo
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (in 1832)
Teil von:
Études, op. 10
Fryderyk Chopin4:16
7716 Waltzes, Op. 39 No. 15 in A-Flat Major
Klavier:
Adolph Drescher (Pianist) und Dame Moura Lympany (British pianist)
recording of:
Walzer, op. 39: Nr. 15 As-dur (Zu zwei Händen; for piano two hands)
Komponist(in):
Johannes Brahms (German composer) (in 1865)
Arrangement von:
16 Waltzes, op. 39: No. 15 in A-flat major (for piano four hands)
Version von:
16 Waltzes, op. 39: No. 15 in A-flat major (for piano four hands)
Teil von:
16 Walzer, op. 39 (16 Waltzes, op. 39, Zu zwei Händen)
Johannes Brahms1:39
78Piano Concerto No. 1 in E Minor, Op. 11 II. Romance (Larghetto) [Opening]
Klavier:
Martha Argerich (Argentine pianist)
Orchester:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra)
conductor:
Charles Dutoit (conductor)
teilweise recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (von 1830-04 bis 1830-09)
Teil von:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11 (Klavierkonzert Nr. 1 e-Moll, op. 11)
recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (von 1830-04 bis 1830-09)
Teil von:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11 (Klavierkonzert Nr. 1 e-Moll, op. 11)
Fryderyk Chopin3:53
7924 Préludes, L. 125, L. 117, Book 1 VIII. La Fille aux cheveux de lin
Klavier:
Dame Moura Lympany (British pianist)
recording of:
Préludes, Livre I, L. 117, CD 125: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (The Girl with the Flaxen Hair)
Komponist(in):
Claude Debussy (French composer) (von 1909-12 bis 1910-02)
Premiere bei:
[concert] (1910-06-02)
Teil von:
Préludes, Livre I, L. 117, CD 125
Claude Debussy2:37
8024 Preludes, Op. 28 No. 15 in D-Flat Major, Raindrop (Sostenuto)
Klavier:
Dmitri Alexeev (pianist)
recording of:
Prélude no. 15 in D‐flat major, op. 28 “Raindrop”: Sostenuto
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (von 1836 bis 1839)
Teil von:
24 Préludes pour le piano, op. 28
Fryderyk Chopin5:53
81Pavane pour une infante défunte, M. 19
Maurice Ravel5:46
823 Gymnopédies No. 1, Lent et douloureux
Klavier:
Anne Queffélec (pianist)
Orchester:
London Symphony Orchestra
recording of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
Komponist(in):
Erik Satie (French composer) (von 1888-02 bis 1888-04)
Teil von:
Classic 100: Piano (2004) (Nummer: 4)
Teil von:
Gymnopédies
Erik Satie3:32
836 Gnossiennes No. 1, Lent (Recorded 1988)
Klavier:
Anne Queffélec (pianist) (in 1988)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988) und Virgin Classics (absorbed into Erato since 2013-07-19) (in 1988)
recording of:
Gnossienne no. 1
Komponist(in):
Erik Satie (French composer) (in 1890)
Teil von:
Trois Gnossiennes
Erik Satie3:25
84Suite bergamasque, L. 82, L. 75 III. Clair de Lune
Klavier:
Dame Moura Lympany (British pianist) (in 1988)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
Komponist(in):
Claude Debussy (French composer) (von 1890 bis 1905)
Teil von:
Classic 100: Piano (2004) (Nummer: 3)
Teil von:
Suite bergamasque, L. 75, CD 82 (for piano)
Claude Debussy5:00
85Piano Concerto No. 2 in F Major, Op. 102 II. Andante
Klavier:
Dmitri Alexeev (pianist) (in 1983-05)
Orchester:
English Chamber Orchestra (in 1983-05)
conductor:
Jerzy Maksymiuk (conductor) (in 1983-05)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1983-05)
recording of:
Piano Concerto no. 2 in F major, op. 102: II. Andante (in 1983-05)
Komponist(in):
Дмитрий Дмитриевич Шостакович (Dmitri Dmitrijewitsch Schostakowitsch, composer) (in 1957)
Teil von:
Piano Concerto no. 2 in F major, op. 102
Dmitri Shostakovich6:05
86Spiegel im Spiegel (Excerpt)
Geige / Violine:
Tasmin Little (violinist) (in 1994)
Klavier:
Martin Roscoe (English classical pianist) (in 1994)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1994)
teilweise recording of:
Spiegel im Spiegel (for violin and piano)
Komponist(in):
Arvo Pärt (Estonian composer) (in 1978)
Teil von:
Classic 100: Piano (2025) (Nummer: 12)
recording of:
Spiegel im Spiegel (for violin and piano)
Komponist(in):
Arvo Pärt (Estonian composer) (in 1978)
Teil von:
Classic 100: Piano (2025) (Nummer: 12)
Arvo Pärt4:04
87Carmina Burana, Pt. 3 In trutina (Soprano)
Techniker(in):
Mike Hatch (engineer/editor)
Produzent(in):
John H. West (classical engineer/producer)
Soprangesang:
Janice Watson (soprano) (von 1994-09-11 bis 1994-09-12)
Orchester:
Bournemouth Symphony Orchestra (von 1994-09-11 bis 1994-09-12)
conductor:
David Hill (British organist and conductor) (von 1994-09-11 bis 1994-09-12)
aufgenommen bei:
The Lighthouse in Poole, England, Vereinigtes Königreich (von 1994-09-11 bis 1994-09-12)
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia (von 1994-09-11 bis 1994-09-12)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff2:43
88Fantasia on Greensleeves
Produzent(in):
Victor Olof
Orchester:
Sinfonia of London (original Gordon Walker formed orchestra) und Sinfonia of London (John Wilson’s session orchestra) (von 1962-05-10 bis 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1962-05-10 bis 1962-05-11)
arranger:
Ralph Greaves (in 1934)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1962-05-10 bis 1962-05-11)
recording of:
Fantasia on “Greensleeves” (von 1962-05-10 bis 1962-05-11)
Komponist(in):
Ralph Vaughan Williams (English composer) (von 1924 bis 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
basiert auf:
Greensleeves (generic entry for traditional and unknown arrangements)
basiert auf:
Lovely Joan (traditional English folk song)
basiert auf:
Sir John in Love
Ralph Vaughan Williams4:40
89Chants d'Auvergne, Book 1 No. 2, Baïlèro
Soprangesang:
Arleen Augér (soprano)
Orchester:
English Chamber Orchestra
conductor:
Yan Pascal Tortelier (conductor and violinist)
recording of:
Chants d'Auvergne: Première Série: No. 2. Baïlèro
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Joseph Canteloube
Teil von:
Chants d'Auvergne: Première Série
Joseph Canteloube6:42
90Ma mère l'Oye, M. 60 VII. Apothéose. Le Jardin féérique (Lent et grave)
recording engineer:
René Möller (von 2008-09-24 bis 2008-09-28)
Produzent(in):
Christophe Franke (engineer/producer)
Orchester:
Berliner Philharmoniker (von 2008-09-24 bis 2008-09-28)
conductor:
Simon Rattle (conductor) (von 2008-09-24 bis 2008-09-28)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2009)
aufgenommen bei:
Berliner Philharmonie in Mitte, Berlin, Deutschland (von 2008-09-24 bis 2008-09-28)
live recording of:
Ma mère l’Oye : Tableau VI : Le Jardin féerique (von 2008-09-24 bis 2008-09-28)
Komponist(in):
Maurice Ravel (French composer)
publisher:
Ed. Durand & Cie (1909–1947) und Soc. Arima (rights society?)
Teil von:
Ma mère l’Oye (ballet)
Maurice Ravel4:02
91Requiem III. Pie Jesu
Produzent(in):
Simon Woods (producer)
Chorgesang:
Choir of King’s College, Cambridge (von 1997-07-15 bis 1997-07-18)
Diskantstimme:
Edward Saklatvala (tenor)
Orchester:
City of London Sinfonia (chamber orchestra) (von 1997-07-15 bis 1997-07-18)
conductor:
Stephen Cleobury (organist, conductor) (von 1997-07-15 bis 1997-07-18)
chorus master:
Stephen Cleobury (organist, conductor)
Tonmeister(in):
Simon Rhodes (senior recording engineer at Abbey Road Studios) (von 1997-07-15 bis 1997-07-18)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (von 1997-07-15 bis 1997-07-18)
recording of:
Requiem: III. Pie Jesu (von 1997-07-15 bis 1997-07-18)
Komponist(in):
John Rutter (English choral music composer, conductor, arranger and producer, born 1945) (in 1985)
publisher:
Oxford University Press
Teil von:
Requiem
John Rutter3:35
92Concierto de Aranjuez II. Adagio
Solo-klassiche Gitarre:
Julian Bream
Orchester:
City of Birmingham Symphony Orchestra
conductor:
Simon Rattle (conductor)
recording of:
Concierto de Aranjuez: II. Adagio
Komponist(in):
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
Teil von:
Concierto de Aranjuez
Joaquín Rodrigo10:54
93Requiem VII. Pie Jesu (Soprano, Boy Soprano, Chorus)
Soprangesang:
Jane Gilchrist
recording of:
Requiem: Pie Jesu
Texter und Komponist(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
MCA Music Ltd., The Really Useful Company Limited und The Really Useful Music Co. Ltd. (not for release label use!)
Teil von:
Requiem
Andrew Lloyd Webber2:49
94The Gadfly, Suite Op. 97a No. 8, Romance
Techniker(in):
Mike Hatch (engineer/editor)
Produzent(in):
Andrew Keener (engineer/editor/producer)
Geige / Violine:
Tasmin Little (violinist) (von 1991-07-30 bis 1991-07-31)
Klavier:
Piers Lane (Australian classical pianist) (von 1991-07-30 bis 1991-07-31)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
aufgenommen bei:
St Michael’s Church (Highgate) in Highgate, Camden (London Borough of Camden), Haringey, Islington, London (Greater London), England, Vereinigtes Königreich (von 1991-07-30 bis 1991-07-31)
recording of:
Romance from The Gadfly Suite (for violin and piano) (von 1991-07-30 bis 1991-07-31)
Komponist(in):
Дмитрий Дмитриевич Шостакович (Dmitri Dmitrijewitsch Schostakowitsch, composer)
Arrangement von:
The Gadfly Suite, op. 97a: VIII. Romance
recording of:
The Gadfly Suite, op. 97a: VIII. Romance
Komponist(in):
Дмитрий Дмитриевич Шостакович (Dmitri Dmitrijewitsch Schostakowitsch, composer) (in 1955)
arranger:
Левон Атовмьян (Lev Atovmyan, Russian composer, arranger, editor, and administrator)
Teil von:
The Gadfly Suite, op. 97a
Dmitri Shostakovich3:15
95Concerto for 2 Pianos in D Minor, FP 61 II. Larghetto
Klavier:
Jean‐Bernard Pommier (pianist and conductor) (in 1990-12) und Anne Queffélec (pianist) (in 1990-12)
Orchester:
City of London Sinfonia (chamber orchestra) (in 1990-12)
conductor:
Richard Hickox (conductor) (in 1990-12)
recording of:
Concerto for Two Pianos and Orchestra in D minor, FP 61: II. Larghetto (in 1990-12)
Komponist(in):
Francis Poulenc (French composer and pianist)
Teil von:
Concerto for Two Pianos and Orchestra in D minor, FP 61
Francis Poulenc5:49
96Chants d'Auvergne, Book 3 No. 15, Brezairola
Joseph Canteloube3:44
97The Lark Ascending Opening (Excerpt)
Geige / Violine:
Hugh Bean (violinist)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir Adrian Boult (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
teilweise recording of:
The Lark Ascending (for violin and orchestra)
Komponist(in):
Ralph Vaughan Williams (English composer) (in 1914)
Premiere bei:
[concert] (1921-06-14)
Premiere bei:
Queen’s Hall in London (Greater London), England, Vereinigtes Königreich (am 1921-06-14)
Arrangement von:
The Lark Ascending (for violin and piano)
Ralph Vaughan Williams6:25
986 Beatles Impressions No. 3, Michelle
recording of:
Michelle
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Northern Songs Ltd. und Sony/ATV Music Publishing LLC (1995–2020)
adaptations:
Michelle
Ron Goodwin3:22
99Fantasia on a Theme by Thomas Tallis (Opening)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
teilweise recording of:
Fantasia on a Theme by Thomas Tallis
Komponist(in):
Ralph Vaughan Williams (English composer) (in 1910)
basiert auf:
Nine Psalm Tunes for Archbishop Parker’s Psalter: No. 3 “Why Fum’th in Fight” (Psalm 2)
Ralph Vaughan Williams6:12
100The Planets, Op. 32 II. Venus, the Bringer of Peace (Conclusion)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
teilweise recording of:
The Planets, op. 32: II. Venus, the Bringer of Peace
Komponist(in):
Gustav Holst (composer) (von 1914 bis 1916)
Orchestrierung von:
The Planets, op. 32: II. Venus, the Bringer of Peace (for two pianos)
Teil von:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst6:13

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Teil von:100 Best (EMI Classics) (Reihenfolge: 12)